Stilografia: = Stylography
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | Albanian |
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Prishtinë
Akademia e Shkencave dhe Arteve e Kosovës, Seksioni i Gjuhësisë dhe i Letërsisë
2022
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| Schriftenreihe: | Botime të veçanta. Seksioni i Gjuhësisë dhe i Letërsisë
libri 80 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract Register // Sachregister |
| Beschreibung: | 410 Seiten 25 cm |
| ISBN: | 9789951260565 |
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| 490 | 1 | |a Botime të veçanta. Seksioni i Gjuhësisë dhe i Letërsisë |v libri 80 | |
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Datensatz im Suchindex
| _version_ | 1804184648085929984 |
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| adam_text | PËRMBAJTJA PARATHËNIE................................................................................... 11 Pjesa e parë LETRAT E FUNDIT A. POLIGRAFIA E PROZËS............................................................ 15 I. VENERIME PARAPRAKE........................................................... 17 II. EGO: ROMANI BASHKËKOHOR..............................................19 1. Ego: Teksti............................................................................. 19 2. Rebelimi i Martin Geges........................................................ 20 3. Fluturimi i marrëzisë si groteske........................................... 22 4. Nyjat e Vetvetes..................................................................... 25 5. Zëri i heshtjes......................................................................... 28 6. Portreti i nënës: Autoportreti.... .............................................30 7. Ego: Autori/Lexuesi............................................................... 33 III. PROZA E QYTETIT/URBANE.................................................. 35 TIRANA SIPAS O. VORPSIT.................................................. 38 PRISHTINA SIPAS Μ. KRAJËS............................................. 45 1. Romani Prishtina............................................................... 45 2. Autori: rrëfimtar dhe protagonist....................................... 46 3. Topoit e rrëfimit................................................................. 47 4. Seancat okulte.................................................................... 51 5. Kirurgj ia e
ftohtë.,.............................................................. 53 PROFETI NGA PRAGA SIPAS Μ. RAMADANIT................ 55 1. Rilindja e Franz Kaikes...................................................... 55 2. Duke kërkuar jetën e humbur............................................. 55 3. Topika e Pragës.................................................................. 57 4. Stilografia e M. Ramadanit................................................ 58 5. M. Ramadani i personalizuar............................................. 59 KOZMOPOLISI SIPAS A. PASHKUT.................................... 61 1. Anton Pashku..................................................................... 61 2. Genti, Rex Illyricorum, në Scodra..................................... 62 3. Kënaqësitë e Megalopolisit.................................................63 4. Kozmopolisi....................................................................... 65 IV. PROZA DOKUMENTARE.........................................................68
6 Sabri Hamìti ÁT ZEF PLLUMI: RRNO VETEM PËR ME TREGUE........... 69 1. Misionari................................................................................... 69 2. Analiza e titujve....................................................................... 69 3. Letërsia e dëshmisë.................................................................. 70 4. Funksionet e diskurseve.......................................................... 70 5. Doktrina e dashurisë................................................................. 71 6. Logorografia.............................................................................. 71 7. Jeta e vdekja: mbijetesa............................................................72 8. Gega i fundit.............................................................................. 72 9. Rebelimi.................................................................................... 73 ÁT ZEF PLLUMI: DHETË VJET LIRI........................................74 1. Testamenti................................................................................. 74 2. Fjala e pare si Çala e fundit..................................................... 75 3. Ligjërimi.................................................................................... 75 4. Fjala e fundit si Çala e pare..................................................... 77 В. ENIGMA E POEZISË......................................................................... 79 L SHEKULLI XXI.................................................................................... 81 1.
Paraqitje......................................................................................... 81 2. Enigma e liriķēs............................................................................82 IL RRJETI POETIK.................................................................................. 84 1. Metodika........................................................................................ 84 2. Kumti poetik................................................................................. 85 3. Forma poetike............................................................................... 86 4. Klasika e Avangarda.................................................................... 88 5. Rrj eti poetik.................................................................................. 88 POEZIA E MENDIMIT...................................................................... 94 Në vend të shumëpikëshit..............................................................100 FUNDI I GJËRAVE........................................................................... 102 Të vdekurit po na vëzhgojnë......................................................... 108 POEZIA: MATANE DASHUNISË................................................. 110 Nuk mund ta ndaja nga delii......................................................... 117 DIVA/DAMA QIELLORE...............................................................118 Dreka e gjuhës................................................................................ 125 HEQAKEQI
MEDITANT................................................................127 xxxix................................................................................................. 133 GARDËROBË GRAMATIKE........................................................ 135 Nokturn xviii................................................................................... 143
Stilografìa 7 PERLAEZEZË.......................................................................... 144 Lamtumirë................................................................................ 151 C. SPROVAT E KRITIKĖS............................................................ 153 L AUTORI E LEXUESI.................................................................. 155 II. PORTRETE KRITIKËSH........................................................... 159 PASIONII LEXIMIT.............................................................. 159 SPROVAT E HISTORISË.......................................................161 OBSESIONI ME TEORINĖ....................................................164 PËR PROZEN MODERNE......................................................167 KALLËZIMIILETĖRSISĖ..................................................... 169 KËRKIMII FORMÉS LETRARE.......................................... 172 SHKRIMII TEORİSE E HISTORISË.................................... 176 KRITIKA E TEKSTIT LETRAR............................................ 180 SAPIENTIA LETRARE.......................................................... 184 RUGOVA IFUNDIT.............................................................. 188 III. KRITIKA SIMBAS VETVETES...............................................192 D. AKTET DRAMATIKE................................................................ 195 I. GUNIA E VONUAR.....................................................................197 A. DRAMA E PËSIMIT........................................................... 199 B. DRAMA E
RINGJALLJES.................................................201 II. DRAMA E RE............................................................................ 203 TALLIA SHPIRTĖRORE....................................................... 203 1. Akti dramatik................................................................... 203 2. Rrëfimet alternative.......................................................... 205 3. Rrënjët e krizes................................................................. 206 4. Burri i rrëfehet autorit...................................................... 208 5. Autori.................................................................... 210 KRISMA E NGUJIMIT.......................................................... 211 1. Allegretto Albania............................................................ 211 2. Presedete dramatike......................................................... 213 NYJAT E KUJTESËS................................................... 218 1. Paraqitja e drames Njeriu i rërës...................................... 218 2. Struktura........................................................................... 221 3. Autorja............................................................................. 222 GRATE PA BURRA............................................................... 224 1. Autorja..............................................................................224 2.1 pagjeturi..........................................................................225
