Screen Acting: A Cognitive Approach
Takes a cognitive approach to screen actingProvides an innovative critical model for studying screen acting as a creative professional practiceConnects interdisciplinary ideas from film, theatre, and television studies with modern neuroscientific models of embodied and distributed cognitionDraws on...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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Schlagworte: | |
Online-Zugang: | FHA01 URL des Erstveröffentlichers |
Zusammenfassung: | Takes a cognitive approach to screen actingProvides an innovative critical model for studying screen acting as a creative professional practiceConnects interdisciplinary ideas from film, theatre, and television studies with modern neuroscientific models of embodied and distributed cognitionDraws on interviews with professional actors and the author's decades of experience as a professional actorThis book approaches film and television acting from an actor's perspective rather than that of an audience member, and therefore theorizes how screen acting works as a process that engages an actor's memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just the moving parts" of the mise-en-scene. |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022) |
Beschreibung: | 1 Online-Ressource (212 Seiten) 9 B/W illustrations 9 B&W images |
ISBN: | 9781474484152 |
DOI: | 10.1515/9781474484152 |
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Datensatz im Suchindex
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dewey-search | 791.43028 |
dewey-sort | 3791.43028 |
dewey-tens | 790 - Recreational and performing arts |
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doi_str_mv | 10.1515/9781474484152 |
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illustrated | Illustrated |
index_date | 2024-07-03T21:11:19Z |
indexdate | 2024-07-10T09:42:50Z |
institution | BVB |
isbn | 9781474484152 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033983208 |
oclc_num | 1355305099 |
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owner_facet | DE-Aug4 |
physical | 1 Online-Ressource (212 Seiten) 9 B/W illustrations 9 B&W images |
psigel | ZDB-23-DGG ZDB-23-DGG FHA_PDA_DGG |
publishDate | 2022 |
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publisher | Edinburgh University Press |
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spelling | Leberg, Dan Verfasser aut Screen Acting A Cognitive Approach Dan Leberg Edinburgh Edinburgh University Press [2022] © 2022 1 Online-Ressource (212 Seiten) 9 B/W illustrations 9 B&W images txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022) Takes a cognitive approach to screen actingProvides an innovative critical model for studying screen acting as a creative professional practiceConnects interdisciplinary ideas from film, theatre, and television studies with modern neuroscientific models of embodied and distributed cognitionDraws on interviews with professional actors and the author's decades of experience as a professional actorThis book approaches film and television acting from an actor's perspective rather than that of an audience member, and therefore theorizes how screen acting works as a process that engages an actor's memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just the moving parts" of the mise-en-scene. In English Film, Media & Cultural Studies PERFORMING ARTS / Acting & Auditioning bisacsh Emotions and cognition Motion picture acting Psychological aspects Motion picture acting Television acting Psychological aspects Television acting https://doi.org/10.1515/9781474484152 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Leberg, Dan Screen Acting A Cognitive Approach Film, Media & Cultural Studies PERFORMING ARTS / Acting & Auditioning bisacsh Emotions and cognition Motion picture acting Psychological aspects Motion picture acting Television acting Psychological aspects Television acting |
title | Screen Acting A Cognitive Approach |
title_auth | Screen Acting A Cognitive Approach |
title_exact_search | Screen Acting A Cognitive Approach |
title_exact_search_txtP | Screen Acting A Cognitive Approach |
title_full | Screen Acting A Cognitive Approach Dan Leberg |
title_fullStr | Screen Acting A Cognitive Approach Dan Leberg |
title_full_unstemmed | Screen Acting A Cognitive Approach Dan Leberg |
title_short | Screen Acting |
title_sort | screen acting a cognitive approach |
title_sub | A Cognitive Approach |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Acting & Auditioning bisacsh Emotions and cognition Motion picture acting Psychological aspects Motion picture acting Television acting Psychological aspects Television acting |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Acting & Auditioning Emotions and cognition Motion picture acting Psychological aspects Motion picture acting Television acting Psychological aspects Television acting |
url | https://doi.org/10.1515/9781474484152 |
work_keys_str_mv | AT lebergdan screenactingacognitiveapproach |