Public memory, public art: reflections on monuments and memorial art today
"The anthology presents texts that explore and discuss memorial art in our common spaces. The anthology includes texts on monuments, memorials, memory, democracy, power, and oppression and have a Swedish focus with an international perspective" -- Publisher's description
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[Stockholm]
Public Art Agency Sweden
[2022]
Art & theory publishing |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The anthology presents texts that explore and discuss memorial art in our common spaces. The anthology includes texts on monuments, memorials, memory, democracy, power, and oppression and have a Swedish focus with an international perspective" -- Publisher's description |
| Beschreibung: | Texts by Nasim Aghili, Bronwyn Bailey-Charteris, Mathias Danbolt, Håkan Forsell, Josefin Granetoft, Elin Haugdal, Sandi Hilal, Rossana Mercado-Rojas, Robert Nilsson Mohammadi, Lotta Mossum, Santiago Mostyn, MYCKET, Hanna Nordenhök, Temi Odumosu, Henrik Orrje, Outi Pieski, Lisa Rosendahl, Merete Røstad, Moa Sandström, Tanja Schult, Ingrid Svahn, Masha Taavoniku, Andrzej Tichý, Rebecka Katz Thor, Joanna Warsza, Michael K. Wilson, Joanna Zawieja |
| Beschreibung: | 239 Seiten Illustrationen 25 cm |
| ISBN: | 9789198672077 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1808587785739698176 |
|---|---|
| adam_text |
FOREWORD
ANNIKA ENQVIST, KAROLINA MODIG, REBECKA KATZ THOR AND JOANNA ZAWIEJA
P. 9
INTRODUCTION
THE COMPLEXITY OF MEMORIAL CULTURE P-13
PATRICK AMSELLEM
CHAPTER 1
WHY MEMORIAL ART?
IN MEMORIAL ART, THE PAST IS PROCESSED FOR THE PRESENT AND THE FUTURE.
THE TEXTS IN THIS
CHAPTER ADDRESS, IN A GENERAL WAY, WHAT MEMORIAL ART AND MONUMENTS ARE
EXPECTED TO DO
AND HOW THIS CAN COME ABOUT.
MONUMENTAL TIREDNESS - THE TIME AND FUNCTION OF MONUMENTS P. 19
REBECKA KATZ THOR WRITES ABOUT THE CONCRETE PURPOSES AND TEMPORALITY OF
MONUMENTS IN
RELATION TO FINE ART'S INHERENT OPENNESS.
LOOKING BACK AS A WAY FORWARD
P.
27
LISA ROSENDAHL DESCRIBES HOW MEMORIAL ART CAN BE UNDERSTOOD AS A
MULTITUDE OF EXPRES
SIONS AND PRACTICES, AND HOW WE CAN THINK ABOUT THE DIVISION BETWEEN THE
TEMPORARY AND
THE PERMANENT.
MAKING MONUMENTS MATTER IN 21ST CENTURY DEMOCRACIES
P.
37
TANJA SCHULT LAYS OUT THE RELATION BETWEEN DEMOCRACY AND MONUMENTS
THROUGH A DISCUS
SION AROUND PROCESSES, ARTISTIC EXPRESSION AND RECEPTION.
CHAPTER 2
BEING REMEMBERED IS BEING SEEN
REPRESENTATION AND HISTORIOGRAPHY ARE TWO FUNDAMENTAL ISSUES WHEN IT
COMES TO THE CREA
TION AND RECEPTION OF MEMORIAL ART. THE TEXTS IN THIS CHAPTER DISCUSS
WHO IS PUBLICLY REMEM
BERED AND WHO REMAINS INVISIBLE.
ON SHADOWS AND DISINTEGRATING FORMS P. 49
TEMI ODUMOSU REFLECTS ON QUESTIONS OF VISIBILITY IN THE PUBLIC SPHERE:
ON THE DIFFERENT
TERMS AND CONDITIONS PLACED ON BODIES, AND AN ANTI-RACIST AND DECOLONIAL
PRACTICE.
REFLECTIONS ON THE CALL FOR AN ANTI-RACIST MONUMENT IN MALMO P. 57
ROBERT NILSSON MOHAMMADI DESCRIBES THE CIRCUMSTANCES SURROUNDING THE
INITIATIVE FOR
THE ESTABLISHMENT OF AN ANTI-RACIST MONUMENT IN MALMO.
THE MONUMENT'S RELEVANCE (?) TO THE NEW SAMI RENAISSANCE P. 67
MOA SANDSTROM REFLECTS ON THE LACK OF SAMI MONUMENTS AND PONDERS WHAT
THEY COULD BE,
WHERE THEY COULD BE PLACED, AND WHAT THEY COULD LOOK LIKE.
A MONUMENTAL CHALLENGE TO DANISH HISTORY P. 75
MATHIAS DANBOLT AND MICHAEL K. WILSON WRITE ABOUT HOW DANISH HISTORY HAS
BEEN REWRIT
TEN THROUGH THE MONUMENT 1 AM QUEEN MARY.
CHAPTER 3
THE EXPRESSION OF GRIEF AND LOSS
MEMORIAL ART, IN THE BROADEST SENSE OF THE WORD, IS OFTEN LINKED TO A
PROCESS OF MOURNING
AND CAN BE UNDERSTOOD IN RELATION TO LOSS OR REPRESSION. THIS CHAPTER
RAISES THE QUESTION OF
WHO AND WHAT IS CONSIDERED MOURNABLE.
NAKED NOVEMBER
P.
85
HANNA NORDENHOK REFLECTS ON THE TEMPORALITY OF GRIEF AND THE PRESENCE OF
MATTER IN CON
JUNCTION WITH LEA PORSAGER'S WORK GRAVITATIONAL RIPPLES.
MEMORIES AND DISAPPEARANCE
P.
95
MASHA TAAVONIKU VISITS THE WORK LOGBOOK IN KIRUNA, AND READS THE TRACES
OF THE WORK,
THE TOWN AND HUMAN PRESENCE IN THE PLACE.
REMEMBERING TOGETHER P
NASIM AGHILI TALKS TO LEWEND TASIN ABOUT THEIR COLLABORATION ON THE WORK
$ANE$IN, AND
PONDERS THE IMPORTANCE OF A PLACE FOR GRIEVING AND GATHERING.
AN OPEN WOUND? P
JOSEFIN GRANETOFT DESCRIBES JONAS DAHLBERG'S PROPOSAL FOR A MEMORIAL
DEDICATED TO THE
VICTIMS ON UTPYA, AND ANALYSES THE REACTIONS THAT FOLLOWED.
CHAPTER 4
PERFORMATIVE MEMORIAL ART
THIS CHAPTER CONSISTS OF REFLECTIONS ON HOW MEMORIAL ART CAN BE CREATED
AND EXPERIENCED
AS A PERFORMANCE, A PRACTICE, A RITUAL OR AN UNEXPECTED ENCOUNTER. THE
WRITERS DISCUSS
COLLECTIVE, EPHEMERAL AND RELATIONAL PRACTICES AND ARTWORKS.
DER AUTOBAHNKILOMETER ON THE HORIZON P. 123
JOANNA WARSZA PERFORMS A READING OF AN UNREALIZED MONUMENT AND ITS
IMPLICATIONS.
SHE SURVEYS A FIELD IN TRANSFORMATION, WHERE MEMORIAL ART IS SOCIAL,
PERFORMATIVE, AND
TEMPORARY, AS WELL AS SOLID AND PERMANENT.
DANCING FORESTS AND OTHER STORIES P. 131
MERETE RPSTAD WRITES ABOUT PARTICIPATORY MONUMENTS, BASED ON THE WORK
FOREST CALLS
AND HER OWN RESEARCH INTO MEMORIAL ART AND PERFORMATIVITY.
