L'art médiéval est-il contemporain?: = Is medieval art contemporary?
"This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envi...
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | French |
| Veröffentlicht: |
Turnhout, Belgium
Brepols
[2023]
|
| Schriftenreihe: | Reinterpreting the Middle Ages
volume 1 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envisage the echoes of medieval artforms and esthetics in contemporary art. The volume follows on from the symposium organized in conjunction with the exhibition "Make it New: Carte Blanche à Jan Dibbets" that was held at the Bibliothèque Nationale de France (Paris) in 2019, and which presented side by side Hrabanus Maurus’s De Laudibus Sanctae Crucis (In Praise of the Holy Cross), a masterpiece of Carolingian art, with works by artists associated with conceptual art, mininimal art, and land art. How and why has medieval art, and particularly early medieval art, inspired contemporary artists since the 1950s? What has medieval art contributed to contemporary art? How has medieval art’s treatment of figures, color, space, geometry, and rhythm provided inspiration for contemporary artists’ experiments with form? In what way does contemporary artists’ engagement with the topics of formatting, writing, semiosis, mimesis, and ornamentation draw inspiration from medieval models? To what extent and in what sense are the notions of authorship and performativity relevant for understanding conceptions of artmaking in both periods? Rather than focusing on medievalism and citational practices, or on the theory of images—both approaches having already produced an important body of comparative readings of medieval and contemporary art—the essays in this volume address the question of medieval art’s contemporaneity thematically, through three trans-chronological topics: authorship, semiosis and mathematics, and performance [...]." |
| Beschreibung: | 247 Seiten Illustrationen |
| ISBN: | 9782503599731 |
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Datensatz im Suchindex
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|---|---|
| adam_text |
Table des matières Liste des illustrations 7 Préface 13 Partie 1 Introduction Au-delà des périodisations. Parcours passés et futurs potentiels Nancy Thebaut 21 Partie 2 Auctoritas / authorship Qui était Jean Fouquet pour François Robertet ? Une question d’auctorialité dans l’art de la fin du Moyen Âge Elliot Adam 37 L’artiste conceptuel à son pupitre Valérie Mavridorakis 59 Art conceptuel et scolastique. Le Chêne de Michael Craig-Martin est-il thomiste ? Benjamin Riado 75 Partie 3 Signe et mathématiques “All form is a process of notation”. Hrabanus Maurus’s “exemplativist” art Aden Kumler Les nombres de la forme et les formes du nombre. Essai sur Ies carolingiens et l’abstraction Isabelle Marchesin 91 113
6 TABLE DES MATIÈRES Abstraction in Medieval Art. The Chiasm in Hagia Sophia Bissera V. Pentcheva i35 Hollis Frampton, médiéval Larisa Dryansky 165 Partie 4 Performance La conversion du précieux sang. Gina Pane et la mystique médiévale JanigBÉGOC 187 Automata, Kineticism, and Automation. An Oblique History ofAnimacy in the Art of the Long 1960s Roland Betancourt 209 Coda Zoe Leonard’s Suitcases Amy Knight Powell 229 Liste des contributeurs 145 |
| adam_txt |
Table des matières Liste des illustrations 7 Préface 13 Partie 1 Introduction Au-delà des périodisations. Parcours passés et futurs potentiels Nancy Thebaut 21 Partie 2 Auctoritas / authorship Qui était Jean Fouquet pour François Robertet ? Une question d’auctorialité dans l’art de la fin du Moyen Âge Elliot Adam 37 L’artiste conceptuel à son pupitre Valérie Mavridorakis 59 Art conceptuel et scolastique. Le Chêne de Michael Craig-Martin est-il thomiste ? Benjamin Riado 75 Partie 3 Signe et mathématiques “All form is a process of notation”. Hrabanus Maurus’s “exemplativist” art Aden Kumler Les nombres de la forme et les formes du nombre. Essai sur Ies carolingiens et l’abstraction Isabelle Marchesin 91 113
6 TABLE DES MATIÈRES Abstraction in Medieval Art. The Chiasm in Hagia Sophia Bissera V. Pentcheva i35 Hollis Frampton, médiéval Larisa Dryansky 165 Partie 4 Performance La conversion du précieux sang. Gina Pane et la mystique médiévale JanigBÉGOC 187 Automata, Kineticism, and Automation. An Oblique History ofAnimacy in the Art of the Long 1960s Roland Betancourt 209 Coda Zoe Leonard’s Suitcases Amy Knight Powell 229 Liste des contributeurs 145 |