8 Sabri Hamiti 3. Thurja dramatike............................................................ 225 4. Pasioni............................................................................ 227 Pjesa e dytë KALENDARI VEPRA LETRARE E GJERGJ FISHTËS...................................... 231 LAHUTA E MALCÍS.................................................................. 231 1. Kaptimi: Kryevepra letrare.................................................. 231 2. Historia e Autorit................................................................. 232 3. Historia e Veprës.................................................................. 233 4. Struktura e veprës................................................................. 234 5. Amëza e ligjërimit................... 235 6. Heroika letrare...................................................................... 235 7. Heroina Tringa..................................................................... 237 8. Kryevepra/Autori................................................................. 238 9. Autori mbron Lahutën.......................................................... 240 10. Kryevepra letrare shqiptare................................................ 241 NJI LULE VJESHTET................................................................ 242 1. Nji lule vjeshtet....................................................................242 2. Jeta e pare: Ti....................................................................... 243 3. Jeta e dytë: Une.................................................................... 244 4. Jeta e
përjetshme: Une e Ті.................................................. 245 5. Poetika.................................................................................. 247 NEN HAJAT TÊ PARRIZIT....................................................... 248 JUDAMAKABÉ......................................................................... 251 HUEVE TË PARNASIT.............................................................. 259 1. Objekti i polemikës.............................................................. 259 2. Argumenti letrar................................................................... 260 3. Argumenti kombëtar............................................................ 261 4. Përfundimi............................................................................ 262 5. Fishta polemist letrar............................................................ 262 POETI KOMBËTAR................................................................... 263 GJENIUIEPIKËS................................................................... 265 NDRE MJEDJA: KÊNA E POEZÍS................................................ 269 Fjala e pare................................................................................... 269 I. POEZI TË MJEDJES............................................................... 269 IL KÊNA E POEZÍS.................................................................... 271 III. KALENDARI POETIK......................................................... 273 IV. ÂNDRRA E JETĒS............................................................... 274 Andrra e
jetes........................................................................... 274
Stilografia 9 Scodra...................................................................................... 277 Lissus........................................................................................ 279 Lirija........................................................................................ 280 V. ÂNDRRA E BUKURÍS.......................................................... 282 Gramatika poetike.................................................................... 282 Sintaksa poetike....................................................................... 284 Ikona poetike............................................................................ 284 VI. ALBANIZMA POETIKE...................................................... 285 Fjala e Parafimdit................... 286 DITURIJA: LUMO SKENDO......................................................... 287 1. Numri i pare............................................................................. 287 2. Histori...................................................................................... 287 3. Poezi......................................................................................... 289 4. Bibliografi................................................................................ 291 5. Mid’hat Frashëri....................................................................... 292 KLLAPAT E MESME ME TRI PIKA NË MES [...]..................... 294 Hyrje............................................................................................. 294 1. Paraqitja e
fenomenit............................................................ ...295 2. Ndre Mjedja: Giuha shqype/Eprorët........................................ 295 3. Lazër Shantoja: Vetëvrasja poetike.......................................... 297 4. Gjergj Fishta: kryevepra e ndaluar........................................... 298 5. Zef Zorba : alternativa moderne (në dorëshkrim).................... 299 6. Zef Pllumi: Rrno vetëm për me tregue..................................... 301 7. Frederik Rreshpja: Marrëzia e Itakës....................................... 302 8. Vilson Blloshmi: Vrasja e poetit...............................................303 9. Përfundimi: vijon [...]............................................................... 305 10. Dëshmi poetike...................................................................... 305 ZBULIMIILETËRSISË SHQIPE.................................................. 309 Hyrje............................................................................................. 309 FRANKOFONËT E PRISHTINËS............................................. 310 AUTORĒT E KOSOVËS............................................................ 313 Rexhep Qosja (1936)........................................................... 313 Anton Pashku (1937-1995).................................................. 315 Ali Podrimja (1942-2012).................................................... 317 Teki Dërvishi (1943-2011).................................................. 319 Ibrahim Rugova (1944—2006).............................................. 322 Jusuf Buxhovi
(1946)........................................................... 326 Rexhep Ismajli (1947)...........................................................328 Eqrem Basha (1948)..............................................................332 Sabri Hamiti (1950)..............................................................335 ZBULIMI I LETËRSISË SË KOSOVËS.....................................338
10 Sabri Hamiti FAIRE LE SINGE EN ALBANIE............................................... 340 PROZATORÊ E POETÉ NGA SHQIPËRIA E KOSOVA..........342 PËRKTHIMET............................................................................ 344 Pjesa e trete BREVIARI A. POETIKA E HISTORIA..............................................................351 1. FORMACIONET LETRARE...................................................353 1. Letërsia humaniste............................................................... 353 2. Letërsia filobiblike................................................................353 3. Letërsia e bej teve..................................................................354 4. Letërsia romantike............................................................... 354 5. Letërsia paramoderne............................................................355 6. Letërsia moderne (e para).....................................................355 7. Letërsia socrealiste............................................................... 356 8. Letërsia e disidencës.............................................................357 9. Letërsia moderne (e dyta).....................................................357 10. Letërsia pasmoderne.......................................................... 358 2. LETËRSIA E DIALEKTEVE..................................................358 3. LETËRSIA NË GJUHË TJETËR.............................................360 4. LETËRSIA SI E TILLË/ LETËRSIA SI SHTESË................. 362 5. HEROIKA
