The politics of the Marvel cinematic universe:
"The Marvel Cinematic Universe (MCU) has become a touchstone of contemporary American life. In 2009, Disney purchased Marvel Entertainment for $4 billion, including its subsidiary film production company, Marvel Studios. Since then, the MCU-the collection of multi-media Marvel Studios products...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lawrence
University Press of Kansas
[2023]
|
| Schriftenreihe: | Politics and pop culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Marvel Cinematic Universe (MCU) has become a touchstone of contemporary American life. In 2009, Disney purchased Marvel Entertainment for $4 billion, including its subsidiary film production company, Marvel Studios. Since then, the MCU-the collection of multi-media Marvel Studios products that share a single fictional storyline-has grown from two feature films to 23 interconnected movies, a half-dozen short films, three streaming Disney+ series, and more than 30 print titles. At the time of this writing, eight of the 25 highest grossing films of all time are MCU movies"-- |
| Beschreibung: | Includes biblioraphical references and index |
| Beschreibung: | xiv, 419 Seiten Illustrationen, Diagramme |
| ISBN: | 9780700633883 |
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Datensatz im Suchindex
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| adam_text | Contents Foreword xi Steve Rogers Acknowledgments xiii CHAPTER 1 An Introduction to the Politics of the Marvel Cinematic Universe 1 Nicholas Carnes and Lilly J. Goren Part One Origin Stories CHAPTER 2 Building Worlds: Three Paths toward Racial Justice in Black Panther 19 Allison Rink and Heather Pool CHAPTER 3 Tony Stark and the Classical Heroism of the Marvel Cinematic Universe 36 Ari Kohen CHAPTER 4 Endurance in Marvel Cinema: Letting Go of Compulsory Overcoming in Superhero Stories 52 Anna Daily CHAPTERS Captain America vs. James Madison Christopher J. Galdieri 72 CHAPTER 6 “Operation: Rebirth” and the Marvel Cinematic Universe: Origin Stories as Founding Narratives 85 Ronald J. Schmidt, Jr. CHAPTER? Nostalgia, Nationalism, and Marvel Superheroics Lilly J. Goren Part Two With Great Power CHAPTER 8 Government as the Bad Guy? Nicholas Carnes Ill 95
CHAPTER 9 Democratic Monstrosity: Marvel’s Avengers and Extraordinary Politics 127 Elizabeth Barringer CHAPTER 10 Strange Sovereignty: Fantasies of Supremacy and Coloniality in the Marvel Cinematic Universe Matthew Longo CHAPTER 11 142 Civilian Control of Superheroes: Applying What We Know from Civil-Military Relations 154 Stephen Μ. Saideman CHAPTER 12 Environmentalism and the Marvel Cinematic Universe: Spider-Man: Far from Home as a Cautionary Ihle 166 Nancy J. Hirschmann CHAPTER 13 Part Three Marvel Cinematic Universe Villains and Social Anxieties 182 Haoyang Wang and Christina Zhang An Expanding Universe CHAPTER 14 Wrestling with Power and Pleasure: Black Widow and the Warrior Women of the Marvel Cinematic Universe 195 Linda Beail CHAPTER 15 From “Grrrl Power” to “She’s Got Help”: Captain Marvel as the Superhero of Second-Wave Feminism 211 Kristin Kanthak CHAPTER 16 Vulnerable Heroines: Gendering Violence in Jessica Jones 224 Menaka Philips CHAPTER 17 “I Know My Value”: Agency in the Prime-Time Network Portrayal of Peggy Carter 237 Christina Fattore CHAPTER 18 Men and Supermen: Gender and (Over)Compensation in the Marvel Cinematic Universe 249 Dan Cassino CHAPTER 19 Deep in Marvel’s Closet: Heteronormativity and Hidden LGBTQ+ Narratives in the Marvel Cinematic Universe 266 Patricia C. Rodda CHAPTER 20 Avengers, Assemblage Danielle Hanley viii Contents 278
CHAPTER 21 Female Combatants in the Marvel Cinematic Universe 292 Ora Szekely CHAPTER 22 Who Watches the Marvel Cinematic Universe? Race, Sex, and the Audience for Onscreen Diversity 307 Bethany Lacina CHAPTER 23 Geopolitical Representations of Africa through the Marvel Cinematic Lens 323 Meghan S. Sanders Part Four Conclusion CHAPTER 24 “You’ve Become Part of a Bigger Universe”: Plurality, Public Things, and the Marvel Cinematic Universe 339 Jennifer Forestal Afterwords AFTERWORD 1 How Marvel Studios Makes a Universe Carlee Goldberg 355 AFTERWORD 2 Classical Dramatic Structure: A Primer on the Marvel Cinematic Universe 360 Matthew L. Free Film List 369 List of Contributors 371 References 373 Index 403
|
| adam_txt |
