Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema
Connects the found footage horror subgenre to significant traumatic events and societal anxieties in American history and contemporary AmericaExplores how the most visually recognisable post-millennial subgenre engages with cultural traumaDemonstrates how found footage horror continues to offer new...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 FHA01 Volltext Volltext |
| Zusammenfassung: | Connects the found footage horror subgenre to significant traumatic events and societal anxieties in American history and contemporary AmericaExplores how the most visually recognisable post-millennial subgenre engages with cultural traumaDemonstrates how found footage horror continues to offer new thematic and aesthetic ways of confronting and working through trauma and anxietyAnalyses a range of key films (both mainstream and lesser known titles), and key movements in the subgenre (for example the movement from documentary conventions to social media aesthetics)Identifies how significant cultural events have impacted on, and been integrated within, found footage horrorExamines the subgenre in a post-cinematic age, where cinema is no longer the dominant cultural spectacle it once wasThrough an identification of key case studies both mainstream and lesser known, Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema argues that found footage horror cinema is uniquely able to confront a pervasive contemporary culture of anxiety and trauma. This book traces how and why the subgenre has continued to endure, even as we enter a post-cinematic landscape.Through three distinct sections, Blood on the Lens proposes key observations on the found footage horror subgenre. She questions how these films engage with national trauma, the common themes of this body of films and how they relate to wider anxieties. In addition, McMurdo investigates the effect various cultural movements have had on the aesthetics of found footage horror, how these films position their spectator and encourage an active viewing mode, and how the line between fiction and fact is blurred both paratextually and within the films themselves |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) |
| Beschreibung: | 1 Online-Ressource (238 Seiten) Illustrationen |
| ISBN: | 9781474482103 |
| DOI: | 10.1515/9781474482103 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048646638 | ||
| 003 | DE-604 | ||
| 005 | 20240307 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230112s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9781474482103 |9 978-1-4744-8210-3 | ||
| 024 | 7 | |a 10.1515/9781474482103 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781474482103 | ||
| 035 | |a (ZDB-20-CBO)CR9781474482103 | ||
| 035 | |a (OCoLC)1362883589 | ||
| 035 | |a (DE-599)BVBBV048646638 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 |a DE-Aug4 | ||
| 082 | 0 | |a 791.436164 |2 23//eng/20221219eng | |
| 100 | 1 | |a McMurdo, Shellie |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Blood on the Lens |b Trauma and Anxiety in American Found Footage Horror Cinema |c Shellie McMurdo |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
| 264 | 4 | |c © 2023 | |
| 300 | |a 1 Online-Ressource (238 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) | ||
| 520 | |a Connects the found footage horror subgenre to significant traumatic events and societal anxieties in American history and contemporary AmericaExplores how the most visually recognisable post-millennial subgenre engages with cultural traumaDemonstrates how found footage horror continues to offer new thematic and aesthetic ways of confronting and working through trauma and anxietyAnalyses a range of key films (both mainstream and lesser known titles), and key movements in the subgenre (for example the movement from documentary conventions to social media aesthetics)Identifies how significant cultural events have impacted on, and been integrated within, found footage horrorExamines the subgenre in a post-cinematic age, where cinema is no longer the dominant cultural spectacle it once wasThrough an identification of key case studies both mainstream and lesser known, Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema argues that found footage horror cinema is uniquely able to confront a pervasive contemporary culture of anxiety and trauma. This book traces how and why the subgenre has continued to endure, even as we enter a post-cinematic landscape.Through three distinct sections, Blood on the Lens proposes key observations on the found footage horror subgenre. She questions how these films engage with national trauma, the common themes of this body of films and how they relate to wider anxieties. In addition, McMurdo investigates the effect various cultural movements have had on the aesthetics of found footage horror, how these films position their spectator and encourage an active viewing mode, and how the line between fiction and fact is blurred both paratextually and within the films themselves | ||
| 546 | |a In English | ||
| 650 | 4 | |a Film, Media & Cultural Studies | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
| 650 | 4 | |a Horror films |x History and criticism | |
| 650 | 4 | |a Motion pictures |z United States |x History | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-4744-8208-0 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781474482103 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 856 | 4 | 0 | |u https://www.cambridge.org/core/product/identifier/9781474482103/type/BOOK |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034021509 | ||
| 966 | e | |u https://doi.org/10.1515/9781474482103 |l BSB01 |p ZDB-23-DGG |q BSB_PDA_DGG_Kauf23 |x Verlag |3 Volltext | |
| 966 | e | |u https://www.cambridge.org/core/product/identifier/9781474482103/type/BOOK |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781474482103 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804184789108916224 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | McMurdo, Shellie |
| author_facet | McMurdo, Shellie |
| author_role | aut |
| author_sort | McMurdo, Shellie |
| author_variant | s m sm |
| building | Verbundindex |
| bvnumber | BV048646638 |
| collection | ZDB-23-DGG ZDB-20-CBO |
| ctrlnum | (ZDB-23-DGG)9781474482103 (ZDB-20-CBO)CR9781474482103 (OCoLC)1362883589 (DE-599)BVBBV048646638 |
| dewey-full | 791.436164 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.436164 |
| dewey-search | 791.436164 |
