At the crossroads of music and social justice:
"Music is powerful and transformational, but can it spur actual social change? A powerful collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual o...
Gespeichert in:
| Weitere Verfasser: | , , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2022]
|
| Schriftenreihe: | Activist encounters in folklore and ethnomusicology
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "Music is powerful and transformational, but can it spur actual social change? A powerful collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual orientation, and differing abilities. Ethnographic work from a range of theoretical frameworks uncovers and analyzes the successes and limitations of music's efficacies in resolving conflicts, easing tensions, reconciling groups, promoting unity, and healing communities. This volume is rooted in the Crossroads Section for Difference and Representation of the Society for Ethnomusicology, whose mandate is to address issues of diversity, difference, and underrepresentation in the society and its members' professional spheres. Activist scholars who contribute to this volume illuminate possible pathways and directions to support musical diversity and representation. At the Crossroads of Music and Social Justice is an excellent resource for readers interested in real-world examples of how folklore, ethnomusicology, and activism can, together, create a more just and inclusive world"-- |
| Beschreibung: | "This book emerged as the result of the Crossroads Section's inaugural prize for best papers on music and social justice at the 2018 SEM conference in Albuquerque, New Mexico. The three prize winners--David A. McDonald, Katelyn Best, and Andrew Snyder--joined Brenda M. Romero and Susan M. Asai on the editorial board for this volume, which would feature chapters based on the other presentations submitted for the prizes."--Preface |
| Beschreibung: | xiii, 306 Seiten Illustrationen, Porträts 24 cm |
| ISBN: | 9780253064776 9780253064769 |
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Datensatz im Suchindex
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CONTENTS Preface / Andrew G. Snyder and Katelyn E. Best Acknowledgments ix xiii Introduction: Pathways toward a Justice-Oriented Ethnomusicology / David A. McDonald i PART I: Truth Telling and Listening Lovingly i. Diversity on Repeat: Ihe Deceptive Cadence of Social Domination in Ethnomusicology I Kyra D. Gaunt 21 2. Social Justice and My Work as a Music Scholar, Teacher, and Artist I Steven Loza 40 3. Punk and Politics and Transforming Musical Academe I Brenda Μ. Romero 49 4. Going Forward with Vigilance: American Indian Music Is Always There I Charlotte W. Heth 68 5. Deliver Me from Danger, Êşû-Elegbara! Musical Offerings in Social Justice / Paul Austerlitz PART li: 76 Radical Inclusivity 6. Ethnocentrism 2.0: Hearing-Centrism, Inclusivity, and Musical Expression in Deaf Culture / Katelyn E. Best 85 7. Pink Menno Hymn Sings: Queerness, Inclusivity, and the Mennonite Church I Katie J. Graber 105 8. Unsettling Euro-American Conceptions of Race in the Egyptian Independent Music Scene / Darci Sprengel 123
viii CONTENTS 9. Reclaiming Nanook of the North, Tanya Tagaq s Sonic and Performative Counterpoints to Inuit Stereotypes / Ho Chak Law 142 10. “If I Could Go Back in Time”: Rethinking Popular Culture, Social Justice, and the Compassionate Gaze in Palestine / David A. McDonald 160 PART III: Coalition Building 11. Promoting Social Justice through Irish Traditional Music: A New Model for Applied Research / Alexandria C arrico 181 12. The Sonic Politics of Interracial Coalitions / Susan M. Asai 200 13. “¡Vamos a Pelear en la Guerra!”: Musical Manifestations of Coalition Building in the South Texas Chicano Movement I Erin E. Bauer 217 PART IV: Direct Action 14. “Music Is Liberation”: The Brass Liberation Orchestra and Direct Action / Andrew G. Snyder 239 15. Ecological Frictions and Borderless Futures: Art and Activism on a Sailing Ship I Rebekah E. Moore 259 16. Raising the Imperative for Direct Action / Susan Μ. Asai 17. Circling Back on Direct Action: On Difference and Representation I Brenda Μ. Romero List of Contributors Index 295 291 282 277 |
| adam_txt |
