Analyzing recorded music: collected perspectives on popular music tracks
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge
2023
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | xxviii, 415 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9780367546311 9780367546328 |
Internformat
MARC
LEADER | 00000nam a22000008c 4500 | ||
---|---|---|---|
001 | BV048647377 | ||
003 | DE-604 | ||
005 | 20230717 | ||
007 | t | ||
008 | 230112s2023 agl| |||| 00||| eng d | ||
020 | |a 9780367546311 |c paperback |9 978-0-367-54631-1 | ||
020 | |a 9780367546328 |c hardback |9 978-0-367-54632-8 | ||
035 | |a (OCoLC)1348995977 | ||
035 | |a (DE-599)BVBBV048647377 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-11 |a DE-29T |a DE-12 | ||
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a LS 48015 |0 (DE-625)110539: |2 rvk | ||
245 | 1 | 0 | |a Analyzing recorded music |b collected perspectives on popular music tracks |c edited by William Moylan, Lori Burns and Mike Alleyne |
264 | 1 | |a London ; New York |b Routledge |c 2023 | |
264 | 4 | |c ©2023 | |
300 | |a xxviii, 415 Seiten |b Illustrationen, Notenbeispiele | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
650 | 0 | 7 | |a Musikproduktion |0 (DE-588)4235850-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Popmusik |0 (DE-588)4046781-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Schallaufzeichnung |0 (DE-588)4052020-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musikalische Analyse |0 (DE-588)4040814-0 |2 gnd |9 rswk-swf |
653 | 0 | |a Popular music / Analysis, appreciation | |
653 | 0 | |a Sound recordings / Production and direction | |
653 | 0 | |a Popular music / Analysis, appreciation | |
653 | 0 | |a Sound recordings / Production and direction | |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Popmusik |0 (DE-588)4046781-8 |D s |
689 | 0 | 1 | |a Musikproduktion |0 (DE-588)4235850-4 |D s |
689 | 0 | 2 | |a Schallaufzeichnung |0 (DE-588)4052020-1 |D s |
689 | 0 | 3 | |a Musikalische Analyse |0 (DE-588)4040814-0 |D s |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Moylan, William |d 1956- |e Sonstige |0 (DE-588)1034873830 |4 oth | |
700 | 1 | |a Burns, Lori |e Sonstige |0 (DE-588)102475328X |4 oth | |
700 | 1 | |a Alleyne, Mike |e Sonstige |0 (DE-588)1165539500 |4 oth | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-00-081966-3 |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034022233&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
940 | 1 | |q BSB_NED_20230717 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-034022233 | ||
942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0905 |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |
942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0904 |
Datensatz im Suchindex
_version_ | 1804184790549659648 |
---|---|
adam_text | CONTENTS List of Figures and Examples List of Tables List of Contributors Foreword by Paul Théberge Disclaimer and Credits lx xiii XV xxiv xxix Introduction: Analyzing and Interpreting Recorded Song Tracks Lori Burns, Mike Alleyne, and William Moylan 1 SECTION I Musical Genre, Culture, and Technology 21 1 “I Been Studying Rain”: What do We Hear When We Listen to the Blues of Robert Johnson? (“Preachin’ Blues,” 1936) 23 Tom Attah 2 Analyzing Hip-Hop Hacktivism and Automobility in Injury Reserve’s (2019) “Jailbreak the Tesla” (feat. Aminé) Steven Gamble andJustin Williams 38 SECTION II Track Revelations and Aural Mirrors 3 Hearing through the Grapevine: Marvin Gaye, Norman Whitfield, and the Long Journey ofMotown’s Biggest Hit, “I Heard it Through the Grapevine” (1968) Andrew Flory 57 59
vî Contents 4 “Let the Music Play” (1975): Hearing the Disco Mainstream in Barry White John Howland 71 5 Reaching for Stardom: Live and Studio Sound in Prince’s “Purple Rain” (1984) Steve Waksman 90 SECTION III Layers Make the Record 6 “In a Sky Full of People”: Spatial and Cinematic Staging in Seal’s “Crazy” (1990) Mike Alleyne 7 Come Together: Feeling the Distemper of Murk and Elation with the Beatles (1969) and with Sheila E. and Ringo Starr (2017; 2020) Walter Everett and Katie Kapurch 105 107 127 8 “A Tsunami of Voices”: Wee’s “I’m Not in Love” (1975) Mark Spicer and Stephen Spencer 9 Counterpoint and Expression in the Music of U2: “Gloria” (1981) Timothy Koozin 144 161 SECTION IV Sonic Journeys 179 10 On the Structure of Feeling in Bob Dylan’s “I’ve Made Up My Mind to Give Myself to You” (2020) Michael Millner and William Moylan 181 11 “You Never Give Me Your Money”: The Abbey Road Medley (1969) Albin Zak 203 12 Listening Beyond the Record: The Judds’ “John Deer Tractor” (1984) Jocelyn R. Neal 216
Contents vii SECTION V Sampling and Reframing 229 13 Sonic Materiality and Boom-Bap Embodiment in Conway’s “Biscotti Biscuit” (2018): An Autoethnography of Recording Analysis Michail Exarchos (aka Stereo Mike) 231 14 “It Ain’t But One Kind of Blues”: Kid Koala’s Bluesy Embrace of the Fragmented (“1 bit Blues,” 2012) Ragnhild Brøvig 248 15 “Three and a Half Minutes of Attitude”: Vocal Delivery, Groove, and Production in Azealia Banks’ “212” (2014) Anne Danielsen and Thea Sørli Paulsrud 259 SECTION VI Deconstructing the Mix and Production Process 275 16 Can You Hear the Thunder?: The Tech-Processual Construction of Environmental and Emotional Situ in Ghost’s “Cirice” (2015) Samantha Bennett 277 17 Three-Dimensional Doom: My Dying Bride’s “Your Broken Shore” (2020) Mark Mynett 294 18 Transforming a Pop Song: The Journey of the Extended Club Remix (Taz Vegas’ “Am I Dreaming,” 2019) Phil Harding 305 SECTION VII Voicing Identity through Genre 19 Framing the Female Voice in Doom Metal: Compositional and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) Lori Burns 20 Masking: Queer Aesthetics and Production Tricks in Orville Peck’s “Hope to Die” (2019) 339 Stan Hawkins and Zack Bresler 321 323
