Michelangelo's Vatican "Pietà" and its afterlives:
"This book offers a fresh perspective on Michelangelo's well-known masterpiece, the Vatican Pietà, by tracing the shifting meaning of the work of art over time. Lisa M. Rafanelli chronicles the object history of the Vatican Pietà and the active role played by its many reproductions. The sc...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2023
|
| Schriftenreihe: | Routledge research in art history
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book offers a fresh perspective on Michelangelo's well-known masterpiece, the Vatican Pietà, by tracing the shifting meaning of the work of art over time. Lisa M. Rafanelli chronicles the object history of the Vatican Pietà and the active role played by its many reproductions. The sculpture has been on continuous view for over 500 years, during which time its cultural, theological, and artistic significance has shifted. Equally important is the fact that over its long life it has been relocated numerous times and has also been reproduced in images and objects produced both during Michelangelo's lifetime and long after, described here as artistic progeny: large-scale, unique sculpted variants, smaller-scale statuettes, plaster and bronze casts, and engraved prints. The book will be of interest to scholars working in art history, Renaissance studies, early modern studies, religion, Christianity, and theology"-- |
| Beschreibung: | xiv, 184 Seiten Illustrationen |
| ISBN: | 9780367859886 9781032418230 |
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| 520 | 3 | |a "This book offers a fresh perspective on Michelangelo's well-known masterpiece, the Vatican Pietà, by tracing the shifting meaning of the work of art over time. Lisa M. Rafanelli chronicles the object history of the Vatican Pietà and the active role played by its many reproductions. The sculpture has been on continuous view for over 500 years, during which time its cultural, theological, and artistic significance has shifted. Equally important is the fact that over its long life it has been relocated numerous times and has also been reproduced in images and objects produced both during Michelangelo's lifetime and long after, described here as artistic progeny: large-scale, unique sculpted variants, smaller-scale statuettes, plaster and bronze casts, and engraved prints. The book will be of interest to scholars working in art history, Renaissance studies, early modern studies, religion, Christianity, and theology"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | MICHELANGELO S VATICAN
PIETA
AND
ITS AFTERLIVES
LISA
M.
RAFANELLI
1
1
ROUTLEDGE
~
TAYLOR
&
FRANCIS
GROUP
NEWYORKANDLONDON
CONTENTS
LIST
OF
FIGURES
ACKNOWLEDGMENTS
INTRODUCTION
1
OPENING ACT: MICHELANGELO S VATICAN
PIETA
CARDINAL JEAN DE BILHERES LAGRAULAS AND THE COMMISSION
16
ENVISIONING THE
PIETA
20
THE FINISHED SCULPTURE (AND SOME LINGERING QUESTIONS) 24
ENCOUNTERING THE
PIETA
28
EXPERIENCING THE
PIETA
29
THE MADONNA DELLA
FEBBRE
30
THE PERIPATETIC
PIETA:
FROM
SANTA PETRONILLA TO THE SECRETARIUM
30
2 CANONICITY AND ITS DISCONTENTS: ARTISTIC PROGENY
OF
THE
PIETA
DURING
LX
XLLL
1
15
THE SIXTEENTH CENTURY
39
A
PIETA
FOR SANTA MARIA DELL ANIMA IN
ROME
39
INTERMEZZO: FLORENTINE REBELLION 43
A
PIETA
FOR SANTO SPIRITO I,I FLORENCE 43
AN ANONYMOUS CRITIC AND A MADRIGAL
46
A
PIETA
FOR THE KING
OF
FRANCE
47
A
PIETA
FOR EVERYONE: REPRODUCTIVE PRINTS 49
CANONICITY AND ITS DISCONTENTS 50
3 RESTAGING THE
PIETA
IN
THE
LATE SIXTEENTH TO SEVENTEENTH CENTURIES 60
MARIAN DEVOTION AND IMAGERY IN TRIDENTINE
ROME
61
THE
PIETA
AND
THE CANONS CHOIR (1568-1609) 64
ON
THE ROAD AGAIN (1609-1625)
67
EARLY SEVENTEENTH CENTURY POSTHUMOUS BRONZE COPIES
OF
THE
PIETA
IN
ITALY AND SPAIN
67
THE
NEW
CANONS CHOIR (1625-1750)
71
CORONATION 73
VIII
CONTENTS
4 SHIFTING PERSPECTIVES: MICHELANGELO AND THE
PIETA
FROM THE
MID-SEVENTEENTH TO NINETEENTH CENTURIES
79
THE
PIETA
AND THE GRAND TOUR 80
ROBERT SAMBER S
ROMA ILLUSTRATA
(1722)
83
MID-CENTURY: THE
PIETA
TAKES CENTER STAGE
86
THE LATE EIGHTEENTH-EARLY NINETEENTH CENTURIES: REVOLUTION,
ROMANTICISM, AND MICHELANGELO 89
ENTRE ACTE:
NAPOLEON AND THE LOOTING
OF
ROME
90
THE MID-NINETEENTH CENTURY: NATIONALISM AND THE
ART
OF
MICHELANGELO
93
THE GREAT EXHIBITION OF 1851 93
MICHELANGELO S FLORENTINE BIRTHDAY BASH OF 1875 94
5
THE
PIETA
ON THE AMERICAN STAGE:
THE
TWENTIETH CENTURY
106
A QUESTION
OF
AUTHENTICITY
106
MARBLE PIETAS IN EARLY TWENTIETH CENTURY AMERICA: ICONS
OF
FAITH,
BEAUTY, AND IDENTITY
109
THE
PIETA
AND POPULAR DEVOTION:
OUR
LADY OF SORROWS
110
ARS LONGA, VITA BREVIS: THE
PIETA
AT FOREST LAWN MEMORIAL PARK
IN GLENDALE 113
LOST-WAX BRONZE CASTS
OF
THE
PIETA:
ICONS
OF
FAITH, BEAUTY, AND
COMMERCE
114
THE
PIETA
AND AMERICAN CONSUMER CAPITALISM
116
ONLY THE ORIGINAL WOULD DO: THE
1964-1965
NEW
YORK WORLD S
FAIR
117
STAGING THE
PIETA
AT THE VATICAN PAVILION
121
CRITICAL RECEPTION 121
SOUVENIRS, BODY DOUBLES, AND EFFIGIES 124
PLOT TWIST:
AN
ICONOCLASTIC ATTACK
(1972) 126
6
CODA:
THE
PIETA
ON THE GLOBAL STAGE 140
SOMETHING BORROWED: RECASTING CASTS
141
FRAGMENTATION, PROSELYTIZATION, AND COMMODIFICATION 142
SOMETHING NEW: CONTEMPORARY ARTISTS AND THE VATICAN
PIETA
146
ARTISTIC APPROPRIATION: THE SACRED AND THE PROFANE 146
THE VATICAN
PIETA
AS A SYMBOL OF SOCIAL JUSTICE 148
PERFORMANCE, EMPATHY, AND MEMORY: SEEING THE
PIETA
AFRESH 151
BIBLIOGRAPHY
INDEX
163
179
|
| adam_txt |
MICHELANGELO'S VATICAN
PIETA
AND
ITS AFTERLIVES
LISA
M.
