"Die National-Galerie müßte unbedingt einen Corot haben": ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation
The National-Galerie must have a Corot." An acquisition made on the Parisian art market financed through the sale of "Degenarate Art" and a Degas-trade during the Occupation In 1941, the Berlin Nationalgalerie purchased the painting "Seine à Chatou", 1885, by Camille Corot,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | German |
| Veröffentlicht: |
[2022]
|
| Schlagworte: | |
| Zusammenfassung: | The National-Galerie must have a Corot." An acquisition made on the Parisian art market financed through the sale of "Degenarate Art" and a Degas-trade during the Occupation In 1941, the Berlin Nationalgalerie purchased the painting "Seine à Chatou", 1885, by Camille Corot, which was by far the most expensive acquisition made by the museum during the Nazi era. The purchase price exceeded the entire annual budget and could only be financed through special funds stemming from the sale of "Degenerate Art". This article argues that the work that was officially purchased from the Arnold Gallery in Munich, came in fact from Gallery Daber in Paris, where the museum had located it during the German Occupation. However, due to a lack of French foreign currency, payment was arranged through the Arnold Gallery. After the war, this financial arrangement allowed the director of the Nationalgalerie, Paul Ortwin Rave, to declare the acquisition as a purchase from Germany, thus preventing a possible restitution of the Corot to France. Another work that was brought from Paris to Berlin during the Occupation was the painting "Le Bal", circa 1879, by Edgar Degas. It had previously been discovered in Paris by the director of the Staatliche Kunsthalle Karlsruhe and the Museum of Fine Arts Strasbourg, Kurt Martin, who acquired the painting with the ultimate objective of trading it in with the Nationalgalerie for works of art by German artists for his own museums. Unlike the Corot, the Degas was restituted in the post-war period and is now in the Musée d’Orsay as part of the so-called collection Musée Nationaux Récupération. This example shows how closely the history of acquisitions made by German museums is linked to the collections of French museums today. The common acquisition history yet different fate of the two paintings demonstrates that the reappraisal of the role of museums during the Occupation is by no means complete. Considering the complex entanglement between art theft and trade, the examination of potential loss due to persecution is a challenging issue that museums in both countries must investigate. While the considerable losses of the Nationalgalerie during the Nazi era, not least through the purge of "Degenerate Art", have been studied in detail, less attention has been paid to the accessions from the Parisian art market during the Occupation of the same period - even though the Corot is still in the Nationalgalerie collection today. |
| Beschreibung: | Illustrationen |
| ISBN: | 978-3-11-073760-8 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048636248 | ||
| 003 | DE-604 | ||
| 005 | 20230131 | ||
| 007 | t | ||
| 008 | 230109s2022 a||| |||| 00||| ger d | ||
| 035 | |a (OCoLC)1357531438 | ||
| 035 | |a (DE-599)BVBBV048636248 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a ger | |
| 049 | |a DE-Y3 |a DE-255 | ||
| 100 | 1 | |a Lammert, Mattes |e Verfasser |0 (DE-588)1273394224 |4 aut | |
| 245 | 1 | 0 | |a "Die National-Galerie müßte unbedingt einen Corot haben" |b ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation |c Mattes Lammert |
| 246 | 1 | 1 | |a "The National-Galerie must have a Corot" |
| 264 | 1 | |c [2022] | |
| 300 | |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a The National-Galerie must have a Corot." An acquisition made on the Parisian art market financed through the sale of "Degenarate Art" and a Degas-trade during the Occupation In 1941, the Berlin Nationalgalerie purchased the painting "Seine à Chatou", 1885, by Camille Corot, which was by far the most expensive acquisition made by the museum during the Nazi era. The purchase price exceeded the entire annual budget and could only be financed through special funds stemming from the sale of "Degenerate Art". This article argues that the work that was officially purchased from the Arnold Gallery in Munich, came in fact from Gallery Daber in Paris, where the museum had located it during the German Occupation. However, due to a lack of French foreign currency, payment was arranged through the Arnold Gallery. After the war, this