The incomparable artist: Renaissance painter Paolo Uccello in surrealist discourse around 1930
In the 1920s the quattrocento Italian painter Paolo Uccello was appropriated as a precursor of Surrealism in the French surrealist discourse, a process that continued and became international in the 1930s. The (positive) reception of Uccello among avant-gardes such as Surrealism was distinctly diffe...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
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2022-09-29
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| Zusammenfassung: | In the 1920s the quattrocento Italian painter Paolo Uccello was appropriated as a precursor of Surrealism in the French surrealist discourse, a process that continued and became international in the 1930s. The (positive) reception of Uccello among avant-gardes such as Surrealism was distinctly different from his contemporaneous (rather negative) reception among art historians. In several places the surrealist perception of the artist prefigures post-modern views, not least when it comes to Uccello’s playful and experimental attitude to perspective. The standard was set by the surrealist poet Philippe Soupault in 1929 in an art historical treatise inspired upon a surrealist worldview. Reviewing this and other written sources, this article also briefly discusses three examples of artistic responses to Uccellan aesthetics, by Salvador Dalí, George Hugnet and René Magritte |
| Beschreibung: | 5 Illustrationen |
| ISSN: | 2701-1550 |
| DOI: | 10.11588/xxi.2022.3.90236 |
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| spelling | Bauduin, Tessel M. 1980- Verfasser (DE-588)105932122X aut The incomparable artist Renaissance painter Paolo Uccello in surrealist discourse around 1930 Tessel M. Bauduin 2022-09-29 5 Illustrationen txt rdacontent c rdamedia cr rdacarrier In the 1920s the quattrocento Italian painter Paolo Uccello was appropriated as a precursor of Surrealism in the French surrealist discourse, a process that continued and became international in the 1930s. The (positive) reception of Uccello among avant-gardes such as Surrealism was distinctly different from his contemporaneous (rather negative) reception among art historians. In several places the surrealist perception of the artist prefigures post-modern views, not least when it comes to Uccello’s playful and experimental attitude to perspective. The standard was set by the surrealist poet Philippe Soupault in 1929 in an art historical treatise inspired upon a surrealist worldview. Reviewing this and other written sources, this article also briefly discusses three examples of artistic responses to Uccellan aesthetics, by Salvador Dalí, George Hugnet and René Magritte Magritte, René 1898-1967 (DE-588)118576208 gnd rswk-swf Dalí, Salvador 1904-1989 (DE-588)118523481 gnd rswk-swf Hugnet, Georges 1906-1974 (DE-588)119050048 gnd rswk-swf Uccello, Paolo 1397-1475 (DE-588)118763350 gnd rswk-swf Soupault, Philippe 1897-1990 (DE-588)118751638 gnd rswk-swf Geschichte 1920-1940 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Uccello, Paolo 1397-1475 (DE-588)118763350 p Rezeption (DE-588)4049716-1 s Frankreich (DE-588)4018145-5 g Kunst (DE-588)4114333-4 s Kunstkritik (DE-588)4033659-1 s Geschichte 1920-1940 z DE-604 Soupault, Philippe 1897-1990 (DE-588)118751638 p Hugnet, Georges 1906-1974 (DE-588)119050048 p Dalí, Salvador 1904-1989 (DE-588)118523481 p Magritte, René 1898-1967 (DE-588)118576208 p volume:3 number:3 year:2022 pages:657-682 21: inquiries into art, history, and the visual Heidelberg, 2022 Vol. 3, No. 3 (2022), Seite 657-682 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4 https://doi.org/10.11588/xxi.2022.3.90236 Resolving-System Verlag kostenfrei Volltext https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/90236 Verlag kostenfrei Volltext |
| spellingShingle | Bauduin, Tessel M. 1980- The incomparable artist Renaissance painter Paolo Uccello in surrealist discourse around 1930 Magritte, René 1898-1967 (DE-588)118576208 gnd Dalí, Salvador 1904-1989 (DE-588)118523481 gnd Hugnet, Georges 1906-1974 (DE-588)119050048 gnd Uccello, Paolo 1397-1475 (DE-588)118763350 gnd Soupault, Philippe 1897-1990 (DE-588)118751638 gnd Kunstkritik (DE-588)4033659-1 gnd Rezeption (DE-588)4049716-1 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)118576208 (DE-588)118523481 (DE-588)119050048 (DE-588)118763350 (DE-588)118751638 (DE-588)4033659-1 (DE-588)4049716-1 (DE-588)4114333-4 (DE-588)4018145-5 |
| title | The incomparable artist Renaissance painter Paolo Uccello in surrealist discourse around 1930 |
| title_auth | The incomparable artist Renaissance painter Paolo Uccello in surrealist discourse around 1930 |
| title_exact_search | The incomparable artist Renaissance painter Paolo Uccello in surrealist discourse around 1930 |
| title_exact_search_txtP | The incomparable artist Renaissance painter Paolo Uccello in surrealist discourse around 1930 |
| title_full | The incomparable artist Renaissance painter Paolo Uccello in surrealist discourse around 1930 Tessel M. Bauduin |
| title_fullStr | The incomparable artist Renaissance painter Paolo Uccello in surrealist discourse around 1930 Tessel M. Bauduin |
| title_full_unstemmed | The incomparable artist Renaissance painter Paolo Uccello in surrealist discourse around 1930 Tessel M. Bauduin |
| title_short | The incomparable artist |
| title_sort | the incomparable artist renaissance painter paolo uccello in surrealist discourse around 1930 |
| title_sub | Renaissance painter Paolo Uccello in surrealist discourse around 1930 |
| topic | Magritte, René 1898-1967 (DE-588)118576208 gnd Dalí, Salvador 1904-1989 (DE-588)118523481 gnd Hugnet, Georges 1906-1974 (DE-588)119050048 gnd Uccello, Paolo 1397-1475 (DE-588)118763350 gnd Soupault, Philippe 1897-1990 (DE-588)118751638 gnd Kunstkritik (DE-588)4033659-1 gnd Rezeption (DE-588)4049716-1 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Magritte, René 1898-1967 Dalí, Salvador 1904-1989 Hugnet, Georges 1906-1974 Uccello, Paolo 1397-1475 Soupault, Philippe 1897-1990 Kunstkritik Rezeption Kunst Frankreich |
| url | https://doi.org/10.11588/xxi.2022.3.90236 https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/90236 |
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