Victorian metafiction:
"This book identifies the literary technique of metafiction in numerous novels by women writers (including Charlotte Brontë, Rhoda Broughton, Charlotte Riddell, and Eliza Lynn Linton) and argues that women used metafictional self-consciousness to draw the reader's attention to the book, an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Charlottesville ; London
University of Virginia Press
2022
|
| Schriftenreihe: | Victorian literature and culture series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This book identifies the literary technique of metafiction in numerous novels by women writers (including Charlotte Brontë, Rhoda Broughton, Charlotte Riddell, and Eliza Lynn Linton) and argues that women used metafictional self-consciousness to draw the reader's attention to the book, and not the novelist. This counters a long-standing tradition that has read novels by women writers as heavily autobiographical and confessional"-- |
| Beschreibung: | VIII, 200 Seiten 23 cm |
| ISBN: | 9780813948874 9780813948690 |
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Datensatz im Suchindex
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|---|---|
| adam_text |
CONTENTS Acknowledgments vii 1 Introduction 1. Metafiction in “Novel Guise”: Charlotte Brontes Villette 2. Rhoda Broughtons Cometh Up as a Flower: “Like a Story-book!” 3. “The Difference between Authors and Their Books”: Charlotte Riddells A Struggle for Fame and Margaret Oliphants The Athelings 49 70 91 4. Pseudonymity as Metafiction 108 5. Neo-Victorian Victorian Novels: The Writer-Heroine as a New Woman 127 Conclusion 153 Notes Bibliography Index 159 177 193
“Metafiction” refers to any novel that draws attention to its own fictional construction, something largely associated with the postmodern era. In this inventive new book Tabitha Sparks identifies a sustained pattern ot metafiction in the Victorian novel that illuminates the art and intentions of its female practitioners. Novels written by many Victorian women shared a common but underexamined trope: the fictional characterization of the woman novelist or autobiographer. Victorian Metafiction reveals how these books systemically disputed the assumptions that women wrote primarily about their emotions or were restricted to trivial, sentimental plots. Rather, they used metafictional self-consciousness to draw the reader’s attention to the book and not the novelist, dislodging the narrative from these cultural prescriptions and establishing their artistic integrity and professional authority. |
| adam_txt |
CONTENTS Acknowledgments vii 1 Introduction 1. Metafiction in “Novel Guise”: Charlotte Brontes Villette 2. Rhoda Broughtons Cometh Up as a Flower: “Like a Story-book!” 3. “The Difference between Authors and Their Books”: Charlotte Riddells A Struggle for Fame and Margaret Oliphants The Athelings 49 70 91 4. Pseudonymity as Metafiction 108 5. Neo-Victorian Victorian Novels: The Writer-Heroine as a New Woman 127 Conclusion 153 Notes Bibliography Index 159 177 193
“Metafiction” refers to any novel that draws attention to its own fictional construction, something largely associated with the postmodern era. In this inventive new book Tabitha Sparks identifies a sustained pattern ot metafiction in the Victorian novel that illuminates the art and intentions of its female practitioners. Novels written by many Victorian women shared a common but underexamined trope: the fictional characterization of the woman novelist or autobiographer. Victorian Metafiction reveals how these books systemically disputed the assumptions that women wrote primarily about their emotions or were restricted to trivial, sentimental plots. Rather, they used metafictional self-consciousness to draw the reader’s attention to the book and not the novelist, dislodging the narrative from these cultural prescriptions and establishing their artistic integrity and professional authority. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Sparks, Tabitha |
| author_GND | (DE-588)1201630347 |
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| building | Verbundindex |
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| contents | Metafiction in 'Novel Guise': Charlotte Brontë's Villette -- Rhoda Broughton's Cometh Up as a Flower: '... Like a Story-book!' -- 'The Difference between Authors and Their Books': Charlotte Riddell's A Struggle for Fame and Margaret Oliphant's The Athelings -- Pseudonymity as Metafiction -- Neo-Victorian Victorian Novels: The Writer-Heroine as a New Woman |
| ctrlnum | (OCoLC)1371091823 (DE-599)BVBBV048593999 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1837-1901 gnd |
| era_facet | Geschichte 1837-1901 |
| format | Book |
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| id | DE-604.BV048593999 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:08:15Z |
| indexdate | 2024-07-20T05:58:15Z |
| institution | BVB |
| isbn | 9780813948874 9780813948690 |
| language | English |
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| physical | VIII, 200 Seiten 23 cm |
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