The Ottoman tanbūr: the long-necked lute of Ottoman art music
The Ottoman Tanbur provides a detailed study of the history of this long-necked lute-like instrument, its role in Ottoman music, construction and playing technique. Tanburs are played in the art, Su fi , and folk musical traditions along the Silk Road and beyond. In Turkey, the name tanbur is mainly...
Gespeichert in:
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Format: | Karte |
Sprache: | English |
Veröffentlicht: |
Oxford
Archaeopress Archaeology
2022
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Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | The Ottoman Tanbur provides a detailed study of the history of this long-necked lute-like instrument, its role in Ottoman music, construction and playing technique. Tanburs are played in the art, Su fi , and folk musical traditions along the Silk Road and beyond. In Turkey, the name tanbur is mainly used as a name for the long-necked tanbur of Ottoman art music, the Ottoman tanbur. The origin and early development of the Ottoman tanbur is, notwithstanding its importance, still not fully understood due to the absence or scarcity of literary and iconographical sources, while well-preserved Ottoman tanburs are rare or non-existent. The book explores the political and cultural-historical conditions that contributed to the development of a distinct Ottoman Art music (Osmanli san'at musikisi) in the seventeenth and eighteenth centuries and the central place given to the tanbur. Thereafter, Ottoman art music and the Ottoman tanbur suffered from official neglect until the end of the Ottoman Empire in 1918 and even rejection after the establishment of the Republic of Turkey in 1923. This situation changed after the foundation of the first Turkish music conservatory in 1975 at the Istanbul Teknik UEniversitesi (ITUE). The revival of Ottoman art music since the 1990s resulted in a rehabilitation of Ottoman art music and of the Ottoman tanbur whose days had seemed to be numbered |
Beschreibung: | xvii, 144 Seiten Illustrationen, Karten 24,5 cm |
ISBN: | 9781803271064 |
Internformat
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520 | 3 | |a The Ottoman Tanbur provides a detailed study of the history of this long-necked lute-like instrument, its role in Ottoman music, construction and playing technique. Tanburs are played in the art, Su fi , and folk musical traditions along the Silk Road and beyond. In Turkey, the name tanbur is mainly used as a name for the long-necked tanbur of Ottoman art music, the Ottoman tanbur. The origin and early development of the Ottoman tanbur is, notwithstanding its importance, still not fully understood due to the absence or scarcity of literary and iconographical sources, while well-preserved Ottoman tanburs are rare or non-existent. The book explores the political and cultural-historical conditions that contributed to the development of a distinct Ottoman Art music (Osmanli san'at musikisi) in the seventeenth and eighteenth centuries and the central place given to the tanbur. Thereafter, Ottoman art music and the Ottoman tanbur suffered from official neglect until the end of the Ottoman Empire in 1918 and even rejection after the establishment of the Republic of Turkey in 1923. This situation changed after the foundation of the first Turkish music conservatory in 1975 at the Istanbul Teknik UEniversitesi (ITUE). The revival of Ottoman art music since the 1990s resulted in a rehabilitation of Ottoman art music and of the Ottoman tanbur whose days had seemed to be numbered | |
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Datensatz im Suchindex
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adam_text | Contents List of Figures............................................................................................................................... iii Preface and Acknowledgements.................................................................................................. xi General Introduction................................................................................................................. xiv Chapter 1: The Turko-Persian Culture and Heritage.................................................................. 1 Introduction............................................................................................................................... 1 The Rûm-Seljuq Turko-Persian Culture in Anatolia..................................................................3 The Tîmûrid Turko-Persian Art Music ...................................................................................... 7 The Safavids and Tîmûrid Turko-Persian Art Music................................................................ 11 The Ottomans and Tîmûrid and Safavid Turko-Persian Art Music.......................................... 14 The Decline of Ottoman Turko-Persian Art Music.................................................................. 23 Chapter 2: The Rise of Ottoman Art Music and Ottoman Tanbúr........................................... 28 Introduction ............................................................................................................................. 28 The Origin of the Ottoman
Tanbúr...........................................................................................35 The Ottoman Tanbúr in the 18th Century................................................................................38 Chapter 3: Negligence, Rejection, and Revival of Ottoman Art Music.................................... 53 Introduction............................................................................................................................. 53 The Ottoman Tanbúr in the 19th and Early 20th Century....................................................... 53 Ottoman Art Music and Ottoman Tanbúr and The Republic of Turkey................................... 60 Chapter 4: Construction............................................................................................................... 65 Introduction ............................................................................................................................. 65 The Anatomy of the Ottoman Tanbúr...................................................................................... 70 The Choice of Wood.................................................................................................................. 71 The Drying of Wood.................................................................................................................. 72 Construction Process................................................................................................................ 72 The Bowl, Neck, and
