Trans new wave cinema:
"This book presents a critical cultural study of the Trans New Wave as a cinematic genre and explores its emergence in the twenty first century. Drawing on a diverse range of texts, the cultural, social, aesthetic and ethical implications of the genre are placed within the context of rapidly ch...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge Taylor & Francis Group
2021
|
Schriftenreihe: | Routledge advances in film studies
|
Schlagworte: | |
Zusammenfassung: | "This book presents a critical cultural study of the Trans New Wave as a cinematic genre and explores its emergence in the twenty first century. Drawing on a diverse range of texts, the cultural, social, aesthetic and ethical implications of the genre are placed within the context of rapidly changing understandings of gender diversity. From the cinematic borderlands of independent film festivals, to wider public recognition via digital technologies, the genre encompasses a diverse range of texts from short films, documentaries, experimental films, to feature films and narratives that range across life histories, narratives and themes. The book presents transliteracy as an original theoretical approach to reading film representations of the Trans New Wave, and combines it with a new theoretical concept of cinematic ethnogenesis to investigate how the genre emerged from specific communities and the reciprocal interaction of audiences and texts. This interdisciplinary volume engages with contemporary issues of gender diversity, transgender studies, screen and media studies and film festival studies, and as such will be of great interest to scholars working in these fields and in media and cultural studies more generally"-- |
Beschreibung: | xvii, 228 Seiten Illustrationen 24 cm |
ISBN: | 9780367566982 9780367566999 |
Internformat
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505 | 8 | |a Introduction : Introduction ; Background to the Trans New Wave emerging ; The relationship of the Trans New Wave to earlier cinematic waves ; Historical overview of key films pre-2008 with transsexual and transgender characters, themes and narratives ; Characteristics of the Trans New Wave ; Representational work of trans woman actors in independent films and streaming video ; Overview of methodologies and the interdisciplinary approach ; Thinking across boundaries -- Transliteracy : Foundations of Transliteracy ; Understanding the cultural contexts for independent trans cinema ; Transliteracy and textual exegesis ; Epistemological cinema ; Ontological cinema -- | |
505 | 8 | |a Key Texts of the Trans New Wave : Overview ; Fictional, narrative short, animation, drama ; Factual, documentary films, docu-drama ; Uplifting lives: Black Trans Lives Matter ; Use of life cycle narratives as a representational structure for documentary: three representations of transmasculinity (selected case study text Trans Boys) ; Experimental & performance art films ; Music on screen ; Use of genres: road trip, science fiction, horror (selected case study text The Thing) ; The 'real' and 'reality' ; Use of the road movie genre as a representational metaphor for transitioning ; Recurrent themes & tropes -- First Nations and Indigenous Trans Cinema : First Nations and Indigenous trans cinema ; Transliterate approaches to reading films from non-western and First Nations filmmakers ; Two Spirit and Third Gender cinema -- | |
505 | 8 | |a Gender-Diverse Youth Narratives : The significance of the emerging body of cinematic narratives focuses upon transgender youth ; Screen families Tomgirl (Jeremy Asher Lynch, USA, 2015) and Raising Ryland (Sarah Feeley, USA, 2015) ; Temporal considerations ; The role of education -- Cinematic Ethnogenesis : Birth of a new cinema ; Countercultures: screening independent trans cinema ; Overview of key international independent queer and transgender film festivals ; The reciprocal interaction of audiences and texts ; How classifications (ratings) systems may impact independent filmmakers and film festivals: overview of differences between the Australian, United Kingdom and American Systems ; Non-hegemonic cinema -- whose community decides who sees the film? ; Trans new wave as reparative cinema -- | |