financial arrangement allowed the director of the Nationalgalerie, Paul Ortwin Rave, to declare the acquisition as a purchase from Germany, thus preventing a possible restitution of the Corot to France. Another work that was brought from Paris to Berlin during the Occupation was the painting "Le Bal", circa 1879, by Edgar Degas. It had previously been discovered in Paris by the director of the Staatliche Kunsthalle Karlsruhe and the Museum of Fine Arts Strasbourg, Kurt Martin, who acquired the painting with the ultimate objective of trading it in with the Nationalgalerie for works of art by German artists for his own museums. Unlike the Corot, the Degas was restituted in the post-war period and is now in the Musée d’Orsay as part of the so-called collection Musée Nationaux Récupération. | |
| 520 | |a This example shows how closely the history of acquisitions made by German museums is linked to the collections of French museums today. The common acquisition history yet different fate of the two paintings demonstrates that the reappraisal of the role of museums during the Occupation is by no means complete. Considering the complex entanglement between art theft and trade, the examination of potential loss due to persecution is a challenging issue that museums in both countries must investigate. While the considerable losses of the Nationalgalerie during the Nazi era, not least through the purge of "Degenerate Art", have been studied in detail, less attention has been paid to the accessions from the Parisian art market during the Occupation of the same period - even though the Corot is still in the Nationalgalerie collection today. | ||
| 546 | |a Zusammenfassung in englischer Sprache | ||
| 600 | 1 | 7 | |a Rave, Paul Ortwin |d 1893-1962 |0 (DE-588)118749374 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Martin, Kurt |d 1899-1975 |0 (DE-588)116805188 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Corot, Jean-Baptiste-Camille |d 1796-1875 |0 (DE-588)118522256 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Degas, Edgar |d 1834-1917 |0 (DE-588)118524291 |2 gnd |9 rswk-swf |
| 610 | 2 | 7 | |a Nationalgalerie |g Berlin |0 (DE-588)5014401-7 |2 gnd |9 rswk-swf |
| 610 | 2 | 7 | |a Galerie Daber |g Paris |0 (DE-588)1051828-9 |2 gnd |9 rswk-swf |
| 610 | 2 | 7 | |a Staatliche Kunsthalle Karlsruhe |0 (DE-588)4204664-6 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1941-1945 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Erwerbung |0 (DE-588)4015451-8 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Nationalgalerie |g Berlin |0 (DE-588)5014401-7 |D b |
| 689 | 0 | 1 | |a Staatliche Kunsthalle Karlsruhe |0 (DE-588)4204664-6 |D b |
| 689 | 0 | 2 | |a Erwerbung |0 (DE-588)4015451-8 |D s |
| 689 | 0 | 3 | |a Corot, Jean-Baptiste-Camille |d 1796-1875 |0 (DE-588)118522256 |D p |
| 689 | 0 | 4 | |a Degas, Edgar |d 1834-1917 |0 (DE-588)118524291 |D p |
| 689 | 0 | 5 | |a Geschichte 1941-1945 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Martin, Kurt |d 1899-1975 |0 (DE-588)116805188 |D p |
| 689 | 1 | 1 | |a Rave, Paul Ortwin |d 1893-1962 |0 (DE-588)118749374 |D p |
| 689 | 1 | 2 | |a Galerie Daber |g Paris |0 (DE-588)1051828-9 |D b |
| 689 | 1 | |5 DE-604 | |
| 773 | 1 | 8 | |g pages:124-143 |
| 773 | 0 | 8 | |t Kunst und Profit / Elisabeth Furtwängler, Mattes Lammert (Hrsg.) |d Berlin ; Boston, [2022] |g Seite 124-143 |w (DE-604)BV048532390 |z 978-3-11-073760-8 |
| 941 | |s 124-143 | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034011237 | |
Datensatz im Suchindex
| _version_ | 1812256472468291584 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV048532390 |
| author | Lammert, Mattes |
| author_GND | (DE-588)1273394224 |
| author_facet | Lammert, Mattes |
| author_role | aut |
| author_sort | Lammert, Mattes |
| author_variant | m l ml |
| building | Verbundindex |
| bvnumber | BV048636248 |
| ctrlnum | (OCoLC)1357531438 (DE-599)BVBBV048636248 |
| era | Geschichte 1941-1945 gnd |
