Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen: The facets of Adolf Wuester's mediation work for Rhenish museums
The facets of Adolf Wuester's mediation work for Rhenish museums This article looks at the strategies applied by Adolf Wuester, the marchand amateur and later appointed Consul of the German Embassy in Paris, to assume an important role for certain German museums’ success on the French art marke...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | German |
Veröffentlicht: |
[2022]
|
Schlagworte: | |
Zusammenfassung: | The facets of Adolf Wuester's mediation work for Rhenish museums This article looks at the strategies applied by Adolf Wuester, the marchand amateur and later appointed Consul of the German Embassy in Paris, to assume an important role for certain German museums’ success on the French art market during the Occupation. Wuester’s role was clearly not that of an art dealer buying and selling his own stock of artworks, the understanding of his function as an art market actor needs to be broadened. By looking at his activities on behalf of German museums, especially the Kaiser-Wilhelm- Museum in Krefeld and its director Friedrich Muthmann, it becomes clear that he skilfully applied certain mechanisms allowing the handling of payments based on the dynamics of military occupation - all beyond the activity of merely seeking relevant art works or arranging contacts between buyers and sellers. Archival sources such as correspondence reveal that he wrote out checks for works he did not sell himself. Not only does he appear as a mediator, his dependency on having mercantile privileges to succeed in actually buying and exporting desired objects also becomes apparent. The challenges to fully grasp the quality and quantity of Wuester’s activity as an intermediary illustrate the importance of expanding object-related research on power dynamics, networks and the (varying) roles of art market actors, depending on their privileges and dependencies. |
Beschreibung: | Illustrationen |
ISBN: | 978-3-11-073760-8 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV048636365 | ||
003 | DE-604 | ||
005 | 20230131 | ||
007 | t| | ||
008 | 230109s2022 xx a||| |||| 00||| ger d | ||
035 | |a (OCoLC)1357531689 | ||
035 | |a (DE-599)BVBBV048636365 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a ger | |
049 | |a DE-Y3 |a DE-255 | ||
100 | 1 | |a Weier, Anna-Jo |e Verfasser |0 (DE-588)1272286606 |4 aut | |
245 | 1 | 0 | |a Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen |b The facets of Adolf Wuester's mediation work for Rhenish museums |c Anna-Jo Weier |
264 | 1 | |c [2022] | |
300 | |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a The facets of Adolf Wuester's mediation work for Rhenish museums This article looks at the strategies applied by Adolf Wuester, the marchand amateur and later appointed Consul of the German Embassy in Paris, to assume an important role for certain German museums’ success on the French art market during the Occupation. Wuester’s role was clearly not that of an art dealer buying and selling his own stock of artworks, the understanding of his function as an art market actor needs to be broadened. By looking at his activities on behalf of German museums, especially the Kaiser-Wilhelm- Museum in Krefeld and its director Friedrich Muthmann, it becomes clear that he skilfully applied certain mechanisms allowing the handling of payments based on the dynamics of military occupation - all beyond the activity of merely seeking relevant art works or arranging contacts between buyers and sellers. Archival sources such as correspondence reveal that he wrote out checks for works he did not sell himself. Not only does he appear as a mediator, his dependency on having mercantile privileges to succeed in actually buying and exporting desired objects also becomes apparent. The challenges to fully grasp the quality and quantity of Wuester’s activity as an intermediary illustrate the importance of expanding object-related research on power dynamics, networks and the (varying) roles of art market actors, depending on their privileges and dependencies. | |
546 | |a Zusammenfassung in englischer Sprache | ||
600 | 1 | 7 | |a Wüster, Adolf |d 1888-1972 |0 (DE-588)117377015 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte 1940-1945 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Kunsthandel |0 (DE-588)4033647-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Museum |0 (DE-588)4040795-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunstmarkt |0 (DE-588)4120630-7 |2 gnd |9 rswk-swf |
651 | 7 | |a Rheinland |0 (DE-588)4049788-4 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Wüster, Adolf |d 1888-1972 |0 (DE-588)117377015 |D p |
689 | 0 | 1 | |a Rheinland |0 (DE-588)4049788-4 |D g |
689 | 0 | 2 | |a Museum |0 (DE-588)4040795-0 |D s |
689 | 0 | 3 | |a Kunsthandel |0 (DE-588)4033647-5 |D s |
689 | 0 | 4 | |a Kunstmarkt |0 (DE-588)4120630-7 |D s |
689 | 0 | 5 | |a Geschichte 1940-1945 |A z |
689 | 0 | |5 DE-604 | |