LETRARE..............................................................365 6. BURIMET E LETËRSISË....................................................... 368 7. VOTRA DHE BOTA............................................................... 372 8. KËNGA E VAJIT/ELEGJIA........... ........................................ 375 9. PALIMPSESTI........................................................................ 378 10. PSEUDONIMI LETRAR...................................................... 380 В. FORMULA E PAGËZIMIT (1462)............................................ 383 PËRMBLEDHJE............................................................................. 389 SUMMARY..................................................................................... 393 VEPRAT LETRARE TÉ SABRI HAMITIT.................................. 397 INDEKSI.......................................................................................... 399 INDEKSI IVEPRAVE............................................................ 399 INDEKSI IAUTORËVE........................................................ 406
SUMMARY The recent literature (Letrat e fundif) is the central chapter of the present book of literary criticism, Stilografla [Stylography], whose subtle goal is to produce a panorama of Albanian literature of the beginning of the 21st century. The conclusion of the 20th century coincided with a drama in the Albanian world which upended the political system and the set of human values, paving the way for freedom of action and freedom of thought. The national and creative freedom revived the internal communication amongst Albanians themselves as a re-acquaintance and external communication as recognition, spurring a cacophony of voices: for continuity or for subversion. It seems that the Albanian literature, as the richest creative trea sure of this nation, has yet again, this time around, had the wisdom to embrace continuity and change, to explore new values. The difficult undertaking of a panorama of Albanian literature at the beginning of the new century, of the first two decades, that is, tries to articulate this phenomenon. The issues at hand are complex because we are dealing with the literary output of at least three generations of writers writing and publishing at the same time. And writers, naturally enough, produce works in different literary genres. The best solution transpired to be the treatment of this vibrant, evolving, literature through literary genres. The literary critical treatment, which requires the concurrence of the substance with the method, aims at interpretation, characterization and evaluation, weighing the literariness, which leads to the
literary system; then it highlights the given fact that the Albanian literary heritage is different from genre to genre and aims at attaining the goal of ascertaining the value of the work in the relevant genre that best represents the writer in question. Lack of prior literary study of this
394 Sabri Hamiti literature, as well as the often contradictory singular treatment of it thereof, without impacting the general system, propels the critical writing here even more strongly towards factography, stylography, and ideography. In the Poligraphy of Fiction [Poligrafìa e prozës] the following authors stand out, as authors, respectively, of the ego-novel: Agron Tufa, Eqrem Basha, Mehmet Kraja, Zejnullah Rrahmani, Ismail Kadare; of urban fiction: Ornela Vorpsi, Mehmet Kraja, Musa Ramadani, Anton Pashku; of documentary fiction: Father Zef Pllumi. The Enigma ofPoetry [Enigma e poezise] features the following poets: Romeo Çollaku, Luljeta Lleshanaku, Avdullah Konushevci, Mimoza Ahmeti, Arben Idrizi, Agron Tufa, and Eqrem Basha. The Challenges of Criticism [Sprovat e kritikes] features the following critics: Ali Aliu, Ali Xhiku, Floresha Dado, Muhamet Hamiti, Kujtim Rrahmani, Kujtim Shala, Persida Asllani, Dhurata Shehri, Nysret Krasniqi, and Ibrahim Rugova. In Drama Acts [Aktet dramatike] the following playwrights stand out: Teki Dërvishi, Jeton Neziraj, Stefan Çapaliku, Jonila GodoIe, and Doruntina Basha. In this process of evolution, current Albanian literature has been torn between the legacy of authenticity and the fervor of open commu nication with time and the world. Poetry goes through the stages of development from pathos to reaction/response, transforming the narrative, elliptical, discourse into a crowning of the image with the paradox. Fiction sways gently between the form of poetic prose of ego-narrative towards urban and intellectual pros, resulting in
the documentary prose becoming the dominant mode; a phenomenon thematically associated with the recent past of the region, which tumbles onto large dimensions of humanity. Drama is in the adven turous trials of examining national events as epic relics, grappling with social and individual causes, to move formally from small (simple) forms to dilemmas of solutions with syncretization of disco urse, to ultimately restore the abandoned unify). Simplistic criticism, aware of the limited previous knowledge, is obsessed with pursuit of the system both at the theoretical and the historiographical levels of Albanian literature in a more universal communication; and, at the
Stilografìa 395 same time, casting aside first (revealing) reading of the text, as the pleasure of reading. The second part of the book, The Calendar [Kalendari], which is a sort of a replica of the first part, laid down in the mode of a literary calendar, raises the issue: what does the past say to the present, in view of the literary heritage, which has already attained the status of a classic? The re-dimensioning of the epic works of Gjergj Fishta and the lyric poetry of Ndre Mjedja, of the encyclopedic Midhat Frashëri, even in the form of a registry, restores the Albanian literary consciousness for internal self-regulation of the fundamental values of the bond of national literature with the Albanian mother tongue, for the potential of substance and its handling. This issue becomes of crucial importance to understand the depths of commu nication of Albanian literature with other literatures, taking stock of the cultural history and the Albanian literary history with their often contradictory dramas, in which outstanding writers, as creative artists, have suffered badly as civic beings, furthermore as national idealists. Writers have been killed in this part of the world for their literature and for their ideas; masterpieces have been liquidated based on ideas of executions by dictatorial authority. Human consciousness professes that lessons must be learnt from suffering/setbacks, while the human dimension of freedom now warrants that the cultural totality of the Albanian literary edifice is accomplished only with the publication of literary manuscripts of all times,
unexpurgated, and annotated historiographically, so as to make the system complete. The middle brackets with three points in the middle [...] is a cunning censorship, which leaves the Albanian literary edifice incomplete, though it is, to this day, the nation s greatest cultu ral monument. Last but not least, the concluding part of the book, the Breviary [Breviari}, of a summary character, unfolds the characteristics of literary Albanianism, from the beginning until now, emphasizing especially the phenomena of this literature that are first authentic and only then general, including themes, ideas and the discourses of this literature, set in time or with their timeless transitions: Literary formations, Literature in dialects, Literature in other languages, Literature as such / Literature as a supplement, Literary Heroics,
396 Sabri Hamiti Literary sources, Home and the World, Dirge / Elegy, Palimpsest, Literary Pseudonym. The Breviary, highlighting a calendar of Albanian works and authors, as evidence, recalls the invitation for the retrospective and prospective readings of Albanian literature, from each generation of readers who are in pursuit of knowledge on the history, life and culture of their nation. The invitation is, of course, extended also to others who have a curiosity to understand the plight of this nation. Translated by Muhamet Hamiti
406 Sabri Hamiti INDEKSI IAUTORËVE A Abdullah Konushevci, 84, 90, 92, 110, 111, 112,113,114, 116,117, 390, 394 Abdyl Frashëri, 236, 240, 259, 260, 261,262, 292 Abidin Krasniqi, 239 Adem Demaçi, 357,386 Agim Vinca, 347 Agron Tufa, 19,20,21,22, 84, 86, 87,91,93,135,137,139, 141, 142, 143, 358, 387, 389, 390, 394 Alber Kamy, 29, 327, 328, 345 Aldous Haxley, 328 Aleks Stavre Drenova - Asdreni, 355, 359,371,380,385 Alen Boske, 311, 328, 329, 331, 345 Alexandre Zotos, 310, 317,318,319, 326, 327, 328,332, 339, 343, 346, 347 Ali Aliu, 157, 159,160, 390, 394 Ali Asllani, 385 Ali Podrimja, 49, 84, 86, 89, 92, 309, 312, 317, 318, 319, 338, 346, 347, 358, 377, 386 Ali Xhiku, 157, 161,162, 163, 390, 394 Ana Ahmatova, 87 Andon Žako Çajupi, 157, 162, 164, 166, 179, 197, 355, 359, 362, 370, 374, 376, 380, 385 André Clavel, 333, 334 Andre Martine, 311, 328, 345 Anne-Marie Autissier, 310, 319, 320, 335, 336, 337, 339, 347 Ante Stamać, 176 Anton Harapi, 355, 374 Anton Pashku, 12, 35, 36, 61, 62, 63, 65, 66, 72,167,169,170,171, 172, 173, 175,184,187, 197, 198, 357, 360,370,380,381, 386, 390, 394, 398 Anton Santori, 197,354,361,3 84 Arben Bajraktaraj, 310,319, 339, 347 Arben Idrizi, 84,91, 92,127,128, 129, 130,131,133,358,390, 394 Ardian Klosi, 217 Ardian Marashi, 327 Arian Leka, 160 Arif Demolii, 346, 357 Aristoteli, 156,184,271,363 Arshi Pipa, 68,168,182, 193,293, 357, 359, 386 Artur Rembo, 98, 328,344 Austin Warren, 176 Azem Shkreli, 49, 346,358, 386 В Beqir Musliu, 387 Bernard Kouchner, 324 Bilal Xhaferri, 172,181, 360, 368, 386, 398 Boris Pasternak, 87, 380 C Catherine Bédarida, 335,336
