"A ti pa" avec l'antillectuel Léon Damas: vers une France décoloniale?
"The third man of negritude, Léon Damas, aligned himself with the Harlem Renaissance and surrealists to transmit his urgent message: à ti pas, little by little, France was undergoing its decolonial transformation. He claims to be the "Antillectual" who crosses the Lines of language, t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2023]
|
| Schriftenreihe: | Francopolyphonies
volume 32 |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | "The third man of negritude, Léon Damas, aligned himself with the Harlem Renaissance and surrealists to transmit his urgent message: à ti pas, little by little, France was undergoing its decolonial transformation. He claims to be the "Antillectual" who crosses the Lines of language, territory, color, class and gender. This essay presents Léon Damas in another light, operating a double reversal of perspective, first by affiliating him with the African American triangle (Richard Wright) and the Harlem Renaissance poets and novelists (Langston Hughes, Claude McKay). Second, Damas, Fanon's contemporary whose chapters of Black Skin, White Masks resonate in many poems, also registers as a minor surrealist, following in the footsteps of Guillaume Apollinaire and Ghérasim Luca. This new circumference shows the poet of Cayenne as a precursor on all lines. A poet who has remained off-screen, off-song, proves to be the radical decolonial militant who remained frustrated to see how slowly ("à ti pas") the Republic was changing. The present essay is intended to be "Plea for the Antillectual" (Sartre) through the figure of the poet who remained in the shadow of Léopold Senghor and Aimé Césaire. It also shows that the overseas remains a territory with variable geometry, the third department being eclipsed by Martinique in the theories of autochthony and manufacturing of the Antillean-Guyanese classics"-- |
| Beschreibung: | 1 Online-Ressource (VIII, 469 Seiten) |
| ISBN: | 9789004529243 |
| DOI: | 10.1163/9789004529243 |
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| id | DE-604.BV048661588 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:21:11Z |
| indexdate | 2024-07-10T09:45:13Z |
| institution | BVB |
| isbn | 9789004529243 |
| language | English |
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| series | Francopolyphonies |
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| spelling | Gyssels, Kathleen 1963- Verfasser (DE-588)138881715 aut "A ti pa" avec l'antillectuel Léon Damas vers une France décoloniale? par Kathleen Gyssels Leiden ; Boston Brill [2023] 1 Online-Ressource (VIII, 469 Seiten) txt rdacontent c rdamedia cr rdacarrier Francopolyphonies volume 32 "The third man of negritude, Léon Damas, aligned himself with the Harlem Renaissance and surrealists to transmit his urgent message: à ti pas, little by little, France was undergoing its decolonial transformation. He claims to be the "Antillectual" who crosses the Lines of language, territory, color, class and gender. This essay presents Léon Damas in another light, operating a double reversal of perspective, first by affiliating him with the African American triangle (Richard Wright) and the Harlem Renaissance poets and novelists (Langston Hughes, Claude McKay). Second, Damas, Fanon's contemporary whose chapters of Black Skin, White Masks resonate in many poems, also registers as a minor surrealist, following in the footsteps of Guillaume Apollinaire and Ghérasim Luca. This new circumference shows the poet of Cayenne as a precursor on all lines. A poet who has remained off-screen, off-song, proves to be the radical decolonial militant who remained frustrated to see how slowly ("à ti pas") the Republic was changing. The present essay is intended to be "Plea for the Antillectual" (Sartre) through the figure of the poet who remained in the shadow of Léopold Senghor and Aimé Césaire. It also shows that the overseas remains a territory with variable geometry, the third department being eclipsed by Martinique in the theories of autochthony and manufacturing of the Antillean-Guyanese classics"-- Damas, Léon-Gontran 1912-1978 (DE-588)118670948 gnd rswk-swf Négritude (DE-588)4171411-8 gnd rswk-swf Damas, Léon-Gontran / 1912-1978 / Criticism and interpretation Negritude (Literary movement) Damas, Léon-Gontran / 1912-1978 Criticism, interpretation, etc Literary criticism Damas, Léon-Gontran 1912-1978 (DE-588)118670948 p Négritude (DE-588)4171411-8 s DE-604 Erscheint auch als Druck-Ausgabe 978-90-04-40720-6 Francopolyphonies volume 32 (DE-604)BV044623444 32 https://doi.org/10.1163/9789004529243 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gyssels, Kathleen 1963- "A ti pa" avec l'antillectuel Léon Damas vers une France décoloniale? Francopolyphonies Damas, Léon-Gontran 1912-1978 (DE-588)118670948 gnd Négritude (DE-588)4171411-8 gnd |
| subject_GND | (DE-588)118670948 (DE-588)4171411-8 |
| title | "A ti pa" avec l'antillectuel Léon Damas vers une France décoloniale? |
| title_auth | "A ti pa" avec l'antillectuel Léon Damas vers une France décoloniale? |
| title_exact_search | "A ti pa" avec l'antillectuel Léon Damas vers une France décoloniale? |
| title_exact_search_txtP | "A ti pa" avec l'antillectuel Léon Damas vers une France décoloniale? |
| title_full | "A ti pa" avec l'antillectuel Léon Damas vers une France décoloniale? par Kathleen Gyssels |
| title_fullStr | "A ti pa" avec l'antillectuel Léon Damas vers une France décoloniale? par Kathleen Gyssels |
| title_full_unstemmed | "A ti pa" avec l'antillectuel Léon Damas vers une France décoloniale? par Kathleen Gyssels |
| title_short | "A ti pa" avec l'antillectuel Léon Damas |
| title_sort | a ti pa avec l antillectuel leon damas vers une france decoloniale |
| title_sub | vers une France décoloniale? |
| topic | Damas, Léon-Gontran 1912-1978 (DE-588)118670948 gnd Négritude (DE-588)4171411-8 gnd |
| topic_facet | Damas, Léon-Gontran 1912-1978 Négritude |
| url | https://doi.org/10.1163/9789004529243 |
| volume_link | (DE-604)BV044623444 |
| work_keys_str_mv | AT gysselskathleen atipaaveclantillectuelleondamasversunefrancedecoloniale |