Phenomenology of productive imagination: embodiment, language, subjectivity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Stuttgart
ibidem Verlag
[2022]
|
| Schriftenreihe: | Body and consciousness
vol. 2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext http://www.ibidemverlag.de Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 316 Seiten 21 cm, 416 g |
| ISBN: | 9783838215525 3838215524 |
Internformat
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| 245 | 1 | 0 | |a Phenomenology of productive imagination |b embodiment, language, subjectivity |c Saulius Geniusas |
| 264 | 1 | |a Stuttgart |b ibidem Verlag |c [2022] | |
| 264 | 4 | |c © 2022 | |
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| 653 | |a Phenomenology | ||
| 653 | |a Phänomenologie | ||
| 653 | |a Subjectivity | ||
| 653 | |a Language | ||
| 653 | |a Subjektivität | ||
| 653 | |a Sprache | ||
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Datensatz im Suchindex
| _version_ | 1804184646000312320 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS
....................................................................
11
INTRODUCTION
................................................................................
13
CHAPTER
I:
WHAT
IS
PRODUCTIVE
IMAGINATION?
FROM
KANT
TO
PHENOMENOLOGY
...................................................................................
25
INTRODUCTION
..................................................................................
25
METHODOLOGICAL
CONSIDERATIONS
.................................................
26
KANT
ON
PRODUCTIVE
IMAGINATION
...............................................
28
PRODUCTIVE
IMAGINATION
IN
POST-KANTIAN
PHILOSOPHY
.............
31
CONCLUSION
....................................................................................
35
CHAPTER
II:
WHAT
IS
PRODUCTIVE
ABOUT
REPRODUCTIVE
IMAGINATION?
EDMUND
HUSSERL S
PHENOMENOLOGY
OF
PHANTASY
AND
THE
CONSTITUTION
OF
CULTURAL
WORLDS
.........................................37
INTRODUCTION
..................................................................................
37
WHAT
IS
REPRODUCTION
AND
WHAT
IS
REPRODUCTIVE
IMAGINATION?
.................................................................
41
PERCEPTION
AND
IMAGINATION
.......................................................
49
MEMORY
AND
PHANTASY
................................................................
55
THE
ROLE
OF
PHANTASY
IN
THE
CONSTITUTION
OF
CULTURAL
WORLDS
...........................................................................
61
CONCLUSION
....................................................................................
69
CHAPTER
III:
BETWEEN
PHENOMENOLOGY,
PRAGMATISM
AND
METAPHYSICS:
MAX
SCHEIER S
CONCEPT
OF
PRODUCTIVE
PHANTASY
.....
75
INTRODUCTION
..................................................................................
75
SCHEIER S
CRITIQUE
OF
PRAGMATISM
..............................................
76
PRODUCTIVE
PHANTASY
AND
THE
GENESIS
OF
EXPERIENCE
..............
80
7
SENSATION,
PERCEPTION
AND
PHANTASY
.........................................
84
THE
PSYCHIC,
HISTORICAL
AND
CULTURAL
DIMENSIONS
OF
PRODUCTIVE
PHANTASY
............................................................
87
PHANTASY
AND
DESIRE
....................................................................
89
THE
DEVELOPMENT
OF
PRODUCTIVE
PHANTASY
...............................
91
THE
LIMITS
OF
PRODUCTIVE
PHANTASY
...........................................
93
LIFE,
SPIRIT,
AND
PRODUCTIVE
PHANTASY
.......................................
98
CONCLUSION
..................................................................................
101
CHAPTER
IV:
BETWEEN
PHENOMENOLOGY,
ONTOLOGY
AND
PHILOSOPHY
OF
CULTURE:
PRODUCTIVE
IMAGINATION
AND
THE
CASSIRER-HEIDEGGER
DISPUTATION
......................................................
103
INTRODUCTION
................................................................................
103
THE
HISTORICAL
SETTING
................................................................
104
PRODUCTIVE
IMAGINATION
AND
THE
SUBJECTIVITY
OF
THE
SUBJECT
.................................................................................
108
THE
COPERNICAN
TURN
................................................................
ILL
TERMINUS
A
QUO
AND
TERMINUS
AD
QUERN
..............................
115
FREEDOM
......................................................................................