505 | 8 | |a Cinematic Futures : Developing a canon of representation of gender diversity and sexualities ; Sexing the Transman (Buck Angel, USAm 2011) ; Trans Boys (Ali Russell and Monique Schafter, Aus., 2012): Dex's story ; Community Action Centre (A. K. Burns, A. L. Steiner, USA, 2010) ; Cinema on demand ; The democratisation of distribution | |
520 | 3 | |a "This book presents a critical cultural study of the Trans New Wave as a cinematic genre and explores its emergence in the twenty first century. Drawing on a diverse range of texts, the cultural, social, aesthetic and ethical implications of the genre are placed within the context of rapidly changing understandings of gender diversity. From the cinematic borderlands of independent film festivals, to wider public recognition via digital technologies, the genre encompasses a diverse range of texts from short films, documentaries, experimental films, to feature films and narratives that range across life histories, narratives and themes. The book presents transliteracy as an original theoretical approach to reading film representations of the Trans New Wave, and combines it with a new theoretical concept of cinematic ethnogenesis to investigate how the genre emerged from specific communities and the reciprocal interaction of audiences and texts. This interdisciplinary volume engages with contemporary issues of gender diversity, transgender studies, screen and media studies and film festival studies, and as such will be of great interest to scholars working in these fields and in media and cultural studies more generally"-- | |
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Datensatz im Suchindex
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---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Ford, Akkadia |
author_GND | (DE-588)1279642394 |
author_facet | Ford, Akkadia |
author_role | aut |
author_sort | Ford, Akkadia |
author_variant | a f af |
building | Verbundindex |
bvnumber | BV048626863 |
classification_rvk | AP 45000 |
contents | Introduction : Introduction ; Background to the Trans New Wave emerging ; The relationship of the Trans New Wave to earlier cinematic waves ; Historical overview of key films pre-2008 with transsexual and transgender characters, themes and narratives ; Characteristics of the Trans New Wave ; Representational work of trans woman actors in independent films and streaming video ; Overview of methodologies and the interdisciplinary approach ; Thinking across boundaries -- Transliteracy : Foundations of Transliteracy ; Understanding the cultural contexts for independent trans cinema ; Transliteracy and textual exegesis ; Epistemological cinema ; Ontological cinema -- Key Texts of the Trans New Wave : Overview ; Fictional, narrative short, animation, drama ; Factual, documentary films, docu-drama ; Uplifting lives: Black Trans Lives Matter ; Use of life cycle narratives as a representational structure for documentary: three representations of transmasculinity (selected case study text Trans Boys) ; Experimental & performance art films ; Music on screen ; Use of genres: road trip, science fiction, horror (selected case study text The Thing) ; The 'real' and 'reality' ; Use of the road movie genre as a representational metaphor for transitioning ; Recurrent themes & tropes -- First Nations and Indigenous Trans Cinema : First Nations and Indigenous trans cinema ; Transliterate approaches to reading films from non-western and First Nations filmmakers ; Two Spirit and Third Gender cinema -- Gender-Diverse Youth Narratives : The significance of the emerging body of cinematic narratives focuses upon transgender youth ; Screen families Tomgirl (Jeremy Asher Lynch, USA, 2015) and Raising Ryland (Sarah Feeley, USA, 2015) ; Temporal considerations ; The role of education -- Cinematic Ethnogenesis : Birth of a new cinema ; Countercultures: screening independent trans cinema ; Overview of key international independent queer and transgender film festivals ; The reciprocal interaction of audiences and texts ; How classifications (ratings) systems may impact independent filmmakers and film festivals: overview of differences between the Australian, United Kingdom and American Systems ; Non-hegemonic cinema -- whose community decides who sees the film? ; Trans new wave as reparative cinema -- Cinematic Futures : Developing a canon of representation of gender diversity and sexualities ; Sexing the Transman (Buck Angel, USAm 2011) ; Trans Boys (Ali Russell and Monique Schafter, Aus., 2012): Dex's story ; Community Action Centre (A. K. Burns, A. L. Steiner, USA, 2010) ; Cinema on demand ; The democratisation of distribution |