BETWEEN US A FOREST P. 137
BRONWYN BAILEY-CHARTERIS USES A FICTITIOUS CORRESPONDENCE TO EXPLORE THE
RELATIONSHIP
BETWEEN ART AND THE FOREST, USING A READING OF THE ARTWORK FOREST CALLS
AS HER POINT OF
DEPARTURE.
%
THE FUTURE IS IN THE PAST
P.
143
ROSSANA MERCADO-ROJAS QUESTIONS WHITE HEGEMONIC FEMINISM AND DISCUSSES
OTHER PRAC
TICES AND AVENUES TO TALK ABOUT RESISTANCE AND THE ROLE PLAYED BY
RITUAL.
THE SPACES OF FUTURE MEMORY
OUR PUBLIC SPACES ARE SHAPED BY THE EXPRESSIONS, PEOPLE, AND COMMUNITIES
THAT ARE GIVEN
A PLATFORM. THE TEXTS IN THIS CHAPTER SHOW THE IMPORTANCE OF A MULTITUDE
OF SPACES AND
COLLECTIVES AS PART OF AN ACTIVE DEMOCRACY.
CHAPTER 5
THE LINE AND THE LABYRINTH P. 153
ANDRZEJ TICHY VISITS THE WORK THE MARBLE LINE. HE REFLECTS ON HOW THE
LINE CUTS THROUGH
BOTH CLASS DISTINCTIONS AND STRUCTURAL OPPRESSION AND WHAT IT SAYS ABOUT
SOCIETY.
STEPPING OVER A THRESHOLD P. 161
JOANNA ZAWIEJA WRITES ABOUT THE PROCESS OF CREATING SANDI HILAL'S
ARTWORK AL MADHAFAH/
THE LIVING ROOM, AND HOW THE PUBLIC SPHERE IS A SPACE OF CONSTANT
RENEGOTIATION.
CASE STUDY: SCATTERED SKETCHES FROM AL MADHAFAH/THE LIVING ROOM P. 169
SANDI HILAL SHARES HER NOTES ON WHO IS ALLOWED TO BE A HOST AND WHO
REMAINS A GUEST, IN
RELATION TO HER WORK IN BODEN.
WHAT'S FEAR GOT TO DO WITH IT? P. 175
MYCKET DESCRIBES THEIR PROCESS OF CREATING THE WORK THE CAP IN A
DISCUSSION ON HOW THE
CREATION OF A NEW PLACE ALSO PROVIDES SPACE FOR NEW EXPRESSIONS AND
COMMUNITIES.
ATTEMPTING TO BREAK FREE FROM THE MONUMENT GENRE P. 183
LOTTA MOSSUM AND INGRID SVAHN DESCRIBE THE PROCESS AND NEGOTIATIONS
BEHIND THE MONU
MENT TO COMMEMORATE THE 100-YEAR ANNIVERSARY OF UNIVERSAL SUFFRAGE IN
SWEDEN.
CHAPTER 6
THE POWER OVER MEMORY
THIS CHAPTER DEALS WITH THE TENSION AROUND THE INSTITUTIONS AND PEOPLE
THAT COMMISSION
AND CONSERVE MEMORIAL ART AND ISSUES RELATING TO THEIR ROLE, POWER AND
RESPONSIBILITIES. THE
TEXTS PROVIDE A CRITICAL PERSPECTIVE AND AN INTERPRETATION OF THESE
PROCESSES AND DESCRIBE
HOW A PUBLIC INSTITUTION WORKS WITH SUCH A MANDATE.
MEMORY AND FUTURE - BROADENED NARRATIVES FOR PUBLIC ART
P.
195
SANTIAGO MOSTYN ADDRESSES THE STRUCTURAL SHORTCOMINGS OF INSTITUTIONS
AND SEEKS A
SELF-CRITICAL PERSPECTIVE ON FUTURE COMMISSIONS.
