Shakespeare and adaptation theory:
"Shakespeare and Adaptation Theory reconsiders, after 20 years of intense critical and creative activity, the theory and practice of adapting Shakespeare to different genres and media. Organized around clusters of key metaphors, the book explicates the principal theories informing the field of...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
The Arden Shakespeare
2023
|
| Schriftenreihe: | Shakespeare and theory
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Shakespeare and Adaptation Theory reconsiders, after 20 years of intense critical and creative activity, the theory and practice of adapting Shakespeare to different genres and media. Organized around clusters of key metaphors, the book explicates the principal theories informing the field of Shakespearean adaptation and surveys the growing field of case studies by Shakespeare scholars. Each chapter also looks anew at a specific Shakespeare play from the perspective of a prevailing set of theories and metaphors. Having identified the key critics responsible for developing these metaphors and for framing the discussion in this way, Iyengar moves on to analyze afresh the implications of these critical frames for adaptation studies as a whole and for particular Shakespeare plays. Focusing each chapter around a different play, the book contrasts comic, tragic, and tragicomic modes in Shakespeare's oeuvre and within the major genres of adaptation (e.g., film, stage-production, novel and digital media). Each chapter seasons its theoretical discussions with a lively sprinkling of allusions to Shakespeare - ranging from fan-fiction, tea-towels, and coffee mugs to quartos, operas, and fine art. To conclude each chapter, the author provides a case-study of three or four significant and interesting adaptations from different genres or media"-- |
| Beschreibung: | xv, 241 Seiten Illustrationen 19,7 cm |
| ISBN: | 9781350073579 9781350073586 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Series Editors Preface ix List of Figures xii List of Tables xiii Acknowledgements xiv Note on Texts and Sources Used xvi Introduction: Much ado about adaptation 1 What or whom are we adapting? 2 Metaphors we adapt by 10 Adaptation as annotation in Much Ado 17 1 Plants, off-shoots, genes: Rhizomes 23 Plants 23 Off-shoots 27 Genes 32 Rhizomes: Plantation in some Tempests 33 2 Art, property, theft: Appropriation 45 Art 47 Property 52 Theft 54 Appropriation as revisioning: Othello without Othello (and Desdemona) 59 3 Fidelity, families, ethics: Derivatives 67 Fidelity 69
viii CONTEXTS Families: Lear among the editors 70 Ethics and editing 76 Derivatives: Lear’s progeny 82 4 Transfer, remediation, broadcast: Intermedia 87 Transfer 89 Remediation 93 Broadcast and podcast 100 Intermedia: Audio Hamlets 103 5 Memes, networks, fans: Transformations 109 Memes 111 Networks 114 Fans 117 Transformations: A gender-agenda in Twelfth Night 118 6 Relocation, translation, hybridization: Tradap tation 131 Relocation 134 Translation 140 Hybridization 145 Tradaptation: The peregrinations of Pericles 148 7 Accidents, remains, traces: Accommodations Accidents 157 Remains 162 Traces 167 Accommodations: Romeo and Juliet 169 Glossary of selected terms Notes 187 References 189 Index 229 177 155
Shakespeare and Theory provides a comprehensive analysis of the theoretical developments that have dominated Shakespeare studies in recent years, as well as those that are emerging at the present moment. Each volume provides: a clear definition of a particular theory; a survey of its major theorists and critics; an analysis of its significance in Shakespeare studies; a summary of relevant political, social and economic contexts; a wealth of suggested resources for further investigation. Shakespeare and Adaptation Theory reconsiders the theory and practice of adapting Shakespeare. Each chapter identifies and discusses a different metaphor that critics and cultural producers use to describe the processes and products of adaptation, and takes as a case study a different Shakespeare play and adaptations of it in diverse generic and intermedial contexts, including film, theatrical productions, novels and digital media. Each chapter seasons its theoretical discussions with a lively sprinkling of allusions to Shakespeare - ranging from TikTok to tissue-boxes, from folios and fine arts to fan work. A glossary of terms compiled by Philip Gilreath and the author completes the book.
