The ambivalent legacy of Elia Kazan: the politics of the post-HUAC films
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lanham
Rowman & Littlefield
[2017]
|
| Schriftenreihe: | Film and history
|
| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (277 pages) |
| ISBN: | 9781442271685 |
Internformat
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| 082 | 0 | |a 791.4302/33092 |2 23 | |
| 100 | 1 | |a Briley, Ron |d 1949- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The ambivalent legacy of Elia Kazan |b the politics of the post-HUAC films |c Ron Briley |
| 264 | 1 | |a Lanham |b Rowman & Littlefield |c [2017] | |
| 300 | |a 1 online resource (277 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Film and history | |
| 500 | |a Description based on print version record | ||
| 505 | 8 | |a Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976) | |
| 600 | 1 | 4 | |a Kazan, Elia |x Criticism and interpretation |
| 650 | 4 | |a Motion picture producers and directors |x Political activity |z United States | |
| 650 | 4 | |a Motion pictures |x Political aspects |z United States |x History |y 20th century | |
| 650 | 4 | |a Communism and motion pictures |z United States | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Briley, Ron |t Ambivalent legacy of Elia Kazan : the politics of the post-HUAC films |d Lanham : Rowman & Littlefield, [2017] |k Film and history |z 9781442271678 |
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Datensatz im Suchindex
| _version_ | 1809222787239247872 |
|---|---|
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| author | Briley, Ron 1949- |
| author_facet | Briley, Ron 1949- |
| author_role | aut |
| author_sort | Briley, Ron 1949- |
| author_variant | r b rb |
| building | Verbundindex |
| bvnumber | BV048669014 |
| collection | ZDB-30-PAD |
| contents | Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976) |
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| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV048669014 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:22:32Z |
| indexdate | 2024-09-04T00:21:44Z |
| institution | BVB |
| isbn | 9781442271685 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034043604 |
| oclc_num | 948670469 |
| open_access_boolean | |
| owner | DE-255 DE-Y3 |
| owner_facet | DE-255 DE-Y3 |
| physical | 1 online resource (277 pages) |
| psigel | ZDB-30-PAD KUBA2-ZDB-30-PAD-2024 KUBA1-ZDB-30-PAD-2023 ZDB-30-PAD BZI ZDB-30-PAD KHI |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Rowman & Littlefield |
| record_format | marc |
| series2 | Film and history |
| spelling | Briley, Ron 1949- Verfasser aut The ambivalent legacy of Elia Kazan the politics of the post-HUAC films Ron Briley Lanham Rowman & Littlefield [2017] 1 online resource (277 pages) txt rdacontent c rdamedia cr rdacarrier Film and history Description based on print version record Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976) Kazan, Elia Criticism and interpretation Motion picture producers and directors Political activity United States Motion pictures Political aspects United States History 20th century Communism and motion pictures United States Erscheint auch als Druck-Ausgabe Briley, Ron Ambivalent legacy of Elia Kazan : the politics of the post-HUAC films Lanham : Rowman & Littlefield, [2017] Film and history 9781442271678 |
| spellingShingle | Briley, Ron 1949- The ambivalent legacy of Elia Kazan the politics of the post-HUAC films Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976) Kazan, Elia Criticism and interpretation Motion picture producers and directors Political activity United States Motion pictures Political aspects United States History 20th century Communism and motion pictures United States |
| title | The ambivalent legacy of Elia Kazan the politics of the post-HUAC films |
| title_auth | The ambivalent legacy of Elia Kazan the politics of the post-HUAC films |
| title_exact_search | The ambivalent legacy of Elia Kazan the politics of the post-HUAC films |
| title_exact_search_txtP | The ambivalent legacy of Elia Kazan the politics of the post-HUAC films |
| title_full | The ambivalent legacy of Elia Kazan the politics of the post-HUAC films Ron Briley |
| title_fullStr | The ambivalent legacy of Elia Kazan the politics of the post-HUAC films Ron Briley |
| title_full_unstemmed | The ambivalent legacy of Elia Kazan the politics of the post-HUAC films Ron Briley |
| title_short | The ambivalent legacy of Elia Kazan |
| title_sort | the ambivalent legacy of elia kazan the politics of the post huac films |
| title_sub | the politics of the post-HUAC films |
| topic | Kazan, Elia Criticism and interpretation Motion picture producers and directors Political activity United States Motion pictures Political aspects United States History 20th century Communism and motion pictures United States |
| topic_facet | Kazan, Elia Criticism and interpretation Motion picture producers and directors Political activity United States Motion pictures Political aspects United States History 20th century Communism and motion pictures United States |
| work_keys_str_mv | AT brileyron theambivalentlegacyofeliakazanthepoliticsoftheposthuacfilms |