CONTENTS Preface / Andrew G. Snyder and Katelyn E. Best Acknowledgments ix xiii Introduction: Pathways toward a Justice-Oriented Ethnomusicology / David A. McDonald i PART I: Truth Telling and Listening Lovingly i. Diversity on Repeat: Ihe Deceptive Cadence of Social Domination in Ethnomusicology I Kyra D. Gaunt 21 2. Social Justice and My Work as a Music Scholar, Teacher, and Artist I Steven Loza 40 3. Punk and Politics and Transforming Musical Academe I Brenda Μ. Romero 49 4. Going Forward with Vigilance: American Indian Music Is Always There I Charlotte W. Heth 68 5. Deliver Me from Danger, Êşû-Elegbara! Musical Offerings in Social Justice / Paul Austerlitz PART li: 76 Radical Inclusivity 6. Ethnocentrism 2.0: Hearing-Centrism, Inclusivity, and Musical Expression in Deaf Culture / Katelyn E. Best 85 7. Pink Menno Hymn Sings: Queerness, Inclusivity, and the Mennonite Church I Katie J. Graber 105 8. Unsettling Euro-American Conceptions of Race in the Egyptian Independent Music Scene / Darci Sprengel 123
viii CONTENTS 9. Reclaiming Nanook of the North, Tanya Tagaq s Sonic and Performative Counterpoints to Inuit Stereotypes / Ho Chak Law 142 10. “If I Could Go Back in Time”: Rethinking Popular Culture, Social Justice, and the Compassionate Gaze in Palestine / David A. McDonald 160 PART III: Coalition Building 11. Promoting Social Justice through Irish Traditional Music: A New Model for Applied Research / Alexandria C arrico 181 12. The Sonic Politics of Interracial Coalitions / Susan M. Asai 200 13. “¡Vamos a Pelear en la Guerra!”: Musical Manifestations of Coalition Building in the South Texas Chicano Movement I Erin E. Bauer 217 PART IV: Direct Action 14. “Music Is Liberation”: The Brass Liberation Orchestra and Direct Action / Andrew G. Snyder 239 15. Ecological Frictions and Borderless Futures: Art and Activism on a Sailing Ship I Rebekah E. Moore 259 16. Raising the Imperative for Direct Action / Susan Μ. Asai 17. Circling Back on Direct Action: On Difference and Representation I Brenda Μ. Romero List of Contributors Index 295 291 282 277 |
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| author_additional | Andrew G. Snyder, Katelyn E. Best David A. McDonald Kyra D. Gaunt Steven Loza Brenda M. Romero Charlotte W. Heth Paul Austerlitz Ethnocentrism 2.0 : hearing-centrism, inclusivity, and musical expression in deaf culture Katelyn E. Best Katie J. Graber Darci Sprengel Ho Chak Law Alexandria Carrico Susan M. Asai Erin E. Baker Andrew G. Snyder Rebekah E. Moore |
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| bvnumber | BV048672474 |
| classification_rvk | LC 87000 LB 48000 |
| contents | Preface Introduction : pathways toward a justice-oriented ethnomusicology Diversity on repeat : the deceptive cadence of social domination in ethnomusicology Social justice and my work as a music scholar, teacher, and artist Punk and politics and transforming musical academe Going forward with vigilance : American Indian music is always there Deliver me from danger, Èşù-Elẹgbára! : musical offerings in social justice Pink Menno hymn sings : queerness, inclusivity and the Mennonite Church Unsettling Euro-American conceptions of race in the Egyptian independent music scene Reclaming Nanook of the north : Tanya Tagaq's sonic and performative counterpoints to Inuit stereotypes "If I could go back in time" : rethinking popular culture, social justice, and the compassionate gaze in Palestine promoting social justice through traditional Irish music : a new model for applied research The sonic politics of interracial coalitions "¡Vamos a pelear en la guerra!" : musical manifestations of coalition building in the South Texas Chicano Movement "Music is liberation" : the Brass Liberation Orchestra and direct action Ecological frictions and borderless futures : art and activism on a sailing ship Raising the imperative for direct action Circling back on direct action : on difference and representation |
| ctrlnum | (OCoLC)1374566581 (DE-599)BVBBV048672474 |
| discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| discipline_str_mv | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift 2018 Albuquerque, NM gnd-content |
| genre_facet | Aufsatzsammlung Konferenzschrift 2018 Albuquerque, NM |
| id | DE-604.BV048672474 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:23:14Z |
| indexdate | 2024-07-20T04:47:30Z |
| institution | BVB |
| isbn | 9780253064776 9780253064769 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034047007 |
| oclc_num | 1374566581 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | xiii, 306 Seiten Illustrationen, Porträts 24 cm |
| psigel | BSB_NED_20230424 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Indiana University Press |
| record_format | marc |
| series2 | Activist encounters in folklore and ethnomusicology |
