Music and technology: a very short introduction
"This Very Short Introduction takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, "music technology" tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, re...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Oxford University Press
[2022]
|
Schriftenreihe: | Very short introductions
710 |
Schlagworte: | |
Zusammenfassung: | "This Very Short Introduction takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, "music technology" tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, recording equipment, music notation software, and the like. This volume, however, treats all tools used to create, store, reproduce, and transmit music--new or old, electronic or not--as technologies worthy of investigation. All musical instruments can be considered technologies. The modern piano, for example, is a marvel of keys, hammers, strings, pedals, dampers, and jacks; just the sound-producing mechanism, or action, on a piano has more than 50 different parts. In this broad view, technology in music encompasses instruments, whether acoustic, electric, or electronic; engraving and printing; sound recording and playback; broadcasting; software; and much more. This volume challenges the view that technology is unnatural, something external to music. It was sometimes said in the early twentieth century that so-called mechanical music (especially player pianos and phonographs) was a menace to "real" music; alternatively, technology can be freighted with utopian hopes and desires, as happens today with music streaming platforms. Positive or negative, these views assume that technology is something that acts upon music. By contrast, this volume characterizes technology as an integral part of all musical activity and portrays traditional instruments and electronic machines as equally technological"-- |
Beschreibung: | XX, 135 Seiten Illustrationen 18 cm |
ISBN: | 9780199946983 0199946981 |
Internformat
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490 | 1 | |a Very short introductions |v 710 | |
505 | 8 | |a Music as Technology -- Bodies and Senses -- Time -- Space -- Community -- Noise -- Five Theses about Music and Technology | |
520 | 3 | |a "This Very Short Introduction takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, "music technology" tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, recording equipment, music notation software, and the like. This volume, however, treats all tools used to create, store, reproduce, and transmit music--new or old, electronic or not--as technologies worthy of investigation. All musical instruments can be considered technologies. The modern piano, for example, is a marvel of keys, hammers, strings, pedals, dampers, and jacks; just the sound-producing mechanism, or action, on a piano has more than 50 different parts. In this broad view, technology in music encompasses instruments, whether acoustic, electric, or electronic; engraving and printing; sound recording and playback; broadcasting; software; and much more. This volume challenges the view that technology is unnatural, something external to music. It was sometimes said in the early twentieth century that so-called mechanical music (especially player pianos and phonographs) was a menace to "real" music; alternatively, technology can be freighted with utopian hopes and desires, as happens today with music streaming platforms. Positive or negative, these views assume that technology is something that acts upon music. By contrast, this volume characterizes technology as an integral part of all musical activity and portrays traditional instruments and electronic machines as equally technological"-- | |
650 | 0 | 7 | |a Schallaufzeichnung |0 (DE-588)4052020-1 |2 gnd |9 rswk-swf |
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653 | 0 | |a Musique et technologie | |
653 | 0 | |a Musique / Aspect social | |
653 | 0 | |a MUSIC / History & Criticism | |
653 | 0 | |a Music and technology | |
653 | 0 | |a Music / Social aspects | |
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776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-19-994700-3 |
830 | 0 | |a Very short introductions |v 710 |w (DE-604)BV013097034 |9 710 | |
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Datensatz im Suchindex
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---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Katz, Mark 1970- |
author_GND | (DE-588)136874924 |
author_facet | Katz, Mark 1970- |
author_role | aut |
author_sort | Katz, Mark 1970- |
author_variant | m k mk |
building | Verbundindex |
bvnumber | BV048639600 |
classification_rvk | LR 57790 LR 56600 |
contents | Music as Technology -- Bodies and Senses -- Time -- Space -- Community -- Noise -- Five Theses about Music and Technology |
ctrlnum | (OCoLC)1345270792 (DE-599)BVBBV048639600 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
format | Book |
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genre_facet | Einführung |
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illustrated | Illustrated |
index_date | 2024-07-03T21:17:17Z |
indexdate | 2024-07-10T09:44:47Z |
institution | BVB |
isbn | 9780199946983 0199946981 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034014555 |
oclc_num | 1345270792 |
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physical | XX, 135 Seiten Illustrationen 18 cm |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Oxford University Press |
record_format | marc |
series | Very short introductions |
series2 | Very short introductions |
spelling | Katz, Mark 1970- Verfasser (DE-588)136874924 aut Music and technology a very short introduction Mark Katz New York Oxford University Press [2022] © 2022 XX, 135 Seiten Illustrationen 18 cm txt rdacontent n rdamedia nc rdacarrier Very short introductions 710 Music as Technology -- Bodies and Senses -- Time -- Space -- Community -- Noise -- Five Theses about Music and Technology "This Very Short Introduction takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, "music technology" tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, recording equipment, music notation software, and the like. This volume, however, treats all tools used to create, store, reproduce, and transmit music--new or old, electronic or not--as technologies worthy of investigation. All musical instruments can be considered technologies. The modern piano, for example, is a marvel of keys, hammers, strings, pedals, dampers, and jacks; just the sound-producing mechanism, or action, on a piano has more than 50 different parts. In this broad view, technology in music encompasses instruments, whether acoustic, electric, or electronic; engraving and printing; sound recording and playback; broadcasting; software; and much more. This volume challenges the view that technology is unnatural, something external to music. It was sometimes said in the early twentieth century that so-called mechanical music (especially player pianos and phonographs) was a menace to "real" music; alternatively, technology can be freighted with utopian hopes and desires, as happens today with music streaming platforms. Positive or negative, these views assume that technology is something that acts upon music. By contrast, this volume characterizes technology as an integral part of all musical activity and portrays traditional instruments and electronic machines as equally technological"-- Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Music and technology Music / Social aspects Sound recordings / Social aspects Musical instruments Musique et technologie Musique / Aspect social MUSIC / History & Criticism (DE-588)4151278-9 Einführung gnd-content Schallaufzeichnung (DE-588)4052020-1 s Musiksoziologie (DE-588)4040869-3 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-994700-3 Very short introductions 710 (DE-604)BV013097034 710 |
spellingShingle | Katz, Mark 1970- Music and technology a very short introduction Very short introductions Music as Technology -- Bodies and Senses -- Time -- Space -- Community -- Noise -- Five Theses about Music and Technology Schallaufzeichnung (DE-588)4052020-1 gnd Musiksoziologie (DE-588)4040869-3 gnd |
subject_GND | (DE-588)4052020-1 (DE-588)4040869-3 (DE-588)4151278-9 |
title | Music and technology a very short introduction |
title_auth | Music and technology a very short introduction |
title_exact_search | Music and technology a very short introduction |
title_exact_search_txtP | Music and technology a very short introduction |
title_full | Music and technology a very short introduction Mark Katz |
title_fullStr | Music and technology a very short introduction Mark Katz |
title_full_unstemmed | Music and technology a very short introduction Mark Katz |
title_short | Music and technology |
title_sort | music and technology a very short introduction |
title_sub | a very short introduction |
topic | Schallaufzeichnung (DE-588)4052020-1 gnd Musiksoziologie (DE-588)4040869-3 gnd |
topic_facet | Schallaufzeichnung Musiksoziologie Einführung |
volume_link | (DE-604)BV013097034 |
work_keys_str_mv | AT katzmark musicandtechnologyaveryshortintroduction |