Destroyed-Disappeared-Lost-Never Were:
To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments tha...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
University Park, PA
Penn State University Press
[2022]
|
| Schriftenreihe: | ICMA Books | Viewpoints
|
| Schlagworte: | |
| Online-Zugang: | FHA01 Volltext |
| Zusammenfassung: | To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments that have disappeared, have been destroyed, or perhaps never existed in the first place.The contributors to this volume are confronted with the full expanse of what they cannot see, handle, or know. Connecting object histories, the anthropology of images, and historiography, they seek to understand how people have made sense of the past by examining objects, images, and architectural and urban spaces. Intersecting these approaches is a deep current of reflection upon the theorization of historical analysis and the ways in which the past is inscribed into layers of evidence that are only ever revealed in the historian's present tense.Highly original and theoretically sophisticated, this volume will stimulate debate among art historians about the critical practices used to confront the formative presence of destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.In addition to the editors, the contributors to this volume are Michele Bacci, Claudia Brittenham, Sonja Drimmer, Jaś Elsner, Peter Geimer, Danielle B. Joyner, Kristopher W. Kersey, Lena Liepe, Meekyung MacMurdie, and Michelle McCoy |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) |
| Beschreibung: | 1 Online-Ressource (168 Seiten) |
| ISBN: | 9780271093758 |
| DOI: | 10.1515/9780271093758 |
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| 520 | |a To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments that have disappeared, have been destroyed, or perhaps never existed in the first place.The contributors to this volume are confronted with the full expanse of what they cannot see, handle, or know. Connecting object histories, the anthropology of images, and historiography, they seek to understand how people have made sense of the past by examining objects, images, and architectural and urban spaces. Intersecting these approaches is a deep current of reflection upon the theorization of historical analysis and the ways in which the past is inscribed into layers of evidence that are only ever revealed in the historian's present tense.Highly original and theoretically sophisticated, this volume will stimulate debate among art historians about the critical practices used to confront the formative presence of destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.In addition to the editors, the contributors to this volume are Michele Bacci, Claudia Brittenham, Sonja Drimmer, Jaś Elsner, Peter Geimer, Danielle B. Joyner, Kristopher W. Kersey, Lena Liepe, Meekyung MacMurdie, and Michelle McCoy | ||
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| doi_str_mv | 10.1515/9780271093758 |
| format | Electronic eBook |
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| id | DE-604.BV048646548 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:18:31Z |
| indexdate | 2024-07-10T09:44:55Z |
| institution | BVB |
| isbn | 9780271093758 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034021419 |
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| physical | 1 Online-Ressource (168 Seiten) |
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| publishDate | 2022 |
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| publisher | Penn State University Press |
| record_format | marc |
| series2 | ICMA Books | Viewpoints |
| spelling | Destroyed-Disappeared-Lost-Never Were ed. by Beate Fricke, Aden Kumler University Park, PA Penn State University Press [2022] © 2022 1 Online-Ressource (168 Seiten) txt rdacontent c rdamedia cr rdacarrier ICMA Books | Viewpoints Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) To write about works that cannot be sensually perceived involves considerable strain. Absent the object, art historians must stretch their methods to, or even past, the breaking point. This concise volume addresses the problems inherent in studying medieval works of art, artifacts, and monuments that have disappeared, have been destroyed, or perhaps never existed in the first place.The contributors to this volume are confronted with the full expanse of what they cannot see, handle, or know. Connecting object histories, the anthropology of images, and historiography, they seek to understand how people have made sense of the past by examining objects, images, and architectural and urban spaces. Intersecting these approaches is a deep current of reflection upon the theorization of historical analysis and the ways in which the past is inscribed into layers of evidence that are only ever revealed in the historian's present tense.Highly original and theoretically sophisticated, this volume will stimulate debate among art historians about the critical practices used to confront the formative presence of destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.In addition to the editors, the contributors to this volume are Michele Bacci, Claudia Brittenham, Sonja Drimmer, Jaś Elsner, Peter Geimer, Danielle B. Joyner, Kristopher W. Kersey, Lena Liepe, Meekyung MacMurdie, and Michelle McCoy In English ART / History / Medieval bisacsh Art History Philosophy Art Mutilation, defacement, etc Lost works of art Bacci, Michele Sonstige oth Brittenham, Claudia Sonstige oth Drimmer, Sonja Sonstige oth Elsner, Jaś Sonstige oth Fricke, Beate Sonstige oth Geimer, Peter Sonstige oth Joyner, Danielle B. Sonstige oth Kersey, Kristopher W. Sonstige oth Kumler, Aden Sonstige oth Liepe, Lena Sonstige oth MacMurdie, Meekyung Sonstige oth McCoy, Michelle Sonstige oth https://doi.org/10.1515/9780271093758?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Destroyed-Disappeared-Lost-Never Were ART / History / Medieval bisacsh Art History Philosophy Art Mutilation, defacement, etc Lost works of art |
| title | Destroyed-Disappeared-Lost-Never Were |
| title_auth | Destroyed-Disappeared-Lost-Never Were |
| title_exact_search | Destroyed-Disappeared-Lost-Never Were |
| title_exact_search_txtP | Destroyed-Disappeared-Lost-Never Were |
| title_full | Destroyed-Disappeared-Lost-Never Were ed. by Beate Fricke, Aden Kumler |
| title_fullStr | Destroyed-Disappeared-Lost-Never Were ed. by Beate Fricke, Aden Kumler |
| title_full_unstemmed | Destroyed-Disappeared-Lost-Never Were ed. by Beate Fricke, Aden Kumler |
| title_short | Destroyed-Disappeared-Lost-Never Were |
| title_sort | destroyed disappeared lost never were |
| topic | ART / History / Medieval bisacsh Art History Philosophy Art Mutilation, defacement, etc Lost works of art |
| topic_facet | ART / History / Medieval Art History Philosophy Art Mutilation, defacement, etc Lost works of art |
| url | https://doi.org/10.1515/9780271093758?locatt=mode:legacy |
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