Christiane Gut, 310, 313 Christiane Montécot, 310, 315, 316, 317, 321, 324, 332, 335, 336, 337, 339, 340, 342, 343, 346, 347, 348 Cvetan Todorov, 328 D Daniel Lemahieu, 337 Demë Topalli, 84, 91, 92 Dominique Dolmieu, 337,339 Doruntina Basha, 224, 225,227, 390, 394 Dritëro Agolli, 356, 386
407 Stilografici DH Dhimitër Pasko, 381 Dhimitër S. Shuteriqi, 239 Dhurata Shehri, 32,42,43, 158, 167, 168, 176,179,180, 181,182,183, 390, 394 E Enrique Vila-Matas, 42 Eqrem Basha, 19,28,29, 84, 86, 87, 92, 144, 146,148,149, 150, 151, 181,225, 228,309,310,311,315, 322, 329, 332, 333, 334, 338, 339, 345, 346, 347, 358, 387, 389, 390, 394 Eqrem Çabej, 161, 163, 289, 292, 372 Erenestina Gjergji, 377 Eric Naulleau, 334, 335 Ernest Koliqi, 35, 155, 158, 162, 169, 170, 171, 173, 175, 180, 181, 182, 183, 184,202, 238, 262, 263, 264, 293, 355, 359,362, 364, 370, 371, 374, 379, 382, 385 Esad Mekuli, 173, 362, 386 Eskili, 210 Ethem Haxhiademi, 162, 197, 214, 356, 360, 368, 385 Evgenij Zamjatin, 328 Ezhen Jonesko, 345 F Fahredin Gunga, 386 Faik Konica, 26, 36, 54, 159, 160, 173,193,239, 241, 261,263, 273, 292, 293, 355,359,362, 374, 382, 385,398 Famjan Strada, 273 Fan S. Noli, 173,197,214, 355, 359, 360, 362, 369, 374,381,385 Fatime Neziroski, 310, 335, 336, 337, 339, 347 Fatos Arapi, 84, 86, 89, 356 Fatos Kongoli, 387 Ferdinand de Sosyr, 328, 345 Filip Shiroka, 354, 359, 382, 385 FloreshaDado, 157,164, 165, 166, 390, 394 Flutura Açka, 377 Frang Bardhi, 264,287, 364, 367, 384 Fransua Vijon, 344 Franz Kafka, 55, 56, 57, 58, 59, 60, 334, 380 Frederik Rreshpja, 84, 89,295, 302, 303, 358, 386 G Gaetano Petrota, 292 Gavril Dara I Riu, 384 Gianfranco Marrone, 180, 183 Gijom Apoliner, 344 Giuseppe Gradilone, 177 Giuseppe Schirò Junior, 239 Grupi П, 180 Gustav Majer, 274, 292, 295, 296 GJ Gjergj Fishta, 73,162,172,173,175, 176, 177, 179,184, 193, 197,214, 231, 232,233,234, 235, 236, 237, 238,
239, 240,241, 242, 244,245, 246,247, 248,249, 250, 251, 252, 258, 259,260,261,262, 263, 264, 265, 266,267,283,287,289, 290, 291, 293, 295,298,299, 301, 303, 306, 355, 359, 360, 364, 366, 368, 370, 371, 374, 375, 379, 381, 385, 390, 395, 398 Gjergj Pekmezi, 291 Gjon Buzuku, 204, 263, 353, 358, 359, 363, 369, 378, 384 H Haki Stermini, 36, 385 Harold Blum, 181 Hasan Zyko Kamberi, 354 Hivzi Sulejmani, 346, 356, 362, 386 Homeri, 85,141,167,202, 263, 371 Horhe Luis Borhes, 86
408 Sabri Hamiti I L Ibrahim Nezimi, 354 Ibrahim Rugova, 158,173, 175,177, 186,188, 190,191,241,273, 309, 311, 315, 322,323, 324, 325, 326, 328, 329, 338, 346, 347, 375, 386, 390, 394, 398 Ignazio Parrino, 239 Irena Rambi, 337 Ismail Kadare, 12,19,22, 30, 31, 32, 33,36, 166, 173, 176, 179,313, 314, 325, 326, 327, 328, 334, 356, 357, 359, 360, 366, 368, 370, 374, 380, 386, 389, 394 Lasgush Poradeci, 155,162,172, 181, 184, 193,238,264,286, 303, 355, 359, 360, 364, 370, 371, 379, 381,385, 398 Lazër Shantoja, 238,264, 295, 297, 369, 374, 385 Lazër Stani, 108 Luan Gjergji, 346 Luigj Gurakuqi, 261,374, 382 Luljeta Lleshanaku, 84, 90, 93,102, 107,108, 390, 394 Lumo Skendo, 287 M J Jakov Xoxa, 356, 386 Janis Ricos, 87 Jeronim De Rada, 155, 177,193,197, 234, 288, 303, 354, 359, 361, 364, 366, 367, 370, 371, 373, 379, 384 Jeton Neziraj, 203, 204,207, 208, 209,210,310, 390,394 Jonila Godole, 218, 221, 222, 390, 394 Jorgos Seferis, 87 Josif Brodskij, 87 Josip Rela, 197, 386 Jul Variboba, 353, 363, 369 Justin Rrota, 292 Jusuf Buxhovi, 310, 326, 327, 338, 347 Jusuf Vrioni, 317, 346 К Karl Gurakuqi, 182, 293 Kasēm Trebeshina, 68, 357 Konstandin Kristoforidhi, 288 Konstantin Kavafis, 87 Krist Maloki, 239,264 Kristo Floqi, 214 Kuazimodo, 87 KujtimM. Shala, 37, 158, 172,173, 174,175, 186, 390,394 Kujtim Rrahmani, 158, 169, 170, 171, 174, 186, 358, 367, 390,394 Maksimilian Lamberc, 239, 289 Mali Kokojka, 382 Maria Pia Pozzato, 180,183 Marie-Françoise Allain, 322, 347 Marin Barleti, 12, 86,263,266,267, 353, 360, 363, 364, 365, 366, 367, 384 Marina Cvetajeva, 87 Marsel Prust, 165, 345, 371, 380
Martin Camaj, 72, 173, 181, 303, 358,359, 378,379,386 Masar Stavileci, 344 Mehdi Frashëri, 240,259,261,262 Mehmet Kraja, 19,22, 23, 24, 36,45, 46, 47, 53, 54, 387, 389, 394 Mensur Raifi, 209, 344 Michel Rivière, 327 Michel Zink, 331 Midhat Frashëri, 176,193,287,289, 355, 374, 382, 390, 395 Mihai Eminesku, 371, 379 Millosh Gjergj Nikolla ֊ Migjeni, 35, 128, 133,162, 163, 177, 179, 181, 356,359,371,381,385 Mimoza Ahmeti, 84, 86, 91, 92, 118, 119, 120,121,123, 124, 125, 358, 390, 394 Mishel Fuko, 176, 179 Mitrush Kuteli, 169, 170, 171, 172, 173, 175, 184, 193,355,359, 364, 369, 370,380,381,385 Montale, 87
409 Stilografia Muhamed Kërveshi, 344 Muhamet Hamiti, 58, 158, 167, 168, 182, 185,390, 394, 396 Muhamet Kyçyku, 354 Musa Ramadani, 37, 55, 57, 58, 59, 60, 387, 390, 394 Musine Kokaları, 36,176, 179, 356, 374, 386 Myftar Gjana, 302 N Nairn Frashëri, 160, 177,179, 234, 237, 286, 288,292, 354, 359, 360, 361, 364, 366, 367, 371, 373, 374, 376, 379, 384, 385, 398 Namik Resuli, 289 Nasho Jorgaqi, 374 Nazmi Rrahmani, 386, 397 Ndoc Nikaj, 35, 385 Ndre Mjedja, 35, 173, 177, 215, 269, 271, 272,273, 274, 277, 278, 280, 281, 282,284, 285, 286, 287, 289, 291,295, 296, 303, 355, 359, 360, 364, 371, 374, 375, 379, 381, 385, 390,395,398 Nysret Krasniqi, 23, 48, 158, 168, 184,185,186,187,358,390,394 Petro Marko, 162, 356, 386 Pjetër Arbnori, 68 Pjetër Bogdani, 12, 191, 263, 264, 265, 285, 287, 303, 325, 353, 359, 361, 363, 369, 371, 375, 379, 384, 386,409 Pjetër Budi, 164,287, 353, 359, 363, 369, 378, 384 Pol Elyar, 344 Pol Klodel, 87 Pol Valeri, 155, 344 Pol Verlen, 87, 328, 344 R Ramadan Musliu, 379 Rene Dekart, 328, 345 René Wellek, 176 Rexhep Ismajli, 34, 309, 310, 311, 322, 328, 329, 330, 331, 334, 338, 345, 383 Rexhep Μ. Shala, 358 Rexhep Qosja, 197, 309, 312, 313, 314, 315, 338, 346, 358, 382, 386 Robert Elsie, 239, 314, 315, 317 Rolan Bart, 33, 88, 156, 158, 165, 177, 178,311,328, 345,365 Romeo Çollaku, 84, 86, 87, 90, 92, 94, 96, 98, 99,100, 358, 390, 394 О Odette Marquet, 310, 326, 347 Odiseas Elitis, 87 Ornela Vorpsi, 36, 38,40,41, 42,43, 44, 358, 362, 390, 394 Osip Mandelshtam, 87 Osvald Dykro, 176, 328, 345 P Pajtim Statovci, 37, 362 Pal Engjëlli, 263, 360, 383 Pal Moreti, 274
Parid Teferiçi, 38, 43 Pashko Vasa, 35, 354, 359, 361, 382, 384 Persida Asllani, 36, 158, 167, 168, 176, 177, 178, 179, 180, 182, 183, 240, 390, 394 Petar Petroviq Njegosh, 265 RR Rrahman Dedaj, 84, 86, 89, 92, 358, 386 S Sabri Godo, 368 Sabri Hamiti, 12, 26, 110, 160,173, 177, 184,187, 188, 189, 190, 191, 241, 273, 311, 328, 335, 336, 337, 338, 345, 346, 347, 378, 386, 397, 409 Sami Frashëri, 197, 292, 354, 361, 385 Sejfullah Malëshova, 382 Semjuel Beket, 228, 345, 3 80 Skender Sherifi, 346, 362 Sokol Zekaj, 302
Sabri Hamiti 410 Stefan Çapaliku, 211,213, 215,216, 217, 390, 394 Stefan Malarme, 87, 344 Sterjo Spässe, 356, 382, 385 SH Shari Bodëler, 155, 209, 328, 344, 371,379 Shari Lalo, 346 Shevqet Musaraj, 162 Shtjefën Gjeçovi, 382 T T. S. Eliot, 87 Teki Dërvishi, 198, 201,202, 309, 312, 319, 320, 321, 338, 347, 357, 358, 379, 386, 390, 394 Tomas S. Eliot, 155 Tzvetan Todorov, 176 U Uilliem Shekspir, 168, 371, 380 Umberto Eko, 156 Ungareti, 87 V Vath Koreshi, 387 Vera Bekteshi, 377 Viktor Volaj, 242 Vilson Blloshmi, 295, 303, 304 Vinęenc Prenushi, 355, 374 Vinęens Prenushi, 385 Visar Zhiti, 68, 377 Vitor Demaj, 74, 301 VoreaUjko, 160 X Xaviere Galmiche, 322, 347 XH Xhejms Xhojs, 158,167, 202, 371, 380 Xhorxh Oruell, 317, 328, 380 Xhozef Konrad, 167 Y Ymer Jaka, 345 Ymer Shkreli, 197, 386 Z Zdenko Škreb, 176 Zef Pllumi, 68, 69,70,71, 72, 73, 74, 75,76,77,173,233,234,235, 240, 265,295, 301, 357,360, 387, 390, 394, 398 Zef Serembe, 99, 303,354, 372, 384 Zef Skiroi, 177,193,234,238, 264, 354, 364, 367, 373, 376, 384 Zef Zorba, 81, 82, 86, 87, 88, 92, 215, 295,299, 300, 306, 357, 360, 386 Zejnullah Rrahmani, 19, 25,26,27, 35, 160,167,173,184,358, 375, 386, 389, 394 Zija Çela, 377, 387 ZH Zhak Prever, 328,344, 345 Zhan Pol Sartër, 344,345 Zherar Zhenet, 87,156, 165,167, 311,336, 346,378
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PËRMBAJTJA PARATHËNIE. 11 Pjesa e parë LETRAT E FUNDIT A. POLIGRAFIA E PROZËS. 15 I. VENERIME PARAPRAKE. 17 II. EGO: ROMANI BASHKËKOHOR.19 1. Ego: Teksti. 19 2. Rebelimi i Martin Geges. 20 3. Fluturimi i marrëzisë si groteske. 22 4. Nyjat e Vetvetes. 25 5. Zëri i heshtjes. 28 6. Portreti i nënës: Autoportreti. .30 7. Ego: Autori/Lexuesi. 33 III. PROZA E QYTETIT/URBANE. 35 TIRANA SIPAS O. VORPSIT. 38 PRISHTINA SIPAS Μ. KRAJËS. 45 1. Romani Prishtina. 45 2. Autori: rrëfimtar dhe protagonist. 46 3. Topoit e rrëfimit. 47 4. Seancat okulte. 51 5. Kirurgj ia e
ftohtë.,. 53 PROFETI NGA PRAGA SIPAS Μ. RAMADANIT. 55 1. Rilindja e Franz Kaikes. 55 2. Duke kërkuar jetën e humbur. 55 3. Topika e Pragës. 57 4. Stilografia e M. Ramadanit. 58 5. M. Ramadani i personalizuar. 59 KOZMOPOLISI SIPAS A. PASHKUT. 61 1. Anton Pashku. 61 2. Genti, Rex Illyricorum, në Scodra. 62 3. Kënaqësitë e Megalopolisit.63 4. Kozmopolisi. 65 IV. PROZA DOKUMENTARE.68
6 Sabri Hamìti ÁT ZEF PLLUMI: RRNO VETEM PËR ME TREGUE. 69 1. Misionari. 69 2. Analiza e titujve. 69 3. Letërsia e dëshmisë. 70 4. Funksionet e diskurseve. 70 5. Doktrina e dashurisë. 71 6. Logorografia. 71 7. Jeta e vdekja: mbijetesa.72 8. Gega i fundit. 72 9. Rebelimi. 73 ÁT ZEF PLLUMI: DHETË VJET LIRI.74 1. Testamenti. 74 2. Fjala e pare si Çala e fundit. 75 3. Ligjërimi. 75 4. Fjala e fundit si Çala e pare. 77 В. ENIGMA E POEZISË. 79 L SHEKULLI XXI. 81 1.
