Hegemony machines: documenta X to fifteen and the politics of biennalization
In his essay Oliver Marchart takes an analytical and provocative look at the last six documenta exhibitions. Based on the theories of Antonio Gramsci, Ernesto Laclau and Chantal Mouffe, Marchart describes museums and biennials as national and global hegemony machines that reproduce bourgeois dominan...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English German |
| Veröffentlicht: |
Zurich
OnCurating.org
2022
Berlin n.b.k. |
| Schlagworte: | |
| Zusammenfassung: | In his essay Oliver Marchart takes an analytical and provocative look at the last six documenta exhibitions. Based on the theories of Antonio Gramsci, Ernesto Laclau and Chantal Mouffe, Marchart describes museums and biennials as national and global hegemony machines that reproduce bourgeois dominant culture, but also make it vulnerable to attack. Along with documenta’s recent history, Marchart traces a canon shift in the art field with regard to political art practices, theory, art education and the decentering of the West |
| Beschreibung: | Rückseite Titelblatt: This publication is a translated and extended version of "Hegemonie im Kunstfeld. Die documenta-Ausstellungen dX, D11, d12 und die Politik der Biennalisierung" by Oliver Marchart, published by Marius Babias, neuer Berliner Kunstverein (n.b.k.) as volume 2 of the series n.b.k. Diskurs, © 2008 |
| Beschreibung: | 130 Seiten Illustrationen |
| ISBN: | 9798839575660 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048589003 | ||
| 003 | DE-604 | ||
| 005 | 20221205 | ||
| 007 | t | ||
| 008 | 221201s2022 a||| |||| 00||| eng d | ||
| 020 | |a 9798839575660 |9 9798839575660 | ||
| 035 | |a (OCoLC)1352873837 | ||
| 035 | |a (DE-599)KXP1817012622 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 1 | |a eng |h ger | |
| 049 | |a DE-255 | ||
| 084 | |a LH 44330 |0 (DE-625)93537: |2 rvk | ||
| 084 | |a 20.13 |2 bkl | ||
| 084 | |a 3 |2 KUBA2 | ||
| 084 | |a 02.15 |2 bkl | ||
| 100 | 1 | |a Marchart, Oliver |d 1968- |e Verfasser |0 (DE-588)135943337 |4 aut | |
| 240 | 1 | 0 | |a Hegemonie im Kunstfeld |
| 245 | 1 | 0 | |a Hegemony machines |b documenta X to fifteen and the politics of biennalization |c Oliver Marchart ; published by OnCurating.org (Dorothee Richter) and Marius Babias, Neuer Berliner Kunstverein (n.b.k.) |
| 264 | 1 | |a Zurich |b OnCurating.org |c 2022 | |
| 264 | 1 | |a Berlin |b n.b.k. | |
| 300 | |a 130 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Rückseite Titelblatt: This publication is a translated and extended version of "Hegemonie im Kunstfeld. Die documenta-Ausstellungen dX, D11, d12 und die Politik der Biennalisierung" by Oliver Marchart, published by Marius Babias, neuer Berliner Kunstverein (n.b.k.) as volume 2 of the series n.b.k. Diskurs, © 2008 | ||
| 520 | 3 | |a In his essay Oliver Marchart takes an analytical and provocative look at the last six documenta exhibitions. Based on the theories of Antonio Gramsci, Ernesto Laclau and Chantal Mouffe, Marchart describes museums and biennials as national and global hegemony machines that reproduce bourgeois dominant culture, but also make it vulnerable to attack. Along with documenta’s recent history, Marchart traces a canon shift in the art field with regard to political art practices, theory, art education and the decentering of the West | |
| 611 | 2 | 7 | |a Documenta |0 (DE-588)1015707-4 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1997-2007 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Hegemonie |0 (DE-588)4023979-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Großveranstaltung |0 (DE-588)4121388-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstbetrieb |0 (DE-588)4208853-7 |2 gnd |9 rswk-swf |
| 653 | 2 | |a Documenta | |
| 653 | 0 | |a Art / Political aspects | |
| 653 | 0 | |a Art, Modern / Exhibitions | |
| 653 | 0 | |a Hegemony | |
| 689 | 0 | 0 | |a Documenta |0 (DE-588)1015707-4 |D f |
| 689 | 0 | 1 | |a Geschichte 1997-2007 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Kunstbetrieb |0 (DE-588)4208853-7 |D s |
| 689 | 1 | 1 | |a Großveranstaltung |0 (DE-588)4121388-9 |D s |
| 689 | 1 | 2 | |a Hegemonie |0 (DE-588)4023979-2 |D s |
| 689 | 1 | |5 DE-604 | |
| 700 | 1 | |a Richter, Dorothee |d 1958- |0 (DE-588)1089563620 |4 edt | |
| 700 | 1 | |a Babias, Marius |d 1962- |0 (DE-588)12403974X |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |w (DE-604)BV048591525 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033964722 | ||
Datensatz im Suchindex
| _version_ | 1804184625179787264 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Marchart, Oliver 1968- |
| author2 | Richter, Dorothee 1958- Babias, Marius 1962- |
