French art song: history of a new music, 1870-1914
"French art song, or mélodie, was one of the most radical and exploratory artforms of the late nineteenth and early twentieth centuries. It was also among the most intimate, a genre of experimentation, hesitation and unfiltered artistic conversation. In this landmark history, Emily Kilpatrick c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
[2022]
|
| Schriftenreihe: | Eastman studies in music
186 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "French art song, or mélodie, was one of the most radical and exploratory artforms of the late nineteenth and early twentieth centuries. It was also among the most intimate, a genre of experimentation, hesitation and unfiltered artistic conversation. In this landmark history, Emily Kilpatrick charts the compositional preoccupations and literary stimuli, the friendships and rivalries, critical narratives and performance practices that shaped French art song between 1870 and the First World War. She traces the expanding horizons of an essentially new musical idiom, moving from the lively debates of the avant-garde to the social and artistic contradictions of the salons, the pedagogy of the Paris Conservatoire, and the eventual accession of song to the concert platform and a central place in the musical imagination. The mélodie of the Belle Époque flourished amidst a culture of creative collaboration, and through the musicianship and advocacy of performers as well as composers. Setting key works by Fauré, Duparc, Chausson, Debussy and Ravel alongside historical curiosities and hidden gems, French Art Song: History of a New Music probes composer-performer relationships and the shaping of performance traditions, and addresses the challenges faced by the twenty-first century interpreter. Kilpatrick twines cultural history with musical insight and a wealth of previously unpublished source material, in a wide-ranging and richly detailed account of the public and private faces of musical invention"-- |
| Beschreibung: | xxi, 445 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781648250545 |
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| 505 | 8 | |a Part I: Poet. Baudelaire's invitation to composers ; Song and memory in the 'Terrible Year' ; 'To the depths of the Unknown in search of the new!' -- Interlude. The poet sings -- Part II. Singer. Mélodie at the crossroads ; Song, salons and the 'society singer' ; Collaboration and creative process -- Interlude. The voices of Fêtes galantes -- Part III. Public. Singing histories ; Reimagining song at the Conservatoire ; Mélodie centre stage ; Postlude. Philosophies of composition | |
| 520 | 3 | |a "French art song, or mélodie, was one of the most radical and exploratory artforms of the late nineteenth and early twentieth centuries. It was also among the most intimate, a genre of experimentation, hesitation and unfiltered artistic conversation. In this landmark history, Emily Kilpatrick charts the compositional preoccupations and literary stimuli, the friendships and rivalries, critical narratives and performance practices that shaped French art song between 1870 and the First World War. She traces the expanding horizons of an essentially new musical idiom, moving from the lively debates of the avant-garde to the social and artistic contradictions of the salons, the pedagogy of the Paris Conservatoire, and the eventual accession of song to the concert platform and a central place in the musical imagination. The mélodie of the Belle Époque flourished amidst a culture of creative collaboration, and through the musicianship and advocacy of performers as well as composers. Setting key works by Fauré, Duparc, Chausson, Debussy and Ravel alongside historical curiosities and hidden gems, French Art Song: History of a New Music probes composer-performer relationships and the shaping of performance traditions, and addresses the challenges faced by the twenty-first century interpreter. Kilpatrick twines cultural history with musical insight and a wealth of previously unpublished source material, in a wide-ranging and richly detailed account of the public and private faces of musical invention"-- | |
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Datensatz im Suchindex
| _version_ | 1804184622238531584 |
|---|---|
| adam_text | Contents Preface ix Part I։ Poet Baudelaires Invitation to Composers З 2 Song and Memory in the ‘Terrible Year’ 23 3 ‘To the depths of the Unknown in search of the new ’ 51 4 Interlude: The Poet Sings 82 1 Part II: Singer 5 Mélodie at the Crossroads 113 6 Song, Salons, and the‘Society Singer’ 138 7 Collaboration and Creative Process 161 8 Interlude: The Voices of Fêtes galan tes 190 Part III: Public 9 Singing Histories 219 10 Reimagining Song at the Conservatoire 246 11 Mélodie Centre Stage 274 12 Postlude: Philosophies of Composition 302 Notes 325 Bibliography 411 Index 433
|
| adam_txt |