Soundboard............................................................................................ 73 Bridge, Nut, and Tailpiece........................................................................................................ 77 Frets, Strings, and Tuning........................................................................................................ 79 Ornamentation..........................................................................................................................84 Chapter 5: Playing Technique..................................................................................................... 86 Introduction............................................................................................................................. 86 Playing Position........................................................................................................................93 Left Hand Finger Technique..................................................................................................... 94 Right Hand Plectrum Technique.............................................................................................. 95 Execution Melody..................................................................................................................... 96 Appendix 1: Ottoman Tanbúr - Charles Fonton........................................................................ 97 Appendix 2: Ottoman Tanbûr - Guillaume-André Villoteau................................................... 99 Appendix 3: Ottoman Tanbûr - Raûf
Yektâ.............................................................................. 103 і
Discography............................................................................................................................106 CD-Select.................................................................................................................................... 106 Bibliography...........................................................................................................................108 Glossary ................................................................................................................................. 129 Illustration Credits................................................................................................................ 133 Index....................................................................................................................................... 136 ii
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adam_txt |
Contents List of Figures. iii Preface and Acknowledgements. xi General Introduction. xiv Chapter 1: The Turko-Persian Culture and Heritage. 1 Introduction. 1 The Rûm-Seljuq Turko-Persian Culture in Anatolia.3 The Tîmûrid Turko-Persian Art Music . 7 The Safavids and Tîmûrid Turko-Persian Art Music. 11 The Ottomans and Tîmûrid and Safavid Turko-Persian Art Music. 14 The Decline of Ottoman Turko-Persian Art Music. 23 Chapter 2: The Rise of Ottoman Art Music and Ottoman Tanbúr. 28 Introduction . 28 The Origin of the Ottoman
Tanbúr.35 The Ottoman Tanbúr in the 18th Century.38 Chapter 3: Negligence, Rejection, and Revival of Ottoman Art Music. 53 Introduction. 53 The Ottoman Tanbúr in the 19th and Early 20th Century. 53 Ottoman Art Music and Ottoman Tanbúr and The Republic of Turkey. 60 Chapter 4: Construction. 65 Introduction . 65 The Anatomy of the Ottoman Tanbúr. 70 The Choice of Wood. 71 The Drying of Wood. 72 Construction Process. 72 The Bowl, Neck, and
Soundboard. 73 Bridge, Nut, and Tailpiece. 77 Frets, Strings, and Tuning. 79 Ornamentation.84 Chapter 5: Playing Technique. 86 Introduction. 86 Playing Position.93 Left Hand Finger Technique. 94 Right Hand Plectrum Technique. 95 Execution Melody. 96 Appendix 1: Ottoman Tanbúr - Charles Fonton. 97 Appendix 2: Ottoman Tanbûr - Guillaume-André Villoteau. 99 Appendix 3: Ottoman Tanbûr - Raûf
Yektâ. 103 і
Discography.106 CD-Select. 106 Bibliography.108 Glossary . 129 Illustration Credits. 133 Index. 136 ii |
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author | Zeeuw, Hans de |
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id | DE-604.BV048652923 |
illustrated | Not Illustrated |
index_date | 2024-07-03T21:20:19Z |
indexdate | 2024-07-10T09:45:06Z |
institution | BVB |
isbn | 9781803271064 |
language | English |
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physical | xvii, 144 Seiten Illustrationen, Karten 24,5 cm |
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publishDate | 2022 |
publishDateSearch | 2022 |
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publisher | Archaeopress Archaeology |
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spelling | Zeeuw, Hans de Verfasser (DE-588)1195717350 aut The Ottoman tanbūr the long-necked lute of Ottoman art music Hans de Zeeuw Oxford Archaeopress Archaeology 2022 xvii, 144 Seiten Illustrationen, Karten 24,5 cm txt rdacontent sti rdacontent cri rdacontent n rdamedia nc rdacarrier The Ottoman Tanbur provides a detailed study of the history of this long-necked lute-like instrument, its role in Ottoman music, construction and playing technique. Tanburs are played in the art, Su fi , and folk musical traditions along the Silk Road and beyond. In Turkey, the name tanbur is mainly used as a name for the long-necked tanbur of Ottoman art music, the Ottoman tanbur. The origin and early development of the Ottoman tanbur is, notwithstanding its importance, still not fully understood due to the absence or scarcity of literary and iconographical sources, while well-preserved Ottoman tanburs are rare or non-existent. The book explores the political and cultural-historical conditions that contributed to the development of a distinct Ottoman Art music (Osmanli san'at musikisi) in the seventeenth and eighteenth centuries and the central place given to the tanbur. Thereafter, Ottoman art music and the Ottoman tanbur suffered from official neglect until the end of the Ottoman Empire in 1918 and even rejection after the establishment of the Republic of Turkey in 1923. This situation changed after the foundation of the first Turkish music conservatory in 1975 at the Istanbul Teknik UEniversitesi (ITUE). The revival of Ottoman art music since the 1990s resulted in a rehabilitation of Ottoman art music and of the Ottoman tanbur whose days had seemed to be numbered Tanbur (DE-588)4424903-2 gnd rswk-swf Ṭanbūr / Turkey / History Ṭanbūr / Construction / History Folk music / Turkey / History and criticism Folk music Ṭanbūr Turkey Criticism, interpretation, etc History Tanbur (DE-588)4424903-2 s DE-604 Erscheint auch als Online-Ausgabe 978-1-80327-107-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034027673&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Zeeuw, Hans de The Ottoman tanbūr the long-necked lute of Ottoman art music Tanbur (DE-588)4424903-2 gnd |
subject_GND | (DE-588)4424903-2 |
title | The Ottoman tanbūr the long-necked lute of Ottoman art music |
title_auth | The Ottoman tanbūr the long-necked lute of Ottoman art music |
title_exact_search | The Ottoman tanbūr the long-necked lute of Ottoman art music |
title_exact_search_txtP | The Ottoman tanbūr the long-necked lute of Ottoman art music |
title_full | The Ottoman tanbūr the long-necked lute of Ottoman art music Hans de Zeeuw |
title_fullStr | The Ottoman tanbūr the long-necked lute of Ottoman art music Hans de Zeeuw |
title_full_unstemmed | The Ottoman tanbūr the long-necked lute of Ottoman art music Hans de Zeeuw |
title_short | The Ottoman tanbūr |
title_sort | the ottoman tanbur the long necked lute of ottoman art music |
title_sub | the long-necked lute of Ottoman art music |
topic | Tanbur (DE-588)4424903-2 gnd |
topic_facet | Tanbur |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034027673&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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