| dewey-sort | 3791.436164 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9781474482103 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03881nmm a2200481zc 4500</leader><controlfield tag="001">BV048646638</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240307 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230112s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474482103</subfield><subfield code="9">978-1-4744-8210-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474482103</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474482103</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781474482103</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1362883589</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048646638</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-Aug4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.436164</subfield><subfield code="2">23//eng/20221219eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">McMurdo, Shellie</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Blood on the Lens</subfield><subfield code="b">Trauma and Anxiety in American Found Footage Horror Cinema</subfield><subfield code="c">Shellie McMurdo</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (238 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Connects the found footage horror subgenre to significant traumatic events and societal anxieties in American history and contemporary AmericaExplores how the most visually recognisable post-millennial subgenre engages with cultural traumaDemonstrates how found footage horror continues to offer new thematic and aesthetic ways of confronting and working through trauma and anxietyAnalyses a range of key films (both mainstream and lesser known titles), and key movements in the subgenre (for example the movement from documentary conventions to social media aesthetics)Identifies how significant cultural events have impacted on, and been integrated within, found footage horrorExamines the subgenre in a post-cinematic age, where cinema is no longer the dominant cultural spectacle it once wasThrough an identification of key case studies both mainstream and lesser known, Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema argues that found footage horror cinema is uniquely able to confront a pervasive contemporary culture of anxiety and trauma. This book traces how and why the subgenre has continued to endure, even as we enter a post-cinematic landscape.Through three distinct sections, Blood on the Lens proposes key observations on the found footage horror subgenre. She questions how these films engage with national trauma, the common themes of this body of films and how they relate to wider anxieties. In addition, McMurdo investigates the effect various cultural movements have had on the aesthetics of found footage horror, how these films position their spectator and encourage an active viewing mode, and how the line between fiction and fact is blurred both paratextually and within the films themselves</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Horror films</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-4744-8208-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474482103</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.cambridge.org/core/product/identifier/9781474482103/type/BOOK</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034021509</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474482103</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BSB_PDA_DGG_Kauf23</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.cambridge.org/core/product/identifier/9781474482103/type/BOOK</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474482103</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048646638 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:18:31Z |
| indexdate | 2024-07-10T09:44:55Z |
| institution | BVB |
| isbn | 9781474482103 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034021509 |
| oclc_num | 1362883589 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-Aug4 |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-Aug4 |
| physical | 1 Online-Ressource (238 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-20-CBO ZDB-23-DGG BSB_PDA_DGG_Kauf23 ZDB-20-CBO UBG_PDA_CBO ZDB-23-DGG FHA_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| spelling | McMurdo, Shellie Verfasser aut Blood on the Lens Trauma and Anxiety in American Found Footage Horror Cinema Shellie McMurdo Edinburgh Edinburgh University Press [2022] © 2023 1 Online-Ressource (238 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) Connects the found footage horror subgenre to significant traumatic events and societal anxieties in American history and contemporary AmericaExplores how the most visually recognisable post-millennial subgenre engages with cultural traumaDemonstrates how found footage horror continues to offer new thematic and aesthetic ways of confronting and working through trauma and anxietyAnalyses a range of key films (both mainstream and lesser known titles), and key movements in the subgenre (for example the movement from documentary conventions to social media aesthetics)Identifies how significant cultural events have impacted on, and been integrated within, found footage horrorExamines the subgenre in a post-cinematic age, where cinema is no longer the dominant cultural spectacle it once wasThrough an identification of key case studies both mainstream and lesser known, Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema argues that found footage horror cinema is uniquely able to confront a pervasive contemporary culture of anxiety and trauma. This book traces how and why the subgenre has continued to endure, even as we enter a post-cinematic landscape.Through three distinct sections, Blood on the Lens proposes key observations on the found footage horror subgenre. She questions how these films engage with national trauma, the common themes of this body of films and how they relate to wider anxieties. In addition, McMurdo investigates the effect various cultural movements have had on the aesthetics of found footage horror, how these films position their spectator and encourage an active viewing mode, and how the line between fiction and fact is blurred both paratextually and within the films themselves In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Horror films History and criticism Motion pictures United States History Erscheint auch als Druck-Ausgabe 978-1-4744-8208-0 https://doi.org/10.1515/9781474482103 Verlag URL des Erstveröffentlichers Volltext https://www.cambridge.org/core/product/identifier/9781474482103/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | McMurdo, Shellie Blood on the Lens Trauma and Anxiety in American Found Footage Horror Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Horror films History and criticism Motion pictures United States History |
| title | Blood on the Lens Trauma and Anxiety in American Found Footage Horror Cinema |
| title_auth | Blood on the Lens Trauma and Anxiety in American Found Footage Horror Cinema |
| title_exact_search | Blood on the Lens Trauma and Anxiety in American Found Footage Horror Cinema |
| title_exact_search_txtP | Blood on the Lens Trauma and Anxiety in American Found Footage Horror Cinema |
| title_full | Blood on the Lens Trauma and Anxiety in American Found Footage Horror Cinema Shellie McMurdo |
| title_fullStr | Blood on the Lens Trauma and Anxiety in American Found Footage Horror Cinema Shellie McMurdo |
| title_full_unstemmed | Blood on the Lens Trauma and Anxiety in American Found Footage Horror Cinema Shellie McMurdo |
| title_short | Blood on the Lens |
| title_sort | blood on the lens trauma and anxiety in american found footage horror cinema |
| title_sub | Trauma and Anxiety in American Found Footage Horror Cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Horror films History and criticism Motion pictures United States History |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Horror films History and criticism Motion pictures United States History |
| url | https://doi.org/10.1515/9781474482103 https://www.cambridge.org/core/product/identifier/9781474482103/type/BOOK |
| work_keys_str_mv | AT mcmurdoshellie bloodonthelenstraumaandanxietyinamericanfoundfootagehorrorcinema |