Visitation: The Conjure Work of Black Feminist Avant-Garde Cinema
In Visitation, Jennifer DeClue shows how Black feminist avant-garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakers-including Kara Walker, Kara Lynch, Tourmaline, and Ja'Tov...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2022]
|
Schlagworte: | |
Online-Zugang: | DE-12 URL des Erstveröffentlichers |
Zusammenfassung: | In Visitation, Jennifer DeClue shows how Black feminist avant-garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakers-including Kara Walker, Kara Lynch, Tourmaline, and Ja'Tovia Gary-create spaces of mourning and reckoning rather than voyeurism and pornotropy. Through their use of editing, performance, and cinematic experimentation, these filmmakers intervene in the production of Blackness and activate new ways of seeing Black women and telling their stories. Theorizing these films as a form of conjure work, DeClue shows how these filmmakers raise the specters of Black women from the past and invite them to reveal history from their point of view. In so doing, Black feminist avant-garde filmmakers channel spirits that haunt archives and create cinematic arenas for witnessing Black women battling for survival during pivotal and exceedingly violent moments in US history.Duke University Press Scholars of Color First Book Award recipient |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022) |
Beschreibung: | 1 Online-Ressource (240 Seiten) |
ISBN: | 9781478023791 |
DOI: | 10.1515/9781478023791 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV048609870 | ||
003 | DE-604 | ||
005 | 20240321 | ||
007 | cr|uuu---uuuuu | ||
008 | 221214s2022 xx o|||| 00||| eng d | ||
020 | |a 9781478023791 |9 978-1-4780-2379-1 | ||
024 | 7 | |a 10.1515/9781478023791 |2 doi | |
035 | |a (ZDB-23-DGG)9781478023791 | ||
035 | |a (OCoLC)1355307030 | ||
035 | |a (DE-599)BVBBV048609870 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
082 | 0 | |a 305.48/896073 |2 23//eng/20220714eng | |
100 | 1 | |a DeClue, Jennifer |e Verfasser |4 aut | |
245 | 1 | 0 | |a Visitation |b The Conjure Work of Black Feminist Avant-Garde Cinema |c Jennifer DeClue |
264 | 1 | |a Durham |b Duke University Press |c [2022] | |
264 | 4 | |c © 2022 | |
300 | |a 1 Online-Ressource (240 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022) | ||
520 | |a In Visitation, Jennifer DeClue shows how Black feminist avant-garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakers-including Kara Walker, Kara Lynch, Tourmaline, and Ja'Tovia Gary-create spaces of mourning and reckoning rather than voyeurism and pornotropy. Through their use of editing, performance, and cinematic experimentation, these filmmakers intervene in the production of Blackness and activate new ways of seeing Black women and telling their stories. Theorizing these films as a form of conjure work, DeClue shows how these filmmakers raise the specters of Black women from the past and invite them to reveal history from their point of view. In so doing, Black feminist avant-garde filmmakers channel spirits that haunt archives and create cinematic arenas for witnessing Black women battling for survival during pivotal and exceedingly violent moments in US history.Duke University Press Scholars of Color First Book Award recipient | ||
546 | |a In English | ||
650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / African American Studies |2 bisacsh | |
650 | 4 | |a African American feminists | |
650 | 4 | |a African American women motion picture producers and directors | |
650 | 4 | |a Experimental films |z United States | |
650 | 4 | |a Feminism and motion pictures |z United States | |
650 | 4 | |a Feminist film criticism | |
650 | 4 | |a Womanism |z United States | |
650 | 4 | |a Women, Black, in motion pictures | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, paperback |z 978-1-4780-1916-9 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, hardcover |z 978-1-4780-1652-6 |
856 | 4 | 0 | |u https://doi.org/10.1515/9781478023791?locatt=mode:legacy |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033985252 | |
966 | e | |u https://doi.org/10.1515/9781478023791?locatt=mode:legacy |l DE-12 |p ZDB-23-DGG |q BSB_PDA_DGG_Kauf23 |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1824508179571015680 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | DeClue, Jennifer |
author_facet | DeClue, Jennifer |
author_role | aut |
author_sort | DeClue, Jennifer |
author_variant | j d jd |
building | Verbundindex |
bvnumber | BV048609870 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781478023791 (OCoLC)1355307030 (DE-599)BVBBV048609870 |
dewey-full | 305.48/896073 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 305 - Groups of people |
dewey-raw | 305.48/896073 |
dewey-search | 305.48/896073 |
dewey-sort | 3305.48 6896073 |
dewey-tens | 300 - Social sciences |
discipline | Soziologie |
discipline_str_mv | Soziologie |
doi_str_mv | 10.1515/9781478023791 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV048609870</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240321</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">221214s2022 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478023791</subfield><subfield code="9">978-1-4780-2379-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781478023791</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781478023791</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1355307030</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048609870</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">305.48/896073</subfield><subfield code="2">23//eng/20220714eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">DeClue, Jennifer</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Visitation</subfield><subfield code="b">The Conjure Work of Black Feminist Avant-Garde Cinema</subfield><subfield code="c">Jennifer DeClue</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (240 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Visitation, Jennifer DeClue shows how Black feminist avant-garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakers-including Kara Walker, Kara Lynch, Tourmaline, and