Moving bodies, moving images:
In recent years, music videos, celebrity dance contests and TikTok challenges have shaped the way we experience choreography and dance culture. During the Covid-19 pandemic when live performance events were cancelled, people confined to their homes turned to making and viewing short dance videos: cr...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Whitechapel Gallery
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In recent years, music videos, celebrity dance contests and TikTok challenges have shaped the way we experience choreography and dance culture. During the Covid-19 pandemic when live performance events were cancelled, people confined to their homes turned to making and viewing short dance videos: created on mobile phones and designed to be easily replicable and shared on social media platforms. Dance has long had a relationship to film and the screen, from early films of Loie Fuller’s Serpentine Dance (c. 1890s) which highlighted the mediums ability to capture movement and light, to the multi-screen presentations of the choreography of Merce Cunningham transposed into video by Charles Atlas. Visual artists today are inventively reformatting dance and choreographed movement for not only film and the screen but also specifically for the gallery setting, with its repeatable presentation and spatialised viewing conditions. Moving Bodies, Moving Images will feature 10-12 short films by contemporary artists and choreographers that explore the intersection of dance, movement and moving image. These moving image works focus on performing bodies, and unfold as both as individual works but also as collective storytelling, exploring timely topics, ranging from gender politics and desire to bodily memory, resistance and personal healing, to indigeneity and collective identities. The works will be contextualised by three new essays |
| Beschreibung: | Impressum: Published on the occasion of 'Moving Bodies, Moving Images', Whitechapel Gallery, London, UK, 12 October 2022 - 8 January 2023 |
| Beschreibung: | 199 Seiten Illustrationen 26 cm |
| ISBN: | 9780854883110 |
Internformat
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| 520 | 3 | |a In recent years, music videos, celebrity dance contests and TikTok challenges have shaped the way we experience choreography and dance culture. During the Covid-19 pandemic when live performance events were cancelled, people confined to their homes turned to making and viewing short dance videos: created on mobile phones and designed to be easily replicable and shared on social media platforms. Dance has long had a relationship to film and the screen, from early films of Loie Fuller’s Serpentine Dance (c. 1890s) which highlighted the mediums ability to capture movement and light, to the multi-screen presentations of the choreography of Merce Cunningham transposed into video by Charles Atlas. Visual artists today are inventively reformatting dance and choreographed movement for not only film and the screen but also specifically for the gallery setting, with its repeatable presentation and spatialised viewing conditions. Moving Bodies, Moving Images will feature 10-12 short films by contemporary artists and choreographers that explore the intersection of dance, movement and moving image. These moving image works focus on performing bodies, and unfold as both as individual works but also as collective storytelling, exploring timely topics, ranging from gender politics and desire to bodily memory, resistance and personal healing, to indigeneity and collective identities. The works will be contextualised by three new essays | |
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Datensatz im Suchindex
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| adam_text | INTRODUCTION 4
LYDIA YEE AND GRACE STOREY
PRAY FOR LIFE WITHOUT A PLOT, A DAY WITHOUT NARRATIVE: 10
NOTES ON MOVING BODIES, MOVING IMAGES
JEMMA DESAI
ALEXANDRA BACHZETSIS 20
PAULINE BOUDRY / RENATE LORENZ 42
EGLE BUDVYTYTE IN COLLABORATION WITH 60
MARIJA OLSAUSKAITE AND JULIJA STEPONAITYTE
ERIC MINH CUONG CASTAING 82
ALIA FARID 102
HETAIN PATEL 120
BARBARA WAGNER AND BENJAMIN DE BURCA 142
ALBERTA WHITTLE 164
BIOGRAPHIES 188
LIST OF WORKS 192
ACKNOWLEDGEMENTS
196
|
| adam_txt |
INTRODUCTION 4
LYDIA YEE AND GRACE STOREY
PRAY FOR LIFE WITHOUT A PLOT, A DAY WITHOUT NARRATIVE: 10
NOTES ON 'MOVING BODIES, MOVING IMAGES'
JEMMA DESAI
ALEXANDRA BACHZETSIS 20
PAULINE BOUDRY / RENATE LORENZ 42
EGLE BUDVYTYTE IN COLLABORATION WITH 60
MARIJA OLSAUSKAITE AND JULIJA STEPONAITYTE
ERIC MINH CUONG CASTAING 82
ALIA FARID 102
HETAIN PATEL 120
BARBARA WAGNER AND BENJAMIN DE BURCA 142
ALBERTA WHITTLE 164
BIOGRAPHIES 188
LIST OF WORKS 192
ACKNOWLEDGEMENTS
196 |
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| spelling | Moving bodies, moving images editors: Lydia Lee and Grace Storey London Whitechapel Gallery 2022 London Thames & Hudson 199 Seiten Illustrationen 26 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Impressum: Published on the occasion of 'Moving Bodies, Moving Images', Whitechapel Gallery, London, UK, 12 October 2022 - 8 January 2023 In recent years, music videos, celebrity dance contests and TikTok challenges have shaped the way we experience choreography and dance culture. During the Covid-19 pandemic when live performance events were cancelled, people confined to their homes turned to making and viewing short dance videos: created on mobile phones and designed to be easily replicable and shared on social media platforms. Dance has long had a relationship to film and the screen, from early films of Loie Fuller’s Serpentine Dance (c. 1890s) which highlighted the mediums ability to capture movement and light, to the multi-screen presentations of the choreography of Merce Cunningham transposed into video by Charles Atlas. Visual artists today are inventively reformatting dance and choreographed movement for not only film and the screen but also specifically for the gallery setting, with its repeatable presentation and spatialised viewing conditions. Moving Bodies, Moving Images will feature 10-12 short films by contemporary artists and choreographers that explore the intersection of dance, movement and moving image. These moving image works focus on performing bodies, and unfold as both as individual works but also as collective storytelling, exploring timely topics, ranging from gender politics and desire to bodily memory, resistance and personal healing, to indigeneity and collective identities. The works will be contextualised by three new essays Geschichte 2020-2022 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Dance Dance in motion pictures, television, etc (DE-588)4135467-9 Ausstellungskatalog Whitechapel Gallery 12.10.2022-08.01.2023 London gnd-content Performance Künste (DE-588)4173750-7 s Tanz (DE-588)4059028-8 s Geschichte 2020-2022 z DE-604 Yee, Lydia ca. 20./21.Jh. (DE-588)136026907 edt Storey, Grace edt Whitechapel Art Gallery (DE-588)1003465-1 isb his V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034016882&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Moving bodies, moving images Performance Künste (DE-588)4173750-7 gnd Tanz (DE-588)4059028-8 gnd |
| subject_GND | (DE-588)4173750-7 (DE-588)4059028-8 (DE-588)4135467-9 |
| title | Moving bodies, moving images |
| title_auth | Moving bodies, moving images |
| title_exact_search | Moving bodies, moving images |
| title_exact_search_txtP | Moving bodies, moving images |
| title_full | Moving bodies, moving images editors: Lydia Lee and Grace Storey |
| title_fullStr | Moving bodies, moving images editors: Lydia Lee and Grace Storey |
| title_full_unstemmed | Moving bodies, moving images editors: Lydia Lee and Grace Storey |
| title_short | Moving bodies, moving images |
| title_sort | moving bodies moving images |
| topic | Performance Künste (DE-588)4173750-7 gnd Tanz (DE-588)4059028-8 gnd |
| topic_facet | Performance Künste Tanz Ausstellungskatalog Whitechapel Gallery 12.10.2022-08.01.2023 London |
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