A philosophy of the screenplay:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge
2013
|
| Schriftenreihe: | Routledge studies in contemporary philosophy
49 |
| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Beschreibung: | xiii, 270 p |
| ISBN: | 9780203069103 |
Internformat
MARC
| LEADER | 00000nmm a2200000zcb4500 | ||
|---|---|---|---|
| 001 | BV048668232 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230123s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 9780203069103 |c electronic bk. |9 978-0-203-06910-3 | ||
| 035 | |a (ZDB-30-PQE)EBC1114672 | ||
| 035 | |a (ZDB-30-PAD)EBC1114672 | ||
| 035 | |a (ZDB-89-EBL)EBL1114672 | ||
| 035 | |a (ZDB-38-EBR)ebr10650289 | ||
| 035 | |a (OCoLC)826807331 | ||
| 035 | |a (DE-599)BVBBV048668232 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-Y3 | ||
| 082 | 0 | |a 808.2/3 |2 23 | |
| 100 | 1 | |a Nannicelli, Ted |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a A philosophy of the screenplay |c Ted Nannicelli |
| 264 | 1 | |a New York |b Routledge |c 2013 | |
| 300 | |a xiii, 270 p | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Routledge studies in contemporary philosophy |v 49 | |
| 505 | 8 | |a Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature | |
| 650 | 4 | |a Motion picture authorship | |
| 650 | 4 | |a Motion picture plays |x History and criticism | |
| 912 | |a ZDB-30-PAD | ||
| 940 | 1 | |q KUBA2-ZDB-30-PAD-2024 | |
| 940 | 1 | |q KUBA1-ZDB-30-PAD-2023 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034042822 | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=1114672 |l DE-255 |p ZDB-30-PAD |q BZI |x Aggregator |3 Volltext | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=1114672 |l DE-Y3 |p ZDB-30-PAD |q KHI |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1809222785453522944 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Nannicelli, Ted |
| author_facet | Nannicelli, Ted |
| author_role | aut |
| author_sort | Nannicelli, Ted |
| author_variant | t n tn |
| building | Verbundindex |
| bvnumber | BV048668232 |
| collection | ZDB-30-PAD |
| contents | Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature |
| ctrlnum | (ZDB-30-PQE)EBC1114672 (ZDB-30-PAD)EBC1114672 (ZDB-89-EBL)EBL1114672 (ZDB-38-EBR)ebr10650289 (OCoLC)826807331 (DE-599)BVBBV048668232 |
| dewey-full | 808.2/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.2/3 |
| dewey-search | 808.2/3 |
| dewey-sort | 3808.2 13 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zcb4500</leader><controlfield tag="001">BV048668232</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230123s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780203069103</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-203-06910-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PQE)EBC1114672</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PAD)EBC1114672</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL1114672</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-38-EBR)ebr10650289</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)826807331</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048668232</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-Y3</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">808.2/3</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Nannicelli, Ted</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A philosophy of the screenplay</subfield><subfield code="c">Ted Nannicelli</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Routledge</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 270 p</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge studies in contemporary philosophy</subfield><subfield code="v">49</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture authorship</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture plays</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PAD</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA2-ZDB-30-PAD-2024</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA1-ZDB-30-PAD-2023</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034042822</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=1114672</subfield><subfield code="l">DE-255</subfield><subfield code="p">ZDB-30-PAD</subfield><subfield code="q">BZI</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=1114672</subfield><subfield code="l">DE-Y3</subfield><subfield code="p">ZDB-30-PAD</subfield><subfield code="q">KHI</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048668232 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:22:30Z |
| indexdate | 2024-09-04T00:21:43Z |
| institution | BVB |
| isbn | 9780203069103 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034042822 |
| oclc_num | 826807331 |
| open_access_boolean | |
| owner | DE-255 DE-Y3 |
| owner_facet | DE-255 DE-Y3 |
| physical | xiii, 270 p |
| psigel | ZDB-30-PAD KUBA2-ZDB-30-PAD-2024 KUBA1-ZDB-30-PAD-2023 ZDB-30-PAD BZI ZDB-30-PAD KHI |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge studies in contemporary philosophy |
| spelling | Nannicelli, Ted Verfasser aut A philosophy of the screenplay Ted Nannicelli New York Routledge 2013 xiii, 270 p txt rdacontent c rdamedia cr rdacarrier Routledge studies in contemporary philosophy 49 Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature Motion picture authorship Motion picture plays History and criticism |
| spellingShingle | Nannicelli, Ted A philosophy of the screenplay Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature Motion picture authorship Motion picture plays History and criticism |
| title | A philosophy of the screenplay |
| title_auth | A philosophy of the screenplay |
| title_exact_search | A philosophy of the screenplay |
| title_exact_search_txtP | A philosophy of the screenplay |
| title_full | A philosophy of the screenplay Ted Nannicelli |
| title_fullStr | A philosophy of the screenplay Ted Nannicelli |
| title_full_unstemmed | A philosophy of the screenplay Ted Nannicelli |
| title_short | A philosophy of the screenplay |
| title_sort | a philosophy of the screenplay |
| topic | Motion picture authorship Motion picture plays History and criticism |
| topic_facet | Motion picture authorship Motion picture plays History and criticism |
| work_keys_str_mv | AT nannicellited aphilosophyofthescreenplay |