| author2_role | edt edt |
| author2_variant | d r dr m b mb |
| author_GND | (DE-588)135943337 (DE-588)1089563620 (DE-588)12403974X |
| author_facet | Marchart, Oliver 1968- Richter, Dorothee 1958- Babias, Marius 1962- |
| author_role | aut |
| author_sort | Marchart, Oliver 1968- |
| author_variant | o m om |
| building | Verbundindex |
| bvnumber | BV048589003 |
| classification_rvk | LH 44330 |
| ctrlnum | (OCoLC)1352873837 (DE-599)KXP1817012622 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1997-2007 gnd |
| era_facet | Geschichte 1997-2007 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02892nam a2200577 c 4500</leader><controlfield tag="001">BV048589003</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221205 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">221201s2022 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9798839575660</subfield><subfield code="9">9798839575660</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1352873837</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1817012622</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="1" ind2=" "><subfield code="a">eng</subfield><subfield code="h">ger</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 44330</subfield><subfield code="0">(DE-625)93537:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">20.13</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">02.15</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Marchart, Oliver</subfield><subfield code="d">1968-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)135943337</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Hegemonie im Kunstfeld</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hegemony machines</subfield><subfield code="b">documenta X to fifteen and the politics of biennalization</subfield><subfield code="c">Oliver Marchart ; published by OnCurating.org (Dorothee Richter) and Marius Babias, Neuer Berliner Kunstverein (n.b.k.)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Zurich</subfield><subfield code="b">OnCurating.org</subfield><subfield code="c">2022</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin</subfield><subfield code="b">n.b.k.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">130 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Rückseite Titelblatt: This publication is a translated and extended version of "Hegemonie im Kunstfeld. Die documenta-Ausstellungen dX, D11, d12 und die Politik der Biennalisierung" by Oliver Marchart, published by Marius Babias, neuer Berliner Kunstverein (n.b.k.) as volume 2 of the series n.b.k. Diskurs, © 2008</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">In his essay Oliver Marchart takes an analytical and provocative look at the last six documenta exhibitions. Based on the theories of Antonio Gramsci, Ernesto Laclau and Chantal Mouffe, Marchart describes museums and biennials as national and global hegemony machines that reproduce bourgeois dominant culture, but also make it vulnerable to attack. Along with documenta’s recent history, Marchart traces a canon shift in the art field with regard to political art practices, theory, art education and the decentering of the West</subfield></datafield><datafield tag="611" ind1="2" ind2="7"><subfield code="a">Documenta</subfield><subfield code="0">(DE-588)1015707-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1997-2007</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Hegemonie</subfield><subfield code="0">(DE-588)4023979-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Großveranstaltung</subfield><subfield code="0">(DE-588)4121388-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstbetrieb</subfield><subfield code="0">(DE-588)4208853-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Documenta</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Political aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, Modern / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Hegemony</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Documenta</subfield><subfield code="0">(DE-588)1015707-4</subfield><subfield code="D">f</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1997-2007</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Kunstbetrieb</subfield><subfield code="0">(DE-588)4208853-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Großveranstaltung</subfield><subfield code="0">(DE-588)4121388-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Hegemonie</subfield><subfield code="0">(DE-588)4023979-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Richter, Dorothee</subfield><subfield code="d">1958-</subfield><subfield code="0">(DE-588)1089563620</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Babias, Marius</subfield><subfield code="d">1962-</subfield><subfield code="0">(DE-588)12403974X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="w">(DE-604)BV048591525</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033964722</subfield></datafield></record></collection> |
