Renaissance theories of vision:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2016
|
| Schriftenreihe: | Visual culture in early modernity
|
| Schlagworte: | |
| Beschreibung: | Includes bibliographical references (pages 213-234) and index First published by Ashgate Publishing Introduction - John S. Hendrix and Charles H. Carman -- - Classical optics and the perspectivae traditions leading to the Renaissance - Nader El-Bizri -- - Meanings of perspective in the Renaissance - tensions and resolution - Charles H. Carman -- - Criminal vision in early modern Florence - Fra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze - Allie Terry -- - Donatello's Chellini Madonna, light, and vision - Amy R. Bloch -- - Perception as a function of desire in the Renaissance - John S. Hendrix -- - Leonardo da Vinci's theory of vision and creativity - the Uffizi Annunciation - Liana De Girolami Cheney -- - At the boundaries of sight - the Italian Renaissance cloud putto - Christian Kleinbub -- - Gesture and perspective in Raphael's School of Athens - Nicholas Temple -- - Seeing and the transfer of spirits in early modern art theory - Thijs Weststeijn -- - "All in him selfe as in a glass he sees" - mirrors and vision in the Renaissance - Faye Tudor -- - "Nearest the tangible earth" - Rembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch - Alice Crawford Berghof How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley |
| Beschreibung: | 1 Online-Ressource (x, 245 Seiten) |
| ISBN: | 9781315605319 |
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| 500 | |a Introduction - John S. Hendrix and Charles H. Carman -- - Classical optics and the perspectivae traditions leading to the Renaissance - Nader El-Bizri -- - Meanings of perspective in the Renaissance - tensions and resolution - Charles H. Carman -- - Criminal vision in early modern Florence - Fra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze - Allie Terry -- - Donatello's Chellini Madonna, light, and vision - Amy R. Bloch -- - Perception as a function of desire in the Renaissance - John S. Hendrix -- - Leonardo da Vinci's theory of vision and creativity - the Uffizi Annunciation - Liana De Girolami Cheney -- - At the boundaries of sight - the Italian Renaissance cloud putto - Christian Kleinbub -- - Gesture and perspective in Raphael's School of Athens - Nicholas Temple -- - Seeing and the transfer of spirits in early modern art theory - Thijs Weststeijn -- - "All in him selfe as in a glass he sees" - mirrors and vision in the Renaissance - Faye Tudor -- - "Nearest the tangible earth" - Rembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch - Alice Crawford Berghof | ||
| 500 | |a How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley | ||
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Datensatz im Suchindex
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| dewey-full | 701/.8 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
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| spelling | Renaissance theories of vision edited by John Shannon Hendrix and Charles H. Carman London ; New York Routledge, Taylor & Francis Group 2016 1 Online-Ressource (x, 245 Seiten) txt rdacontent c rdamedia cr rdacarrier Visual culture in early modernity Includes bibliographical references (pages 213-234) and index First published by Ashgate Publishing Introduction - John S. Hendrix and Charles H. Carman -- - Classical optics and the perspectivae traditions leading to the Renaissance - Nader El-Bizri -- - Meanings of perspective in the Renaissance - tensions and resolution - Charles H. Carman -- - Criminal vision in early modern Florence - Fra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze - Allie Terry -- - Donatello's Chellini Madonna, light, and vision - Amy R. Bloch -- - Perception as a function of desire in the Renaissance - John S. Hendrix -- - Leonardo da Vinci's theory of vision and creativity - the Uffizi Annunciation - Liana De Girolami Cheney -- - At the boundaries of sight - the Italian Renaissance cloud putto - Christian Kleinbub -- - Gesture and perspective in Raphael's School of Athens - Nicholas Temple -- - Seeing and the transfer of spirits in early modern art theory - Thijs Weststeijn -- - "All in him selfe as in a glass he sees" - mirrors and vision in the Renaissance - Faye Tudor -- - "Nearest the tangible earth" - Rembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch - Alice Crawford Berghof How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley Geschichte 1420-1600 swd Geschichte 1400-1700 gnd rswk-swf Aufsatzsammlung ART / General bisacsh Art / Philosophy fast Art, Renaissance fast Perspective fast Vision fast Visual perception fast art / perspective / Renaissance / études diverses rero art / perception visuelle / Renaissance / études diverses rero Geschichte Kunst Philosophie Visual perception History Vision History Perspective History Art Philosophy Art, Renaissance Optik (DE-588)4043650-0 gnd rswk-swf Perspektive (DE-588)4045301-7 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2005 Cambridge Mass. gnd-content Perspektive (DE-588)4045301-7 s Geschichte 1400-1700 z 1\p DE-604 Optik (DE-588)4043650-0 s 2\p DE-604 Hendrix, John Shannon 1959- (DE-588)1047245973 edt Carman, Charles H. Sonstige (DE-588)143136011 oth Erscheint auch als Druck-Ausgabe, Hardcover 9781409400240 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Renaissance theories of vision Aufsatzsammlung ART / General bisacsh Art / Philosophy fast Art, Renaissance fast Perspective fast Vision fast Visual perception fast art / perspective / Renaissance / études diverses rero art / perception visuelle / Renaissance / études diverses rero Geschichte Kunst Philosophie Visual perception History Vision History Perspective History Art Philosophy Art, Renaissance Optik (DE-588)4043650-0 gnd Perspektive (DE-588)4045301-7 gnd |
| subject_GND | (DE-588)4043650-0 (DE-588)4045301-7 (DE-588)1071861417 |
| title | Renaissance theories of vision |
| title_auth | Renaissance theories of vision |
| title_exact_search | Renaissance theories of vision |
| title_exact_search_txtP | Renaissance theories of vision |
| title_full | Renaissance theories of vision edited by John Shannon Hendrix and Charles H. Carman |
| title_fullStr | Renaissance theories of vision edited by John Shannon Hendrix and Charles H. Carman |
| title_full_unstemmed | Renaissance theories of vision edited by John Shannon Hendrix and Charles H. Carman |
| title_short | Renaissance theories of vision |
| title_sort | renaissance theories of vision |
| topic | Aufsatzsammlung ART / General bisacsh Art / Philosophy fast Art, Renaissance fast Perspective fast Vision fast Visual perception fast art / perspective / Renaissance / études diverses rero art / perception visuelle / Renaissance / études diverses rero Geschichte Kunst Philosophie Visual perception History Vision History Perspective History Art Philosophy Art, Renaissance Optik (DE-588)4043650-0 gnd Perspektive (DE-588)4045301-7 gnd |
| topic_facet | Aufsatzsammlung ART / General Art / Philosophy Art, Renaissance Perspective Vision Visual perception art / perspective / Renaissance / études diverses art / perception visuelle / Renaissance / études diverses Geschichte Kunst Philosophie Visual perception History Vision History Perspective History Art Philosophy Optik Perspektive Konferenzschrift 2005 Cambridge Mass. |
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