Paraqitje. 81 2. Enigma e liriķēs.82 IL RRJETI POETIK. 84 1. Metodika. 84 2. Kumti poetik. 85 3. Forma poetike. 86 4. Klasika e Avangarda. 88 5. Rrj eti poetik. 88 POEZIA E MENDIMIT. 94 Në vend të shumëpikëshit.100 FUNDI I GJËRAVE. 102 Të vdekurit po na vëzhgojnë. 108 POEZIA: MATANE DASHUNISË. 110 Nuk mund ta ndaja nga delii. 117 DIVA/DAMA QIELLORE.118 Dreka e gjuhës. 125 HEQAKEQI
MEDITANT.127 xxxix. 133 GARDËROBË GRAMATIKE. 135 Nokturn xviii. 143
Stilografìa 7 PERLAEZEZË. 144 Lamtumirë. 151 C. SPROVAT E KRITIKĖS. 153 L AUTORI E LEXUESI. 155 II. PORTRETE KRITIKËSH. 159 PASIONII LEXIMIT. 159 SPROVAT E HISTORISË.161 OBSESIONI ME TEORINĖ.164 PËR PROZEN MODERNE.167 KALLËZIMIILETĖRSISĖ. 169 KËRKIMII FORMÉS LETRARE. 172 SHKRIMII TEORİSE E HISTORISË. 176 KRITIKA E TEKSTIT LETRAR. 180 SAPIENTIA LETRARE. 184 RUGOVA IFUNDIT. 188 III. KRITIKA SIMBAS VETVETES.192 D. AKTET DRAMATIKE. 195 I. GUNIA E VONUAR.197 A. DRAMA E PËSIMIT. 199 B. DRAMA E
RINGJALLJES.201 II. DRAMA E RE. 203 TALLIA SHPIRTĖRORE. 203 1. Akti dramatik. 203 2. Rrëfimet alternative. 205 3. Rrënjët e krizes. 206 4. Burri i rrëfehet autorit. 208 5. Autori. 210 KRISMA E NGUJIMIT. 211 1. Allegretto Albania. 211 2. Presedete dramatike. 213 NYJAT E KUJTESËS. 218 1. Paraqitja e drames Njeriu i rërës. 218 2. Struktura. 221 3. Autorja. 222 GRATE PA BURRA. 224 1. Autorja.224 2.1 pagjeturi.225
8 Sabri Hamiti 3. Thurja dramatike. 225 4. Pasioni. 227 Pjesa e dytë KALENDARI VEPRA LETRARE E GJERGJ FISHTËS. 231 LAHUTA E MALCÍS. 231 1. Kaptimi: Kryevepra letrare. 231 2. Historia e Autorit. 232 3. Historia e Veprës. 233 4. Struktura e veprës. 234 5. Amëza e ligjërimit. 235 6. Heroika letrare. 235 7. Heroina Tringa. 237 8. Kryevepra/Autori. 238 9. Autori mbron Lahutën. 240 10. Kryevepra letrare shqiptare. 241 NJI LULE VJESHTET. 242 1. Nji lule vjeshtet.242 2. Jeta e pare: Ti. 243 3. Jeta e dytë: Une. 244 4. Jeta e
përjetshme: Une e Ті. 245 5. Poetika. 247 NEN HAJAT TÊ PARRIZIT. 248 JUDAMAKABÉ. 251 HUEVE TË PARNASIT. 259 1. Objekti i polemikës. 259 2. Argumenti letrar. 260 3. Argumenti kombëtar. 261 4. Përfundimi. 262 5. Fishta polemist letrar. 262 POETI KOMBËTAR. 263 GJENIUIEPIKËS. 265 NDRE MJEDJA: KÊNA E POEZÍS. 269 Fjala e pare. 269 I. POEZI TË MJEDJES. 269 IL KÊNA E POEZÍS. 271 III. KALENDARI POETIK. 273 IV. ÂNDRRA E JETĒS. 274 Andrra e
jetes. 274
Stilografia 9 Scodra. 277 Lissus. 279 Lirija. 280 V. ÂNDRRA E BUKURÍS. 282 Gramatika poetike. 282 Sintaksa poetike. 284 Ikona poetike. 284 VI. ALBANIZMA POETIKE. 285 Fjala e Parafimdit. 286 DITURIJA: LUMO SKENDO. 287 1. Numri i pare. 287 2. Histori. 287 3. Poezi. 289 4. Bibliografi. 291 5. Mid’hat Frashëri. 292 KLLAPAT E MESME ME TRI PIKA NË MES [.]. 294 Hyrje. 294 1. Paraqitja e
fenomenit. .295 2. Ndre Mjedja: Giuha shqype/Eprorët. 295 3. Lazër Shantoja: Vetëvrasja poetike. 297 4. Gjergj Fishta: kryevepra e ndaluar. 298 5. Zef Zorba : alternativa moderne (në dorëshkrim). 299 6. Zef Pllumi: Rrno vetëm për me tregue. 301 7. Frederik Rreshpja: Marrëzia e Itakës. 302 8. Vilson Blloshmi: Vrasja e poetit.303 9. Përfundimi: vijon [.]. 305 10. Dëshmi poetike. 305 ZBULIMIILETËRSISË SHQIPE. 309 Hyrje. 309 FRANKOFONËT E PRISHTINËS. 310 AUTORĒT E KOSOVËS. 313 Rexhep Qosja (1936). 313 Anton Pashku (1937-1995). 315 Ali Podrimja (1942-2012). 317 Teki Dërvishi (1943-2011). 319 Ibrahim Rugova (1944—2006). 322 Jusuf Buxhovi
(1946). 326 Rexhep Ismajli (1947).328 Eqrem Basha (1948).332 Sabri Hamiti (1950).335 ZBULIMI I LETËRSISË SË KOSOVËS.338
10 Sabri Hamiti FAIRE LE SINGE EN ALBANIE. 340 PROZATORÊ E POETÉ NGA SHQIPËRIA E KOSOVA.342 PËRKTHIMET. 344 Pjesa e trete BREVIARI A. POETIKA E HISTORIA.351 1. FORMACIONET LETRARE.353 1. Letërsia humaniste. 353 2. Letërsia filobiblike.353 3. Letërsia e bej teve.354 4. Letërsia romantike. 354 5. Letërsia paramoderne.355 6. Letërsia moderne (e para).355 7. Letërsia socrealiste. 356 8. Letërsia e disidencës.357 9. Letërsia moderne (e dyta).357 10. Letërsia pasmoderne. 358 2. LETËRSIA E DIALEKTEVE.358 3. LETËRSIA NË GJUHË TJETËR.360 4. LETËRSIA SI E TILLË/ LETËRSIA SI SHTESË. 362 5. HEROIKA
LETRARE.365 6. BURIMET E LETËRSISË. 368 7. VOTRA DHE BOTA. 372 8. KËNGA E VAJIT/ELEGJIA. . 375 9. PALIMPSESTI. 378 10. PSEUDONIMI LETRAR. 380 В. FORMULA E PAGËZIMIT (1462). 383 PËRMBLEDHJE. 389 SUMMARY. 393 VEPRAT LETRARE TÉ SABRI HAMITIT. 397 INDEKSI. 399 INDEKSI IVEPRAVE. 399 INDEKSI IAUTORËVE. 406
SUMMARY The recent literature (Letrat e fundif) is the central chapter of the present book of literary criticism, Stilografla [Stylography], whose subtle goal is to produce a panorama of Albanian literature of the beginning of the 21st century. The conclusion of the 20th century coincided with a drama in the Albanian world which upended the political system and the set of human values, paving the way for freedom of action and freedom of thought. The national and creative freedom revived the internal communication amongst Albanians themselves as a re-acquaintance and external communication as recognition, spurring a cacophony of voices: for continuity or for subversion. It seems that the Albanian literature, as the richest creative trea sure of this nation, has yet again, this time around, had the wisdom to embrace continuity and change, to explore new values. The difficult undertaking of a panorama of Albanian literature at the beginning of the new century, of the first two decades, that is, tries to articulate this phenomenon. The issues at hand are complex because we are dealing with the literary output of at least three generations of writers writing and publishing at the same time. And writers, naturally enough, produce works in different literary genres. The best solution transpired to be the treatment of this vibrant, evolving, literature through literary genres. The literary critical treatment, which requires the concurrence of the substance with the method, aims at interpretation, characterization and evaluation, weighing the literariness, which leads to the
literary system; then it highlights the given fact that the Albanian literary heritage is different from genre to genre and aims at attaining the goal of ascertaining the value of the work in the relevant genre that best represents the writer in question. Lack of prior literary study of this