| id | DE-604.BV048589003 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:07:04Z |
| indexdate | 2024-07-10T09:42:19Z |
| institution | BVB |
| isbn | 9798839575660 |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033964722 |
| oclc_num | 1352873837 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 130 Seiten Illustrationen |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | OnCurating.org n.b.k. |
| record_format | marc |
| spelling | Marchart, Oliver 1968- Verfasser (DE-588)135943337 aut Hegemonie im Kunstfeld Hegemony machines documenta X to fifteen and the politics of biennalization Oliver Marchart ; published by OnCurating.org (Dorothee Richter) and Marius Babias, Neuer Berliner Kunstverein (n.b.k.) Zurich OnCurating.org 2022 Berlin n.b.k. 130 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: This publication is a translated and extended version of "Hegemonie im Kunstfeld. Die documenta-Ausstellungen dX, D11, d12 und die Politik der Biennalisierung" by Oliver Marchart, published by Marius Babias, neuer Berliner Kunstverein (n.b.k.) as volume 2 of the series n.b.k. Diskurs, © 2008 In his essay Oliver Marchart takes an analytical and provocative look at the last six documenta exhibitions. Based on the theories of Antonio Gramsci, Ernesto Laclau and Chantal Mouffe, Marchart describes museums and biennials as national and global hegemony machines that reproduce bourgeois dominant culture, but also make it vulnerable to attack. Along with documenta’s recent history, Marchart traces a canon shift in the art field with regard to political art practices, theory, art education and the decentering of the West Documenta (DE-588)1015707-4 gnd rswk-swf Geschichte 1997-2007 gnd rswk-swf Hegemonie (DE-588)4023979-2 gnd rswk-swf Großveranstaltung (DE-588)4121388-9 gnd rswk-swf Kunstbetrieb (DE-588)4208853-7 gnd rswk-swf Documenta Art / Political aspects Art, Modern / Exhibitions Hegemony Documenta (DE-588)1015707-4 f Geschichte 1997-2007 z DE-604 Kunstbetrieb (DE-588)4208853-7 s Großveranstaltung (DE-588)4121388-9 s Hegemonie (DE-588)4023979-2 s Richter, Dorothee 1958- (DE-588)1089563620 edt Babias, Marius 1962- (DE-588)12403974X edt Erscheint auch als Online-Ausgabe, PDF (DE-604)BV048591525 |
| spellingShingle | Marchart, Oliver 1968- Hegemony machines documenta X to fifteen and the politics of biennalization Documenta (DE-588)1015707-4 gnd Hegemonie (DE-588)4023979-2 gnd Großveranstaltung (DE-588)4121388-9 gnd Kunstbetrieb (DE-588)4208853-7 gnd |
| subject_GND | (DE-588)1015707-4 (DE-588)4023979-2 (DE-588)4121388-9 (DE-588)4208853-7 |
| title | Hegemony machines documenta X to fifteen and the politics of biennalization |
| title_alt | Hegemonie im Kunstfeld |
| title_auth | Hegemony machines documenta X to fifteen and the politics of biennalization |
| title_exact_search | Hegemony machines documenta X to fifteen and the politics of biennalization |
| title_exact_search_txtP | Hegemony machines documenta X to fifteen and the politics of biennalization |
| title_full | Hegemony machines documenta X to fifteen and the politics of biennalization Oliver Marchart ; published by OnCurating.org (Dorothee Richter) and Marius Babias, Neuer Berliner Kunstverein (n.b.k.) |
| title_fullStr | Hegemony machines documenta X to fifteen and the politics of biennalization Oliver Marchart ; published by OnCurating.org (Dorothee Richter) and Marius Babias, Neuer Berliner Kunstverein (n.b.k.) |
| title_full_unstemmed | Hegemony machines documenta X to fifteen and the politics of biennalization Oliver Marchart ; published by OnCurating.org (Dorothee Richter) and Marius Babias, Neuer Berliner Kunstverein (n.b.k.) |
| title_short | Hegemony machines |
| title_sort | hegemony machines documenta x to fifteen and the politics of biennalization |
| title_sub | documenta X to fifteen and the politics of biennalization |
| topic | Documenta (DE-588)1015707-4 gnd Hegemonie (DE-588)4023979-2 gnd Großveranstaltung (DE-588)4121388-9 gnd Kunstbetrieb (DE-588)4208853-7 gnd |
| topic_facet | Documenta Hegemonie Großveranstaltung Kunstbetrieb |
| work_keys_str_mv | AT marchartoliver hegemonieimkunstfeld AT richterdorothee hegemonieimkunstfeld AT babiasmarius hegemonieimkunstfeld AT marchartoliver hegemonymachinesdocumentaxtofifteenandthepoliticsofbiennalization AT richterdorothee hegemonymachinesdocumentaxtofifteenandthepoliticsofbiennalization AT babiasmarius hegemonymachinesdocumentaxtofifteenandthepoliticsofbiennalization |