Contents Preface ix Part I։ Poet Baudelaires Invitation to Composers З 2 Song and Memory in the ‘Terrible Year’ 23 3 ‘To the depths of the Unknown in search of the new\’ 51 4 Interlude: The Poet Sings 82 1 Part II: Singer 5 Mélodie at the Crossroads 113 6 Song, Salons, and the‘Society Singer’ 138 7 Collaboration and Creative Process 161 8 Interlude: The Voices of Fêtes galan tes 190 Part III: Public 9 Singing Histories 219 10 Reimagining Song at the Conservatoire 246 11 Mélodie Centre Stage 274 12 Postlude: Philosophies of Composition 302 Notes 325 Bibliography 411 Index 433 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Kilpatrick, Emily 1983- |
| author_GND | (DE-588)1064644473 |
| author_facet | Kilpatrick, Emily 1983- |
| author_role | aut |
| author_sort | Kilpatrick, Emily 1983- |
| author_variant | e k ek |
| building | Verbundindex |
| bvnumber | BV048587288 |
| classification_rvk | LR 53976 LQ 82206 |
| contents | Part I: Poet. Baudelaire's invitation to composers ; Song and memory in the 'Terrible Year' ; 'To the depths of the Unknown in search of the new!' -- Interlude. The poet sings -- Part II. Singer. Mélodie at the crossroads ; Song, salons and the 'society singer' ; Collaboration and creative process -- Interlude. The voices of Fêtes galantes -- Part III. Public. Singing histories ; Reimagining song at the Conservatoire ; Mélodie centre stage ; Postlude. Philosophies of composition |
| ctrlnum | (OCoLC)1351838926 (DE-599)BVBBV048587288 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1870-1914 gnd |
| era_facet | Geschichte 1870-1914 |
| format | Book |
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| spelling | Kilpatrick, Emily 1983- Verfasser (DE-588)1064644473 aut French art song history of a new music, 1870-1914 Emily Kilpatrick Rochester, NY University of Rochester Press [2022] © 2022 xxi, 445 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Eastman studies in music 186 Part I: Poet. Baudelaire's invitation to composers ; Song and memory in the 'Terrible Year' ; 'To the depths of the Unknown in search of the new!' -- Interlude. The poet sings -- Part II. Singer. Mélodie at the crossroads ; Song, salons and the 'society singer' ; Collaboration and creative process -- Interlude. The voices of Fêtes galantes -- Part III. Public. Singing histories ; Reimagining song at the Conservatoire ; Mélodie centre stage ; Postlude. Philosophies of composition "French art song, or mélodie, was one of the most radical and exploratory artforms of the late nineteenth and early twentieth centuries. It was also among the most intimate, a genre of experimentation, hesitation and unfiltered artistic conversation. In this landmark history, Emily Kilpatrick charts the compositional preoccupations and literary stimuli, the friendships and rivalries, critical narratives and performance practices that shaped French art song between 1870 and the First World War. She traces the expanding horizons of an essentially new musical idiom, moving from the lively debates of the avant-garde to the social and artistic contradictions of the salons, the pedagogy of the Paris Conservatoire, and the eventual accession of song to the concert platform and a central place in the musical imagination. The mélodie of the Belle Époque flourished amidst a culture of creative collaboration, and through the musicianship and advocacy of performers as well as composers. Setting key works by Fauré, Duparc, Chausson, Debussy and Ravel alongside historical curiosities and hidden gems, French Art Song: History of a New Music probes composer-performer relationships and the shaping of performance traditions, and addresses the challenges faced by the twenty-first century interpreter. Kilpatrick twines cultural history with musical insight and a wealth of previously unpublished source material, in a wide-ranging and richly detailed account of the public and private faces of musical invention"-- Geschichte 1870-1914 gnd rswk-swf Kunstlied (DE-588)4166040-7 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Songs / France / 19th century / History and criticism Songs / France / 20th century / History and criticism Songs, French / 19th century / History and criticism Songs, French / 20th century / History and criticism Songs Songs, French France 1800-1999 Criticism, interpretation, etc Frankreich (DE-588)4018145-5 g Kunstlied (DE-588)4166040-7 s Geschichte 1870-1914 z DE-604 Erscheint auch als Online-Ausgabe 978-1-80010-810-3 Eastman studies in music 186 (DE-604)BV010127859 186 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033963031&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kilpatrick, Emily 1983- French art song history of a new music, 1870-1914 Eastman studies in music Part I: Poet. Baudelaire's invitation to composers ; Song and memory in the 'Terrible Year' ; 'To the depths of the Unknown in search of the new!' -- Interlude. The poet sings -- Part II. Singer. Mélodie at the crossroads ; Song, salons and the 'society singer' ; Collaboration and creative process -- Interlude. The voices of Fêtes galantes -- Part III. Public. Singing histories ; Reimagining song at the Conservatoire ; Mélodie centre stage ; Postlude. