Whose country music?: genre, identity, and belonging in twenty-first-century country music culture
"In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this b...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2023
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture"-- |
| Beschreibung: | xiii, 308 Seiten Illustrationen, Karte 25,2 cm |
| ISBN: | 9781108837125 9781108927680 |
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| 245 | 1 | 0 | |a Whose country music? |b genre, identity, and belonging in twenty-first-century country music culture |c edited by Paula J. Bishop (Bridgewater State University), Jada Watson (University of Ottawa) |
| 264 | 1 | |a Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore |b Cambridge University Press |c 2023 | |
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| 505 | 8 | |a "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer | |
| 520 | 3 | |a "In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of Figures [page vii] List of Tables [viii] List of Contributors [ix] “She Went to Nashville to Sing Country Music”: Gatekeeping and the Country Music Industry [1] PAULA J. BISHOP AND JADA WATSON PART I INDUSTRY 1 Mailbox Money: Novel Liberation Strategies of a Black Female Country Songwriter [13] ALICE RANDALL 2 “Dixie Chicked”: Sony versus The Chicks and the Regendering of Country Music in the Early Twenty-First Century [27] KRISTINE Μ. MCCUSKER 3 How 360° Deals Homogenized Country Music [41] RACHEL SKAGGS 4 A Double-Edged Sword: Industry Data and the Construction of Country Music Narratives [55] JADA WATSON PART II CODES OF CONDUCT 5 Why Country Music Needs Latina Feminism [73] SOPHIA ENRIQUEZ 6 Pistol Annies: Country Rebels with Humor [87] STEPHANIE VANDER WEL 7 From Bros to Gentlemen: The Problem of Consent in Contemporary Country Music [102] PHOEBE E. HUGHES
vi Contents 8 Cowboys on a Beach: Summer Country and the Loss of Working-Class Identity [116] JOCELYN R. NEAL PART III AUTHENTICITY 9 Dolly Parton’s Netflix Reimagining: How Her Twenty-First-Century “Jolene” Revises Country Music’s Authenticity Narrative [133] LEIGH H. EDWARDS 10 “When Britney [Spears] Ruled the World”: Expanding the Stylistic Boundaries of Nostalgia in Country Music [148] PAULA J. BISHOP 11 Rhinestone Revivals: Repurposing the Nudie Suit for the Twenty-First Century [162] JANET ASPLEY 12 Country Music Doesn’t Have to Suck: Intertextuality, Community, and Bloodshot Records [177] NANCY P. RILEY PART IV BOUNDARY WORK 13 Playing at the Border: Navajo (Diné) Country Music and Border Town Racism [193] KRISTINA JACOBSEN 14 Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers [210] NADINE HUBBS 15 Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce’s and The Chicks’ “Daddy Lessons” [226] REBEKAH HUTTEN 16 “We Have a Lot of Work to Do”: Rhiannon Giddens and Country Music’s Mixed Roots [241] TRACEY E. W. LAIRD Epilogue: Country Music Needs a Revolution RISSI PALMER Bibliography [264] Index [296] [256]
|
| adam_txt |
Contents List of Figures [page vii] List of Tables [viii] List of Contributors [ix] “She Went to Nashville to Sing Country Music”: Gatekeeping and the Country Music Industry [1] PAULA J. BISHOP AND JADA WATSON PART I INDUSTRY 1 Mailbox Money: Novel Liberation Strategies of a Black Female Country Songwriter [13] ALICE RANDALL 2 “Dixie Chicked”: Sony versus The Chicks and the Regendering of Country Music in the Early Twenty-First Century [27] KRISTINE Μ. MCCUSKER 3 How 360° Deals Homogenized Country Music [41] RACHEL SKAGGS 4 A Double-Edged Sword: Industry Data and the Construction of Country Music Narratives [55] JADA WATSON PART II CODES OF CONDUCT 5 Why Country Music Needs Latina Feminism [73] SOPHIA ENRIQUEZ 6 Pistol Annies: Country Rebels with Humor [87] STEPHANIE VANDER WEL 7 From Bros to Gentlemen: The Problem of Consent in Contemporary Country Music [102] PHOEBE E. HUGHES
