The Oxford history of poetry in English: Volume 2 Medieval poetry: 1100-1400
Gespeichert in:
| Weitere Verfasser: | , , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2023
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| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XVII, 523 Seiten |
| ISBN: | 9780198827429 |
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Datensatz im Suchindex
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| adam_text | Contents List ofAbbreviations List of Contributors Editorial Note xix xxi xxiii 1 1. Introduction Helen Cooper and Robert R. Edwards PART I CONTEXTS 2. Historical and Political Changes: The Norman Conquest to the Hundred Years’ War Laura Ashe 15 3. Poetic Sites Ralph Hanna 37 4. Manuscripts: The Textual Record of Middle English Poetry Simon Horobin 54 PARTII LITERARY CULTURE 5. The Poetic Field, I: Old and Middle English Language and Poetry Richard Dance 71 6. The Poetic Field, II: Anglo-Latin Siân Echard 88 7. The Poetic Field, III: Anglo-French Keith Busby 104 8. The Poetic Field, IV: Welsh Victoria Flood 118 9. Verse Forms Ad Putter 128 10. Poetic and Literary Theory Andrew Galloway 145
PART III ‘MATERE’ 11. Poetry and National History Caroline D. Eckhardt 167 12. Poetry in Its Age: Satire and Complaint Craig E. Bertolet 187 13. Doctrine and Learning Stephen Μ. Yeager 200 14. Poetry and the Bible Jacqueline Tasioulas 212 15. Saints’ Lives and Sacred Biography Karen A. Winstead 227 PART IV GENRE POETICS 16. Narrative on the Margins: Tales and Fabliaux Christopher Cannon 245 17. Religious and Didactic Lyrics Denis Renevey 257 18. Secular Lyrics Susanna Fein 274 19. Non-Cyclic Romances of Love Rhiannon Purdie 294 20. Romances of the Ancient World Wolfram R. Keller 309 21. The Matter of Britain Elizabeth Archibald 323 22. Crusade Romances and the Matter of France Marcel Elias 339 23. The‘Matter of England’ Andrew James Johnston 356
COXTENTS XVÍÍ PART V THE RICARDIAN POETS 24. Piers Plowman Nicolette Zeeman 375 25. The Gawain-Poet Helen Cooper 392 26. Chaucer’s Courtly Poetry David Lawton 499 27. The Canterbury Tales Barry Windeatt 425 28. John Gower R. F. Yeager 440 29. Reception of the Middle English Poetic Tradition Julia Boffey 457 Complete Bibliography Index 470 527
This volume occupies both a foundational and a revolutionary place. Its opening date—iioo—marks the re-emergence of a vernacular poetic record in English after the political and cultural disruption of the Norman Conquest. By its end date—1400— English poetry had become an established, if still evolving, literary tradition. The period between these dates sees major innovations and developments in language, topics, poetic forms, and means of expression. Middle English poetry reflects the influence of multiple contexts—history, social institutions, manuscript production, old and new models of versification, medieval poetic theory, and the other literary languages of England. It thus emphasizes the aesthetic, imaginative treatment of new and received materials by medieval writers and the formal craft required for their verse. Individual chapters treat the representation of national history, and mythologies, contemporary issues, and the shared doctrine and learning provided by sacred and secular sources, including the Bible. Throughout the period, lyric and romance figure prominently as genres and poetic modes, while some works hover enticingly on the boundary of genre and discursive forms. The volume ends with chapters on the major writers of the late fourteenth century (Langland, the Gawain-poet, Chaucer, and Gower) and with a look forwards to the reception of something like a national literary tradition in fifteenth-century literary culture.
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| adam_txt |
Contents List ofAbbreviations List of Contributors Editorial Note xix xxi xxiii 1 1. Introduction Helen Cooper and Robert R. Edwards PART I CONTEXTS 2. Historical and Political Changes: The Norman Conquest to the Hundred Years’ War Laura Ashe 15 3. Poetic Sites Ralph Hanna 37 4. Manuscripts: The Textual Record of Middle English Poetry Simon Horobin 54 PARTII LITERARY CULTURE 5. The Poetic Field, I: Old and Middle English Language and Poetry Richard Dance 71 6. The Poetic Field, II: Anglo-Latin Siân Echard 88 7. The Poetic Field, III: Anglo-French Keith Busby 104 8. The Poetic Field, IV: Welsh Victoria Flood 118 9. Verse Forms Ad Putter 128 10. Poetic and Literary Theory Andrew Galloway 145
PART III ‘MATERE’ 11. Poetry and National History Caroline D. Eckhardt 167 12. Poetry in Its Age: Satire and Complaint Craig E. Bertolet 187 13. Doctrine and Learning Stephen Μ. Yeager 200 14. Poetry and the Bible Jacqueline Tasioulas 212 15. Saints’ Lives and Sacred Biography Karen A. Winstead 227 PART IV GENRE POETICS 16. Narrative on the Margins: Tales and Fabliaux Christopher Cannon 245 17. Religious and Didactic Lyrics Denis Renevey 257 18. Secular Lyrics Susanna Fein 274 19. Non-Cyclic Romances of Love Rhiannon Purdie 294 20. Romances of the Ancient World Wolfram R. Keller 309 21. The Matter of Britain Elizabeth Archibald 323 22. Crusade Romances and the Matter of France Marcel Elias 339 23. The‘Matter of England’ Andrew James Johnston 356
COXTENTS XVÍÍ PART V THE RICARDIAN POETS 24. Piers Plowman Nicolette Zeeman 375 25. The Gawain-Poet Helen Cooper 392 26. Chaucer’s Courtly Poetry David Lawton 499 27. The Canterbury Tales Barry Windeatt 425 28. John Gower R. F. Yeager 440 29. Reception of the Middle English Poetic Tradition Julia Boffey 457 Complete Bibliography Index 470 527
This volume occupies both a foundational and a revolutionary place. Its opening date—iioo—marks the re-emergence of a vernacular poetic record in English after the political and cultural disruption of the Norman Conquest. By its end date—1400— English poetry had become an established, if still evolving, literary tradition. The period between these dates sees major innovations and developments in language, topics, poetic forms, and means of expression. Middle English poetry reflects the influence of multiple contexts—history, social institutions, manuscript production, old and new models of versification, medieval poetic theory, and the other literary languages of England. It thus emphasizes the aesthetic, imaginative treatment of new and received materials by medieval writers and the formal craft required for their verse. Individual chapters treat the representation of national history, and mythologies, contemporary issues, and the shared doctrine and learning provided by sacred and secular sources, including the Bible. Throughout the period, lyric and romance figure prominently as genres and poetic modes, while some works hover enticingly on the boundary of genre and discursive forms. The volume ends with chapters on the major writers of the late fourteenth century (Langland, the Gawain-poet, Chaucer, and Gower) and with a look forwards to the reception of something like a national literary tradition in fifteenth-century literary culture. |
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