394 Sabri Hamiti literature, as well as the often contradictory singular treatment of it thereof, without impacting the general system, propels the critical writing here even more strongly towards factography, stylography, and ideography. In the Poligraphy of Fiction [Poligrafìa e prozës] the following authors stand out, as authors, respectively, of the ego-novel: Agron Tufa, Eqrem Basha, Mehmet Kraja, Zejnullah Rrahmani, Ismail Kadare; of urban fiction: Ornela Vorpsi, Mehmet Kraja, Musa Ramadani, Anton Pashku; of documentary fiction: Father Zef Pllumi. The Enigma ofPoetry [Enigma e poezise] features the following poets: Romeo Çollaku, Luljeta Lleshanaku, Avdullah Konushevci, Mimoza Ahmeti, Arben Idrizi, Agron Tufa, and Eqrem Basha. The Challenges of Criticism [Sprovat e kritikes] features the following critics: Ali Aliu, Ali Xhiku, Floresha Dado, Muhamet Hamiti, Kujtim Rrahmani, Kujtim Shala, Persida Asllani, Dhurata Shehri, Nysret Krasniqi, and Ibrahim Rugova. In Drama Acts [Aktet dramatike] the following playwrights stand out: Teki Dërvishi, Jeton Neziraj, Stefan Çapaliku, Jonila GodoIe, and Doruntina Basha. In this process of evolution, current Albanian literature has been torn between the legacy of authenticity and the fervor of open commu nication with time and the world. Poetry goes through the stages of development from pathos to reaction/response, transforming the narrative, elliptical, discourse into a crowning of the image with the paradox. Fiction sways gently between the form of poetic prose of ego-narrative towards urban and intellectual pros, resulting in
the documentary prose becoming the dominant mode; a phenomenon thematically associated with the recent past of the region, which tumbles onto large dimensions of humanity. Drama is in the adven turous trials of examining national events as epic relics, grappling with social and individual causes, to move formally from small (simple) forms to dilemmas of solutions with syncretization of disco urse, to ultimately restore the abandoned unify). Simplistic criticism, aware of the limited previous knowledge, is obsessed with pursuit of the system both at the theoretical and the historiographical levels of Albanian literature in a more universal communication; and, at the
Stilografìa 395 same time, casting aside first (revealing) reading of the text, as the pleasure of reading. The second part of the book, The Calendar [Kalendari], which is a sort of a replica of the first part, laid down in the mode of a literary calendar, raises the issue: what does the past say to the present, in view of the literary heritage, which has already attained the status of a classic? The re-dimensioning of the epic works of Gjergj Fishta and the lyric poetry of Ndre Mjedja, of the encyclopedic Midhat Frashëri, even in the form of a registry, restores the Albanian literary consciousness for internal self-regulation of the fundamental values of the bond of national literature with the Albanian mother tongue, for the potential of substance and its handling. This issue becomes of crucial importance to understand the depths of commu nication of Albanian literature with other literatures, taking stock of the cultural history and the Albanian literary history with their often contradictory dramas, in which outstanding writers, as creative artists, have suffered badly as civic beings, furthermore as national idealists. Writers have been killed in this part of the world for their literature and for their ideas; masterpieces have been liquidated based on ideas of executions by dictatorial authority. Human consciousness professes that lessons must be learnt from suffering/setbacks, while the human dimension of freedom now warrants that the cultural totality of the Albanian literary edifice is accomplished only with the publication of literary manuscripts of all times,
unexpurgated, and annotated historiographically, so as to make the system complete. The middle brackets with three points in the middle [.] is a cunning censorship, which leaves the Albanian literary edifice incomplete, though it is, to this day, the nation's greatest cultu ral monument. Last but not least, the concluding part of the book, the Breviary [Breviari}, of a summary character, unfolds the characteristics of literary Albanianism, from the beginning until now, emphasizing especially the phenomena of this literature that are first authentic and only then general, including themes, ideas and the discourses of this literature, set in time or with their timeless transitions: Literary formations, Literature in dialects, Literature in other languages, Literature as such / Literature as a supplement, Literary Heroics,
396 Sabri Hamiti Literary sources, Home and the World, Dirge / Elegy, Palimpsest, Literary Pseudonym. The Breviary, highlighting a calendar of Albanian works and authors, as evidence, recalls the invitation for the retrospective and prospective readings of Albanian literature, from each generation of readers who are in pursuit of knowledge on the history, life and culture of their nation. The invitation is, of course, extended also to others who have a curiosity to understand the plight of this nation. Translated by Muhamet Hamiti