| era_facet | Geschichte 1941-1945 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000naa a2200000 c 4500</leader><controlfield tag="001">BV048636248</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230131</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230109s2022 a||| |||| 00||| ger d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1357531438</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048636248</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">ger</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Lammert, Mattes</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1273394224</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">"Die National-Galerie müßte unbedingt einen Corot haben"</subfield><subfield code="b">ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation</subfield><subfield code="c">Mattes Lammert</subfield></datafield><datafield tag="246" ind1="1" ind2="1"><subfield code="a">"The National-Galerie must have a Corot"</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">[2022]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The National-Galerie must have a Corot." An acquisition made on the Parisian art market financed through the sale of "Degenarate Art" and a Degas-trade during the Occupation In 1941, the Berlin Nationalgalerie purchased the painting "Seine à Chatou", 1885, by Camille Corot, which was by far the most expensive acquisition made by the museum during the Nazi era. The purchase price exceeded the entire annual budget and could only be financed through special funds stemming from the sale of "Degenerate Art". This article argues that the work that was officially purchased from the Arnold Gallery in Munich, came in fact from Gallery Daber in Paris, where the museum had located it during the German Occupation. However, due to a lack of French foreign currency, payment was arranged through the Arnold Gallery. After the war, this financial arrangement allowed the director of the Nationalgalerie, Paul Ortwin Rave, to declare the acquisition as a purchase from Germany, thus preventing a possible restitution of the Corot to France. Another work that was brought from Paris to Berlin during the Occupation was the painting "Le Bal", circa 1879, by Edgar Degas. It had previously been discovered in Paris by the director of the Staatliche Kunsthalle Karlsruhe and the Museum of Fine Arts Strasbourg, Kurt Martin, who acquired the painting with the ultimate objective of trading it in with the Nationalgalerie for works of art by German artists for his own museums. Unlike the Corot, the Degas was restituted in the post-war period and is now in the Musée d’Orsay as part of the so-called collection Musée Nationaux Récupération.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This example shows how closely the history of acquisitions made by German museums is linked to the collections of French museums today. The common acquisition history yet different fate of the two paintings demonstrates that the reappraisal of the role of museums during the Occupation is by no means complete. Considering the complex entanglement between art theft and trade, the examination of potential loss due to persecution is a challenging issue that museums in both countries must investigate. While the considerable losses of the Nationalgalerie during the Nazi era, not least through the purge of "Degenerate Art", have been studied in detail, less attention has been paid to the accessions from the Parisian art market during the Occupation of the same period - even though the Corot is still in the Nationalgalerie collection today.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Zusammenfassung in englischer Sprache</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Rave, Paul Ortwin</subfield><subfield code="d">1893-1962</subfield><subfield code="0">(DE-588)118749374</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Martin, Kurt</subfield><subfield code="d">1899-1975</subfield><subfield code="0">(DE-588)116805188</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Corot, Jean-Baptiste-Camille</subfield><subfield code="d">1796-1875</subfield><subfield code="0">(DE-588)118522256</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Degas, Edgar</subfield><subfield code="d">1834-1917</subfield><subfield code="0">(DE-588)118524291</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Nationalgalerie</subfield><subfield code="g">Berlin</subfield><subfield code="0">(DE-588)5014401-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Galerie Daber</subfield><subfield code="g">Paris</subfield><subfield code="0">(DE-588)1051828-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Staatliche Kunsthalle Karlsruhe</subfield><subfield code="0">(DE-588)4204664-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1941-1945</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Erwerbung</subfield><subfield code="0">(DE-588)4015451-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Nationalgalerie</subfield><subfield code="g">Berlin</subfield><subfield code="0">(DE-588)5014401-7</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Staatliche Kunsthalle Karlsruhe</subfield><subfield