ctrlnum | (OCoLC)1369565968 (DE-599)BVBBV048626863 |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Book |
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id | DE-604.BV048626863 |
illustrated | Illustrated |
index_date | 2024-07-03T21:15:21Z |
indexdate | 2024-07-10T09:44:23Z |
institution | BVB |
isbn | 9780367566982 9780367566999 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034001976 |
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physical | xvii, 228 Seiten Illustrationen 24 cm |
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spelling | Ford, Akkadia Verfasser (DE-588)1279642394 aut Trans new wave cinema Akkadia Ford London ; New York Routledge Taylor & Francis Group 2021 xvii, 228 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge advances in film studies Introduction : Introduction ; Background to the Trans New Wave emerging ; The relationship of the Trans New Wave to earlier cinematic waves ; Historical overview of key films pre-2008 with transsexual and transgender characters, themes and narratives ; Characteristics of the Trans New Wave ; Representational work of trans woman actors in independent films and streaming video ; Overview of methodologies and the interdisciplinary approach ; Thinking across boundaries -- Transliteracy : Foundations of Transliteracy ; Understanding the cultural contexts for independent trans cinema ; Transliteracy and textual exegesis ; Epistemological cinema ; Ontological cinema -- Key Texts of the Trans New Wave : Overview ; Fictional, narrative short, animation, drama ; Factual, documentary films, docu-drama ; Uplifting lives: Black Trans Lives Matter ; Use of life cycle narratives as a representational structure for documentary: three representations of transmasculinity (selected case study text Trans Boys) ; Experimental & performance art films ; Music on screen ; Use of genres: road trip, science fiction, horror (selected case study text The Thing) ; The 'real' and 'reality' ; Use of the road movie genre as a representational metaphor for transitioning ; Recurrent themes & tropes -- First Nations and Indigenous Trans Cinema : First Nations and Indigenous trans cinema ; Transliterate approaches to reading films from non-western and First Nations filmmakers ; Two Spirit and Third Gender cinema -- Gender-Diverse Youth Narratives : The significance of the emerging body of cinematic narratives focuses upon transgender youth ; Screen families Tomgirl (Jeremy Asher Lynch, USA, 2015) and Raising Ryland (Sarah Feeley, USA, 2015) ; Temporal considerations ; The role of education -- Cinematic Ethnogenesis : Birth of a new cinema ; Countercultures: screening independent trans cinema ; Overview of key international independent queer and transgender film festivals ; The reciprocal interaction of audiences and texts ; How classifications (ratings) systems may impact independent filmmakers and film festivals: overview of differences between the Australian, United Kingdom and American Systems ; Non-hegemonic cinema -- whose community decides who sees the film? ; Trans new wave as reparative cinema -- Cinematic Futures : Developing a canon of representation of gender diversity and sexualities ; Sexing the Transman (Buck Angel, USAm 2011) ; Trans Boys (Ali Russell and Monique Schafter, Aus., 2012): Dex's story ; Community Action Centre (A. K. Burns, A. L. Steiner, USA, 2010) ; Cinema on demand ; The democratisation of distribution "This book presents a critical cultural study of the Trans New Wave as a cinematic genre and explores its emergence in the twenty first century. Drawing on a diverse range of texts, the cultural, social, aesthetic and ethical implications of the genre are placed within the context of rapidly changing understandings of gender diversity. From the cinematic borderlands of independent film festivals, to wider public recognition via digital technologies, the genre encompasses a diverse range of texts from short films, documentaries, experimental films, to feature films and narratives that range across life histories, narratives and themes. The book presents transliteracy as an original theoretical approach to reading film representations of the Trans New Wave, and combines it with a new theoretical concept of cinematic ethnogenesis to investigate how the genre emerged from