Contents Foreword xi Steve Rogers Acknowledgments xiii CHAPTER 1 An Introduction to the Politics of the Marvel Cinematic Universe 1 Nicholas Carnes and Lilly J. Goren Part One Origin Stories CHAPTER 2 Building Worlds: Three Paths toward Racial Justice in Black Panther 19 Allison Rink and Heather Pool CHAPTER 3 Tony Stark and the Classical Heroism of the Marvel Cinematic Universe 36 Ari Kohen CHAPTER 4 Endurance in Marvel Cinema: Letting Go of Compulsory Overcoming in Superhero Stories 52 Anna Daily CHAPTERS Captain America vs. James Madison Christopher J. Galdieri 72 CHAPTER 6 “Operation: Rebirth” and the Marvel Cinematic Universe: Origin Stories as Founding Narratives 85 Ronald J. Schmidt, Jr. CHAPTER? Nostalgia, Nationalism, and Marvel Superheroics Lilly J. Goren Part Two With Great Power CHAPTER 8 Government as the Bad Guy? Nicholas Carnes Ill 95
CHAPTER 9 Democratic Monstrosity: Marvel’s Avengers and Extraordinary Politics 127 Elizabeth Barringer CHAPTER 10 Strange Sovereignty: Fantasies of Supremacy and Coloniality in the Marvel Cinematic Universe Matthew Longo CHAPTER 11 142 Civilian Control of Superheroes: Applying What We Know from Civil-Military Relations 154 Stephen Μ. Saideman CHAPTER 12 Environmentalism and the Marvel Cinematic Universe: Spider-Man: Far from Home as a Cautionary Ihle 166 Nancy J. Hirschmann CHAPTER 13 Part Three Marvel Cinematic Universe Villains and Social Anxieties 182 Haoyang Wang and Christina Zhang An Expanding Universe CHAPTER 14 Wrestling with Power and Pleasure: Black Widow and the Warrior Women of the Marvel Cinematic Universe 195 Linda Beail CHAPTER 15 From “Grrrl Power” to “She’s Got Help”: Captain Marvel as the Superhero of Second-Wave Feminism 211 Kristin Kanthak CHAPTER 16 Vulnerable Heroines: Gendering Violence in Jessica Jones 224 Menaka Philips CHAPTER 17 “I Know My Value”: Agency in the Prime-Time Network Portrayal of Peggy Carter 237 Christina Fattore CHAPTER 18 Men and Supermen: Gender and (Over)Compensation in the Marvel Cinematic Universe 249 Dan Cassino CHAPTER 19 Deep in Marvel’s Closet: Heteronormativity and Hidden LGBTQ+ Narratives in the Marvel Cinematic Universe 266 Patricia C. Rodda CHAPTER 20 Avengers, Assemblage Danielle Hanley viii Contents 278
CHAPTER 21 Female Combatants in the Marvel Cinematic Universe 292 Ora Szekely CHAPTER 22 Who Watches the Marvel Cinematic Universe? Race, Sex, and the Audience for Onscreen Diversity 307 Bethany Lacina CHAPTER 23 Geopolitical Representations of Africa through the Marvel Cinematic Lens 323 Meghan S. Sanders Part Four Conclusion CHAPTER 24 “You’ve Become Part of a Bigger Universe”: Plurality, Public Things, and the Marvel Cinematic Universe 339 Jennifer Forestal Afterwords AFTERWORD 1 How Marvel Studios Makes a Universe Carlee Goldberg 355 AFTERWORD 2 Classical Dramatic Structure: A Primer on the Marvel Cinematic Universe 360 Matthew L. Free Film List 369 List of Contributors 371 References 373 Index 403 |
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| spelling | The politics of the Marvel cinematic universe edited by Nicholas Carnes and Lilly J. Goren Lawrence University Press of Kansas [2023] xiv, 419 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Politics and pop culture Includes biblioraphical references and index "The Marvel Cinematic Universe (MCU) has become a touchstone of contemporary American life. In 2009, Disney purchased Marvel Entertainment for $4 billion, including its subsidiary film production company, Marvel Studios. Since then, the MCU-the collection of multi-media Marvel Studios products that share a single fictional storyline-has grown from two feature films to 23 interconnected movies, a half-dozen short films, three streaming Disney+ series, and more than 30 print titles. At the time of this writing, eight of the 25 highest grossing films of all time are MCU movies"-- Marvel Cinematic Universe (DE-588)127360797X gnd rswk-swf Superhero films / United States / History and criticism Motion pictures / Political aspects / United States Marvel Studios Marvel Comics Group Films de superhéros / États-Unis / Histoire et critique Motion pictures / Political aspects Superhero films United States Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Marvel Cinematic Universe (DE-588)127360797X g DE-604 Carnes, Nicholas 1984- (DE-588)1043681493 edt Goren, Lilly J. 1965- (DE-588)139403671 edt Erscheint auch als Online-Ausgabe 978-0-7006-3389-0 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034022039&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title_full | The politics of the Marvel cinematic universe edited by Nicholas Carnes and Lilly J. Goren |
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| title_full_unstemmed | The politics of the Marvel cinematic universe edited by Nicholas Carnes and Lilly J. Goren |
| title_short | The politics of the Marvel cinematic universe |
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| topic_facet | Marvel Cinematic Universe Aufsatzsammlung |
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