The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination
While still a student at Oxford, Edward Burne-Jones formed a friendship and made a renunciation that would shape art history. The friendship was with William Morris, with whom he would occupy the social and intellectual center of the era's cult of beauty. The renunciation was of his intention t...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Cambridge, MA
Harvard University Press
[2012]
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Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | While still a student at Oxford, Edward Burne-Jones formed a friendship and made a renunciation that would shape art history. The friendship was with William Morris, with whom he would occupy the social and intellectual center of the era's cult of beauty. The renunciation was of his intention to enter the clergy, when he-together with Morris-vowed to throw over the Church in favor of art. In Fiona MacCarthy's riveting account of Burne-Jones's life, that exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.In MacCarthy's hands, Burne-Jones emerges as a great visionary painter, a master of mystic reverie, and a pivotal late nineteenth-century cultural and artistic figure. Lavishly illustrated with color plates, The Last Pre-Raphaelite shows that Burne-Jones's influence extended far beyond his own circle to Freudian Vienna and the delicately gilded erotic dream paintings of Gustav Klimt, the Swiss Symbolist painter Ferdinand Hodler, and the young Pablo Picasso and the Catalan painters.Drawing on extensive research, MacCarthy offers a fresh perspective on the achievement of Burne-Jones, a precursor to the Modern, and tells the dramatic, fascinating story of this peculiarly captivating and elusive man |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022) |
Beschreibung: | 1 Online-Ressource (656 Seiten) 24 color illustrations, 47 halftones |
ISBN: | 9780674065567 |
DOI: | 10.4159/harvard.9780674065567 |
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institution | BVB |
isbn | 9780674065567 |
language | English |
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spelling | MacCarthy, Fiona Verfasser aut The Last Pre-Raphaelite Edward Burne-Jones and the Victorian Imagination Fiona MacCarthy Cambridge, MA Harvard University Press [2012] © 2012 1 Online-Ressource (656 Seiten) 24 color illustrations, 47 halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022) While still a student at Oxford, Edward Burne-Jones formed a friendship and made a renunciation that would shape art history. The friendship was with William Morris, with whom he would occupy the social and intellectual center of the era's cult of beauty. The renunciation was of his intention to enter the clergy, when he-together with Morris-vowed to throw over the Church in favor of art. In Fiona MacCarthy's riveting account of Burne-Jones's life, that exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.In MacCarthy's hands, Burne-Jones emerges as a great visionary painter, a master of mystic reverie, and a pivotal late nineteenth-century cultural and artistic figure. Lavishly illustrated with color plates, The Last Pre-Raphaelite shows that Burne-Jones's influence extended far beyond his own circle to Freudian Vienna and the delicately gilded erotic dream paintings of Gustav Klimt, the Swiss Symbolist painter Ferdinand Hodler, and the young Pablo Picasso and the Catalan painters.Drawing on extensive research, MacCarthy offers a fresh perspective on the achievement of Burne-Jones, a precursor to the Modern, and tells the dramatic, fascinating story of this peculiarly captivating and elusive man In English BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers bisacsh Pre-Raphaelites Great Britain Biography https://doi.org/10.4159/harvard.9780674065567 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | MacCarthy, Fiona The Last Pre-Raphaelite Edward Burne-Jones and the Victorian Imagination BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers bisacsh Pre-Raphaelites Great Britain Biography |
title | The Last Pre-Raphaelite Edward Burne-Jones and the Victorian Imagination |
title_auth | The Last Pre-Raphaelite Edward Burne-Jones and the Victorian Imagination |
title_exact_search | The Last Pre-Raphaelite Edward Burne-Jones and the Victorian Imagination |
title_exact_search_txtP | The Last Pre-Raphaelite Edward Burne-Jones and the Victorian Imagination |
title_full | The Last Pre-Raphaelite Edward Burne-Jones and the Victorian Imagination Fiona MacCarthy |
title_fullStr | The Last Pre-Raphaelite Edward Burne-Jones and the Victorian Imagination Fiona MacCarthy |
title_full_unstemmed | The Last Pre-Raphaelite Edward Burne-Jones and the Victorian Imagination Fiona MacCarthy |
title_short | The Last Pre-Raphaelite |
title_sort | the last pre raphaelite edward burne jones and the victorian imagination |
title_sub | Edward Burne-Jones and the Victorian Imagination |
topic | BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers bisacsh Pre-Raphaelites Great Britain Biography |
topic_facet | BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers Pre-Raphaelites Great Britain Biography |
url | https://doi.org/10.4159/harvard.9780674065567 |
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