The stages of property: copyrighting theatre in Spain
"The manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standa...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Toronto ; Buffalo ; London
University of Toronto Press
2022
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Schlagworte: | |
Zusammenfassung: | "The manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standards. Lisa Surwillo discusses the ways in which notions of intellectual property transformed Spain's theatre - its agents, performance practices, and reception - over a period of fifty years, from 1830 to 1880. For three centuries, theatre had been the cultural arm of the monarchy. After the institution of copyright, however, it became the backbone of a new cultural industry controlled by a handful of publishers. In this atmosphere of private ownership, ideas of intellectual property and author's rights assumed a much greater immediacy than they had previously. The impact on theatrical practices was significant, resulting in the development of a homogenized national culture of shared theatre and reading experiences. Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s. "-- |
Beschreibung: | Reprinted in paperback, Originally published 2007 |
Beschreibung: | x, 218 Seiten |
ISBN: | 1487526296 9781487526290 9780802092465 |
Internformat
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520 | 3 | |a "The manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standards. Lisa Surwillo discusses the ways in which notions of intellectual property transformed Spain's theatre - its agents, performance practices, and reception - over a period of fifty years, from 1830 to 1880. For three centuries, theatre had been the cultural arm of the monarchy. After the institution of copyright, however, it became the backbone of a new cultural industry controlled by a handful of publishers. In this atmosphere of private ownership, ideas of intellectual property and author's rights assumed a much greater immediacy than they had previously. The impact on theatrical practices was significant, resulting in the development of a homogenized national culture of shared theatre and reading experiences. Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s. "-- | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Surwillo, Lisa |
author_GND | (DE-588)1287696678 |
author_facet | Surwillo, Lisa |
author_role | aut |
author_sort | Surwillo, Lisa |
author_variant | l s ls |
building | Verbundindex |
bvnumber | BV048626163 |
ctrlnum | (DE-599)BVBBV048626163 |
dewey-full | 346.4604/8209034 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 346 - Private law |
dewey-raw | 346.4604/8209034 |
dewey-search | 346.4604/8209034 |
dewey-sort | 3346.4604 78209034 |
dewey-tens | 340 - Law |
discipline | Rechtswissenschaft |
discipline_str_mv | Rechtswissenschaft |
era | Geschichte 1830-1880 gnd |
era_facet | Geschichte 1830-1880 |
format | Book |
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index_date | 2024-07-03T21:15:10Z |
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spelling | Surwillo, Lisa Verfasser (DE-588)1287696678 aut The stages of property copyrighting theatre in Spain Lisa Surwillo Toronto ; Buffalo ; London University of Toronto Press 2022 x, 218 Seiten txt rdacontent n rdamedia nc rdacarrier Reprinted in paperback, Originally published 2007 "The manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standards. Lisa Surwillo discusses the ways in which notions of intellectual property transformed Spain's theatre - its agents, performance practices, and reception - over a period of fifty years, from 1830 to 1880. For three centuries, theatre had been the cultural arm of the monarchy. After the institution of copyright, however, it became the backbone of a new cultural industry controlled by a handful of publishers. In this atmosphere of private ownership, ideas of intellectual property and author's rights assumed a much greater immediacy than they had previously. The impact on theatrical practices was significant, resulting in the development of a homogenized national culture of shared theatre and reading experiences. Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s. "-- Includes some text in Spanish Geschichte 1830-1880 gnd rswk-swf Spanisch (DE-588)4077640-2 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Urheberrecht (DE-588)4062127-3 gnd rswk-swf Copyright / Drama / Spain / History / 19th century Intellectual property / Spain / History / 19th century Theater / Law and legislation / Spain / History / 19th century Droit d'auteur / Théâtre / Espagne / Histoire / 19e siècle Propriété intellectuelle / Espagne / Histoire / 19e siècle Copyright / Drama Intellectual property Theater / Law and legislation Spain 1800-1899 History Spanisch (DE-588)4077640-2 s Drama (DE-588)4012899-4 s Urheberrecht (DE-588)4062127-3 s Geschichte 1830-1880 z DE-604 University of Toronto Press (DE-588)6068536-0 pbl |
spellingShingle | Surwillo, Lisa The stages of property copyrighting theatre in Spain Spanisch (DE-588)4077640-2 gnd Drama (DE-588)4012899-4 gnd Urheberrecht (DE-588)4062127-3 gnd |
subject_GND | (DE-588)4077640-2 (DE-588)4012899-4 (DE-588)4062127-3 |
title | The stages of property copyrighting theatre in Spain |
title_auth | The stages of property copyrighting theatre in Spain |
title_exact_search | The stages of property copyrighting theatre in Spain |
title_exact_search_txtP | The stages of property copyrighting theatre in Spain |
title_full | The stages of property copyrighting theatre in Spain Lisa Surwillo |
title_fullStr | The stages of property copyrighting theatre in Spain Lisa Surwillo |
title_full_unstemmed | The stages of property copyrighting theatre in Spain Lisa Surwillo |
title_short | The stages of property |
title_sort | the stages of property copyrighting theatre in spain |
title_sub | copyrighting theatre in Spain |
topic | Spanisch (DE-588)4077640-2 gnd Drama (DE-588)4012899-4 gnd Urheberrecht (DE-588)4062127-3 gnd |
topic_facet | Spanisch Drama Urheberrecht |
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