121
THE
POSSIBILITY
OF
RECONCILIATION
..............................................
123
TEMPORALITY
................................................................................
125
CONCLUSION
..................................................................................
132
CHAPTER
V:
FROM
PHENOMENOLOGY
TO
THE
KYOTO
SCHOOL:
MIKI
KIYOSHI
AND
THE
LOGIC
OF
IMAGINATION
............................................
137
INTRODUCTION
................................................................................
137
MIKI
AS
A
PHENOMENOLOGIST
......................................................
140
THE
STANDPOINT
OF
CONTEMPLATION
AND
THE
STANDPOINT
OF
ACTION
..................................................................................
143
8
THE
FIELD
OF
IMAGINATION
AS
THE
FIELD
OF
ACTION
....................
146
THE
LOGIC
OF
THE
IMAGINATION
AS
THE
LOGIC
OF
COLLECTIVE
REPRESENTATIONS
........................................................
148
THE
LOGIC
OF
IMAGINATION
AS
THE
LOGIC
OF
SYMBOLS
...............
153
THE
LOGIC
OF
IMAGINATION
AS
THE
LOGIC
OF
FORMS
...................
157
THE
LOGIC
OF
IMAGINATION
AS
THE
LOGIC
OF
INSTITUTIONS
..........
160
CONCLUSION
................................................................................
164
CHAPTER
VI:
FROM
THE
PHENOMENOLOGY
OF
THE
BODY TO
THE
ONTOLOGY
OF
THE
FLESH:
MAURICE
MERLEAU-PONTY
AND
EMBODIED
IMAGINATION
......................................................................................
169
INTRODUCTION
..............................................................................
169
MERLEAU-PONTY S
EARLY
PHENOMENOLOGY
OF
IMAGINATION
....
170
TWO
FORMS
OF
THE
IMAGINARY
IN
THE
SORBONNE
LECTURES
(1949-1952)
................................................................
179
IMAGINATION
AND
PERCEPTUAL
FAITH
IN
THE
LECTURES
ON
PASSIVITY
(1954-1955)
................................................
186
PHENOMENOLOGICAL
ONTOLOGY
AND
THE
IMAGINARY
TEXTURE
OF
THE
REAL
IN
EYE
AND
MIND
.................................
191
CONCLUSION
..................................................................................
201
CHAPTER
VII:
FROM
PHENOMENOLOGY
TO
HERMENEUTICS:
PAUL
RICOEUR S
PHILOSOPHY
OF
PRODUCTIVE
IMAGINATION
..........................
203
INTRODUCTION
................................................................................
203
THE
PARADOX
OF
IRREALITY
............................................................
204
UTOPIAN
AND
CONSTITUTIVE
TENDENCIES:
SARTRE,
CASTORIADIS
AND
RICOEUR
.................................................................
206
THE
REPRODUCTIVE
MODEL
OF
IMAGINATION
...............................
209
THE
PRODUCTIVE
MODEL
OF
IMAGINATION
....................................
211
9
PRE-PREDICATIVE
IMAGINATION
AND
THE
GENESIS
OF
METAPHORS
...........................................................................
218
THE
PARADOX
OF
IRREALITY
REVISITED
...........................................
225
CONCLUSION
..................................................................................
228
CHAPTER
VIII:
FROM
JEAN-PAUL
SARTRE
TO
PAUL
RICOEUR:
RICCEUR S
LECTURES
ON
IMAGINATION
REVISITED
.................................
231
INTRODUCTION
................................................................................
231
WHERE
IS
PIERRE?
THE
PARADIGM
OF
ABSENCE
AND
REPRODUCTIVE
IMAGINATION
................................................
233
RICOEUR
AS
SARTRE S
FOLLOWER
AND
ADVERSARY
..........................
236
AT
A
CROSSROADS:
SARTRE
AND
RICOEUR
PART
WAYS
.....................
241
PAINTING
AS
A
FORM
OF
PRODUCTIVE
IMAGINATION
......................
243
TOWARDS
A
PHENOMENOLOGY
OF
PRODUCTIVE
IMAGINATION
.....
250
CONCLUSION
..................................................................................
253
CHAPTER
IX:
PRODUCTIVE
IMAGINATION
AND
EMBODIMENT
.........
