Hegemony machines: documenta X to fifteen and the politics of biennalization

In his essay Oliver Marchart takes an analytical and provocative look at the last six documenta exhibitions. Based on the theories of Antonio Gramsci, Ernesto Laclau and Chantal Mouffe, Marchart describes museums and biennials as national and global hegemony machines that reproduce bourgeois dominan...

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Bibliographische Detailangaben
1. Verfasser: Marchart, Oliver 1968- (VerfasserIn)
Weitere Verfasser: Richter, Dorothee 1958- (HerausgeberIn), Babias, Marius 1962- (HerausgeberIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Zurich OnCurating.org 2022
Berlin n.b.k.
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Zusammenfassung:In his essay Oliver Marchart takes an analytical and provocative look at the last six documenta exhibitions. Based on the theories of Antonio Gramsci, Ernesto Laclau and Chantal Mouffe, Marchart describes museums and biennials as national and global hegemony machines that reproduce bourgeois dominant culture, but also make it vulnerable to attack. Along with documenta’s recent history, Marchart traces a canon shift in the art field with regard to political art practices, theory, art education and the decentering of the West
Beschreibung:This publication is a translated and extended version of "Hegemonie im Kunstfeld. Die documenta-Ausstellungen dX, D11, d12 und die Politik der Biennalisierung" by Oliver Marchart, published by Marius Babias, neuer Berliner Kunstverein (n.b.k.) as volume 2 of the series n.b.k. Diskurs, © 2008
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