viii Contents 21 “What Are You Gonna Tell Her?” (2020): Mickey Guyton’s Advocacy and Protest for Equality in Country Music Jada Watson 22 Form, Genre, and Vocal Performance in Nicki Minaj’s “Stupid Hoe” (2011) Olivia R. Lucas 358 370 23 Tracks and Transformations in the Wailers’ “Concrete Jungle” (1973) Mike Alleyne 386 Index 403
|
adam_txt |
CONTENTS List of Figures and Examples List of Tables List of Contributors Foreword by Paul Théberge Disclaimer and Credits lx xiii XV xxiv xxix Introduction: Analyzing and Interpreting Recorded Song Tracks Lori Burns, Mike Alleyne, and William Moylan 1 SECTION I Musical Genre, Culture, and Technology 21 1 “I Been Studying Rain”: What do We Hear When We Listen to the Blues of Robert Johnson? (“Preachin’ Blues,” 1936) 23 Tom Attah 2 Analyzing Hip-Hop Hacktivism and Automobility in Injury Reserve’s (2019) “Jailbreak the Tesla” (feat. Aminé) Steven Gamble andJustin Williams 38 SECTION II Track Revelations and Aural Mirrors 3 Hearing through the Grapevine: Marvin Gaye, Norman Whitfield, and the Long Journey ofMotown’s Biggest Hit, “I Heard it Through the Grapevine” (1968) Andrew Flory 57 59
vî Contents 4 “Let the Music Play” (1975): Hearing the Disco Mainstream in Barry White John Howland 71 5 Reaching for Stardom: Live and Studio Sound in Prince’s “Purple Rain” (1984) Steve Waksman 90 SECTION III Layers Make the Record 6 “In a Sky Full of People”: Spatial and Cinematic Staging in Seal’s “Crazy” (1990) Mike Alleyne 7 Come Together: Feeling the Distemper of Murk and Elation with the Beatles (1969) and with Sheila E. and Ringo Starr (2017; 2020) Walter Everett and Katie Kapurch 105 107 127 8 “A Tsunami of Voices”: Wee’s “I’m Not in Love” (1975) Mark Spicer and Stephen Spencer 9 Counterpoint and Expression in the Music of U2: “Gloria” (1981) Timothy Koozin 144 161 SECTION IV Sonic Journeys 179 10 On the Structure of Feeling in Bob Dylan’s “I’ve Made Up My Mind to Give Myself to You” (2020) Michael Millner and William Moylan 181 11 “You Never Give Me Your Money”: The Abbey Road Medley (1969) Albin Zak 203 12 Listening Beyond the Record: The Judds’ “John Deer Tractor” (1984) Jocelyn R. Neal 216
Contents vii SECTION V Sampling and Reframing 229 13 Sonic Materiality and Boom-Bap Embodiment in Conway’s “Biscotti Biscuit” (2018): An Autoethnography of Recording Analysis Michail Exarchos (aka Stereo Mike) 231 14 “It Ain’t But One Kind of Blues”: Kid Koala’s Bluesy Embrace of the Fragmented (“1 bit Blues,” 2012) Ragnhild Brøvig 248 15 “Three and a Half Minutes of Attitude”: Vocal Delivery, Groove, and Production in Azealia Banks’ “212” (2014) Anne Danielsen and Thea Sørli Paulsrud 259 SECTION VI Deconstructing the Mix and Production Process 275 16 Can You Hear the Thunder?: The Tech-Processual Construction of Environmental and Emotional Situ in Ghost’s “Cirice” (2015) Samantha Bennett 277 17 Three-Dimensional Doom: My Dying Bride’s “Your Broken Shore” (2020) Mark Mynett 294 18 Transforming a Pop Song: The Journey of the Extended Club Remix (Taz Vegas’ “Am I Dreaming,” 2019) Phil Harding 305 SECTION VII Voicing Identity through Genre 19 Framing the Female Voice in Doom Metal: Compositional and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) Lori Burns 20 Masking: Queer Aesthetics and Production Tricks in Orville Peck’s “Hope to Die” (2019) 339 Stan Hawkins and Zack Bresler 321 323
viii Contents 21 “What Are You Gonna Tell Her?” (2020): Mickey Guyton’s Advocacy and Protest for Equality in Country Music Jada Watson 22 Form, Genre, and Vocal Performance in Nicki Minaj’s “Stupid Hoe” (2011) Olivia R. Lucas 358 370 23 Tracks and Transformations in the Wailers’ “Concrete Jungle” (1973) Mike Alleyne 386 Index 403 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author_GND | (DE-588)1034873830 (DE-588)102475328X (DE-588)1165539500 |
building | Verbundindex |
bvnumber | BV048647377 |
classification_rvk | LS 48015 |
ctrlnum | (OCoLC)1348995977 (DE-599)BVBBV048647377 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02488nam a22005778c 4500</leader><controlfield tag="001">BV048647377</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230717 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230112s2023 agl| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367546311</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-367-54631-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367546328</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-367-54632-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1348995977</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048647377</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-29T</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 