Ariane & Bluebeard: from fairy tale to comic book opera
"Maurice Maeterlinck described his libretto Ariane et Barbe-bleue as "a sort of legendary opera, or fairy [opera], in three acts." In 1907, Paul Dukas finished setting Maeterlinck's libretto to music, and the opera's Paris premiere was lauded as a landmark in operatic histor...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Maurice Maeterlinck described his libretto Ariane et Barbe-bleue as "a sort of legendary opera, or fairy [opera], in three acts." In 1907, Paul Dukas finished setting Maeterlinck's libretto to music, and the opera's Paris premiere was lauded as a landmark in operatic history. Ariane & Bluebeard: From Fairy Tale to Comic Book Opera offers a comprehensive, interdisciplinary look at this historic opera, including its structure, reception, and cultural implications. This lively collection juxtaposes chapters from experts in music, literature, the visual arts, gender studies, and religion and philosophy with vibrant illustrations by comic artist P. Craig Russell and interviews with performers and artists. Featuring material from newly discovered documents and the first English translation of several important sources, Ariane & Bluebeard allows readers to imagine the opera in its various incarnations: as symbolist show, comic book, children's fairy tale, and more"-- |
| Beschreibung: | xi, 370 Seiten Illustrationen, Porträts, Notenbeispiele, Comics (teilweise farbig) |
| ISBN: | 9780253063175 9780253063168 |
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| 520 | 3 | |a "Maurice Maeterlinck described his libretto Ariane et Barbe-bleue as "a sort of legendary opera, or fairy [opera], in three acts." In 1907, Paul Dukas finished setting Maeterlinck's libretto to music, and the opera's Paris premiere was lauded as a landmark in operatic history. Ariane & Bluebeard: From Fairy Tale to Comic Book Opera offers a comprehensive, interdisciplinary look at this historic opera, including its structure, reception, and cultural implications. This lively collection juxtaposes chapters from experts in music, literature, the visual arts, gender studies, and religion and philosophy with vibrant illustrations by comic artist P. Craig Russell and interviews with performers and artists. Featuring material from newly discovered documents and the first English translation of several important sources, Ariane & Bluebeard allows readers to imagine the opera in its various incarnations: as symbolist show, comic book, children's fairy tale, and more"-- | |
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Datensatz im Suchindex
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| adam_text | CONTENTS Acknowledgments Introduction I ix 1 1. Ariane et Barbe-bleue: A Dramatic and Musical Overview/ Matthew Brown and Th. Emil Homerin 13 2. The Genesis ofAriane et Barbe-Bleue / Matthew Brown 21 3. Performing Ariane et Barbe-bleue: From Premiere to Orchestral Suite / Matthew Brown 45 4. A Feminist Opera? Women s Rights and Women’s Wrongs in Maurice Maeterlinck and Paul Dukas’s Ariane et Barbe-bleue / Jean Elisabeth Pedersen 93 5. Maurice Maeterlinck and the Mystical Ariane / Th. Emil Homerin 125 6. Maeterlinck and Plato’s Cave / Nicholas Gresens 159 7. Ariane et Barbe-bleue and the Legacy of Richard Wagner / Matthew Brown 169 8. Singing Ariane: An Interview with Katherine Ciesinski / Matthew Brown with Katherine Ciesinski 193 9. Bluebeard or Female Curiosity? Not the Same Old Story / Andrea G. Reithmayr 213 10. Reflections on Comic Book Opera: P. Craig Russell’s Ariane and Bluebeard / Th. Emil Homerin 253 11. An Adaptation of an Adaptation: TableTopOpera’s Live Production ofAriane and Bluebeard / Matthew Brown Appendixes 263 293 1. Albert Flament, “Ariane’ dans les ruines de St֊Wandrille/’ Femina 163 (Novemberi, 1907): 484-485 / English translation by Sébastien Cornut 293
viii CONTENTS Henri Duvernois, “Les femmes de Barbe-Bleue,” Femina 153 (june 1,1907): 246-2491 English translation by Sébastien Cornut 29y շ, 3. Lucien Fügére, “Lavie du théâtre,” Musica 6, no. 55 (April 1907): 53-55 / English translation by Sébastien Cornut 303 4. Paul Dukas, “Ariane et Barbe-bleue,” in special issue, La Revue musicale 17, no. 166 (May-June 1936): 4-7 / English translation by Timothy Scheie 311 5. Montrose J. Moses, “The Wife of Maurice Maeterlinck,” Metropolitan 34 (March 1912): 38-52 315 6. Georgette Leblanc-Maeterlinck, “The Later Heroines of Maurice Maeterlinck,” Fortnightly Review 93, Old Series (January 1910): 48-561 English translation by Alexander Teixeira de Mattos 323 Bibliography 333 Contributors 357 Index 359
|
| adam_txt |