THE TWO DIRECTIONS OF REPATRIATION: RECIPROCITY AND EQUAL DIALOGUE P.
201
OUTI PIESKI REFLECTS ON QUESTIONS OF THE MUSEUM'S RESPONSIBILITY AND
REPATRIATION, BASED
ON HER DESIGN OF THE NEW ENTRANCE TO NORDISKA MUSEET, GUEKTIEN
B'IEGKESE/GUOVTTE BIGGII!
TWO DIRECTIONS/TVA RIKTNINGAR.
BELONGING(S) P. 209
ELIN HAUGDAL USES A READING OF OUTI PIESKI'S WORK GUEKTIEN
B'IEGKESE/GUOVTTE BIGGII/TWO
DIRECTIONS/TVA RIKTNINGAR, TO DISCUSS THE BUILDING OF SAMI INSTITUTIONS.
SHE LINKS ISSUES
OF ARCHITECTURAL, ARTISTIC AND MONUMENTAL PRESENCE TO QUESTIONS OF
DECOLONIAL PRACTICE
AND RESPONSIBILITY.
THE MONUMENT AND THE EUROPEAN CITY P. 217
HAKAN FORSELL APPLIES A HISTORICAL PERSPECTIVE ON THE WAY INSTITUTIONS
OF POWER USE MON
UMENTS IN BERLIN, AND THE PLACE OF MEMORY IN THE URBAN ENVIRONMENT.
THREE DECADES OF MONUMENTS
P.
225
HENRIK ORRJE PROVIDES AN OVERVIEW OF HOW PUBLIC ART AGENCY SWEDEN HAS
WORKED WITH
MEMORIAL ART THROUGH A DESCRIPTION OF THREE DIFFERENT PROCESSES.
BIOGRAPHIES
P. 235 |
| adam_txt |
FOREWORD
ANNIKA ENQVIST, KAROLINA MODIG, REBECKA KATZ THOR AND JOANNA ZAWIEJA
P. 9
INTRODUCTION
THE COMPLEXITY OF MEMORIAL CULTURE P-13
PATRICK AMSELLEM
CHAPTER 1
WHY MEMORIAL ART?
IN MEMORIAL ART, THE PAST IS PROCESSED FOR THE PRESENT AND THE FUTURE.
THE TEXTS IN THIS
CHAPTER ADDRESS, IN A GENERAL WAY, WHAT MEMORIAL ART AND MONUMENTS ARE
EXPECTED TO DO
AND HOW THIS CAN COME ABOUT.
MONUMENTAL TIREDNESS - THE TIME AND FUNCTION OF MONUMENTS P. 19
REBECKA KATZ THOR WRITES ABOUT THE CONCRETE PURPOSES AND TEMPORALITY OF
MONUMENTS IN
RELATION TO FINE ART'S INHERENT OPENNESS.
LOOKING BACK AS A WAY FORWARD
P.
27
LISA ROSENDAHL DESCRIBES HOW MEMORIAL ART CAN BE UNDERSTOOD AS A
MULTITUDE OF EXPRES
SIONS AND PRACTICES, AND HOW WE CAN THINK ABOUT THE DIVISION BETWEEN THE
TEMPORARY AND
THE PERMANENT.
MAKING MONUMENTS MATTER IN 21ST CENTURY DEMOCRACIES
P.
37
TANJA SCHULT LAYS OUT THE RELATION BETWEEN DEMOCRACY AND MONUMENTS
THROUGH A DISCUS
SION AROUND PROCESSES, ARTISTIC EXPRESSION AND RECEPTION.
CHAPTER 2
BEING REMEMBERED IS BEING SEEN
REPRESENTATION AND HISTORIOGRAPHY ARE TWO FUNDAMENTAL ISSUES WHEN IT
COMES TO THE CREA
TION AND RECEPTION OF MEMORIAL ART. THE TEXTS IN THIS CHAPTER DISCUSS
WHO IS PUBLICLY REMEM
BERED AND WHO REMAINS INVISIBLE.
