Transformation of contemporary film genre: the aesthetics of Chinese mainland mainstream cinema
This book is the first one focusing on Chinese mainstream films from a cross-disciplinary perspective. Based on case studies, it discusses three subgenres of mainland Chinese commercial mainstream films and offers an approach to studying the transformation of Chinese mainstream film within the theor...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Shanghai
Shanghai Jiao Tong University Press
[2022]
Singapore Palgrave Macmillan, a imprint of Springer Nature Singapore Pte Ltd |
| Schlagworte: | |
| Zusammenfassung: | This book is the first one focusing on Chinese mainstream films from a cross-disciplinary perspective. Based on case studies, it discusses three subgenres of mainland Chinese commercial mainstream films and offers an approach to studying the transformation of Chinese mainstream film within the theoretical frameworks of "genre theory" and "screenwriting method". It helps professionals understand the genres and narratives of Chinese mainstream films, and also serves as a must-read for non-professionals interested in Chinese cinema. Fangyi Xu is film writer/director, and Lecturer at Communication University of China. She has a PhD from Peking University and a master's degree from University of Southern California. She has also worked as a Postdoctor at Tsinghua University. She has international vision and inter-disciplinary background (art, humanities, communication, etc.), as well as a wide variety of practical experience in creation, research and teaching in the film and television industry at home and abroad |
| Beschreibung: | xi, 233 Seiten Illustrationen |
| ISBN: | 9789811968594 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048652064 | ||
| 003 | DE-604 | ||
| 005 | 20230213 | ||
| 007 | t | ||
| 008 | 230116s2022 a||| |||| 00||| eng d | ||
| 020 | |a 9789811968594 |q Hardcover |9 978-981-19-6859-4 | ||
| 024 | 7 | |a 10.1007/978-981-19-6860-0 |2 doi | |
| 035 | |a (OCoLC)1369558306 | ||
| 035 | |a (DE-599)BVBBV048652064 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 100 | 1 | |a Xu, Fangyi |e Verfasser |0 (DE-588)1280530545 |4 aut | |
| 245 | 1 | 0 | |a Transformation of contemporary film genre |b the aesthetics of Chinese mainland mainstream cinema |c Fangyi Xu |
| 264 | 1 | |a Shanghai |b Shanghai Jiao Tong University Press |c [2022] | |
| 264 | 1 | |a Singapore |b Palgrave Macmillan, a imprint of Springer Nature Singapore Pte Ltd | |
| 300 | |a xi, 233 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a This book is the first one focusing on Chinese mainstream films from a cross-disciplinary perspective. Based on case studies, it discusses three subgenres of mainland Chinese commercial mainstream films and offers an approach to studying the transformation of Chinese mainstream film within the theoretical frameworks of "genre theory" and "screenwriting method". It helps professionals understand the genres and narratives of Chinese mainstream films, and also serves as a must-read for non-professionals interested in Chinese cinema. Fangyi Xu is film writer/director, and Lecturer at Communication University of China. She has a PhD from Peking University and a master's degree from University of Southern California. She has also worked as a Postdoctor at Tsinghua University. She has international vision and inter-disciplinary background (art, humanities, communication, etc.), as well as a wide variety of practical experience in creation, research and teaching in the film and television industry at home and abroad | |
| 648 | 7 | |a Geschichte 2010-2020 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Filmgenre |0 (DE-588)4328427-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Filmästhetik |0 (DE-588)4140881-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a China |0 (DE-588)4009937-4 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Motion pictures / China / 21st century / History | |
| 653 | 0 | |a Motion pictures | |
| 653 | 2 | |a China | |
| 653 | 4 | |a 2000-2099 | |
| 689 | 0 | 0 | |a China |0 (DE-588)4009937-4 |D g |
| 689 | 0 | 1 | |a Filmgenre |0 (DE-588)4328427-9 |D s |
| 689 | 0 | 2 | |a Filmästhetik |0 (DE-588)4140881-0 |D s |
| 689 | 0 | 3 | |a Geschichte 2010-2020 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-981-19-6860-0 |
| 940 | 1 | |q BSB_NED_20230213 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034026829 | ||
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0905 |g 51 |
Datensatz im Suchindex
| _version_ | 1804184799506595840 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Xu, Fangyi |
| author_GND | (DE-588)1280530545 |
| author_facet | Xu, Fangyi |
| author_role | aut |
| author_sort | Xu, Fangyi |
| author_variant | f x fx |
| building | Verbundindex |
| bvnumber | BV048652064 |
| ctrlnum | (OCoLC)1369558306 (DE-599)BVBBV048652064 |
| era | Geschichte 2010-2020 gnd |
| era_facet | Geschichte 2010-2020 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02730nam a2200481 c 4500</leader><controlfield tag="001">BV048652064</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230213 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230116s2022 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789811968594</subfield><subfield code="q">Hardcover</subfield><subfield code="9">978-981-19-6859-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1007/978-981-19-6860-0</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1369558306</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048652064</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Xu, Fangyi</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1280530545</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Transformation of contemporary film genre</subfield><subfield code="b">the aesthetics of Chinese mainland mainstream cinema</subfield><subfield code="c">Fangyi Xu</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Shanghai</subfield><subfield code="b">Shanghai Jiao Tong University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Singapore</subfield><subfield code="b">Palgrave Macmillan, a imprint of Springer Nature Singapore Pte Ltd</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 233 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This