RAFANELLI
1
1
ROUTLEDGE
~
TAYLOR
&
FRANCIS
GROUP
NEWYORKANDLONDON
CONTENTS
LIST
OF
FIGURES
ACKNOWLEDGMENTS
INTRODUCTION
1
OPENING ACT: MICHELANGELO'S VATICAN
PIETA
CARDINAL JEAN DE BILHERES LAGRAULAS AND THE COMMISSION
16
ENVISIONING THE
PIETA
20
THE FINISHED SCULPTURE (AND SOME LINGERING QUESTIONS) 24
ENCOUNTERING THE
PIETA
28
EXPERIENCING THE
PIETA
29
THE MADONNA DELLA
FEBBRE
30
THE PERIPATETIC
PIETA:
FROM
SANTA PETRONILLA TO THE SECRETARIUM
30
2 CANONICITY AND ITS DISCONTENTS: ARTISTIC PROGENY
OF
THE
PIETA
DURING
LX
XLLL
1
15
THE SIXTEENTH CENTURY
39
A
PIETA
FOR SANTA MARIA DELL'ANIMA IN
ROME
39
INTERMEZZO: FLORENTINE REBELLION 43
A
PIETA
FOR SANTO SPIRITO I,I FLORENCE 43
AN ANONYMOUS CRITIC AND A MADRIGAL
46
A
PIETA
FOR THE KING
OF
FRANCE
47
A
PIETA
FOR EVERYONE: REPRODUCTIVE PRINTS 49
CANONICITY AND ITS DISCONTENTS 50
3 RESTAGING THE
PIETA
IN
THE
LATE SIXTEENTH TO SEVENTEENTH CENTURIES 60
MARIAN DEVOTION AND IMAGERY IN TRIDENTINE
ROME
61
THE
PIETA
AND
THE CANONS' CHOIR (1568-1609) 64
ON
THE ROAD AGAIN (1609-1625)
67
EARLY SEVENTEENTH CENTURY POSTHUMOUS BRONZE COPIES
OF
THE
PIETA
IN
ITALY AND SPAIN
67
THE
NEW
CANONS' CHOIR (1625-1750)
71
CORONATION 73
VIII
CONTENTS
4 SHIFTING PERSPECTIVES: MICHELANGELO AND THE
PIETA
FROM THE
MID-SEVENTEENTH TO NINETEENTH CENTURIES
79
THE
PIETA
AND THE GRAND TOUR 80
ROBERT SAMBER'S
ROMA ILLUSTRATA
(1722)
83
MID-CENTURY: THE
PIETA
TAKES CENTER STAGE
86
THE LATE EIGHTEENTH-EARLY NINETEENTH CENTURIES: REVOLUTION,
ROMANTICISM, AND MICHELANGELO 89
ENTRE'ACTE:
NAPOLEON AND THE LOOTING
OF
ROME
90
THE MID-NINETEENTH CENTURY: NATIONALISM AND THE
ART
OF
MICHELANGELO
93
THE GREAT EXHIBITION OF 1851 93
MICHELANGELO'S FLORENTINE BIRTHDAY BASH OF 1875 94
5
THE
PIETA
ON THE AMERICAN STAGE:
THE
TWENTIETH CENTURY
106
A QUESTION
OF
AUTHENTICITY
106
MARBLE PIETAS IN EARLY TWENTIETH CENTURY AMERICA: ICONS
OF
FAITH,
BEAUTY, AND IDENTITY
109
THE
PIETA
AND POPULAR DEVOTION:
OUR
LADY OF SORROWS
110
ARS LONGA, VITA BREVIS: THE
PIETA
AT FOREST LAWN MEMORIAL PARK
IN GLENDALE 113
LOST-WAX BRONZE CASTS
OF
THE
PIETA:
ICONS
OF
FAITH, BEAUTY, AND
COMMERCE
114
THE
PIETA
AND AMERICAN CONSUMER CAPITALISM
116
ONLY THE ORIGINAL WOULD DO: THE
1964-1965
NEW
YORK WORLD'S
FAIR
117
STAGING THE
PIETA
AT THE VATICAN PAVILION
121
CRITICAL RECEPTION 121
SOUVENIRS, BODY DOUBLES, AND EFFIGIES 124
PLOT TWIST:
AN
ICONOCLASTIC ATTACK
(1972) 126
6
CODA:
THE
PIETA
ON THE GLOBAL STAGE 140
SOMETHING BORROWED: RECASTING CASTS
141
FRAGMENTATION, PROSELYTIZATION, AND COMMODIFICATION 142
SOMETHING NEW: CONTEMPORARY ARTISTS AND THE VATICAN
PIETA
146
ARTISTIC APPROPRIATION: THE SACRED AND THE PROFANE 146
THE VATICAN
PIETA
AS A SYMBOL OF SOCIAL JUSTICE 148
PERFORMANCE, EMPATHY, AND MEMORY: SEEING THE
PIETA
AFRESH 151
BIBLIOGRAPHY
INDEX
163
179 |
| any_adam_object | 1 |
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| discipline | Kunstgeschichte |
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| era | Geschichte 1500-2021 gnd |
| era_facet | Geschichte 1500-2021 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T21:20:25Z |
| indexdate | 2024-07-10T09:45:07Z |
| institution | BVB |
| isbn | 9780367859886 9781032418230 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034027974 |