257
INTRODUCTION
................................................................................
257
PRODUCTIVE
IMAGINATION
AND
THE
SUBJECTIVITY
OF
THE
SUBJECT
.................................................................................
259
PHENOMENOLOGY
OF
EMBODIED
SUBJECTIVITY
............................
261
EMBODIED
SUBJECTIVITY
AND
IMAGINATION
................................
266
PRODUCTIVE
IMAGINATION
AND
EMBODIMENT
.............................
268
EMBODIMENT
AND
SOCIAL
IMAGINARIES
......................................
277
PHENOMENOLOGY
OF
EMBODIMENT
AND
CARNAL
HERMENEUTICS:
A
NEW
GROUND
FOR
THE
PHILOSOPHY
OF
IMAGINATION?
....
282
CONCLUSION
..................................................................................
286
REFERENCES
...........................................................................................
289
INDEX
....................................................................................................
303
10
|
| adam_txt |
CONTENTS
ACKNOWLEDGMENTS
.
11
INTRODUCTION
.
13
CHAPTER
I:
WHAT
IS
PRODUCTIVE
IMAGINATION?
FROM
KANT
TO
PHENOMENOLOGY
.
25
INTRODUCTION
.
25
METHODOLOGICAL
CONSIDERATIONS
.
26
KANT
ON
PRODUCTIVE
IMAGINATION
.
28
PRODUCTIVE
IMAGINATION
IN
POST-KANTIAN
PHILOSOPHY
.
31
CONCLUSION
.
35
CHAPTER
II:
WHAT
IS
PRODUCTIVE
ABOUT
REPRODUCTIVE
IMAGINATION?
EDMUND
HUSSERL'S
PHENOMENOLOGY
OF
PHANTASY
AND
THE
CONSTITUTION
OF
CULTURAL
WORLDS
.37
INTRODUCTION
.
37
WHAT
IS
REPRODUCTION
AND
WHAT
IS
REPRODUCTIVE
IMAGINATION?
.
41
PERCEPTION
AND
IMAGINATION
.
49
MEMORY
AND
PHANTASY
.
55
THE
ROLE
OF
PHANTASY
IN
THE
CONSTITUTION
OF
CULTURAL
WORLDS
.
61
CONCLUSION
.
69
CHAPTER
III:
BETWEEN
PHENOMENOLOGY,
PRAGMATISM
AND
METAPHYSICS:
MAX
SCHEIER'S
CONCEPT
OF
PRODUCTIVE
PHANTASY
.
75
INTRODUCTION
.
75
SCHEIER'S
CRITIQUE
OF
PRAGMATISM
.
76
PRODUCTIVE
PHANTASY
AND
THE
GENESIS
OF
EXPERIENCE
.
80
7
SENSATION,
PERCEPTION
AND
PHANTASY
.
84
THE
PSYCHIC,
HISTORICAL
AND
CULTURAL
DIMENSIONS
OF
PRODUCTIVE
PHANTASY
.
87
PHANTASY
AND
DESIRE
.
89
THE
DEVELOPMENT
OF
PRODUCTIVE
PHANTASY
.
91
THE
LIMITS
OF
PRODUCTIVE
PHANTASY
.
93
LIFE,
SPIRIT,
AND
PRODUCTIVE
PHANTASY
.
98
CONCLUSION
.
101
CHAPTER
IV:
BETWEEN
PHENOMENOLOGY,
ONTOLOGY
AND
PHILOSOPHY
OF
CULTURE:
PRODUCTIVE
IMAGINATION
AND
THE
CASSIRER-HEIDEGGER
DISPUTATION
.
103
INTRODUCTION
.
103
THE
HISTORICAL
SETTING
.
104
PRODUCTIVE
IMAGINATION
AND
THE
SUBJECTIVITY
OF
THE
SUBJECT
.
108
THE
COPERNICAN
TURN
.
ILL
TERMINUS
A
QUO
AND
TERMINUS
AD
QUERN
.
115
FREEDOM
.
121
THE
POSSIBILITY
OF
RECONCILIATION
.
123
TEMPORALITY
.
125
CONCLUSION
.
132
CHAPTER
V:
FROM
PHENOMENOLOGY
TO
THE
KYOTO
SCHOOL:
MIKI
KIYOSHI
AND
THE
LOGIC
OF
IMAGINATION
.
