Cinematography of Carl Theodor Dreyer: performative camerawork, transgressing the frame
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Vancouver ; Madison ; Teaneck ; Wroxton
Fairleigh Dickinson University Press
[2021]
Lanham, Maryland ; London The Rowman & Littlefield Publishing Group, Inc [2021] |
| Schriftenreihe: | The Fairleigh Dickinson University Press series in communication studies
|
| Schlagworte: | |
| Beschreibung: | 1. Carl Theodor Dreyer, Transnationalism, and the visual grammar of his films -- 2. Film Direction as cinematography by Proxy: the visual aesthetics of Carl Theodor Dreyer -- 3. Dreyer's incipient style, actors as surrogate Orphans, film stock as skin: Prsidenten, Prästanken, and Blade of Satans Bog -- 4. Dreyer's optical center: the focal lenght of history in Elsker Hverandre (Die Gezeichneten) and Der Var Engång -- 5. Prohibitions against love: Dreyer's gender transgressions and the transverse frame in Mikaël -- 6. dreyer's angle-reverse-angle percpectives on the action field of internalized space in Der Skal aere din Hustru -- 7. The Dissentient camera in Glomdalsbruden, Dreyer's adventure in improvisational filmmaking -- 8. Still point, turning world: Dreyer's close-ups and camera movement in La passion de Jeanne d'Arc -- 9. Dreyer's aberrant sympathetic camera movement as performative: the perspectivity of Vampyr -- 10. Maxims and Minims of Camera Mobility: Dreyer's performative cinematography in Vredens Dag -- 11. Angles of view, fields of action, and the avant-garde in Två Människor and Ordet -- 12. Disruptive two-shots, dirty singles, and Dreyer's transgression of the field size in Gertrud -- Conclusion: The avant-garde cinematography of Carl Theodor Dreyer: his contributions to cinema Includes bibliographical references and index ; Includes filmography |
| Beschreibung: | vii, 301 Seiten Illustrationen |
| ISBN: | 9781683931027 9781683931003 |
Internformat
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| 264 | 1 | |a Vancouver ; Madison ; Teaneck ; Wroxton |b Fairleigh Dickinson University Press |c [2021] | |
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| 264 | 4 | |c © 2019 | |
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| 490 | 0 | |a The Fairleigh Dickinson University Press series in communication studies | |
| 500 | |a 1. Carl Theodor Dreyer, Transnationalism, and the visual grammar of his films -- 2. Film Direction as cinematography by Proxy: the visual aesthetics of Carl Theodor Dreyer -- 3. Dreyer's incipient style, actors as surrogate Orphans, film stock as skin: Prsidenten, Prästanken, and Blade of Satans Bog -- 4. Dreyer's optical center: the focal lenght of history in Elsker Hverandre (Die Gezeichneten) and Der Var Engång -- 5. Prohibitions against love: Dreyer's gender transgressions and the transverse frame in Mikaël -- 6. dreyer's angle-reverse-angle percpectives on the action field of internalized space in Der Skal aere din Hustru -- 7. The Dissentient camera in Glomdalsbruden, Dreyer's adventure in improvisational filmmaking -- 8. Still point, turning world: Dreyer's close-ups and camera movement in La passion de Jeanne d'Arc -- 9. Dreyer's aberrant sympathetic camera movement as performative: the perspectivity of Vampyr -- 10. Maxims and Minims of Camera Mobility: Dreyer's performative cinematography in Vredens Dag -- 11. Angles of view, fields of action, and the avant-garde in Två Människor and Ordet -- 12. Disruptive two-shots, dirty singles, and Dreyer's transgression of the field size in Gertrud -- Conclusion: The avant-garde cinematography of Carl Theodor Dreyer: his contributions to cinema | ||
| 500 | |a Includes bibliographical references and index ; Includes filmography | ||
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| 650 | 0 | 7 | |a Filmtechnik |0 (DE-588)4017144-9 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Dreyer, Carl Theodor / 1889-1968 / Criticism and interpretation | |
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Datensatz im Suchindex
| _version_ | 1805074202397507584 |
|---|---|
| adam_text | |
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| author | St. Pierre, Paul Matthew 1953- |
| author_GND | (DE-588)139552731 |
| author_facet | St. Pierre, Paul Matthew 1953- |
| author_role | aut |
| author_sort | St. Pierre, Paul Matthew 1953- |
| author_variant | p p m s ppm ppms |
| building | Verbundindex |
| bvnumber | BV048658844 |
| classification_rvk | AP 51110 AP 55000 |
| ctrlnum | (DE-599)GBV1033541214 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Book |
