Ralph Vaughan Williams and Adrian Boult:
From 1918 onwards, Boult became one of Vaughan Williams's most important interpreters, giving the world premieres of the Pastoral, Fourth and Sixth Symphonies, performing almost all his major works (not only at home but with some of the world's greatest orchestras), and working in close co...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge, Suffolk
The Boydell Press
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | From 1918 onwards, Boult became one of Vaughan Williams's most important interpreters, giving the world premieres of the Pastoral, Fourth and Sixth Symphonies, performing almost all his major works (not only at home but with some of the world's greatest orchestras), and working in close collaboration with the composer on major projects including the first complete recording of Vaughan Williams's symphonies. Boult continued to be the most devoted advocate of Vaughan Williams's music to the end of his long career.As this book shows, Boult's scores include numerous annotations derived from conversations and correspondence with Vaughan Williams and these provide important evidence of the composer's wishes including adjustments to orchestration, comments on interpretation, dynamics, phrasing and revisions to Vaughan Williams's notoriously unreliable metronome marks. The evidence of these scores is considered alongside the extensive correspondence between Vaughan Williams and Boult, Boult's private diaries and other relevant documents including contemporary press reports. The book includes three substantial supplements: a detailed description of Boult's marked scores, a comprehensive list of Boult's Vaughan Williams performances and a discography including surviving recordings of unpublished broadcasts. It will be indispensable reading for scholars and students of Vaughan Williams and historical conducting, Vaughan Williams enthusiasts and those interested in the history of recorded music |
| Beschreibung: | XXI, 307 Seiten Illustrationen, Porträts |
| ISBN: | 9781783277292 |
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| 520 | 3 | |a From 1918 onwards, Boult became one of Vaughan Williams's most important interpreters, giving the world premieres of the Pastoral, Fourth and Sixth Symphonies, performing almost all his major works (not only at home but with some of the world's greatest orchestras), and working in close collaboration with the composer on major projects including the first complete recording of Vaughan Williams's symphonies. Boult continued to be the most devoted advocate of Vaughan Williams's music to the end of his long career.As this book shows, Boult's scores include numerous annotations derived from conversations and correspondence with Vaughan Williams and these provide important evidence of the composer's wishes including adjustments to orchestration, comments on interpretation, dynamics, phrasing and revisions to Vaughan Williams's notoriously unreliable metronome marks. The evidence of these scores is considered alongside the extensive correspondence between Vaughan Williams and Boult, Boult's private diaries and other relevant documents including contemporary press reports. The book includes three substantial supplements: a detailed description of Boult's marked scores, a comprehensive list of Boult's Vaughan Williams performances and a discography including surviving recordings of unpublished broadcasts. It will be indispensable reading for scholars and students of Vaughan Williams and historical conducting, Vaughan Williams enthusiasts and those interested in the history of recorded music | |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations ix Preface and Acknowledgements xiii Editorial Conventions xvii Abbreviations xix Prologue i i. First Encounters and A Sea Symphony 7 շ. A London Symphony 23 3. A Pastoral Symphony and Boult on Conducting in the 1920s 41 4. Job՛. ‘To Adrian Boult’ 55 5. Symphony No. 4 in F Minor 71 6. Wartime Tensions 87 7. Symphony No. 5 in D Major 107 8. Symphony No. 6 in E Minor 123 9. Sinfonia antartica and the Last Two Symphonies 137 10. Fantasia on a Theme by Thomas Tallis and Other Orchestral Works 161 11. Choral and Vocal Works 185 12. Vaughan Williams, Boult and The Pilgrim’s Progress 201 Appendix 1: Annotations on Boult’s Working Scores 215 Appendix 2: Boult’s Vaughan Williams Performances A Chronology 243 Appendix 3: Discography 277 Bibliography 289 Index 297
|
| adam_txt |
Contents List of Illustrations ix Preface and Acknowledgements xiii Editorial Conventions xvii Abbreviations xix Prologue i i. First Encounters and A Sea Symphony 7 շ. A London Symphony 23 3. A Pastoral Symphony and Boult on Conducting in the 1920s 41 4. Job՛. ‘To Adrian Boult’ 55 5. Symphony No. 4 in F Minor 71 6. Wartime Tensions 87 7. Symphony No. 5 in D Major 107 8. Symphony No. 6 in E Minor 123 9. Sinfonia antartica and the Last Two Symphonies 137 10. Fantasia on a Theme by Thomas Tallis and Other Orchestral Works 161 11. Choral and Vocal Works 185 12. Vaughan Williams, Boult and The Pilgrim’s Progress 201 Appendix 1: Annotations on Boult’s Working Scores 215 Appendix 2: Boult’s Vaughan Williams Performances A Chronology 243 Appendix 3: Discography 277 Bibliography 289 Index 297 |
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| spelling | Simeone, Nigel 1956- Verfasser (DE-588)133455513 aut Ralph Vaughan Williams and Adrian Boult Nigel Simeone Woodbridge, Suffolk The Boydell Press 2022 XXI, 307 Seiten Illustrationen, Porträts txt rdacontent n rdamedia nc rdacarrier From 1918 onwards, Boult became one of Vaughan Williams's most important interpreters, giving the world premieres of the Pastoral, Fourth and Sixth Symphonies, performing almost all his major works (not only at home but with some of the world's greatest orchestras), and working in close collaboration with the composer on major projects including the first complete recording of Vaughan Williams's symphonies. Boult continued to be the most devoted advocate of Vaughan Williams's music to the end of his long career.As this book shows, Boult's scores include numerous annotations derived from conversations and correspondence with Vaughan Williams and these provide important evidence of the composer's wishes including adjustments to orchestration, comments on interpretation, dynamics, phrasing and revisions to Vaughan Williams's notoriously unreliable metronome marks. The evidence of these scores is considered alongside the extensive correspondence between Vaughan Williams and Boult, Boult's private diaries and other relevant documents including contemporary press reports. The book includes three substantial supplements: a detailed description of Boult's marked scores, a comprehensive list of Boult's Vaughan Williams performances and a discography including surviving recordings of unpublished broadcasts. It will be indispensable reading for scholars and students of Vaughan Williams and historical conducting, Vaughan Williams enthusiasts and those interested in the history of recorded music Vaughan Williams, Ralph 1872-1958 (DE-588)118643118 gnd rswk-swf Boult, Adrian 1889-1983 (DE-588)118856774 gnd rswk-swf Geschichte gnd rswk-swf Vaughan Williams, Ralph / 1872-1958 / https://isni.org/isni/0000000108591472 Boult, Adrian / 1889-1983 / https://isni.org/isni/0000000110386101 Vaughan Williams, Ralph / 1872-1958 / Influence Vaughan Williams, Ralph / 1872-1958 / Correspondence Boult, Adrian / 1889-1983 / Correspondence Conducting Composition (Music) Boult, Adrian / 1889-1983 Vaughan Williams, Ralph / 1872-1958 Personal correspondence Vaughan Williams, Ralph 1872-1958 (DE-588)118643118 p Boult, Adrian 1889-1983 (DE-588)118856774 p Geschichte z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033963045&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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