Bollywood and globalization: the global power of popular Hindi cinema
"The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences. A...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge
2013
|
| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Zusammenfassung: | "The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences. Adopting a critical-transcultural framework that examines the complex power relations that are manifested through globalized production and consumption practices, the book approaches the study of popular Hindi cinema from three broad perspectives: transcultural production contexts, content trends, and audiences. It firstly outlines the theoretical issues relevant to the spread of popular Indian cinema and emergence of India's growing soft power. The book goes on to report on a series of quantitative studies that examine the patterns of geographical, cultural, political, infrastructural, and artistic power dynamics at work within the highest-grossing popular Hindi films over a 61-year period since independence. Finally, an additional set of studies are presented that quantitatively examine Indian and North American audience consumption practices. The book illuminates issues related to the actualization and maintenance of cinematic soft power dynamics, highlighting Bollywood's increasing integration into and subsumption by globalized practices that are fundamentally altering India's cinematic landscape and, thus, its unique soft power potential. It is of interest to academics working in Film Studies, Globalisation Studies, and International Relations"-- |
| Beschreibung: | xix, 183 p. ill |
| ISBN: | 9780203085141 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:22:30Z |
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| institution | BVB |
| isbn | 9780203085141 |
| language | English |
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| physical | xix, 183 p. ill |
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| spelling | Bollywood and globalization the global power of popular Hindi cinema edited by David J. Schaefer and Kavita Karan New York Routledge 2013 xix, 183 p. ill txt rdacontent c rdamedia cr rdacarrier pt. I. Transcultural contexts and soft power -- pt. II. Cinematic content and soft power -- pt. III. Cinematic soft power and audiences "The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. This book brings together qualitative and quantitative approaches to tackle empirical questions focusing on the relationship between soft power, hybridity, cinematic texts, and audiences. Adopting a critical-transcultural framework that examines the complex power relations that are manifested through globalized production and consumption practices, the book approaches the study of popular Hindi cinema from three broad perspectives: transcultural production contexts, content trends, and audiences. It firstly outlines the theoretical issues relevant to the spread of popular Indian cinema and emergence of India's growing soft power. The book goes on to report on a series of quantitative studies that examine the patterns of geographical, cultural, political, infrastructural, and artistic power dynamics at work within the highest-grossing popular Hindi films over a 61-year period since independence. Finally, an additional set of studies are presented that quantitatively examine Indian and North American audience consumption practices. The book illuminates issues related to the actualization and maintenance of cinematic soft power dynamics, highlighting Bollywood's increasing integration into and subsumption by globalized practices that are fundamentally altering India's cinematic landscape and, thus, its unique soft power potential. It is of interest to academics working in Film Studies, Globalisation Studies, and International Relations"-- Motion pictures India Motion picture industry India Motion pictures and globalization India Culture in motion pictures Schaefer, David J. Sonstige oth Karan, Kavita Sonstige oth |
| spellingShingle | Bollywood and globalization the global power of popular Hindi cinema pt. I. Transcultural contexts and soft power -- pt. II. Cinematic content and soft power -- pt. III. Cinematic soft power and audiences Motion pictures India Motion picture industry India Motion pictures and globalization India Culture in motion pictures |
| title | Bollywood and globalization the global power of popular Hindi cinema |
| title_auth | Bollywood and globalization the global power of popular Hindi cinema |
| title_exact_search | Bollywood and globalization the global power of popular Hindi cinema |
| title_exact_search_txtP | Bollywood and globalization the global power of popular Hindi cinema |
| title_full | Bollywood and globalization the global power of popular Hindi cinema edited by David J. Schaefer and Kavita Karan |
| title_fullStr | Bollywood and globalization the global power of popular Hindi cinema edited by David J. Schaefer and Kavita Karan |
| title_full_unstemmed | Bollywood and globalization the global power of popular Hindi cinema edited by David J. Schaefer and Kavita Karan |
| title_short | Bollywood and globalization |
| title_sort | bollywood and globalization the global power of popular hindi cinema |
| title_sub | the global power of popular Hindi cinema |
| topic | Motion pictures India Motion picture industry India Motion pictures and globalization India Culture in motion pictures |
| topic_facet | Motion pictures India Motion picture industry India Motion pictures and globalization India Culture in motion pictures |
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