137
INTRODUCTION
.
137
MIKI
AS
A
PHENOMENOLOGIST
.
140
THE
STANDPOINT
OF
CONTEMPLATION
AND
THE
STANDPOINT
OF
ACTION
.
143
8
THE
FIELD
OF
IMAGINATION
AS
THE
FIELD
OF
ACTION
.
146
THE
LOGIC
OF
THE
IMAGINATION
AS
THE
LOGIC
OF
COLLECTIVE
REPRESENTATIONS
.
148
THE
LOGIC
OF
IMAGINATION
AS
THE
LOGIC
OF
SYMBOLS
.
153
THE
LOGIC
OF
IMAGINATION
AS
THE
LOGIC
OF
FORMS
.
157
THE
LOGIC
OF
IMAGINATION
AS
THE
LOGIC
OF
INSTITUTIONS
.
160
CONCLUSION
.
164
CHAPTER
VI:
FROM
THE
PHENOMENOLOGY
OF
THE
BODY TO
THE
ONTOLOGY
OF
THE
FLESH:
MAURICE
MERLEAU-PONTY
AND
EMBODIED
IMAGINATION
.
169
INTRODUCTION
.
169
MERLEAU-PONTY'S
EARLY
PHENOMENOLOGY
OF
IMAGINATION
.
170
TWO
FORMS
OF
THE
IMAGINARY
IN
THE
SORBONNE
LECTURES
(1949-1952)
.
179
IMAGINATION
AND
PERCEPTUAL
FAITH
IN
THE
LECTURES
ON
PASSIVITY
(1954-1955)
.
186
PHENOMENOLOGICAL
ONTOLOGY
AND
THE
IMAGINARY
TEXTURE
OF
THE
REAL
IN
"EYE
AND
MIND"
.
191
CONCLUSION
.
201
CHAPTER
VII:
FROM
PHENOMENOLOGY
TO
HERMENEUTICS:
PAUL
RICOEUR'S
PHILOSOPHY
OF
PRODUCTIVE
IMAGINATION
.
203
INTRODUCTION
.
203
THE
PARADOX
OF
IRREALITY
.
204
UTOPIAN
AND
CONSTITUTIVE
TENDENCIES:
SARTRE,
CASTORIADIS
AND
RICOEUR
.
206
THE
REPRODUCTIVE
MODEL
OF
IMAGINATION
.
209
THE
PRODUCTIVE
MODEL
OF
IMAGINATION
.
211
9
PRE-PREDICATIVE
IMAGINATION
AND
THE
GENESIS
OF
METAPHORS
.
218
THE
PARADOX
OF
IRREALITY
REVISITED
.
225
CONCLUSION
.
228
CHAPTER
VIII:
FROM
JEAN-PAUL
SARTRE
TO
PAUL
RICOEUR:
RICCEUR'S
LECTURES
ON
IMAGINATION
REVISITED
.
231
INTRODUCTION
.
231
WHERE
IS
PIERRE?
THE
PARADIGM
OF
ABSENCE
AND
REPRODUCTIVE
IMAGINATION
.
233
RICOEUR
AS
SARTRE'S
FOLLOWER
AND
ADVERSARY
.
236
AT
A
CROSSROADS:
SARTRE
AND
RICOEUR
PART
WAYS
.
241
PAINTING
AS
A
FORM
OF
PRODUCTIVE
IMAGINATION
.
243
TOWARDS
A
PHENOMENOLOGY
OF
PRODUCTIVE
IMAGINATION
.
250
CONCLUSION
.
253
CHAPTER
IX:
PRODUCTIVE
IMAGINATION
AND
EMBODIMENT
.
257
INTRODUCTION
.
257
PRODUCTIVE
IMAGINATION
AND
THE
SUBJECTIVITY
OF
THE
SUBJECT
.
259
PHENOMENOLOGY
OF
EMBODIED
SUBJECTIVITY
.
261
EMBODIED
SUBJECTIVITY
AND
IMAGINATION
.
266
PRODUCTIVE
IMAGINATION
AND
EMBODIMENT
.
268
EMBODIMENT
AND
SOCIAL
IMAGINARIES
.