book is the first one focusing on Chinese mainstream films from a cross-disciplinary perspective. Based on case studies, it discusses three subgenres of mainland Chinese commercial mainstream films and offers an approach to studying the transformation of Chinese mainstream film within the theoretical frameworks of "genre theory" and "screenwriting method". It helps professionals understand the genres and narratives of Chinese mainstream films, and also serves as a must-read for non-professionals interested in Chinese cinema. Fangyi Xu is film writer/director, and Lecturer at Communication University of China. She has a PhD from Peking University and a master's degree from University of Southern California. She has also worked as a Postdoctor at Tsinghua University. She has international vision and inter-disciplinary background (art, humanities, communication, etc.), as well as a wide variety of practical experience in creation, research and teaching in the film and television industry at home and abroad</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2010-2020</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmgenre</subfield><subfield code="0">(DE-588)4328427-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmästhetik</subfield><subfield code="0">(DE-588)4140881-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">China</subfield><subfield code="0">(DE-588)4009937-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / China / 21st century / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">China</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">2000-2099</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">China</subfield><subfield code="0">(DE-588)4009937-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Filmgenre</subfield><subfield code="0">(DE-588)4328427-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Filmästhetik</subfield><subfield code="0">(DE-588)4140881-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 2010-2020</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-981-19-6860-0</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230213</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034026829</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">51</subfield></datafield></record></collection> |
| geographic | China (DE-588)4009937-4 gnd |
| geographic_facet | China |
| id | DE-604.BV048652064 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:20:00Z |
| indexdate | 2024-07-10T09:45:05Z |
| institution | BVB |
| isbn | 9789811968594 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034026829 |
| oclc_num | 1369558306 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xi, 233 Seiten Illustrationen |
| psigel | BSB_NED_20230213 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Shanghai Jiao Tong University Press Palgrave Macmillan, a imprint of Springer Nature Singapore Pte Ltd |
| record_format | marc |
| spelling | Xu, Fangyi Verfasser (DE-588)1280530545 aut Transformation of contemporary film genre the aesthetics of Chinese mainland mainstream cinema Fangyi Xu Shanghai Shanghai Jiao Tong University Press [2022] Singapore Palgrave Macmillan, a imprint of Springer Nature Singapore Pte Ltd xi, 233 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier This book is the first one focusing on Chinese mainstream films from a cross-disciplinary perspective. Based on case studies, it discusses three subgenres of mainland Chinese commercial mainstream films and offers an approach to studying the transformation of Chinese mainstream film within the theoretical frameworks of "genre theory" and "screenwriting method". It helps professionals understand the genres and narratives of Chinese mainstream films, and also serves as a must-read for non-professionals interested in Chinese cinema. Fangyi Xu is film writer/director, and Lecturer at Communication University of China. She has a PhD from Peking University and a master's degree from University of Southern California. She has also worked as a Postdoctor at Tsinghua University. She has international vision and inter-disciplinary background (art, humanities, communication, etc.), as well as a wide variety of practical experience in creation, research and teaching in the film and television industry at home and abroad Geschichte 2010-2020 gnd rswk-swf Filmgenre (DE-588)4328427-9 gnd rswk-swf Filmästhetik (DE-588)4140881-0 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Motion pictures / China / 21st century / History Motion pictures China 2000-2099 China (DE-588)4009937-4 g Filmgenre (DE-588)4328427-9 s Filmästhetik (DE-588)4140881-0 s Geschichte 2010-2020 z DE-604 Erscheint auch als Online-Ausgabe 978-981-19-6860-0 |
| spellingShingle | Xu, Fangyi Transformation of contemporary film genre the aesthetics of Chinese mainland mainstream cinema Filmgenre (DE-588)4328427-9 gnd Filmästhetik (DE-588)4140881-0 gnd |
| subject_GND | (DE-588)4328427-9 (DE-588)4140881-0 (DE-588)4009937-4 |
| title | Transformation of contemporary film genre the aesthetics of Chinese mainland mainstream cinema |
| title_auth | Transformation of contemporary film genre the aesthetics of Chinese mainland mainstream cinema |
| title_exact_search | Transformation of contemporary film genre the aesthetics of Chinese mainland mainstream cinema |
| title_exact_search_txtP | Transformation of contemporary film genre the aesthetics of Chinese mainland mainstream cinema |
| title_full | Transformation of contemporary film genre the aesthetics of Chinese mainland mainstream cinema Fangyi Xu |
| title_fullStr | Transformation of contemporary film genre the aesthetics of Chinese mainland mainstream cinema Fangyi Xu |
| title_full_unstemmed | Transformation of contemporary film genre the aesthetics of Chinese mainland mainstream cinema Fangyi Xu |
| title_short | Transformation of contemporary film genre |
| title_sort | transformation of contemporary film genre the aesthetics of chinese mainland mainstream cinema |
| title_sub | the aesthetics of Chinese mainland mainstream cinema |
| topic | Filmgenre (DE-588)4328427-9 gnd Filmästhetik (DE-588)4140881-0 gnd |
| topic_facet | Filmgenre Filmästhetik China |
| work_keys_str_mv | AT xufangyi transformationofcontemporaryfilmgenretheaestheticsofchinesemainlandmainstreamcinema |