vi Contents 8 Cowboys on a Beach: Summer Country and the Loss of Working-Class Identity [116] JOCELYN R. NEAL PART III AUTHENTICITY 9 Dolly Parton’s Netflix Reimagining: How Her Twenty-First-Century “Jolene” Revises Country Music’s Authenticity Narrative [133] LEIGH H. EDWARDS 10 “When Britney [Spears] Ruled the World”: Expanding the Stylistic Boundaries of Nostalgia in Country Music [148] PAULA J. BISHOP 11 Rhinestone Revivals: Repurposing the Nudie Suit for the Twenty-First Century [162] JANET ASPLEY 12 Country Music Doesn’t Have to Suck: Intertextuality, Community, and Bloodshot Records [177] NANCY P. RILEY PART IV BOUNDARY WORK 13 Playing at the Border: Navajo (Diné) Country Music and Border Town Racism [193] KRISTINA JACOBSEN 14 Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers [210] NADINE HUBBS 15 Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce’s and The Chicks’ “Daddy Lessons” [226] REBEKAH HUTTEN 16 “We Have a Lot of Work to Do”: Rhiannon Giddens and Country Music’s Mixed Roots [241] TRACEY E. W. LAIRD Epilogue: Country Music Needs a Revolution RISSI PALMER Bibliography [264] Index [296] [256] |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Bishop, Paula J. ca. 20./21. Jh Watson, Jada ca. 20./21. Jh |
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| contents | "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer |
| ctrlnum | (OCoLC)1369551601 (DE-599)BVBBV048652957 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 2000-2022 gnd |
| era_facet | Geschichte 2000-2022 |
| format | Book |
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| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Whose country music? genre, identity, and belonging in twenty-first-century country music culture edited by Paula J. Bishop (Bridgewater State University), Jada Watson (University of Ottawa) Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2023 xiii, 308 Seiten Illustrationen, Karte 25,2 cm txt rdacontent n rdamedia nc rdacarrier "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer "In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture"-- Geschichte 2000-2022 gnd rswk-swf Countrymusic (DE-588)4138030-7 gnd rswk-swf Nordamerika (DE-588)4042483-2 gnd rswk-swf Country music / History and criticism Country music / Social aspects Country music Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Nordamerika (DE-588)4042483-2 g Countrymusic (DE-588)4138030-7 s Geschichte 2000-2022 z DE-604 Bishop, Paula J. ca. 20./21. Jh. (DE-588)1279824573 edt Watson, Jada ca. 20./21. Jh. (DE-588)1118872789 edt Erscheint auch als Online-Ausgabe 9781108937443 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034027707&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Whose country music? genre, identity, and belonging in twenty-first-century country music culture "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer Countrymusic (DE-588)4138030-7 gnd |
| subject_GND | (DE-588)4138030-7 (DE-588)4042483-2 (DE-588)4143413-4 |
| title | Whose country music? genre, identity, and belonging in twenty-first-century country music culture |
| title_auth | Whose country music? genre, identity, and belonging in twenty-first-century country music culture |
| title_exact_search | Whose country music? genre, identity, and belonging in twenty-first-century country music culture |
| title_exact_search_txtP | Whose country music? genre, identity, and belonging in twenty-first-century country music culture |
| title_full | Whose country music? genre, identity, and belonging in twenty-first-century country music culture edited by Paula J. Bishop (Bridgewater State University), Jada Watson (University of Ottawa) |
| title_fullStr | Whose country music? genre, identity, and belonging in twenty-first-century country music culture edited by Paula J. Bishop (Bridgewater State University), Jada Watson (University of Ottawa) |
| title_full_unstemmed | Whose country music? genre, identity, and belonging in twenty-first-century country music culture edited by Paula J. Bishop (Bridgewater State University), Jada Watson (University of Ottawa) |
| title_short | Whose country music? |
| title_sort | whose country music genre identity and belonging in twenty first century country music culture |
| title_sub | genre, identity, and belonging in twenty-first-century country music culture |
| topic | Countrymusic (DE-588)4138030-7 gnd |
| topic_facet | Countrymusic Nordamerika Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034027707&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bishoppaulaj whosecountrymusicgenreidentityandbelongingintwentyfirstcenturycountrymusicculture AT watsonjada whosecountrymusicgenreidentityandbelongingintwentyfirstcenturycountrymusicculture |