773 | 1 | 8 | |g pages:220-235 |
773 | 0 | 8 | |t Kunst und Profit / Elisabeth Furtwängler, Mattes Lammert (Hrsg.) |d Berlin ; Boston, [2022] |g Seite 220-235 |w (DE-604)BV048532390 |z 978-3-11-073760-8 |
941 | |s 220-235 | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034011354 |
Datensatz im Suchindex
_version_ | 1821146323982745600 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
article_link | (DE-604)BV048532390 |
author | Weier, Anna-Jo |
author_GND | (DE-588)1272286606 |
author_facet | Weier, Anna-Jo |
author_role | aut |
author_sort | Weier, Anna-Jo |
author_variant | a j w ajw |
building | Verbundindex |
bvnumber | BV048636365 |
ctrlnum | (OCoLC)1357531689 (DE-599)BVBBV048636365 |
era | Geschichte 1940-1945 gnd |
era_facet | Geschichte 1940-1945 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000naa a2200000 c 4500</leader><controlfield tag="001">BV048636365</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230131</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">230109s2022 xx a||| |||| 00||| ger d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1357531689</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048636365</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">ger</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Weier, Anna-Jo</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1272286606</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen</subfield><subfield code="b">The facets of Adolf Wuester's mediation work for Rhenish museums</subfield><subfield code="c">Anna-Jo Weier</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">[2022]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The facets of Adolf Wuester's mediation work for Rhenish museums This article looks at the strategies applied by Adolf Wuester, the marchand amateur and later appointed Consul of the German Embassy in Paris, to assume an important role for certain German museums’ success on the French art market during the Occupation. Wuester’s role was clearly not that of an art dealer buying and selling his own stock of artworks, the understanding of his function as an art market actor needs to be broadened. By looking at his activities on behalf of German museums, especially the Kaiser-Wilhelm- Museum in Krefeld and its director Friedrich Muthmann, it becomes clear that he skilfully applied certain mechanisms allowing the handling of payments based on the dynamics of military occupation - all beyond the activity of merely seeking relevant art works or arranging contacts between buyers and sellers. Archival sources such as correspondence reveal that he wrote out checks for works he did not sell himself. Not only does he appear as a mediator, his dependency on having mercantile privileges to succeed in actually buying and exporting desired objects also becomes apparent. The challenges to fully grasp the quality and quantity of Wuester’s activity as an intermediary illustrate the importance of expanding object-related research on power dynamics, networks and the (varying) roles of art market actors, depending on their privileges and dependencies.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Zusammenfassung in englischer Sprache</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Wüster, Adolf</subfield><subfield code="d">1888-1972</subfield><subfield code="0">(DE-588)117377015</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1940-1945</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunsthandel</subfield><subfield code="0">(DE-588)4033647-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Museum</subfield><subfield code="0">(DE-588)4040795-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstmarkt</subfield><subfield code="0">(DE-588)4120630-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Rheinland</subfield><subfield code="0">(DE-588)4049788-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Wüster, Adolf</subfield><subfield code="d">1888-1972</subfield><subfield code="0">(DE-588)117377015</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Rheinland</subfield><subfield code="0">(DE-588)4049788-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Museum</subfield><subfield code="0">(DE-588)4040795-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Kunsthandel</subfield><subfield code="0">(DE-588)4033647-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Kunstmarkt</subfield><subfield code="0">(DE-588)4120630-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1940-1945</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:220-235</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Kunst und Profit / Elisabeth Furtwängler, Mattes Lammert (Hrsg.)</subfield><subfield code="d">Berlin ; Boston, [2022]</subfield><subfield code="g">Seite 220-235</subfield><subfield code="w">(DE-604)BV048532390</subfield><subfield code="z">978-3-11-073760-8</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">220-235</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034011354</subfield></datafield></record></collection> |