ON SHADOWS AND DISINTEGRATING FORMS P. 49
TEMI ODUMOSU REFLECTS ON QUESTIONS OF VISIBILITY IN THE PUBLIC SPHERE:
ON THE DIFFERENT
TERMS AND CONDITIONS PLACED ON BODIES, AND AN ANTI-RACIST AND DECOLONIAL
PRACTICE.
REFLECTIONS ON THE CALL FOR AN ANTI-RACIST MONUMENT IN MALMO P. 57
ROBERT NILSSON MOHAMMADI DESCRIBES THE CIRCUMSTANCES SURROUNDING THE
INITIATIVE FOR
THE ESTABLISHMENT OF AN ANTI-RACIST MONUMENT IN MALMO.
THE MONUMENT'S RELEVANCE (?) TO THE NEW SAMI RENAISSANCE P. 67
MOA SANDSTROM REFLECTS ON THE LACK OF SAMI MONUMENTS AND PONDERS WHAT
THEY COULD BE,
WHERE THEY COULD BE PLACED, AND WHAT THEY COULD LOOK LIKE.
A MONUMENTAL CHALLENGE TO DANISH HISTORY P. 75
MATHIAS DANBOLT AND MICHAEL K. WILSON WRITE ABOUT HOW DANISH HISTORY HAS
BEEN REWRIT
TEN THROUGH THE MONUMENT 1 AM QUEEN MARY.
CHAPTER 3
THE EXPRESSION OF GRIEF AND LOSS
MEMORIAL ART, IN THE BROADEST SENSE OF THE WORD, IS OFTEN LINKED TO A
PROCESS OF MOURNING
AND CAN BE UNDERSTOOD IN RELATION TO LOSS OR REPRESSION. THIS CHAPTER
RAISES THE QUESTION OF
WHO AND WHAT IS CONSIDERED MOURNABLE.
NAKED NOVEMBER
P.
85
HANNA NORDENHOK REFLECTS ON THE TEMPORALITY OF GRIEF AND THE PRESENCE OF
MATTER IN CON
JUNCTION WITH LEA PORSAGER'S WORK GRAVITATIONAL RIPPLES.
MEMORIES AND DISAPPEARANCE
P.
95
MASHA TAAVONIKU VISITS THE WORK LOGBOOK IN KIRUNA, AND READS THE TRACES
OF THE WORK,
THE TOWN AND HUMAN PRESENCE IN THE PLACE.
REMEMBERING TOGETHER P
NASIM AGHILI TALKS TO LEWEND TASIN ABOUT THEIR COLLABORATION ON THE WORK
$ANE$IN, AND
PONDERS THE IMPORTANCE OF A PLACE FOR GRIEVING AND GATHERING.
AN OPEN WOUND? P
JOSEFIN GRANETOFT DESCRIBES JONAS DAHLBERG'S PROPOSAL FOR A MEMORIAL
DEDICATED TO THE
VICTIMS ON UTPYA, AND ANALYSES THE REACTIONS THAT FOLLOWED.
CHAPTER 4
PERFORMATIVE MEMORIAL ART
THIS CHAPTER CONSISTS OF REFLECTIONS ON HOW MEMORIAL ART CAN BE CREATED
AND EXPERIENCED
AS A PERFORMANCE, A PRACTICE, A RITUAL OR AN UNEXPECTED ENCOUNTER. THE
WRITERS DISCUSS
COLLECTIVE, EPHEMERAL AND RELATIONAL PRACTICES AND ARTWORKS.
DER AUTOBAHNKILOMETER ON THE HORIZON P. 123
JOANNA WARSZA PERFORMS A READING OF AN UNREALIZED MONUMENT AND ITS
IMPLICATIONS.
SHE SURVEYS A FIELD IN TRANSFORMATION, WHERE MEMORIAL ART IS SOCIAL,
PERFORMATIVE, AND
TEMPORARY, AS WELL AS SOLID AND PERMANENT.