| spelling | At the crossroads of music and social justice edited by Brenda M. Romero, Susan M. Asai, David A. McDonald, Andrew G. Snyder, and Katelyn E. Best Bloomington, Indiana Indiana University Press [2022] xiii, 306 Seiten Illustrationen, Porträts 24 cm txt rdacontent n rdamedia nc rdacarrier Activist encounters in folklore and ethnomusicology "This book emerged as the result of the Crossroads Section's inaugural prize for best papers on music and social justice at the 2018 SEM conference in Albuquerque, New Mexico. The three prize winners--David A. McDonald, Katelyn Best, and Andrew Snyder--joined Brenda M. Romero and Susan M. Asai on the editorial board for this volume, which would feature chapters based on the other presentations submitted for the prizes."--Preface Preface Andrew G. Snyder, Katelyn E. Best Introduction : pathways toward a justice-oriented ethnomusicology David A. McDonald Diversity on repeat : the deceptive cadence of social domination in ethnomusicology Kyra D. Gaunt Social justice and my work as a music scholar, teacher, and artist Steven Loza Punk and politics and transforming musical academe Brenda M. Romero Going forward with vigilance : American Indian music is always there Charlotte W. Heth Deliver me from danger, Èşù-Elẹgbára! : musical offerings in social justice Paul Austerlitz Ethnocentrism 2.0 : hearing-centrism, inclusivity, and musical expression in deaf culture Katelyn E. Best Pink Menno hymn sings : queerness, inclusivity and the Mennonite Church Katie J. Graber Unsettling Euro-American conceptions of race in the Egyptian independent music scene Darci Sprengel Reclaming Nanook of the north : Tanya Tagaq's sonic and performative counterpoints to Inuit stereotypes Ho Chak Law "If I could go back in time" : rethinking popular culture, social justice, and the compassionate gaze in Palestine David A. McDonald promoting social justice through traditional Irish music : a new model for applied research Alexandria Carrico The sonic politics of interracial coalitions Susan M. Asai "¡Vamos a pelear en la guerra!" : musical manifestations of coalition building in the South Texas Chicano Movement Erin E. Baker "Music is liberation" : the Brass Liberation Orchestra and direct action Andrew G. Snyder Ecological frictions and borderless futures : art and activism on a sailing ship Rebekah E. Moore Raising the imperative for direct action Susan M. Asai Circling back on direct action : on difference and representation Brenda M. Romero "Music is powerful and transformational, but can it spur actual social change? A powerful collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual orientation, and differing abilities. Ethnographic work from a range of theoretical frameworks uncovers and analyzes the successes and limitations of music's efficacies in resolving conflicts, easing tensions, reconciling groups, promoting unity, and healing communities. This volume is rooted in the Crossroads Section for Difference and Representation of the Society for Ethnomusicology, whose mandate is to address issues of diversity, difference, and underrepresentation in the society and its members' professional spheres. Activist scholars who contribute to this volume illuminate possible pathways and directions to support musical diversity and representation. At the Crossroads of Music and Social Justice is an excellent resource for readers interested in real-world examples of how folklore, ethnomusicology, and activism can, together, create a more just and inclusive world"-- Soziale Gerechtigkeit (DE-588)4236433-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikethnologie (DE-588)4127833-1 gnd rswk-swf Angewandte Musikwissenschaft (DE-588)4142445-1 gnd rswk-swf Applied ethnomusicology / Congresses Ethnomusicology / Social aspects / Congresses Music / Political aspects / Congresses Social justice / Congresses Applied ethnomusicology Music / Political aspects Social justice Conference papers and proceedings (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift 2018 Albuquerque, NM gnd-content Musik (DE-588)4040802-4 s Soziale Gerechtigkeit (DE-588)4236433-4 s DE-604 Musikethnologie (DE-588)4127833-1 s Angewandte Musikwissenschaft (DE-588)4142445-1 s Romero, Brenda M. 1949- (DE-588)1284704629 edt Asai, Susan M. 1952- (DE-588)173369693 edt McDonald, David 1976- (DE-588)1028055595 edt Snyder, Andrew (DE-588)1206291060 edt Best, Katelyn E. ca. 20./21. Jh. (DE-588)1245160311 edt Erscheint auch als Online-Ausgabe 978-0-253-06478-3 