The Buddhas of Bamiyan:
For 1,400 years, two colossal figures of the Buddha overlooked the fertile Bamiyan Valley on the Silk Road in Afghanistan. Witness to a melting pot of passing monks, merchants, and armies, the Buddhas embodied the intersection of East and West, and their destruction by the Taliban in 2001 provoked i...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, MA
Harvard University Press
[2012]
|
| Schriftenreihe: | Wonders of the world : 20
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | For 1,400 years, two colossal figures of the Buddha overlooked the fertile Bamiyan Valley on the Silk Road in Afghanistan. Witness to a melting pot of passing monks, merchants, and armies, the Buddhas embodied the intersection of East and West, and their destruction by the Taliban in 2001 provoked international outrage. Llewelyn Morgan excavates the layers of meaning these vanished wonders hold for a fractured Afghanistan. Carved in the sixth and seventh centuries, the Buddhas represented a confluence of religious and artistic traditions from India, China, Central Asia, and Iran, and even an echo of Greek influence brought by Alexander the Great's armies. By the time Genghis Khan destroyed the town of Bamiyan six centuries later, Islam had replaced Buddhism as the local religion, and the Buddhas were celebrated as wonders of the Islamic world. Not until the nineteenth century did these figures come to the attention of Westerners. That is also the historical moment when the ground was laid for many of Afghanistan's current problems, including the rise of the Taliban and the oppression of the Hazara people of Bamiyan. In a strange twist, the Hazaras-descendants of the conquering Mongol hordes who stormed Bamiyan in the thirteenth century-had come to venerate the Buddhas that once dominated their valley as symbols of their very different religious identity.Incorporating the voices of the holy men, adventurers, and hostages throughout history who set eyes on the Bamiyan Buddhas, Morgan tells the history of this region of paradox and heartache |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022) |
| Beschreibung: | 1 Online-Ressource (206 Seiten) 24 halftones, 1 map |
| ISBN: | 9780674065383 |
| DOI: | 10.4159/harvard.9780674065383 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:11:18Z |
| indexdate | 2024-07-10T09:42:50Z |
| institution | BVB |
| isbn | 9780674065383 |
| language | English |
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| series2 | Wonders of the world : 20 |
| spelling | Morgan, Llewelyn Verfasser aut The Buddhas of Bamiyan Llewelyn Morgan Cambridge, MA Harvard University Press [2012] © 2012 1 Online-Ressource (206 Seiten) 24 halftones, 1 map txt rdacontent c rdamedia cr rdacarrier Wonders of the world : 20 Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022) For 1,400 years, two colossal figures of the Buddha overlooked the fertile Bamiyan Valley on the Silk Road in Afghanistan. Witness to a melting pot of passing monks, merchants, and armies, the Buddhas embodied the intersection of East and West, and their destruction by the Taliban in 2001 provoked international outrage. Llewelyn Morgan excavates the layers of meaning these vanished wonders hold for a fractured Afghanistan. Carved in the sixth and seventh centuries, the Buddhas represented a confluence of religious and artistic traditions from India, China, Central Asia, and Iran, and even an echo of Greek influence brought by Alexander the Great's armies. By the time Genghis Khan destroyed the town of Bamiyan six centuries later, Islam had replaced Buddhism as the local religion, and the Buddhas were celebrated as wonders of the Islamic world. Not until the nineteenth century did these figures come to the attention of Westerners. That is also the historical moment when the ground was laid for many of Afghanistan's current problems, including the rise of the Taliban and the oppression of the Hazara people of Bamiyan. In a strange twist, the Hazaras-descendants of the conquering Mongol hordes who stormed Bamiyan in the thirteenth century-had come to venerate the Buddhas that once dominated their valley as symbols of their very different religious identity.Incorporating the voices of the holy men, adventurers, and hostages throughout history who set eyes on the Bamiyan Buddhas, Morgan tells the history of this region of paradox and heartache In English ARCHITECTURE / Buildings / Landmarks & Monuments bisacsh https://doi.org/10.4159/harvard.9780674065383 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Morgan, Llewelyn The Buddhas of Bamiyan ARCHITECTURE / Buildings / Landmarks & Monuments bisacsh |
| title | The Buddhas of Bamiyan |
| title_auth | The Buddhas of Bamiyan |
| title_exact_search | The Buddhas of Bamiyan |
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| title_full | The Buddhas of Bamiyan Llewelyn Morgan |
| title_fullStr | The Buddhas of Bamiyan Llewelyn Morgan |
| title_full_unstemmed | The Buddhas of Bamiyan Llewelyn Morgan |
| title_short | The Buddhas of Bamiyan |
| title_sort | the buddhas of bamiyan |
| topic | ARCHITECTURE / Buildings / Landmarks & Monuments bisacsh |
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