code="0">(DE-588)4204664-6</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Erwerbung</subfield><subfield code="0">(DE-588)4015451-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Corot, Jean-Baptiste-Camille</subfield><subfield code="d">1796-1875</subfield><subfield code="0">(DE-588)118522256</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Degas, Edgar</subfield><subfield code="d">1834-1917</subfield><subfield code="0">(DE-588)118524291</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1941-1945</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Martin, Kurt</subfield><subfield code="d">1899-1975</subfield><subfield code="0">(DE-588)116805188</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Rave, Paul Ortwin</subfield><subfield code="d">1893-1962</subfield><subfield code="0">(DE-588)118749374</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Galerie Daber</subfield><subfield code="g">Paris</subfield><subfield code="0">(DE-588)1051828-9</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:124-143</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Kunst und Profit / Elisabeth Furtwängler, Mattes Lammert (Hrsg.)</subfield><subfield code="d">Berlin ; Boston, [2022]</subfield><subfield code="g">Seite 124-143</subfield><subfield code="w">(DE-604)BV048532390</subfield><subfield code="z">978-3-11-073760-8</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">124-143</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034011237</subfield></datafield></record></collection> |
| id | DE-604.BV048636248 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:16:43Z |
| indexdate | 2024-10-07T12:00:52Z |
| institution | BVB |
| isbn | 978-3-11-073760-8 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034011237 |
| oclc_num | 1357531438 |
| open_access_boolean | |
| owner | DE-Y3 DE-255 |
| owner_facet | DE-Y3 DE-255 |
| physical | Illustrationen |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| record_format | marc |
| spelling | Lammert, Mattes Verfasser (DE-588)1273394224 aut "Die National-Galerie müßte unbedingt einen Corot haben" ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation Mattes Lammert "The National-Galerie must have a Corot" [2022] Illustrationen txt rdacontent n rdamedia nc rdacarrier The National-Galerie must have a Corot." An acquisition made on the Parisian art market financed through the sale of "Degenarate Art" and a Degas-trade during the Occupation In 1941, the Berlin Nationalgalerie purchased the painting "Seine à Chatou", 1885, by Camille Corot, which was by far the most expensive acquisition made by the museum during the Nazi era. The purchase price exceeded the entire annual budget and could only be financed through special funds stemming from the sale of "Degenerate Art". This article argues that the work that was officially purchased from the Arnold Gallery in Munich, came in fact from Gallery Daber in Paris, where the museum had located it during the German Occupation. However, due to a lack of French foreign currency, payment was arranged through the Arnold Gallery. After the war, this financial arrangement allowed the director of the Nationalgalerie, Paul Ortwin Rave, to declare the acquisition as a purchase from Germany, thus preventing a possible restitution of the Corot to France. Another work that was brought from Paris to Berlin during the Occupation was the painting "Le Bal", circa 1879, by Edgar Degas. It had previously been discovered in Paris by the director of the Staatliche Kunsthalle Karlsruhe and the Museum of Fine Arts Strasbourg, Kurt Martin, who acquired the painting with the ultimate objective of trading it in with the Nationalgalerie for works of art by German artists for his own museums. Unlike the Corot, the Degas was restituted in the post-war period and is now in the Musée d’Orsay as part of the so-called collection Musée Nationaux Récupération. This example shows how closely the history of acquisitions made by German museums is linked to the collections of French museums today. The common acquisition history yet different fate of the two paintings demonstrates that the reappraisal of the role of museums during the Occupation is by no means complete. Considering the complex entanglement between art theft and trade, the examination of potential loss due to persecution is a challenging issue that museums in both countries must investigate. While the considerable losses of the Nationalgalerie during the Nazi era, not least through the purge of "Degenerate Art", have been studied in detail, less attention has been paid to the accessions from the Parisian art market during the Occupation of