specific communities and the reciprocal interaction of audiences and texts. This interdisciplinary volume engages with contemporary issues of gender diversity, transgender studies, screen and media studies and film festival studies, and as such will be of great interest to scholars working in these fields and in media and cultural studies more generally"-- Film (DE-588)4017102-4 gnd rswk-swf Transgender Motiv (DE-588)1170820107 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Transgenderism in films Transgender people in motion pictures / History and criticism Motion pictures / United States / History / 21st century Transgenres au cinéma / Histoire et critique Cinéma / États-Unis / Histoire / 21e siècle Transgender people in motion pictures Motion pictures United States Transsexualitet på film 2000-2099 Criticism, interpretation, etc History USA (DE-588)4078704-7 g Transgender Motiv (DE-588)1170820107 s Film (DE-588)4017102-4 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-09904-8 |
spellingShingle | Ford, Akkadia Trans new wave cinema Introduction : Introduction ; Background to the Trans New Wave emerging ; The relationship of the Trans New Wave to earlier cinematic waves ; Historical overview of key films pre-2008 with transsexual and transgender characters, themes and narratives ; Characteristics of the Trans New Wave ; Representational work of trans woman actors in independent films and streaming video ; Overview of methodologies and the interdisciplinary approach ; Thinking across boundaries -- Transliteracy : Foundations of Transliteracy ; Understanding the cultural contexts for independent trans cinema ; Transliteracy and textual exegesis ; Epistemological cinema ; Ontological cinema -- Key Texts of the Trans New Wave : Overview ; Fictional, narrative short, animation, drama ; Factual, documentary films, docu-drama ; Uplifting lives: Black Trans Lives Matter ; Use of life cycle narratives as a representational structure for documentary: three representations of transmasculinity (selected case study text Trans Boys) ; Experimental & performance art films ; Music on screen ; Use of genres: road trip, science fiction, horror (selected case study text The Thing) ; The 'real' and 'reality' ; Use of the road movie genre as a representational metaphor for transitioning ; Recurrent themes & tropes -- First Nations and Indigenous Trans Cinema : First Nations and Indigenous trans cinema ; Transliterate approaches to reading films from non-western and First Nations filmmakers ; Two Spirit and Third Gender cinema -- Gender-Diverse Youth Narratives : The significance of the emerging body of cinematic narratives focuses upon transgender youth ; Screen families Tomgirl (Jeremy Asher Lynch, USA, 2015) and Raising Ryland (Sarah Feeley, USA, 2015) ; Temporal considerations ; The role of education -- Cinematic Ethnogenesis : Birth of a new cinema ; Countercultures: screening independent trans cinema ; Overview of key international independent queer and transgender film festivals ; The reciprocal interaction of audiences and texts ; How classifications (ratings) systems may impact independent filmmakers and film festivals: overview of differences between the Australian, United Kingdom and American Systems ; Non-hegemonic cinema -- whose community decides who sees the film? ; Trans new wave as reparative cinema -- Cinematic Futures : Developing a canon of representation of gender diversity and sexualities ; Sexing the Transman (Buck Angel, USAm 2011) ; Trans Boys (Ali Russell and Monique Schafter, Aus., 2012): Dex's story ; Community Action Centre (A. K. Burns, A. L. Steiner, USA, 2010) ; Cinema on demand ; The democratisation of distribution Film (DE-588)4017102-4 gnd Transgender Motiv (DE-588)1170820107 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)1170820107 (DE-588)4078704-7 |
title | Trans new wave cinema |
title_auth | Trans new wave cinema |
title_exact_search | Trans new wave cinema |
title_exact_search_txtP | Trans new wave cinema |
title_full | Trans new wave cinema Akkadia Ford |
title_fullStr | Trans new wave cinema Akkadia Ford |
title_full_unstemmed | Trans new wave cinema Akkadia Ford |
title_short | Trans new wave cinema |
title_sort | trans new wave cinema |
topic | Film (DE-588)4017102-4 gnd Transgender Motiv (DE-588)1170820107 gnd |
topic_facet | Film Transgender Motiv USA |
work_keys_str_mv | AT fordakkadia transnewwavecinema |