DANCING FORESTS AND OTHER STORIES P. 131
MERETE RPSTAD WRITES ABOUT PARTICIPATORY MONUMENTS, BASED ON THE WORK
FOREST CALLS
AND HER OWN RESEARCH INTO MEMORIAL ART AND PERFORMATIVITY.
BETWEEN US A FOREST P. 137
BRONWYN BAILEY-CHARTERIS USES A FICTITIOUS CORRESPONDENCE TO EXPLORE THE
RELATIONSHIP
BETWEEN ART AND THE FOREST, USING A READING OF THE ARTWORK FOREST CALLS
AS HER POINT OF
DEPARTURE.
%
THE FUTURE IS IN THE PAST
P.
143
ROSSANA MERCADO-ROJAS QUESTIONS WHITE HEGEMONIC FEMINISM AND DISCUSSES
OTHER PRAC
TICES AND AVENUES TO TALK ABOUT RESISTANCE AND THE ROLE PLAYED BY
RITUAL.
THE SPACES OF FUTURE MEMORY
OUR PUBLIC SPACES ARE SHAPED BY THE EXPRESSIONS, PEOPLE, AND COMMUNITIES
THAT ARE GIVEN
A PLATFORM. THE TEXTS IN THIS CHAPTER SHOW THE IMPORTANCE OF A MULTITUDE
OF SPACES AND
COLLECTIVES AS PART OF AN ACTIVE DEMOCRACY.
CHAPTER 5
THE LINE AND THE LABYRINTH P. 153
ANDRZEJ TICHY VISITS THE WORK THE MARBLE LINE. HE REFLECTS ON HOW THE
LINE CUTS THROUGH
BOTH CLASS DISTINCTIONS AND STRUCTURAL OPPRESSION AND WHAT IT SAYS ABOUT
SOCIETY.
STEPPING OVER A THRESHOLD P. 161
JOANNA ZAWIEJA WRITES ABOUT THE PROCESS OF CREATING SANDI HILAL'S
ARTWORK AL MADHAFAH/
THE LIVING ROOM, AND HOW THE PUBLIC SPHERE IS A SPACE OF CONSTANT
RENEGOTIATION.
CASE STUDY: SCATTERED SKETCHES FROM AL MADHAFAH/THE LIVING ROOM P. 169
SANDI HILAL SHARES HER NOTES ON WHO IS ALLOWED TO BE A HOST AND WHO
REMAINS A GUEST, IN
RELATION TO HER WORK IN BODEN.
WHAT'S FEAR GOT TO DO WITH IT? P. 175
MYCKET DESCRIBES THEIR PROCESS OF CREATING THE WORK THE CAP IN A
DISCUSSION ON HOW THE
CREATION OF A NEW PLACE ALSO PROVIDES SPACE FOR NEW EXPRESSIONS AND
COMMUNITIES.
ATTEMPTING TO BREAK FREE FROM THE MONUMENT GENRE P. 183
LOTTA MOSSUM AND INGRID SVAHN DESCRIBE THE PROCESS AND NEGOTIATIONS
BEHIND THE MONU
MENT TO COMMEMORATE THE 100-YEAR ANNIVERSARY OF UNIVERSAL SUFFRAGE IN
SWEDEN.
CHAPTER 6
THE POWER OVER MEMORY
THIS CHAPTER DEALS WITH THE TENSION AROUND THE INSTITUTIONS AND PEOPLE
THAT COMMISSION
AND CONSERVE MEMORIAL ART AND ISSUES RELATING TO THEIR ROLE, POWER AND
RESPONSIBILITIES. THE
TEXTS PROVIDE A CRITICAL PERSPECTIVE AND AN INTERPRETATION OF THESE
PROCESSES AND DESCRIBE
HOW A PUBLIC INSTITUTION WORKS WITH SUCH A MANDATE.
MEMORY AND FUTURE - BROADENED NARRATIVES FOR PUBLIC ART
P.