geographic | Rheinland (DE-588)4049788-4 gnd |
geographic_facet | Rheinland |
id | DE-604.BV048636365 |
illustrated | Illustrated |
index_date | 2024-07-03T21:16:44Z |
indexdate | 2025-01-13T15:01:15Z |
institution | BVB |
isbn | 978-3-11-073760-8 |
language | German |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034011354 |
oclc_num | 1357531689 |
open_access_boolean | |
owner | DE-Y3 DE-255 |
owner_facet | DE-Y3 DE-255 |
physical | Illustrationen |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
record_format | marc |
spelling | Weier, Anna-Jo Verfasser (DE-588)1272286606 aut Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen The facets of Adolf Wuester's mediation work for Rhenish museums Anna-Jo Weier [2022] Illustrationen txt rdacontent n rdamedia nc rdacarrier The facets of Adolf Wuester's mediation work for Rhenish museums This article looks at the strategies applied by Adolf Wuester, the marchand amateur and later appointed Consul of the German Embassy in Paris, to assume an important role for certain German museums’ success on the French art market during the Occupation. Wuester’s role was clearly not that of an art dealer buying and selling his own stock of artworks, the understanding of his function as an art market actor needs to be broadened. By looking at his activities on behalf of German museums, especially the Kaiser-Wilhelm- Museum in Krefeld and its director Friedrich Muthmann, it becomes clear that he skilfully applied certain mechanisms allowing the handling of payments based on the dynamics of military occupation - all beyond the activity of merely seeking relevant art works or arranging contacts between buyers and sellers. Archival sources such as correspondence reveal that he wrote out checks for works he did not sell himself. Not only does he appear as a mediator, his dependency on having mercantile privileges to succeed in actually buying and exporting desired objects also becomes apparent. The challenges to fully grasp the quality and quantity of Wuester’s activity as an intermediary illustrate the importance of expanding object-related research on power dynamics, networks and the (varying) roles of art market actors, depending on their privileges and dependencies. Zusammenfassung in englischer Sprache Wüster, Adolf 1888-1972 (DE-588)117377015 gnd rswk-swf Geschichte 1940-1945 gnd rswk-swf Kunsthandel (DE-588)4033647-5 gnd rswk-swf Museum (DE-588)4040795-0 gnd rswk-swf Kunstmarkt (DE-588)4120630-7 gnd rswk-swf Rheinland (DE-588)4049788-4 gnd rswk-swf Wüster, Adolf 1888-1972 (DE-588)117377015 p Rheinland (DE-588)4049788-4 g Museum (DE-588)4040795-0 s Kunsthandel (DE-588)4033647-5 s Kunstmarkt (DE-588)4120630-7 s Geschichte 1940-1945 z DE-604 pages:220-235 Kunst und Profit / Elisabeth Furtwängler, Mattes Lammert (Hrsg.) Berlin ; Boston, [2022] Seite 220-235 (DE-604)BV048532390 978-3-11-073760-8 |
spellingShingle | Weier, Anna-Jo Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen The facets of Adolf Wuester's mediation work for Rhenish museums Wüster, Adolf 1888-1972 (DE-588)117377015 gnd Kunsthandel (DE-588)4033647-5 gnd Museum (DE-588)4040795-0 gnd Kunstmarkt (DE-588)4120630-7 gnd |
subject_GND | (DE-588)117377015 (DE-588)4033647-5 (DE-588)4040795-0 (DE-588)4120630-7 (DE-588)4049788-4 |
title | Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen The facets of Adolf Wuester's mediation work for Rhenish museums |
title_auth | Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen The facets of Adolf Wuester's mediation work for Rhenish museums |
title_exact_search | Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen The facets of Adolf Wuester's mediation work for Rhenish museums |
title_exact_search_txtP | Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen The facets of Adolf Wuester's mediation work for Rhenish museums |
title_full | Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen The facets of Adolf Wuester's mediation work for Rhenish museums Anna-Jo Weier |
title_fullStr | Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen The facets of Adolf Wuester's mediation work for Rhenish museums Anna-Jo Weier |
title_full_unstemmed | Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen The facets of Adolf Wuester's mediation work for Rhenish museums Anna-Jo Weier |
title_short | Die Facetten der Vermittlungstätigkeit Adolf Wuesters für rheinische Museen |
title_sort | die facetten der vermittlungstatigkeit adolf wuesters fur rheinische museen the facets of adolf wuester s mediation work for rhenish museums |
title_sub | The facets of Adolf Wuester's mediation work for Rhenish museums |
topic | Wüster, Adolf 1888-1972 (DE-588)117377015 gnd Kunsthandel (DE-588)4033647-5 gnd Museum (DE-588)4040795-0 gnd Kunstmarkt (DE-588)4120630-7 gnd |
topic_facet | Wüster, Adolf 1888-1972 Kunsthandel Museum Kunstmarkt Rheinland |
work_keys_str_mv | AT weierannajo diefacettendervermittlungstatigkeitadolfwuestersfurrheinischemuseenthefacetsofadolfwuestersmediationworkforrhenishmuseums |