https://content.ub.hu-berlin.de/monographs/toc/ethnologie/BV048672474.pdf Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034047007&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | At the crossroads of music and social justice Preface Introduction : pathways toward a justice-oriented ethnomusicology Diversity on repeat : the deceptive cadence of social domination in ethnomusicology Social justice and my work as a music scholar, teacher, and artist Punk and politics and transforming musical academe Going forward with vigilance : American Indian music is always there Deliver me from danger, Èşù-Elẹgbára! : musical offerings in social justice Pink Menno hymn sings : queerness, inclusivity and the Mennonite Church Unsettling Euro-American conceptions of race in the Egyptian independent music scene Reclaming Nanook of the north : Tanya Tagaq's sonic and performative counterpoints to Inuit stereotypes "If I could go back in time" : rethinking popular culture, social justice, and the compassionate gaze in Palestine promoting social justice through traditional Irish music : a new model for applied research The sonic politics of interracial coalitions "¡Vamos a pelear en la guerra!" : musical manifestations of coalition building in the South Texas Chicano Movement "Music is liberation" : the Brass Liberation Orchestra and direct action Ecological frictions and borderless futures : art and activism on a sailing ship Raising the imperative for direct action Circling back on direct action : on difference and representation Soziale Gerechtigkeit (DE-588)4236433-4 gnd Musik (DE-588)4040802-4 gnd Musikethnologie (DE-588)4127833-1 gnd Angewandte Musikwissenschaft (DE-588)4142445-1 gnd |
| subject_GND | (DE-588)4236433-4 (DE-588)4040802-4 (DE-588)4127833-1 (DE-588)4142445-1 (DE-588)4143413-4 (DE-588)1071861417 |
| title | At the crossroads of music and social justice |
| title_alt | Preface Introduction : pathways toward a justice-oriented ethnomusicology Diversity on repeat : the deceptive cadence of social domination in ethnomusicology Social justice and my work as a music scholar, teacher, and artist Punk and politics and transforming musical academe Going forward with vigilance : American Indian music is always there Deliver me from danger, Èşù-Elẹgbára! : musical offerings in social justice Pink Menno hymn sings : queerness, inclusivity and the Mennonite Church Unsettling Euro-American conceptions of race in the Egyptian independent music scene Reclaming Nanook of the north : Tanya Tagaq's sonic and performative counterpoints to Inuit stereotypes "If I could go back in time" : rethinking popular culture, social justice, and the compassionate gaze in Palestine promoting social justice through traditional Irish music : a new model for applied research The sonic politics of interracial coalitions "¡Vamos a pelear en la guerra!" : musical manifestations of coalition building in the South Texas Chicano Movement "Music is liberation" : the Brass Liberation Orchestra and direct action Ecological frictions and borderless futures : art and activism on a sailing ship Raising the imperative for direct action Circling back on direct action : on difference and representation |
| title_auth | At the crossroads of music and social justice |
| title_exact_search | At the crossroads of music and social justice |
| title_exact_search_txtP | At the crossroads of music and social justice |
| title_full | At the crossroads of music and social justice edited by Brenda M. Romero, Susan M. Asai, David A. McDonald, Andrew G. Snyder, and Katelyn E. Best |
| title_fullStr | At the crossroads of music and social justice edited by Brenda M. Romero, Susan M. Asai, David A. McDonald, Andrew G. Snyder, and Katelyn E. Best |
| title_full_unstemmed | At the crossroads of music and social justice edited by Brenda M. Romero, Susan M. Asai, David A. McDonald, Andrew G. Snyder, and Katelyn E. Best |
| title_short | At the crossroads of music and social justice |
| title_sort | at the crossroads of music and social justice |
| topic | Soziale Gerechtigkeit (DE-588)4236433-4 gnd Musik (DE-588)4040802-4 gnd Musikethnologie (DE-588)4127833-1 gnd Angewandte Musikwissenschaft (DE-588)4142445-1 gnd |
| topic_facet | Soziale Gerechtigkeit Musik Musikethnologie Angewandte Musikwissenschaft Aufsatzsammlung Konferenzschrift 2018 Albuquerque, NM |
| url | https://content.ub.hu-berlin.de/monographs/toc/ethnologie/BV048672474.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034047007&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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Inhaltsverzeichnis