Staging Haiti in nineteenth-century America: revolution, race and popular performance
American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in th...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York
Cambridge University Press
2023
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| Schriftenreihe: | Cambridge studies in modern theatre
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 22 Nov 2022) |
| Beschreibung: | 1 Online-Ressource (xi, 215 Seiten) |
| ISBN: | 9781009118972 |
| DOI: | 10.1017/9781009118972 |
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| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/9781009118972 |
| format | Electronic eBook |
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| geographic | Haiti / In literature Haiti / Foreign public opinion, American / History / 19th century |
| geographic_facet | Haiti / In literature Haiti / Foreign public opinion, American / History / 19th century |
| id | DE-604.BV048676645 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:24:09Z |
| indexdate | 2024-07-10T09:45:49Z |
| institution | BVB |
| isbn | 9781009118972 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034051093 |
| oclc_num | 1369567016 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (xi, 215 Seiten) |
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| publishDate | 2023 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge studies in modern theatre |
| spelling | Reed, Peter P. 1976- (DE-588)138858047 aut Staging Haiti in nineteenth-century America revolution, race and popular performance Peter P. Reed Cambridge, United Kingdom ; New York Cambridge University Press 2023 1 Online-Ressource (xi, 215 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in modern theatre Title from publisher's bibliographic system (viewed on 22 Nov 2022) American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today American drama / 19th century / History and criticism Theater / United States / History / 19th century American literature / Haitian influences Theater and society / United States / History / 19th century Public opinion / United States / History / 19th century Haiti / In literature Haiti / Foreign public opinion, American / History / 19th century Erscheint auch als Druck-Ausgabe 978-1-00-910052-6 https://doi.org/10.1017/9781009118972 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Reed, Peter P. 1976- Staging Haiti in nineteenth-century America revolution, race and popular performance American drama / 19th century / History and criticism Theater / United States / History / 19th century American literature / Haitian influences Theater and society / United States / History / 19th century Public opinion / United States / History / 19th century |
| title | Staging Haiti in nineteenth-century America revolution, race and popular performance |
| title_auth | Staging Haiti in nineteenth-century America revolution, race and popular performance |
| title_exact_search | Staging Haiti in nineteenth-century America revolution, race and popular performance |
| title_exact_search_txtP | Staging Haiti in nineteenth-century America revolution, race and popular performance |
| title_full | Staging Haiti in nineteenth-century America revolution, race and popular performance Peter P. Reed |
| title_fullStr | Staging Haiti in nineteenth-century America revolution, race and popular performance Peter P. Reed |
| title_full_unstemmed | Staging Haiti in nineteenth-century America revolution, race and popular performance Peter P. Reed |
| title_short | Staging Haiti in nineteenth-century America |
| title_sort | staging haiti in nineteenth century america revolution race and popular performance |
| title_sub | revolution, race and popular performance |
| topic | American drama / 19th century / History and criticism Theater / United States / History / 19th century American literature / Haitian influences Theater and society / United States / History / 19th century Public opinion / United States / History / 19th century |
| topic_facet | American drama / 19th century / History and criticism Theater / United States / History / 19th century American literature / Haitian influences Theater and society / United States / History / 19th century Public opinion / United States / History / 19th century Haiti / In literature Haiti / Foreign public opinion, American / History / 19th century |
| url | https://doi.org/10.1017/9781009118972 |
| work_keys_str_mv | AT reedpeterp staginghaitiinnineteenthcenturyamericarevolutionraceandpopularperformance |