195
SANTIAGO MOSTYN ADDRESSES THE STRUCTURAL SHORTCOMINGS OF INSTITUTIONS
AND SEEKS A
SELF-CRITICAL PERSPECTIVE ON FUTURE COMMISSIONS.
THE TWO DIRECTIONS OF REPATRIATION: RECIPROCITY AND EQUAL DIALOGUE P.
201
OUTI PIESKI REFLECTS ON QUESTIONS OF THE MUSEUM'S RESPONSIBILITY AND
REPATRIATION, BASED
ON HER DESIGN OF THE NEW ENTRANCE TO NORDISKA MUSEET, GUEKTIEN
B'IEGKESE/GUOVTTE BIGGII!
TWO DIRECTIONS/TVA RIKTNINGAR.
BELONGING(S) P. 209
ELIN HAUGDAL USES A READING OF OUTI PIESKI'S WORK GUEKTIEN
B'IEGKESE/GUOVTTE BIGGII/TWO
DIRECTIONS/TVA RIKTNINGAR, TO DISCUSS THE BUILDING OF SAMI INSTITUTIONS.
SHE LINKS ISSUES
OF ARCHITECTURAL, ARTISTIC AND MONUMENTAL PRESENCE TO QUESTIONS OF
DECOLONIAL PRACTICE
AND RESPONSIBILITY.
THE MONUMENT AND THE EUROPEAN CITY P. 217
HAKAN FORSELL APPLIES A HISTORICAL PERSPECTIVE ON THE WAY INSTITUTIONS
OF POWER USE MON
UMENTS IN BERLIN, AND THE PLACE OF MEMORY IN THE URBAN ENVIRONMENT.
THREE DECADES OF MONUMENTS
P.
225
HENRIK ORRJE PROVIDES AN OVERVIEW OF HOW PUBLIC ART AGENCY SWEDEN HAS
WORKED WITH
MEMORIAL ART THROUGH A DESCRIPTION OF THREE DIFFERENT PROCESSES.
BIOGRAPHIES
P. 235 |
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| era_facet | Geschichte 2000-2023 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV048597145</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240827</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">221206s2022 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789198672077</subfield><subfield code="c">Leinen</subfield><subfield code="9">978-91-986720-7-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1355509981</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048597145</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Public memory, public art</subfield><subfield code="b">reflections on monuments and memorial art today</subfield><subfield code="c">Annika Enqvist, Rebecka Katz Thor, Karolina Modig, Joanna Zawieja, editors</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[Stockholm]</subfield><subfield code="b">Public Art Agency Sweden</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="b">Art & theory publishing</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">239 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">25 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Texts by Nasim Aghili, Bronwyn Bailey-Charteris, Mathias Danbolt, Håkan Forsell, Josefin Granetoft, Elin Haugdal, Sandi Hilal, Rossana Mercado-Rojas, Robert Nilsson Mohammadi, Lotta Mossum, Santiago Mostyn, MYCKET, Hanna Nordenhök, Temi Odumosu, Henrik Orrje, Outi Pieski, Lisa Rosendahl, Merete Røstad, Moa Sandström, Tanja Schult, Ingrid Svahn, Masha Taavoniku, Andrzej Tichý, Rebecka Katz Thor, Joanna Warsza, Michael K. 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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Schweden (DE-588)4077258-5 gnd |
| geographic_facet | Schweden |
| id | DE-604.BV048597145 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:08:58Z |
| indexdate | 2024-08-28T00:08:40Z |
| institution | BVB |
| isbn | 9789198672077 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033972743 |
| oclc_num | 1355509981 |
| open_access_boolean | |
| owner | DE-188 DE-255 DE-Y3 DE-12 |
| owner_facet | DE-188 DE-255 DE-Y3 DE-12 |
| physical | 239 Seiten Illustrationen 25 cm |
| psigel | BSB_NED_20240827 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Public Art Agency Sweden Art & theory publishing |
| record_format | marc |