406 Sabri Hamiti INDEKSI IAUTORËVE A Abdullah Konushevci, 84, 90, 92, 110, 111, 112,113,114, 116,117, 390, 394 Abdyl Frashëri, 236, 240, 259, 260, 261,262, 292 Abidin Krasniqi, 239 Adem Demaçi, 357,386 Agim Vinca, 347 Agron Tufa, 19,20,21,22, 84, 86, 87,91,93,135,137,139, 141, 142, 143, 358, 387, 389, 390, 394 Alber Kamy, 29, 327, 328, 345 Aldous Haxley, 328 Aleks Stavre Drenova - Asdreni, 355, 359,371,380,385 Alen Boske, 311, 328, 329, 331, 345 Alexandre Zotos, 310, 317,318,319, 326, 327, 328,332, 339, 343, 346, 347 Ali Aliu, 157, 159,160, 390, 394 Ali Asllani, 385 Ali Podrimja, 49, 84, 86, 89, 92, 309, 312, 317, 318, 319, 338, 346, 347, 358, 377, 386 Ali Xhiku, 157, 161,162, 163, 390, 394 Ana Ahmatova, 87 Andon Žako Çajupi, 157, 162, 164, 166, 179, 197, 355, 359, 362, 370, 374, 376, 380, 385 André Clavel, 333, 334 Andre Martine, 311, 328, 345 Anne-Marie Autissier, 310, 319, 320, 335, 336, 337, 339, 347 Ante Stamać, 176 Anton Harapi, 355, 374 Anton Pashku, 12, 35, 36, 61, 62, 63, 65, 66, 72,167,169,170,171, 172, 173, 175,184,187, 197, 198, 357, 360,370,380,381, 386, 390, 394, 398 Anton Santori, 197,354,361,3 84 Arben Bajraktaraj, 310,319, 339, 347 Arben Idrizi, 84,91, 92,127,128, 129, 130,131,133,358,390, 394 Ardian Klosi, 217 Ardian Marashi, 327 Arian Leka, 160 Arif Demolii, 346, 357 Aristoteli, 156,184,271,363 Arshi Pipa, 68,168,182, 193,293, 357, 359, 386 Artur Rembo, 98, 328,344 Austin Warren, 176 Azem Shkreli, 49, 346,358, 386 В Beqir Musliu, 387 Bernard Kouchner, 324 Bilal Xhaferri, 172,181, 360, 368, 386, 398 Boris Pasternak, 87, 380 C Catherine Bédarida, 335,336
Christiane Gut, 310, 313 Christiane Montécot, 310, 315, 316, 317, 321, 324, 332, 335, 336, 337, 339, 340, 342, 343, 346, 347, 348 Cvetan Todorov, 328 D Daniel Lemahieu, 337 Demë Topalli, 84, 91, 92 Dominique Dolmieu, 337,339 Doruntina Basha, 224, 225,227, 390, 394 Dritëro Agolli, 356, 386
407 Stilografici DH Dhimitër Pasko, 381 Dhimitër S. Shuteriqi, 239 Dhurata Shehri, 32,42,43, 158, 167, 168, 176,179,180, 181,182,183, 390, 394 E Enrique Vila-Matas, 42 Eqrem Basha, 19,28,29, 84, 86, 87, 92, 144, 146,148,149, 150, 151, 181,225, 228,309,310,311,315, 322, 329, 332, 333, 334, 338, 339, 345, 346, 347, 358, 387, 389, 390, 394 Eqrem Çabej, 161, 163, 289, 292, 372 Erenestina Gjergji, 377 Eric Naulleau, 334, 335 Ernest Koliqi, 35, 155, 158, 162, 169, 170, 171, 173, 175, 180, 181, 182, 183, 184,202, 238, 262, 263, 264, 293, 355, 359,362, 364, 370, 371, 374, 379, 382, 385 Esad Mekuli, 173, 362, 386 Eskili, 210 Ethem Haxhiademi, 162, 197, 214, 356, 360, 368, 385 Evgenij Zamjatin, 328 Ezhen Jonesko, 345 F Fahredin Gunga, 386 Faik Konica, 26, 36, 54, 159, 160, 173,193,239, 241, 261,263, 273, 292, 293, 355,359,362, 374, 382, 385,398 Famjan Strada, 273 Fan S. Noli, 173,197,214, 355, 359, 360, 362, 369, 374,381,385 Fatime Neziroski, 310, 335, 336, 337, 339, 347 Fatos Arapi, 84, 86, 89, 356 Fatos Kongoli, 387 Ferdinand de Sosyr, 328, 345 Filip Shiroka, 354, 359, 382, 385 FloreshaDado, 157,164, 165, 166, 390, 394 Flutura Açka, 377 Frang Bardhi, 264,287, 364, 367, 384 Fransua Vijon, 344 Franz Kafka, 55, 56, 57, 58, 59, 60, 334, 380 Frederik Rreshpja, 84, 89,295, 302, 303, 358, 386 G Gaetano Petrota, 292 Gavril Dara I Riu, 384 Gianfranco Marrone, 180, 183 Gijom Apoliner, 344 Giuseppe Gradilone, 177 Giuseppe Schirò Junior, 239 Grupi П, 180 Gustav Majer, 274, 292, 295, 296 GJ Gjergj Fishta, 73,162,172,173,175, 176, 177, 179,184, 193, 197,214, 231, 232,233,234, 235, 236, 237, 238,
239, 240,241, 242, 244,245, 246,247, 248,249, 250, 251, 252, 258, 259,260,261,262, 263, 264, 265, 266,267,283,287,289, 290, 291, 293, 295,298,299, 301, 303, 306, 355, 359, 360, 364, 366, 368, 370, 371, 374, 375, 379, 381, 385, 390, 395, 398 Gjergj Pekmezi, 291 Gjon Buzuku, 204, 263, 353, 358, 359, 363, 369, 378, 384 H Haki Stermini, 36, 385 Harold Blum, 181 Hasan Zyko Kamberi, 354 Hivzi Sulejmani, 346, 356, 362, 386 Homeri, 85,141,167,202, 263, 371 Horhe Luis Borhes, 86
408 Sabri Hamiti I L Ibrahim Nezimi, 354 Ibrahim Rugova, 158,173, 175,177, 186,188, 190,191,241,273, 309, 311, 315, 322,323, 324, 325, 326, 328, 329, 338, 346, 347, 375, 386, 390, 394, 398 Ignazio Parrino, 239 Irena Rambi, 337 Ismail Kadare, 12,19,22, 30, 31, 32, 33,36, 166, 173, 176, 179,313, 314, 325, 326, 327, 328, 334, 356, 357, 359, 360, 366, 368, 370, 374, 380, 386, 389, 394 Lasgush Poradeci, 155,162,172, 181, 184, 193,238,264,286, 303, 355, 359, 360, 364, 370, 371, 379, 381,385, 398 Lazër Shantoja, 238,264, 295, 297, 369, 374, 385 Lazër Stani, 108 Luan Gjergji, 346 Luigj Gurakuqi, 261,374, 382 Luljeta Lleshanaku, 84, 90, 93,102, 107,108, 390, 394 Lumo Skendo, 287 M J Jakov Xoxa, 356, 386 Janis Ricos, 87 Jeronim De Rada, 155, 177,193,197, 234, 288, 303, 354, 359, 361, 364, 366, 367, 370, 371, 373, 379, 384 Jeton Neziraj, 203, 204,207, 208, 209,210,310, 390,394 Jonila Godole, 218, 221, 222, 390, 394 Jorgos Seferis, 87 Josif Brodskij, 87 Josip Rela, 197, 386 Jul Variboba, 353, 363, 369 Justin Rrota, 292 Jusuf Buxhovi, 310, 326, 327, 338, 347 Jusuf Vrioni, 317, 346 К Karl Gurakuqi, 182, 293 Kasēm Trebeshina, 68, 357 Konstandin Kristoforidhi, 288 Konstantin Kavafis, 87 Krist Maloki, 239,264 Kristo Floqi, 214 Kuazimodo, 87 KujtimM. Shala, 37, 158, 172,173, 174,175, 186, 390,394 Kujtim Rrahmani, 158, 169, 170, 171, 174, 186, 358, 367, 390,394 Maksimilian Lamberc, 239, 289 Mali Kokojka, 382 Maria Pia Pozzato, 180,183 Marie-Françoise Allain, 322, 347 Marin Barleti, 12, 86,263,266,267, 353, 360, 363, 364, 365, 366, 367, 384 Marina Cvetajeva, 87 Marsel Prust, 165, 345, 371, 380
Martin Camaj, 72, 173, 181, 303, 358,359, 378,379,386 Masar Stavileci, 344 Mehdi Frashëri, 240,259,261,262 Mehmet Kraja, 19,22, 23, 24, 36,45, 46, 47, 53, 54, 387, 389, 394 Mensur Raifi, 209, 344 Michel Rivière, 327 Michel Zink, 331 Midhat Frashëri, 176,193,287,289, 355, 374, 382, 390, 395 Mihai Eminesku, 371, 379 Millosh Gjergj Nikolla ֊ Migjeni, 35, 128, 133,162, 163, 177, 179, 181, 356,359,371,381,385 Mimoza Ahmeti, 84, 86, 91, 92, 118, 119, 120,121,123, 124, 125, 358, 390, 394 Mishel Fuko, 176, 179 Mitrush Kuteli, 169, 170, 171, 172, 173, 175, 184, 193,355,359, 364, 369, 370,380,381,385 Montale, 87