Ja'Tovia Gary-create spaces of mourning and reckoning rather than voyeurism and pornotropy. Through their use of editing, performance, and cinematic experimentation, these filmmakers intervene in the production of Blackness and activate new ways of seeing Black women and telling their stories. Theorizing these films as a form of conjure work, DeClue shows how these filmmakers raise the specters of Black women from the past and invite them to reveal history from their point of view. In so doing, Black feminist avant-garde filmmakers channel spirits that haunt archives and create cinematic arenas for witnessing Black women battling for survival during pivotal and exceedingly violent moments in US history.Duke University Press Scholars of Color First Book Award recipient</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Ethnic Studies / African American Studies</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African American feminists</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African American women motion picture producers and directors</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Experimental films</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminism and motion pictures</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminist film criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Womanism</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women, Black, in motion pictures</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, paperback</subfield><subfield code="z">978-1-4780-1916-9</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, hardcover</subfield><subfield code="z">978-1-4780-1652-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781478023791?locatt=mode:legacy</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033985252</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478023791?locatt=mode:legacy</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BSB_PDA_DGG_Kauf23</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048609870 |
illustrated | Not Illustrated |
index_date | 2024-07-03T21:11:45Z |
indexdate | 2025-02-19T17:36:30Z |
institution | BVB |
isbn | 9781478023791 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033985252 |
oclc_num | 1355307030 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource (240 Seiten) |
psigel | ZDB-23-DGG ZDB-23-DGG BSB_PDA_DGG_Kauf23 |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Duke University Press |
record_format | marc |
spelling | DeClue, Jennifer Verfasser aut Visitation The Conjure Work of Black Feminist Avant-Garde Cinema Jennifer DeClue Durham Duke University Press [2022] © 2022 1 Online-Ressource (240 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022) In Visitation, Jennifer DeClue shows how Black feminist avant-garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakers-including Kara Walker, Kara Lynch, Tourmaline, and Ja'Tovia Gary-create spaces of mourning and reckoning rather than voyeurism and pornotropy. Through their use of editing, performance, and cinematic experimentation, these filmmakers intervene in the production of Blackness and activate new ways of seeing Black women and telling their stories. Theorizing these films as a form of conjure work, DeClue shows how these filmmakers raise the specters of Black women from the past and invite them to reveal history from their point of view. In so doing, Black feminist avant-garde filmmakers channel spirits that haunt archives and create cinematic arenas for witnessing Black women battling for survival during pivotal and exceedingly violent moments in US history.Duke University Press Scholars of Color First Book Award recipient In English SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African American feminists African American women motion picture producers and directors Experimental films United States Feminism and motion pictures United States Feminist film criticism Womanism United States Women, Black, in motion pictures Erscheint auch als Druck-Ausgabe, paperback 978-1-4780-1916-9 Erscheint auch als Druck-Ausgabe, hardcover 978-1-4780-1652-6 https://doi.org/10.1515/9781478023791?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | DeClue, Jennifer Visitation The Conjure Work of Black Feminist Avant-Garde Cinema SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African American feminists African American women motion picture producers and directors Experimental films United States Feminism and motion pictures United States Feminist film criticism Womanism United States Women, Black, in motion pictures |
title | Visitation The Conjure Work of Black Feminist Avant-Garde Cinema |
title_auth | Visitation The Conjure Work of Black Feminist Avant-Garde Cinema |
title_exact_search | Visitation The Conjure Work of Black Feminist Avant-Garde Cinema |
title_exact_search_txtP | Visitation The Conjure Work of Black Feminist Avant-Garde Cinema |
title_full | Visitation The Conjure Work of Black Feminist Avant-Garde Cinema Jennifer DeClue |
title_fullStr | Visitation The Conjure Work of Black Feminist Avant-Garde Cinema Jennifer DeClue |
title_full_unstemmed | Visitation The Conjure Work of Black Feminist Avant-Garde Cinema Jennifer DeClue |
title_short | Visitation |
title_sort | visitation the conjure work of black feminist avant garde cinema |
title_sub | The Conjure Work of Black Feminist Avant-Garde Cinema |
topic | SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African American feminists African American women motion picture producers and directors Experimental films United States Feminism and motion pictures United States Feminist film criticism Womanism United States Women, Black, in motion pictures |
topic_facet | SOCIAL SCIENCE / Ethnic Studies / African American Studies African American feminists African American women motion picture producers and directors Experimental films United States Feminism and motion pictures United States Feminist film criticism Womanism United States Women, Black, in motion pictures |
url | https://doi.org/10.1515/9781478023791?locatt=mode:legacy |
work_keys_str_mv | AT decluejennifer visitationtheconjureworkofblackfeministavantgardecinema |