Maus now: selected writing
"Richly illustrated with images from Art Spiegelman's work, 'Maus Now' gathers together many of contemporary culture's leading critics, authors, and academics on the radical achievement and innovation of Maus more than forty years since its first publication. Pulitzer Prize-...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Pantheon Books
[2022]
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Richly illustrated with images from Art Spiegelman's work, 'Maus Now' gathers together many of contemporary culture's leading critics, authors, and academics on the radical achievement and innovation of Maus more than forty years since its first publication. Pulitzer Prize-winning author Art Spiegelman is one of our most influential contemporary artists, and it is hard to overstate his effect on postwar American culture. Maus has shaped the fields of literature, history, and art, and enlivened our collective sense of what these practices can accomplish. Maus Now: Selected Writings collects responses to the work that confirm its unique and terrain-shifting status. Here, writers such as Philip Pullman, Robert Storr, Ruth Franklin, and others approach Maus from a wide range of viewpoints and traditions, inspired by the material's complexity. The book is organized into three very loosely chronological sections: "Contexts," "Problems of Representation," and "Legacy," and offers translations of important French, Hebrew, and German essays on Maus for the first time. Maus is revelatory, and generative, in profound and long-lasting ways. With this collection, American literary scholar (and expert on comics and graphic narratives) Hillary Chute assembles the best work around the globe exploring this classic graphic biography. |
| Beschreibung: | xxvi, 394 Seiten Illustrationen |
| ISBN: | 9780593315774 |
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Datensatz im Suchindex
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Contents Introduction: Maus Now, by Hillary Chute ix Contexts PHILIP PULLMAN Behind the Masks (20 03) 3 JOSHUA BROWN Of Mice and Memory (1988) 9 KEN TUCKER Cats, Mice, and History: The Avant-Garde of the Comic Strip (1985) 27 ADAM GOPNIK Comics and Catastrophe: Art Spiegelman’s Maus and the History of the Cartoon (1987) 33 KURT SCHEEL Mauschwitz? Art Spiegelman’s “A Survivor’s Tale” (1989) 46 DORIT ABUSCH “The Holocaust in Comics?” (1997 and 2021) 53 THOMAS DOHERTY Art Spiegelman’s Maus·. Graphic Art and the Holocaust (1996 and 2020) 69
vi I Contents STEPHEN E. TABACHNICK OfMaus and Memory: The Structure of Art Spiegelman’s Graphic Novel of the Holocaust (1993) 83 Problems of Representation MARIANNE HIRSCH My Travels with Maus, 1992-2020 (1992,1997,2012, and 2020) 107 NANCY K. MILLER Cartoons of the Self: Portrait of the Artist as a Young Murderer—Art Spiegelman’s Maus (1992) 143 MICHAEL ROTHBERG “We Were Talking Jewish”: Art Spiegelman’s Maus as “Holocaust” Production (1994) 161 ALAN ROSEN The Language of Survival: English as Metaphor in Spiegelman’s Maus (1995) 184 TERRENCE DES PRES Holocaust Laughter? (1988) 199 ANDREAS HUYSSEN Of Mice and Mimesis: Reading Spiegelman with Adorno (2003) 217 Legacy ROBERT STORR Making Maus (1991) 239 HILLARY CHUTE “The Shadow of a Past Time”: History and Graphic Representation in Maus (2006) 249 RUTH FRANKLIN Art Spiegelman’s Genre-Defying Holocaust Work, Revisited (2011) 273
Contents Į vii PIERRE-ALBAN DELANNOY Spiegelman, in Nobody’s Land (2009) 280 DAVID SAMUELS Q A with Art Spiegelman, Creator of Maus (2013) 292 HANS KRUSCHWITZ Everything Depends on Images: Reflections on Language and Image in Spiegelman’s Maus (2018) 310 ALISA SOLOMON The Haus ofMaus·. Art Spiegelman’s Twitchy Irreverence (2014) Acknowledgments Notes Works Cited Selected Further Writing on Maus Contributors 332 347 349 385 389 |
| adam_txt |
Contents Introduction: Maus Now, by Hillary Chute ix Contexts PHILIP PULLMAN Behind the Masks (20 03) 3 JOSHUA BROWN Of Mice and Memory (1988) 9 KEN TUCKER Cats, Mice, and History: The Avant-Garde of the Comic Strip (1985) 27 ADAM GOPNIK Comics and Catastrophe: Art Spiegelman’s Maus and the History of the Cartoon (1987) 33 KURT SCHEEL Mauschwitz? Art Spiegelman’s “A Survivor’s Tale” (1989) 46 DORIT ABUSCH “The Holocaust in Comics?” (1997 and 2021) 53 THOMAS DOHERTY Art Spiegelman’s Maus·. Graphic Art and the Holocaust (1996 and 2020) 69
vi I Contents STEPHEN E. TABACHNICK OfMaus and Memory: The Structure of Art Spiegelman’s Graphic Novel of the Holocaust (1993) 83 Problems of Representation MARIANNE HIRSCH My Travels with Maus, 1992-2020 (1992,1997,2012, and 2020) 107 NANCY K. MILLER Cartoons of the Self: Portrait of the Artist as a Young Murderer—Art Spiegelman’s Maus (1992) 143 MICHAEL ROTHBERG “We Were Talking Jewish”: Art Spiegelman’s Maus as “Holocaust” Production (1994) 161 ALAN ROSEN The Language of Survival: English as Metaphor in Spiegelman’s Maus (1995) 184 TERRENCE DES PRES Holocaust Laughter? (1988) 199 ANDREAS HUYSSEN Of Mice and Mimesis: Reading Spiegelman with Adorno (2003) 217 Legacy ROBERT STORR Making Maus (1991) 239 HILLARY CHUTE “The Shadow of a Past Time”: History and Graphic Representation in Maus (2006) 249 RUTH FRANKLIN Art Spiegelman’s Genre-Defying Holocaust Work, Revisited (2011) 273
Contents Į vii PIERRE-ALBAN DELANNOY Spiegelman, in Nobody’s Land (2009) 280 DAVID SAMUELS Q A with Art Spiegelman, Creator of Maus (2013) 292 HANS KRUSCHWITZ Everything Depends on Images: Reflections on Language and Image in Spiegelman’s Maus (2018) 310 ALISA SOLOMON The Haus ofMaus·. Art Spiegelman’s Twitchy Irreverence (2014) Acknowledgments Notes Works Cited Selected Further Writing on Maus Contributors 332 347 349 385 389 |
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