the same period - even though the Corot is still in the Nationalgalerie collection today. Zusammenfassung in englischer Sprache Rave, Paul Ortwin 1893-1962 (DE-588)118749374 gnd rswk-swf Martin, Kurt 1899-1975 (DE-588)116805188 gnd rswk-swf Corot, Jean-Baptiste-Camille 1796-1875 (DE-588)118522256 gnd rswk-swf Degas, Edgar 1834-1917 (DE-588)118524291 gnd rswk-swf Nationalgalerie Berlin (DE-588)5014401-7 gnd rswk-swf Galerie Daber Paris (DE-588)1051828-9 gnd rswk-swf Staatliche Kunsthalle Karlsruhe (DE-588)4204664-6 gnd rswk-swf Geschichte 1941-1945 gnd rswk-swf Erwerbung (DE-588)4015451-8 gnd rswk-swf Nationalgalerie Berlin (DE-588)5014401-7 b Staatliche Kunsthalle Karlsruhe (DE-588)4204664-6 b Erwerbung (DE-588)4015451-8 s Corot, Jean-Baptiste-Camille 1796-1875 (DE-588)118522256 p Degas, Edgar 1834-1917 (DE-588)118524291 p Geschichte 1941-1945 z DE-604 Martin, Kurt 1899-1975 (DE-588)116805188 p Rave, Paul Ortwin 1893-1962 (DE-588)118749374 p Galerie Daber Paris (DE-588)1051828-9 b pages:124-143 Kunst und Profit / Elisabeth Furtwängler, Mattes Lammert (Hrsg.) Berlin ; Boston, [2022] Seite 124-143 (DE-604)BV048532390 978-3-11-073760-8 |
| spellingShingle | Lammert, Mattes "Die National-Galerie müßte unbedingt einen Corot haben" ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation Rave, Paul Ortwin 1893-1962 (DE-588)118749374 gnd Martin, Kurt 1899-1975 (DE-588)116805188 gnd Corot, Jean-Baptiste-Camille 1796-1875 (DE-588)118522256 gnd Degas, Edgar 1834-1917 (DE-588)118524291 gnd Nationalgalerie Berlin (DE-588)5014401-7 gnd Galerie Daber Paris (DE-588)1051828-9 gnd Staatliche Kunsthalle Karlsruhe (DE-588)4204664-6 gnd Erwerbung (DE-588)4015451-8 gnd |
| subject_GND | (DE-588)118749374 (DE-588)116805188 (DE-588)118522256 (DE-588)118524291 (DE-588)5014401-7 (DE-588)1051828-9 (DE-588)4204664-6 (DE-588)4015451-8 |
| title | "Die National-Galerie müßte unbedingt einen Corot haben" ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation |
| title_alt | "The National-Galerie must have a Corot" |
| title_auth | "Die National-Galerie müßte unbedingt einen Corot haben" ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation |
| title_exact_search | "Die National-Galerie müßte unbedingt einen Corot haben" ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation |
| title_exact_search_txtP | "Die National-Galerie müßte unbedingt einen Corot haben" ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation |
| title_full | "Die National-Galerie müßte unbedingt einen Corot haben" ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation Mattes Lammert |
| title_fullStr | "Die National-Galerie müßte unbedingt einen Corot haben" ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation Mattes Lammert |
| title_full_unstemmed | "Die National-Galerie müßte unbedingt einen Corot haben" ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation Mattes Lammert |
| title_short | "Die National-Galerie müßte unbedingt einen Corot haben" |
| title_sort | die national galerie mußte unbedingt einen corot haben ein ankauf auf dem pariser kunstmarkt finanziert aus der verwertung entarteter kunst und ein degas tausch wahrend der besatzung the national galerie must have a corot an acquisition made on the parisian art market financed through the sale of degenerated art and a degas trade during the occupation |
| title_sub | ein Ankauf auf dem Pariser Kunstmarkt finanziert aus der Verwertung "Entarteter Kunst" und ein Degas-Tausch während der Besatzung = "The National-Galerie must have a Corot" : an acquisition made on the Parisian art market financed through the sale of "Degenerated Art" and a Degas-trade during the Occupation |
| topic | Rave, Paul Ortwin 1893-1962 (DE-588)118749374 gnd Martin, Kurt 1899-1975 (DE-588)116805188 gnd Corot, Jean-Baptiste-Camille 1796-1875 (DE-588)118522256 gnd Degas, Edgar 1834-1917 (DE-588)118524291 gnd Nationalgalerie Berlin (DE-588)5014401-7 gnd Galerie Daber Paris (DE-588)1051828-9 gnd Staatliche Kunsthalle Karlsruhe (DE-588)4204664-6 gnd Erwerbung (DE-588)4015451-8 gnd |
| topic_facet | Rave, Paul Ortwin 1893-1962 Martin, Kurt 1899-1975 Corot, Jean-Baptiste-Camille 1796-1875 Degas, Edgar 1834-1917 Nationalgalerie Berlin Galerie Daber Paris Staatliche Kunsthalle Karlsruhe Erwerbung |
| work_keys_str_mv | AT lammertmattes dienationalgaleriemußteunbedingteinencorothabeneinankaufaufdempariserkunstmarktfinanziertausderverwertungentarteterkunstundeindegastauschwahrendderbesatzungthenationalgaleriemusthaveacorotanacquisitionmadeontheparisianartmarketfinancedthroughthesaleofdege AT lammertmattes thenationalgaleriemusthaveacorot |