277
PHENOMENOLOGY
OF
EMBODIMENT
AND
CARNAL
HERMENEUTICS:
A
NEW
GROUND
FOR
THE
PHILOSOPHY
OF
IMAGINATION?
.
282
CONCLUSION
.
286
REFERENCES
.
289
INDEX
.
303
10 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Geniusas, Saulius 1977- |
| author_GND | (DE-588)102515987X |
| author_facet | Geniusas, Saulius 1977- |
| author_role | aut |
| author_sort | Geniusas, Saulius 1977- |
| author_variant | s g sg |
| building | Verbundindex |
| bvnumber | BV048600864 |
| ctrlnum | (OCoLC)1352251873 (DE-599)DNB1239922876 |
| dewey-full | 128.3 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 128 - Humankind |
| dewey-raw | 128.3 |
| dewey-search | 128.3 |
| dewey-sort | 3128.3 |
| dewey-tens | 120 - Epistemology, causation, humankind |
| discipline | Philosophie |
| discipline_str_mv | Philosophie |
| format | Book |
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| id | DE-604.BV048600864 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:10:00Z |
| indexdate | 2024-07-10T09:42:38Z |
| institution | BVB |
| institution_GND | (DE-588)1064121934 |
| isbn | 9783838215525 3838215524 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033976393 |
| oclc_num | 1352251873 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 316 Seiten 21 cm, 416 g |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | ibidem Verlag |
| record_format | marc |
| series | Body and consciousness |
| series2 | Body and consciousness |
| spelling | Geniusas, Saulius 1977- Verfasser (DE-588)102515987X aut Phenomenology of productive imagination embodiment, language, subjectivity Saulius Geniusas Stuttgart ibidem Verlag [2022] © 2022 316 Seiten 21 cm, 416 g txt rdacontent n rdamedia nc rdacarrier Body and consciousness vol. 2 Imagination (DE-588)4072730-0 gnd rswk-swf Phänomenologie (DE-588)4045660-2 gnd rswk-swf Phenomenology Phänomenologie Subjectivity Language Subjektivität Sprache Imagination (DE-588)4072730-0 s Phänomenologie (DE-588)4045660-2 s DE-604 ibidem-Verlag (DE-588)1064121934 pbl Body and consciousness vol. 2 (DE-604)BV047098028 2 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=c8cf9608059f49fcb9a0a7b3122cb151&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB http://www.ibidemverlag.de B:DE-101 application/pdf https://d-nb.info/1239922876/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033976393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20221121 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Geniusas, Saulius 1977- Phenomenology of productive imagination embodiment, language, subjectivity Body and consciousness Imagination (DE-588)4072730-0 gnd Phänomenologie (DE-588)4045660-2 gnd |
| subject_GND | (DE-588)4072730-0 (DE-588)4045660-2 |
| title | Phenomenology of productive imagination embodiment, language, subjectivity |
| title_auth | Phenomenology of productive imagination embodiment, language, subjectivity |
| title_exact_search | Phenomenology of productive imagination embodiment, language, subjectivity |
| title_exact_search_txtP | Phenomenology of productive imagination embodiment, language, subjectivity |
| title_full | Phenomenology of productive imagination embodiment, language, subjectivity Saulius Geniusas |
| title_fullStr | Phenomenology of productive imagination embodiment, language, subjectivity Saulius Geniusas |
| title_full_unstemmed | Phenomenology of productive imagination embodiment, language, subjectivity Saulius Geniusas |
| title_short | Phenomenology of productive imagination |
| title_sort | phenomenology of productive imagination embodiment language subjectivity |
| title_sub | embodiment, language, subjectivity |
| topic | Imagination (DE-588)4072730-0 gnd Phänomenologie (DE-588)4045660-2 gnd |
| topic_facet | Imagination Phänomenologie |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=c8cf9608059f49fcb9a0a7b3122cb151&prov=M&dok_var=1&dok_ext=htm http://www.ibidemverlag.de https://d-nb.info/1239922876/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033976393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV047098028 |
| work_keys_str_mv | AT geniusassaulius phenomenologyofproductiveimaginationembodimentlanguagesubjectivity AT ibidemverlag phenomenologyofproductiveimaginationembodimentlanguagesubjectivity |