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| spelling | L'art médiéval est-il contemporain? = Is medieval art contemporary? édité par Charlotte Denoël, Larisa Dryansky, Isabelle Marchesin and Erik Verhagen Is medieval art contemporary? Turnhout, Belgium Brepols [2023] © 2023 247 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Reinterpreting the Middle Ages volume 1 "This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envisage the echoes of medieval artforms and esthetics in contemporary art. The volume follows on from the symposium organized in conjunction with the exhibition "Make it New: Carte Blanche à Jan Dibbets" that was held at the Bibliothèque Nationale de France (Paris) in 2019, and which presented side by side Hrabanus Maurus’s De Laudibus Sanctae Crucis (In Praise of the Holy Cross), a masterpiece of Carolingian art, with works by artists associated with conceptual art, mininimal art, and land art. How and why has medieval art, and particularly early medieval art, inspired contemporary artists since the 1950s? What has medieval art contributed to contemporary art? How has medieval art’s treatment of figures, color, space, geometry, and rhythm provided inspiration for contemporary artists’ experiments with form? In what way does contemporary artists’ engagement with the topics of formatting, writing, semiosis, mimesis, and ornamentation draw inspiration from medieval models? To what extent and in what sense are the notions of authorship and performativity relevant for understanding conceptions of artmaking in both periods? Rather than focusing on medievalism and citational practices, or on the theory of images—both approaches having already produced an important body of comparative readings of medieval and contemporary art—the essays in this volume address the question of medieval art’s contemporaneity thematically, through three trans-chronological topics: authorship, semiosis and mathematics, and performance [...]." Beiträge teilweise französisch, teilweise englisch Geschichte gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Mittelalter (DE-588)4129108-6 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Mittelalter (DE-588)4129108-6 s Kunst (DE-588)4114333-4 s Rezeption (DE-588)4049716-1 s Geschichte z DE-604 Denoël, Charlotte 1976- (DE-588)132966247 edt Dryansky, Larisa 1969- (DE-588)136389988 edt Marchesin, Isabelle (DE-588)1150258241 edt Verhagen, Erik 1969- (DE-588)136964400 edt Erscheint auch als Online-Ausgabe 978-2-503-59990-8 Reinterpreting the Middle Ages volume 1 (DE-604)BV048973485 1 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034001725&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | L'art médiéval est-il contemporain? = Is medieval art contemporary? Reinterpreting the Middle Ages Rezeption (DE-588)4049716-1 gnd Mittelalter (DE-588)4129108-6 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4129108-6 (DE-588)4114333-4 (DE-588)4143413-4 |
| title | L'art médiéval est-il contemporain? = Is medieval art contemporary? |
| title_alt | Is medieval art contemporary? |
| title_auth | L'art médiéval est-il contemporain? = Is medieval art contemporary? |
| title_exact_search | L'art médiéval est-il contemporain? = Is medieval art contemporary? |
| title_exact_search_txtP | L'art médiéval est-il contemporain? = Is medieval art contemporary? |
| title_full | L'art médiéval est-il contemporain? = Is medieval art contemporary? édité par Charlotte Denoël, Larisa Dryansky, Isabelle Marchesin and Erik Verhagen |
| title_fullStr | L'art médiéval est-il contemporain? = Is medieval art contemporary? édité par Charlotte Denoël, Larisa Dryansky, Isabelle Marchesin and Erik Verhagen |
| title_full_unstemmed | L'art médiéval est-il contemporain? = Is medieval art contemporary? édité par Charlotte Denoël, Larisa Dryansky, Isabelle Marchesin and Erik Verhagen |
| title_short | L'art médiéval est-il contemporain? |
| title_sort | l art medieval est il contemporain is medieval art contemporary |
| title_sub | = Is medieval art contemporary? |
| topic | Rezeption (DE-588)4049716-1 gnd Mittelalter (DE-588)4129108-6 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Rezeption Mittelalter Kunst Aufsatzsammlung |
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