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| id | DE-604.BV048658844 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:21:08Z |
| indexdate | 2024-07-20T05:21:45Z |
| institution | BVB |
| isbn | 9781683931027 9781683931003 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034033523 |
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| owner | DE-M472 |
| owner_facet | DE-M472 |
| physical | vii, 301 Seiten Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Fairleigh Dickinson University Press The Rowman & Littlefield Publishing Group, Inc |
| record_format | marc |
| series2 | The Fairleigh Dickinson University Press series in communication studies |
| spelling | St. Pierre, Paul Matthew 1953- Verfasser (DE-588)139552731 aut Cinematography of Carl Theodor Dreyer performative camerawork, transgressing the frame Paul Matthew St. Pierre Vancouver ; Madison ; Teaneck ; Wroxton Fairleigh Dickinson University Press [2021] Lanham, Maryland ; London The Rowman & Littlefield Publishing Group, Inc [2021] © 2019 vii, 301 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier The Fairleigh Dickinson University Press series in communication studies 1. Carl Theodor Dreyer, Transnationalism, and the visual grammar of his films -- 2. Film Direction as cinematography by Proxy: the visual aesthetics of Carl Theodor Dreyer -- 3. Dreyer's incipient style, actors as surrogate Orphans, film stock as skin: Prsidenten, Prästanken, and Blade of Satans Bog -- 4. Dreyer's optical center: the focal lenght of history in Elsker Hverandre (Die Gezeichneten) and Der Var Engång -- 5. Prohibitions against love: Dreyer's gender transgressions and the transverse frame in Mikaël -- 6. dreyer's angle-reverse-angle percpectives on the action field of internalized space in Der Skal aere din Hustru -- 7. The Dissentient camera in Glomdalsbruden, Dreyer's adventure in improvisational filmmaking -- 8. Still point, turning world: Dreyer's close-ups and camera movement in La passion de Jeanne d'Arc -- 9. Dreyer's aberrant sympathetic camera movement as performative: the perspectivity of Vampyr -- 10. Maxims and Minims of Camera Mobility: Dreyer's performative cinematography in Vredens Dag -- 11. Angles of view, fields of action, and the avant-garde in Två Människor and Ordet -- 12. Disruptive two-shots, dirty singles, and Dreyer's transgression of the field size in Gertrud -- Conclusion: The avant-garde cinematography of Carl Theodor Dreyer: his contributions to cinema Includes bibliographical references and index ; Includes filmography Dreyer, Carl Theodor 1889-1968 (DE-588)118672444 gnd rswk-swf Filmtechnik (DE-588)4017144-9 gnd rswk-swf Dreyer, Carl Theodor / 1889-1968 / Criticism and interpretation Dreyer, Carl Theodor 1889-1968 (DE-588)118672444 p Filmtechnik (DE-588)4017144-9 s DE-604 9781683931010 Erscheint auch als Online-Ausgabe 978-1-68393-101-0 |
| spellingShingle | St. Pierre, Paul Matthew 1953- Cinematography of Carl Theodor Dreyer performative camerawork, transgressing the frame Dreyer, Carl Theodor 1889-1968 (DE-588)118672444 gnd Filmtechnik (DE-588)4017144-9 gnd |
| subject_GND | (DE-588)118672444 (DE-588)4017144-9 |
| title | Cinematography of Carl Theodor Dreyer performative camerawork, transgressing the frame |
| title_auth | Cinematography of Carl Theodor Dreyer performative camerawork, transgressing the frame |
| title_exact_search | Cinematography of Carl Theodor Dreyer performative camerawork, transgressing the frame |
| title_exact_search_txtP | Cinematography of Carl Theodor Dreyer performative camerawork, transgressing the frame |
| title_full | Cinematography of Carl Theodor Dreyer performative camerawork, transgressing the frame Paul Matthew St. Pierre |
| title_fullStr | Cinematography of Carl Theodor Dreyer performative camerawork, transgressing the frame Paul Matthew St. Pierre |
| title_full_unstemmed | Cinematography of Carl Theodor Dreyer performative camerawork, transgressing the frame Paul Matthew St. Pierre |
| title_short | Cinematography of Carl Theodor Dreyer |
| title_sort | cinematography of carl theodor dreyer performative camerawork transgressing the frame |
| title_sub | performative camerawork, transgressing the frame |
| topic | Dreyer, Carl Theodor 1889-1968 (DE-588)118672444 gnd Filmtechnik (DE-588)4017144-9 gnd |
| topic_facet | Dreyer, Carl Theodor 1889-1968 Filmtechnik |
| work_keys_str_mv | AT stpierrepaulmatthew cinematographyofcarltheodordreyerperformativecameraworktransgressingtheframe |