The tender gaze: compassionate encounters on the German screen, page, and stage
"The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This essay collection develops a supplemental theo...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
Camden House
2021
|
| Schriftenreihe: | Women and gender in German studies
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | "The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This essay collection develops a supplemental theory of what Muriel Cormican has coined the "tender gaze" and traces its occurrence in German film, theater, and literature. More than qualifying the primarily voyeuristic, narcissistic, and sexist impetus of the male gaze, the tender gaze also allows for a differentiated understanding of the role identification plays in reception, and it highlights various means of eliciting a sociopolitical critique in works of art. Emphasizing the humanizing potential of the tender gaze, the contributors argue that far from simply exciting emotional contagion, affect in art promotes an altruistic, rational, and fundamentally ethical relationship to the other. The tender gaze elucidates how perspective-taking operates in art to foster empathy and prosocial behaviors. Though the contributors identify instances of the tender gaze in artistic production since the early nineteenth century, they focus on its pervasiveness in contemporary works, corresponding to twenty-first-century concerns with implicit bias and racism"-- |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 07 Oct 2022) Toward a Theory of the Tender Gaze: Affect, Critical Insight, and Empathy in Contemporary German Cinema / Muriel Cormican -- The Tender and Transgressive Beast within: Escape Narratives in Films by Krebitz, Stuber, and Speckenbach / Mary-Elizabeth O'Brien -- The Sociohistorical and Gendered Implications of Gazing Tenderly in Ludwig Tieck's "Liebeszauber" / Joseph Rockelmann |
| Beschreibung: | 1 Online-Ressource (vi, 232 Seiten) |
| ISBN: | 9781787447981 |
| DOI: | 10.1017/9781787447981 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048593898 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 221205s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9781787447981 |c Online |9 978-1-78744-798-1 | ||
| 024 | 7 | |a 10.1017/9781787447981 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781787447981 | ||
| 035 | |a (OCoLC)1334059429 | ||
| 035 | |a (DE-599)BVBBV048593898 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 700.1/03 | |
| 245 | 1 | 0 | |a The tender gaze |b compassionate encounters on the German screen, page, and stage |c edited by Muriel Cormican and Jennifer Marston William |
| 264 | 1 | |a Rochester, NY |b Camden House |c 2021 | |
| 300 | |a 1 Online-Ressource (vi, 232 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Women and gender in German studies | |
| 500 | |a Title from publisher's bibliographic system (viewed on 07 Oct 2022) | ||
| 500 | |a Toward a Theory of the Tender Gaze: Affect, Critical Insight, and Empathy in Contemporary German Cinema / Muriel Cormican -- The Tender and Transgressive Beast within: Escape Narratives in Films by Krebitz, Stuber, and Speckenbach / Mary-Elizabeth O'Brien -- The Sociohistorical and Gendered Implications of Gazing Tenderly in Ludwig Tieck's "Liebeszauber" / Joseph Rockelmann | ||
| 520 | |a "The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This essay collection develops a supplemental theory of what Muriel Cormican has coined the "tender gaze" and traces its occurrence in German film, theater, and literature. More than qualifying the primarily voyeuristic, narcissistic, and sexist impetus of the male gaze, the tender gaze also allows for a differentiated understanding of the role identification plays in reception, and it highlights various means of eliciting a sociopolitical critique in works of art. Emphasizing the humanizing potential of the tender gaze, the contributors argue that far from simply exciting emotional contagion, affect in art promotes an altruistic, rational, and fundamentally ethical relationship to the other. The tender gaze elucidates how perspective-taking operates in art to foster empathy and prosocial behaviors. Though the contributors identify instances of the tender gaze in artistic production since the early nineteenth century, they focus on its pervasiveness in contemporary works, corresponding to twenty-first-century concerns with implicit bias and racism"-- | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Arts and society / Germany / History / 21st century | |
| 650 | 4 | |a Affect (Psychology) in motion pictures | |
| 650 | 4 | |a Affect (Psychology) in literature | |
| 650 | 4 | |a Gaze in art | |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Deutsch |0 (DE-588)4113292-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Blick |g Motiv |0 (DE-588)4413217-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Perspektive |0 (DE-588)4045301-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Deutsch |0 (DE-588)4113292-0 |D s |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 0 | 3 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 0 | 4 | |a Blick |g Motiv |0 (DE-588)4413217-7 |D s |
| 689 | 0 | 5 | |a Perspektive |0 (DE-588)4045301-7 |D s |
| 689 | 0 | 6 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Cormican, Muriel |d 1969- |0 (DE-588)140580557 |4 edt | |
| 700 | 1 | |a William, Jennifer Marston |d 1971- |0 (DE-588)14152202X |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-64014-074-5 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781787447981 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033969549 | ||
| 966 | e | |u https://doi.org/10.1017/9781787447981 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781787447981 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804184633799081984 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Cormican, Muriel 1969- William, Jennifer Marston 1971- |
| author2_role | edt edt |
| author2_variant | m c mc j m w jm jmw |
| author_GND | (DE-588)140580557 (DE-588)14152202X |
| author_facet | Cormican, Muriel 1969- William, Jennifer Marston 1971- |
| building | Verbundindex |
| bvnumber | BV048593898 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781787447981 (OCoLC)1334059429 (DE-599)BVBBV048593898 |
| dewey-full | 700.1/03 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.1/03 |
| dewey-search | 700.1/03 |
| dewey-sort | 3700.1 13 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1017/9781787447981 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04305nmm a2200649zc 4500</leader><controlfield tag="001">BV048593898</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">221205s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781787447981</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-78744-798-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781787447981</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781787447981</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1334059429</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048593898</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700.1/03</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The tender gaze</subfield><subfield code="b">compassionate encounters on the German screen, page, and stage</subfield><subfield code="c">edited by Muriel Cormican and Jennifer Marston William</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Rochester, NY</subfield><subfield code="b">Camden House</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (vi, 232 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Women and gender in German studies</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 07 Oct 2022)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Toward a Theory of the Tender Gaze: Affect, Critical Insight, and Empathy in Contemporary German Cinema / Muriel Cormican -- The Tender and Transgressive Beast within: Escape Narratives in Films by Krebitz, Stuber, and Speckenbach / Mary-Elizabeth O'Brien -- The Sociohistorical and Gendered Implications of Gazing Tenderly in Ludwig Tieck's "Liebeszauber" / Joseph Rockelmann</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This essay collection develops a supplemental theory of what Muriel Cormican has coined the "tender gaze" and traces its occurrence in German film, theater, and literature. More than qualifying the primarily voyeuristic, narcissistic, and sexist impetus of the male gaze, the tender gaze also allows for a differentiated understanding of the role identification plays in reception, and it highlights various means of eliciting a sociopolitical critique in works of art. Emphasizing the humanizing potential of the tender gaze, the contributors argue that far from simply exciting emotional contagion, affect in art promotes an altruistic, rational, and fundamentally ethical relationship to the other. The tender gaze elucidates how perspective-taking operates in art to foster empathy and prosocial behaviors. Though the contributors identify instances of the tender gaze in artistic production since the early nineteenth century, they focus on its pervasiveness in contemporary works, corresponding to twenty-first-century concerns with implicit bias and racism"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts and society / Germany / History / 21st century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Affect (Psychology) in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Affect (Psychology) in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gaze in art</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Deutsch</subfield><subfield code="0">(DE-588)4113292-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Blick</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4413217-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Perspektive</subfield><subfield code="0">(DE-588)4045301-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Deutsch</subfield><subfield code="0">(DE-588)4113292-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Blick</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4413217-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Perspektive</subfield><subfield code="0">(DE-588)4045301-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cormican, Muriel</subfield><subfield code="d">1969-</subfield><subfield code="0">(DE-588)140580557</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">William, Jennifer Marston</subfield><subfield code="d">1971-</subfield><subfield code="0">(DE-588)14152202X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-64014-074-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781787447981</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033969549</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781787447981</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781787447981</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV048593898 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:08:13Z |