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| spelling | Rafanelli, Lisa M. 1965- Verfasser (DE-588)1026949068 aut Michelangelo's Vatican "Pietà" and its afterlives Lisa M. Rafanelli New York ; London Routledge, Taylor & Francis Group 2023 xiv, 184 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge research in art history "This book offers a fresh perspective on Michelangelo's well-known masterpiece, the Vatican Pietà, by tracing the shifting meaning of the work of art over time. Lisa M. Rafanelli chronicles the object history of the Vatican Pietà and the active role played by its many reproductions. The sculpture has been on continuous view for over 500 years, during which time its cultural, theological, and artistic significance has shifted. Equally important is the fact that over its long life it has been relocated numerous times and has also been reproduced in images and objects produced both during Michelangelo's lifetime and long after, described here as artistic progeny: large-scale, unique sculpted variants, smaller-scale statuettes, plaster and bronze casts, and engraved prints. The book will be of interest to scholars working in art history, Renaissance studies, early modern studies, religion, Christianity, and theology"-- Michelangelo Buonarroti 1475-1564 Pietà Rom, Peterskirche (DE-588)4668321-5 gnd rswk-swf Geschichte 1500-2021 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Michelangelo Buonarroti / 1475-1564 / Pietà Art and society Pietà (Michelangelo Buonarroti) ART / History / Renaissance Electronic books Michelangelo Buonarroti 1475-1564 Pietà Rom, Peterskirche (DE-588)4668321-5 u Rezeption (DE-588)4049716-1 s Geschichte 1500-2021 z DE-604 Erscheint auch als Online-Ausgabe 978-1-003-01625-0 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034027974&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rafanelli, Lisa M. 1965- Michelangelo's Vatican "Pietà" and its afterlives Michelangelo Buonarroti 1475-1564 Pietà Rom, Peterskirche (DE-588)4668321-5 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4668321-5 (DE-588)4049716-1 |
| title | Michelangelo's Vatican "Pietà" and its afterlives |
| title_auth | Michelangelo's Vatican "Pietà" and its afterlives |
| title_exact_search | Michelangelo's Vatican "Pietà" and its afterlives |
| title_exact_search_txtP | Michelangelo's Vatican "Pietà" and its afterlives |
| title_full | Michelangelo's Vatican "Pietà" and its afterlives Lisa M. Rafanelli |
| title_fullStr | Michelangelo's Vatican "Pietà" and its afterlives Lisa M. Rafanelli |
| title_full_unstemmed | Michelangelo's Vatican "Pietà" and its afterlives Lisa M. Rafanelli |
| title_short | Michelangelo's Vatican "Pietà" and its afterlives |
| title_sort | michelangelo s vatican pieta and its afterlives |
| topic | Michelangelo Buonarroti 1475-1564 Pietà Rom, Peterskirche (DE-588)4668321-5 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Michelangelo Buonarroti 1475-1564 Pietà Rom, Peterskirche Rezeption |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034027974&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rafanellilisam michelangelosvaticanpietaanditsafterlives |