| spelling | Public memory, public art reflections on monuments and memorial art today Annika Enqvist, Rebecka Katz Thor, Karolina Modig, Joanna Zawieja, editors [Stockholm] Public Art Agency Sweden [2022] Art & theory publishing © 2022 239 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Texts by Nasim Aghili, Bronwyn Bailey-Charteris, Mathias Danbolt, Håkan Forsell, Josefin Granetoft, Elin Haugdal, Sandi Hilal, Rossana Mercado-Rojas, Robert Nilsson Mohammadi, Lotta Mossum, Santiago Mostyn, MYCKET, Hanna Nordenhök, Temi Odumosu, Henrik Orrje, Outi Pieski, Lisa Rosendahl, Merete Røstad, Moa Sandström, Tanja Schult, Ingrid Svahn, Masha Taavoniku, Andrzej Tichý, Rebecka Katz Thor, Joanna Warsza, Michael K. Wilson, Joanna Zawieja "The anthology presents texts that explore and discuss memorial art in our common spaces. The anthology includes texts on monuments, memorials, memory, democracy, power, and oppression and have a Swedish focus with an international perspective" -- Publisher's description Geschichte 2000-2023 gnd rswk-swf Gedenkstätte (DE-588)4019622-7 gnd rswk-swf Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Denkmal (DE-588)4011453-3 gnd rswk-swf Öffentlicher Raum (DE-588)4172385-5 gnd rswk-swf Schweden (DE-588)4077258-5 gnd rswk-swf Public art / Sweden / History / 21st century Monuments / Sweden / History / 21st century Art / Political aspects Monuments Public art Sweden 2000-2099 History (DE-588)4143413-4 Aufsatzsammlung gnd-content Schweden (DE-588)4077258-5 g Öffentlicher Raum (DE-588)4172385-5 s Gedenkstätte (DE-588)4019622-7 s Denkmal (DE-588)4011453-3 s Kollektives Gedächtnis (DE-588)4200793-8 s Geschichte 2000-2023 z DE-604 Enqvist, Annika edt aui Katz Thor, Rebecka (DE-588)1179798848 edt Modig, Karolina (DE-588)1312699671 edt aui Zawieja, Joanna edt aui V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033972743&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Public memory, public art reflections on monuments and memorial art today Gedenkstätte (DE-588)4019622-7 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Denkmal (DE-588)4011453-3 gnd Öffentlicher Raum (DE-588)4172385-5 gnd |
| subject_GND | (DE-588)4019622-7 (DE-588)4200793-8 (DE-588)4011453-3 (DE-588)4172385-5 (DE-588)4077258-5 (DE-588)4143413-4 |
| title | Public memory, public art reflections on monuments and memorial art today |
| title_auth | Public memory, public art reflections on monuments and memorial art today |
| title_exact_search | Public memory, public art reflections on monuments and memorial art today |
| title_exact_search_txtP | Public memory, public art reflections on monuments and memorial art today |
| title_full | Public memory, public art reflections on monuments and memorial art today Annika Enqvist, Rebecka Katz Thor, Karolina Modig, Joanna Zawieja, editors |
| title_fullStr | Public memory, public art reflections on monuments and memorial art today Annika Enqvist, Rebecka Katz Thor, Karolina Modig, Joanna Zawieja, editors |
| title_full_unstemmed | Public memory, public art reflections on monuments and memorial art today Annika Enqvist, Rebecka Katz Thor, Karolina Modig, Joanna Zawieja, editors |
| title_short | Public memory, public art |
| title_sort | public memory public art reflections on monuments and memorial art today |
| title_sub | reflections on monuments and memorial art today |
| topic | Gedenkstätte (DE-588)4019622-7 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Denkmal (DE-588)4011453-3 gnd Öffentlicher Raum (DE-588)4172385-5 gnd |
| topic_facet | Gedenkstätte Kollektives Gedächtnis Denkmal Öffentlicher Raum Schweden Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033972743&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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