409 Stilografia Muhamed Kërveshi, 344 Muhamet Hamiti, 58, 158, 167, 168, 182, 185,390, 394, 396 Muhamet Kyçyku, 354 Musa Ramadani, 37, 55, 57, 58, 59, 60, 387, 390, 394 Musine Kokaları, 36,176, 179, 356, 374, 386 Myftar Gjana, 302 N Nairn Frashëri, 160, 177,179, 234, 237, 286, 288,292, 354, 359, 360, 361, 364, 366, 367, 371, 373, 374, 376, 379, 384, 385, 398 Namik Resuli, 289 Nasho Jorgaqi, 374 Nazmi Rrahmani, 386, 397 Ndoc Nikaj, 35, 385 Ndre Mjedja, 35, 173, 177, 215, 269, 271, 272,273, 274, 277, 278, 280, 281, 282,284, 285, 286, 287, 289, 291,295, 296, 303, 355, 359, 360, 364, 371, 374, 375, 379, 381, 385, 390,395,398 Nysret Krasniqi, 23, 48, 158, 168, 184,185,186,187,358,390,394 Petro Marko, 162, 356, 386 Pjetër Arbnori, 68 Pjetër Bogdani, 12, 191, 263, 264, 265, 285, 287, 303, 325, 353, 359, 361, 363, 369, 371, 375, 379, 384, 386,409 Pjetër Budi, 164,287, 353, 359, 363, 369, 378, 384 Pol Elyar, 344 Pol Klodel, 87 Pol Valeri, 155, 344 Pol Verlen, 87, 328, 344 R Ramadan Musliu, 379 Rene Dekart, 328, 345 René Wellek, 176 Rexhep Ismajli, 34, 309, 310, 311, 322, 328, 329, 330, 331, 334, 338, 345, 383 Rexhep Μ. Shala, 358 Rexhep Qosja, 197, 309, 312, 313, 314, 315, 338, 346, 358, 382, 386 Robert Elsie, 239, 314, 315, 317 Rolan Bart, 33, 88, 156, 158, 165, 177, 178,311,328, 345,365 Romeo Çollaku, 84, 86, 87, 90, 92, 94, 96, 98, 99,100, 358, 390, 394 О Odette Marquet, 310, 326, 347 Odiseas Elitis, 87 Ornela Vorpsi, 36, 38,40,41, 42,43, 44, 358, 362, 390, 394 Osip Mandelshtam, 87 Osvald Dykro, 176, 328, 345 P Pajtim Statovci, 37, 362 Pal Engjëlli, 263, 360, 383 Pal Moreti, 274
Parid Teferiçi, 38, 43 Pashko Vasa, 35, 354, 359, 361, 382, 384 Persida Asllani, 36, 158, 167, 168, 176, 177, 178, 179, 180, 182, 183, 240, 390, 394 Petar Petroviq Njegosh, 265 RR Rrahman Dedaj, 84, 86, 89, 92, 358, 386 S Sabri Godo, 368 Sabri Hamiti, 12, 26, 110, 160,173, 177, 184,187, 188, 189, 190, 191, 241, 273, 311, 328, 335, 336, 337, 338, 345, 346, 347, 378, 386, 397, 409 Sami Frashëri, 197, 292, 354, 361, 385 Sejfullah Malëshova, 382 Semjuel Beket, 228, 345, 3 80 Skender Sherifi, 346, 362 Sokol Zekaj, 302
Sabri Hamiti 410 Stefan Çapaliku, 211,213, 215,216, 217, 390, 394 Stefan Malarme, 87, 344 Sterjo Spässe, 356, 382, 385 SH Shari Bodëler, 155, 209, 328, 344, 371,379 Shari Lalo, 346 Shevqet Musaraj, 162 Shtjefën Gjeçovi, 382 T T. S. Eliot, 87 Teki Dërvishi, 198, 201,202, 309, 312, 319, 320, 321, 338, 347, 357, 358, 379, 386, 390, 394 Tomas S. Eliot, 155 Tzvetan Todorov, 176 U Uilliem Shekspir, 168, 371, 380 Umberto Eko, 156 Ungareti, 87 V Vath Koreshi, 387 Vera Bekteshi, 377 Viktor Volaj, 242 Vilson Blloshmi, 295, 303, 304 Vinęenc Prenushi, 355, 374 Vinęens Prenushi, 385 Visar Zhiti, 68, 377 Vitor Demaj, 74, 301 VoreaUjko, 160 X Xaviere Galmiche, 322, 347 XH Xhejms Xhojs, 158,167, 202, 371, 380 Xhorxh Oruell, 317, 328, 380 Xhozef Konrad, 167 Y Ymer Jaka, 345 Ymer Shkreli, 197, 386 Z Zdenko Škreb, 176 Zef Pllumi, 68, 69,70,71, 72, 73, 74, 75,76,77,173,233,234,235, 240, 265,295, 301, 357,360, 387, 390, 394, 398 Zef Serembe, 99, 303,354, 372, 384 Zef Skiroi, 177,193,234,238, 264, 354, 364, 367, 373, 376, 384 Zef Zorba, 81, 82, 86, 87, 88, 92, 215, 295,299, 300, 306, 357, 360, 386 Zejnullah Rrahmani, 19, 25,26,27, 35, 160,167,173,184,358, 375, 386, 389, 394 Zija Çela, 377, 387 ZH Zhak Prever, 328,344, 345 Zhan Pol Sartër, 344,345 Zherar Zhenet, 87,156, 165,167, 311,336, 346,378 |
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| author | Hamiti, Sabri 1950- |
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| era | Geschichte gnd |
| era_facet | Geschichte |
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| id | DE-604.BV048602105 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:10:24Z |
| indexdate | 2024-07-10T09:42:40Z |
| institution | BVB |
| isbn | 9789951260565 |
| language | Albanian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033977614 |
| oclc_num | 1354312810 |
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| physical | 410 Seiten 25 cm |
| psigel | BSB_NED_20221221 |
| publishDate | 2022 |
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| publisher | Akademia e Shkencave dhe Arteve e Kosovës, Seksioni i Gjuhësisë dhe i Letërsisë |
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| series | Botime të veçanta. Seksioni i Gjuhësisë dhe i Letërsisë |
| series2 | Botime të veçanta / Akademia e Shkencave dhe e Arteve e Kosovës Botime të veçanta. Seksioni i Gjuhësisë dhe i Letërsisë |
| spelling | Hamiti, Sabri 1950- Verfasser (DE-588)142252379 aut Stilografia = Stylography Sabri Hamiti Stylography Prishtinë Akademia e Shkencave dhe Arteve e Kosovës, Seksioni i Gjuhësisë dhe i Letërsisë 2022 410 Seiten 25 cm txt rdacontent n rdamedia nc rdacarrier Botime të veçanta / Akademia e Shkencave dhe e Arteve e Kosovës 215 Botime të veçanta. Seksioni i Gjuhësisë dhe i Letërsisë libri 80 Zusammenfassung in englischer Sprache Geschichte gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Albanisch (DE-588)4112482-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Albanisch (DE-588)4112482-0 s Literatur (DE-588)4035964-5 s Geschichte z DE-604 Akademia e Shkencave dhe e Arteve e Kosovës Botime të veçanta 215 (DE-604)BV011748946 215 Botime të veçanta. Seksioni i Gjuhësisë dhe i Letërsisë libri 80 (DE-604)BV011748965 80 Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033977614&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033977614&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033977614&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Sachregister |
| spellingShingle | Hamiti, Sabri 1950- Stilografia = Stylography Botime të veçanta. Seksioni i Gjuhësisë dhe i Letërsisë Literatur (DE-588)4035964-5 gnd Albanisch (DE-588)4112482-0 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4112482-0 (DE-588)4143413-4 |
| title | Stilografia = Stylography |
| title_alt | Stylography |
| title_auth | Stilografia = Stylography |
| title_exact_search | Stilografia = Stylography |
| title_exact_search_txtP | Stilografia = Stylography |
| title_full | Stilografia = Stylography Sabri Hamiti |
| title_fullStr | Stilografia = Stylography Sabri Hamiti |
| title_full_unstemmed | Stilografia = Stylography Sabri Hamiti |
| title_short | Stilografia |
| title_sort | stilografia stylography |
| title_sub | = Stylography |
| topic | Literatur (DE-588)4035964-5 gnd Albanisch (DE-588)4112482-0 gnd |
| topic_facet | Literatur Albanisch Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033977614&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033977614&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033977614&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV011748946 (DE-604)BV011748965 |
| work_keys_str_mv | AT hamitisabri stilografiastylography AT hamitisabri stylography |