48015</subfield><subfield code="0">(DE-625)110539:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Analyzing recorded music</subfield><subfield code="b">collected perspectives on popular music tracks</subfield><subfield code="c">edited by William Moylan, Lori Burns and Mike Alleyne</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge</subfield><subfield code="c">2023</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxviii, 415 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikproduktion</subfield><subfield code="0">(DE-588)4235850-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schallaufzeichnung</subfield><subfield code="0">(DE-588)4052020-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / Analysis, appreciation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound recordings / Production and direction</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / Analysis, appreciation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound recordings / Production and direction</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musikproduktion</subfield><subfield code="0">(DE-588)4235850-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Schallaufzeichnung</subfield><subfield code="0">(DE-588)4052020-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Moylan, William</subfield><subfield code="d">1956-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)1034873830</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Burns, Lori</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)102475328X</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Alleyne, Mike</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)1165539500</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-00-081966-3</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034022233&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230717</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034022233</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV048647377 |
illustrated | Illustrated |
index_date | 2024-07-03T21:18:38Z |
indexdate | 2024-07-10T09:44:56Z |
institution | BVB |
isbn | 9780367546311 9780367546328 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034022233 |
oclc_num | 1348995977 |
open_access_boolean | |
owner | DE-11 DE-29T DE-12 |
owner_facet | DE-11 DE-29T DE-12 |
physical | xxviii, 415 Seiten Illustrationen, Notenbeispiele |
psigel | BSB_NED_20230717 |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Routledge |
record_format | marc |
spelling | Analyzing recorded music collected perspectives on popular music tracks edited by William Moylan, Lori Burns and Mike Alleyne London ; New York Routledge 2023 ©2023 xxviii, 415 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Musikproduktion (DE-588)4235850-4 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Popular music / Analysis, appreciation Sound recordings / Production and direction (DE-588)4143413-4 Aufsatzsammlung gnd-content Popmusik (DE-588)4046781-8 s Musikproduktion (DE-588)4235850-4 s Schallaufzeichnung (DE-588)4052020-1 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Moylan, William 1956- Sonstige (DE-588)1034873830 oth Burns, Lori Sonstige (DE-588)102475328X oth Alleyne, Mike Sonstige (DE-588)1165539500 oth Erscheint auch als Online-Ausgabe 978-1-00-081966-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034022233&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Analyzing recorded music collected perspectives on popular music tracks Musikproduktion (DE-588)4235850-4 gnd Popmusik (DE-588)4046781-8 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
subject_GND | (DE-588)4235850-4 (DE-588)4046781-8 (DE-588)4052020-1 (DE-588)4040814-0 (DE-588)4143413-4 |
title | Analyzing recorded music collected perspectives on popular music tracks |
title_auth | Analyzing recorded music collected perspectives on popular music tracks |
title_exact_search | Analyzing recorded music collected perspectives on popular music tracks |
title_exact_search_txtP | Analyzing recorded music collected perspectives on popular music tracks |
title_full | Analyzing recorded music collected perspectives on popular music tracks edited by William Moylan, Lori Burns and Mike Alleyne |
title_fullStr | Analyzing recorded music collected perspectives on popular music tracks edited by William Moylan, Lori Burns and Mike Alleyne |
title_full_unstemmed | Analyzing recorded music collected perspectives on popular music tracks edited by William Moylan, Lori Burns and Mike Alleyne |
title_short | Analyzing recorded music |
title_sort | analyzing recorded music collected perspectives on popular music tracks |
title_sub | collected perspectives on popular music tracks |
topic | Musikproduktion (DE-588)4235850-4 gnd Popmusik (DE-588)4046781-8 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
topic_facet | Musikproduktion Popmusik Schallaufzeichnung Musikalische Analyse Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034022233&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT moylanwilliam analyzingrecordedmusiccollectedperspectivesonpopularmusictracks AT burnslori analyzingrecordedmusiccollectedperspectivesonpopularmusictracks AT alleynemike analyzingrecordedmusiccollectedperspectivesonpopularmusictracks |