CONTENTS Acknowledgments Introduction I ix 1 1. Ariane et Barbe-bleue: A Dramatic and Musical Overview/ Matthew Brown and Th. Emil Homerin 13 2. The Genesis ofAriane et Barbe-Bleue / Matthew Brown 21 3. Performing Ariane et Barbe-bleue: From Premiere to Orchestral Suite / Matthew Brown 45 4. A Feminist Opera? Women s Rights and Women’s Wrongs in Maurice Maeterlinck and Paul Dukas’s Ariane et Barbe-bleue / Jean Elisabeth Pedersen 93 5. Maurice Maeterlinck and the Mystical Ariane / Th. Emil Homerin 125 6. Maeterlinck and Plato’s Cave / Nicholas Gresens 159 7. Ariane et Barbe-bleue and the Legacy of Richard Wagner / Matthew Brown 169 8. Singing Ariane: An Interview with Katherine Ciesinski / Matthew Brown with Katherine Ciesinski 193 9. Bluebeard or Female Curiosity? Not the Same Old Story / Andrea G. Reithmayr 213 10. Reflections on Comic Book Opera: P. Craig Russell’s Ariane and Bluebeard / Th. Emil Homerin 253 11. An Adaptation of an Adaptation: TableTopOpera’s Live Production ofAriane and Bluebeard / Matthew Brown Appendixes 263 293 1. Albert Flament, “Ariane’ dans les ruines de St֊Wandrille/’ Femina 163 (Novemberi, 1907): 484-485 / English translation by Sébastien Cornut 293
viii CONTENTS Henri Duvernois, “Les femmes de Barbe-Bleue,” Femina 153 (june 1,1907): 246-2491 English translation by Sébastien Cornut 29y շ, 3. Lucien Fügére, “Lavie du théâtre,” Musica 6, no. 55 (April 1907): 53-55 / English translation by Sébastien Cornut 303 4. Paul Dukas, “Ariane et Barbe-bleue,” in special issue, La Revue musicale 17, no. 166 (May-June 1936): 4-7 / English translation by Timothy Scheie 311 5. Montrose J. Moses, “The Wife of Maurice Maeterlinck,” Metropolitan 34 (March 1912): 38-52 315 6. Georgette Leblanc-Maeterlinck, “The Later Heroines of Maurice Maeterlinck,” Fortnightly Review 93, Old Series (January 1910): 48-561 English translation by Alexander Teixeira de Mattos 323 Bibliography 333 Contributors 357 Index 359 |
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| spelling | Ariane & Bluebeard from fairy tale to comic book opera edited by Matthew Brown, and Th. Emil Homerin Ariane and Bluebeard Bloomington, Indiana Indiana University Press [2022] © 2022 xi, 370 Seiten Illustrationen, Porträts, Notenbeispiele, Comics (teilweise farbig) txt rdacontent n rdamedia nc rdacarrier "Maurice Maeterlinck described his libretto Ariane et Barbe-bleue as "a sort of legendary opera, or fairy [opera], in three acts." In 1907, Paul Dukas finished setting Maeterlinck's libretto to music, and the opera's Paris premiere was lauded as a landmark in operatic history. Ariane & Bluebeard: From Fairy Tale to Comic Book Opera offers a comprehensive, interdisciplinary look at this historic opera, including its structure, reception, and cultural implications. This lively collection juxtaposes chapters from experts in music, literature, the visual arts, gender studies, and religion and philosophy with vibrant illustrations by comic artist P. Craig Russell and interviews with performers and artists. Featuring material from newly discovered documents and the first English translation of several important sources, Ariane & Bluebeard allows readers to imagine the opera in its various incarnations: as symbolist show, comic book, children's fairy tale, and more"-- Dukas, Paul 1865-1935 Ariane et Barbe-Bleue (DE-588)4349652-0 gnd rswk-swf Dukas, Paul / 1865-1935 / Ariane et Barbe-bleue Maeterlinck, Maurice / 1862-1949 / Ariane et Barbe-bleu Maeterlinck, Maurice / 1862-1949 / Adaptations Dukas, Paul / 1865-1935 / Adaptations Opera / France Dukas, Paul / 1865-1935 Maeterlinck, Maurice / 1862-1949 Ariane et Barbe-bleue (Dukas, Paul) Literature / Adaptations Opera France (DE-588)1071861417 Konferenzschrift gnd-content Dukas, Paul 1865-1935 Ariane et Barbe-Bleue (DE-588)4349652-0 u DE-604 Brown, Matthew 1957- (DE-588)137527365 edt Homerin, Th. Emil 1955- (DE-588)123390486 edt Erscheint auch als Online-Ausgabe 978-0-253-06318-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033975730&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ariane & Bluebeard from fairy tale to comic book opera Dukas, Paul 1865-1935 Ariane et Barbe-Bleue (DE-588)4349652-0 gnd |
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| title | Ariane & Bluebeard from fairy tale to comic book opera |
| title_alt | Ariane and Bluebeard |
| title_auth | Ariane & Bluebeard from fairy tale to comic book opera |
| title_exact_search | Ariane & Bluebeard from fairy tale to comic book opera |
| title_exact_search_txtP | Ariane & Bluebeard from fairy tale to comic book opera |
| title_full | Ariane & Bluebeard from fairy tale to comic book opera edited by Matthew Brown, and Th. Emil Homerin |
| title_fullStr | Ariane & Bluebeard from fairy tale to comic book opera edited by Matthew Brown, and Th. Emil Homerin |
| title_full_unstemmed | Ariane & Bluebeard from fairy tale to comic book opera edited by Matthew Brown, and Th. Emil Homerin |
| title_short | Ariane & Bluebeard |
| title_sort | ariane bluebeard from fairy tale to comic book opera |
| title_sub | from fairy tale to comic book opera |
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