Make your movie: what you need to know about the business and politics of filmmaking
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Waltham, Mass.
Elsevier
2012
|
| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Beschreibung: | Includes index |
| Beschreibung: | xv, 305 p |
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| 100 | 1 | |a Freedman Doyle, Barbara |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Make your movie |b what you need to know about the business and politics of filmmaking |c Barbara Freedman Doyle |
| 264 | 1 | |a Waltham, Mass. |b Elsevier |c 2012 | |
| 300 | |a xv, 305 p | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes index | ||
| 505 | 8 | |a section 1. First steps (before you even think of shooting) -- section 2. Production: no such thing as a free lunch -- section 3. It's just beginning to be a movie: postproduction -- section 4. What are you doing Satuday night? | |
| 650 | 4 | |a Motion pictures |x Production and direction | |
| 650 | 4 | |a Cinematography | |
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Datensatz im Suchindex
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| author | Freedman Doyle, Barbara |
| author_facet | Freedman Doyle, Barbara |
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| author_sort | Freedman Doyle, Barbara |
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| contents | section 1. First steps (before you even think of shooting) -- section 2. Production: no such thing as a free lunch -- section 3. It's just beginning to be a movie: postproduction -- section 4. What are you doing Satuday night? |
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| format | Electronic eBook |
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| id | DE-604.BV048668008 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:22:30Z |
| indexdate | 2024-09-04T00:21:00Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034042598 |
| oclc_num | 779828682 |
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| owner_facet | DE-255 DE-Y3 |
| physical | xv, 305 p |
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| publishDate | 2012 |
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| publisher | Elsevier |
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| spelling | Freedman Doyle, Barbara Verfasser aut Make your movie what you need to know about the business and politics of filmmaking Barbara Freedman Doyle Waltham, Mass. Elsevier 2012 xv, 305 p txt rdacontent c rdamedia cr rdacarrier Includes index section 1. First steps (before you even think of shooting) -- section 2. Production: no such thing as a free lunch -- section 3. It's just beginning to be a movie: postproduction -- section 4. What are you doing Satuday night? Motion pictures Production and direction Cinematography |
| spellingShingle | Freedman Doyle, Barbara Make your movie what you need to know about the business and politics of filmmaking section 1. First steps (before you even think of shooting) -- section 2. Production: no such thing as a free lunch -- section 3. It's just beginning to be a movie: postproduction -- section 4. What are you doing Satuday night? Motion pictures Production and direction Cinematography |
| title | Make your movie what you need to know about the business and politics of filmmaking |
| title_auth | Make your movie what you need to know about the business and politics of filmmaking |
| title_exact_search | Make your movie what you need to know about the business and politics of filmmaking |
| title_exact_search_txtP | Make your movie what you need to know about the business and politics of filmmaking |
| title_full | Make your movie what you need to know about the business and politics of filmmaking Barbara Freedman Doyle |
| title_fullStr | Make your movie what you need to know about the business and politics of filmmaking Barbara Freedman Doyle |
| title_full_unstemmed | Make your movie what you need to know about the business and politics of filmmaking Barbara Freedman Doyle |
| title_short | Make your movie |
| title_sort | make your movie what you need to know about the business and politics of filmmaking |
| title_sub | what you need to know about the business and politics of filmmaking |
| topic | Motion pictures Production and direction Cinematography |
| topic_facet | Motion pictures Production and direction Cinematography |
| work_keys_str_mv | AT freedmandoylebarbara makeyourmoviewhatyouneedtoknowaboutthebusinessandpoliticsoffilmmaking |