| indexdate | 2024-07-10T09:42:27Z |
| institution | BVB |
| isbn | 9781787447981 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033969549 |
| oclc_num | 1334059429 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (vi, 232 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2021 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Camden House |
| record_format | marc |
| series2 | Women and gender in German studies |
| spelling | The tender gaze compassionate encounters on the German screen, page, and stage edited by Muriel Cormican and Jennifer Marston William Rochester, NY Camden House 2021 1 Online-Ressource (vi, 232 Seiten) txt rdacontent c rdamedia cr rdacarrier Women and gender in German studies Title from publisher's bibliographic system (viewed on 07 Oct 2022) Toward a Theory of the Tender Gaze: Affect, Critical Insight, and Empathy in Contemporary German Cinema / Muriel Cormican -- The Tender and Transgressive Beast within: Escape Narratives in Films by Krebitz, Stuber, and Speckenbach / Mary-Elizabeth O'Brien -- The Sociohistorical and Gendered Implications of Gazing Tenderly in Ludwig Tieck's "Liebeszauber" / Joseph Rockelmann "The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This essay collection develops a supplemental theory of what Muriel Cormican has coined the "tender gaze" and traces its occurrence in German film, theater, and literature. More than qualifying the primarily voyeuristic, narcissistic, and sexist impetus of the male gaze, the tender gaze also allows for a differentiated understanding of the role identification plays in reception, and it highlights various means of eliciting a sociopolitical critique in works of art. Emphasizing the humanizing potential of the tender gaze, the contributors argue that far from simply exciting emotional contagion, affect in art promotes an altruistic, rational, and fundamentally ethical relationship to the other. The tender gaze elucidates how perspective-taking operates in art to foster empathy and prosocial behaviors. Though the contributors identify instances of the tender gaze in artistic production since the early nineteenth century, they focus on its pervasiveness in contemporary works, corresponding to twenty-first-century concerns with implicit bias and racism"-- Geschichte gnd rswk-swf Arts and society / Germany / History / 21st century Affect (Psychology) in motion pictures Affect (Psychology) in literature Gaze in art Literatur (DE-588)4035964-5 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Blick Motiv (DE-588)4413217-7 gnd rswk-swf Perspektive (DE-588)4045301-7 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutsch (DE-588)4113292-0 s Film (DE-588)4017102-4 s Theater (DE-588)4059702-7 s Literatur (DE-588)4035964-5 s Blick Motiv (DE-588)4413217-7 s Perspektive (DE-588)4045301-7 s Geschichte z DE-604 Cormican, Muriel 1969- (DE-588)140580557 edt William, Jennifer Marston 1971- (DE-588)14152202X edt Erscheint auch als Druck-Ausgabe 978-1-64014-074-5 https://doi.org/10.1017/9781787447981 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The tender gaze compassionate encounters on the German screen, page, and stage Arts and society / Germany / History / 21st century Affect (Psychology) in motion pictures Affect (Psychology) in literature Gaze in art Literatur (DE-588)4035964-5 gnd Deutsch (DE-588)4113292-0 gnd Film (DE-588)4017102-4 gnd Blick Motiv (DE-588)4413217-7 gnd Perspektive (DE-588)4045301-7 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4113292-0 (DE-588)4017102-4 (DE-588)4413217-7 (DE-588)4045301-7 (DE-588)4059702-7 (DE-588)4143413-4 |
| title | The tender gaze compassionate encounters on the German screen, page, and stage |
| title_auth | The tender gaze compassionate encounters on the German screen, page, and stage |
| title_exact_search | The tender gaze compassionate encounters on the German screen, page, and stage |
| title_exact_search_txtP | The tender gaze compassionate encounters on the German screen, page, and stage |
| title_full | The tender gaze compassionate encounters on the German screen, page, and stage edited by Muriel Cormican and Jennifer Marston William |
| title_fullStr | The tender gaze compassionate encounters on the German screen, page, and stage edited by Muriel Cormican and Jennifer Marston William |
| title_full_unstemmed | The tender gaze compassionate encounters on the German screen, page, and stage edited by Muriel Cormican and Jennifer Marston William |
| title_short | The tender gaze |
| title_sort | the tender gaze compassionate encounters on the german screen page and stage |
| title_sub | compassionate encounters on the German screen, page, and stage |
| topic | Arts and society / Germany / History / 21st century Affect (Psychology) in motion pictures Affect (Psychology) in literature Gaze in art Literatur (DE-588)4035964-5 gnd Deutsch (DE-588)4113292-0 gnd Film (DE-588)4017102-4 gnd Blick Motiv (DE-588)4413217-7 gnd Perspektive (DE-588)4045301-7 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Arts and society / Germany / History / 21st century Affect (Psychology) in motion pictures Affect (Psychology) in literature Gaze in art Literatur Deutsch Film Blick Motiv Perspektive Theater Aufsatzsammlung |
| url | https://doi.org/10.1017/9781787447981 |
| work_keys_str_mv | AT cormicanmuriel thetendergazecompassionateencountersonthegermanscreenpageandstage AT williamjennifermarston thetendergazecompassionateencountersonthegermanscreenpageandstage |