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| adam_txt |
CONTENTS Series Editors Preface ix List of Figures xii List of Tables xiii Acknowledgements xiv Note on Texts and Sources Used xvi Introduction: Much ado about adaptation 1 What or whom are we adapting? 2 Metaphors we adapt by 10 Adaptation as annotation in Much Ado 17 1 Plants, off-shoots, genes: Rhizomes 23 Plants 23 Off-shoots 27 Genes 32 Rhizomes: Plantation in some Tempests 33 2 Art, property, theft: Appropriation 45 Art 47 Property 52 Theft 54 Appropriation as revisioning: Othello without Othello (and Desdemona) 59 3 Fidelity, families, ethics: Derivatives 67 Fidelity 69
viii CONTEXTS Families: Lear among the editors 70 Ethics and editing 76 Derivatives: Lear’s progeny 82 4 Transfer, remediation, broadcast: Intermedia 87 Transfer 89 Remediation 93 Broadcast and podcast 100 Intermedia: Audio Hamlets 103 5 Memes, networks, fans: Transformations 109 Memes 111 Networks 114 Fans 117 Transformations: A gender-agenda in Twelfth Night 118 6 Relocation, translation, hybridization: Tradap tation 131 Relocation 134 Translation 140 Hybridization 145 Tradaptation: The peregrinations of Pericles 148 7 Accidents, remains, traces: Accommodations Accidents 157 Remains 162 Traces 167 Accommodations: Romeo and Juliet 169 Glossary of selected terms Notes 187 References 189 Index 229 177 155
Shakespeare and Theory provides a comprehensive analysis of the theoretical developments that have dominated Shakespeare studies in recent years, as well as those that are emerging at the present moment. Each volume provides: a clear definition of a particular theory; a survey of its major theorists and critics; an analysis of its significance in Shakespeare studies; a summary of relevant political, social and economic contexts; a wealth of suggested resources for further investigation. Shakespeare and Adaptation Theory reconsiders the theory and practice of adapting Shakespeare. Each chapter identifies and discusses a different metaphor that critics and cultural producers use to describe the processes and products of adaptation, and takes as a case study a different Shakespeare play and adaptations of it in diverse generic and intermedial contexts, including film, theatrical productions, novels and digital media. Each chapter seasons its theoretical discussions with a lively sprinkling of allusions to Shakespeare - ranging from TikTok to tissue-boxes, from folios and fine arts to fan work. A glossary of terms compiled by Philip Gilreath and the author completes the book. |
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| index_date | 2024-07-03T21:19:38Z |
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| isbn | 9781350073579 9781350073586 |
| language | English |
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| spelling | Iyengar, Sujata Verfasser (DE-588)1064714382 aut Shakespeare and adaptation theory Sujata Iyengar London ; New York ; Oxford ; New Delhi ; Sydney The Arden Shakespeare 2023 xv, 241 Seiten Illustrationen 19,7 cm txt rdacontent n rdamedia nc rdacarrier Shakespeare and theory "Shakespeare and Adaptation Theory reconsiders, after 20 years of intense critical and creative activity, the theory and practice of adapting Shakespeare to different genres and media. Organized around clusters of key metaphors, the book explicates the principal theories informing the field of Shakespearean adaptation and surveys the growing field of case studies by Shakespeare scholars. Each chapter also looks anew at a specific Shakespeare play from the perspective of a prevailing set of theories and metaphors. Having identified the key critics responsible for developing these metaphors and for framing the discussion in this way, Iyengar moves on to analyze afresh the implications of these critical frames for adaptation studies as a whole and for particular Shakespeare plays. Focusing each chapter around a different play, the book contrasts comic, tragic, and tragicomic modes in Shakespeare's oeuvre and within the major genres of adaptation (e.g., film, stage-production, novel and digital media). Each chapter seasons its theoretical discussions with a lively sprinkling of allusions to Shakespeare - ranging from fan-fiction, tea-towels, and coffee mugs to quartos, operas, and fine art. To conclude each chapter, the author provides a case-study of three or four significant and interesting adaptations from different genres or media"-- Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Adaption Literatur (DE-588)102289935X gnd rswk-swf Shakespeare, William / 1564-1616 / Adaptations / History and criticism Shakespeare, William / 1564-1616 / In mass media Shakespeare, William / 1564-1616 Literature / Adaptations Mass media Criticism, interpretation, etc Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Adaption Literatur (DE-588)102289935X s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-350-07360-9 Erscheint auch als Online-Ausgabe 978-1-350-07359-3 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034025534&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034025534&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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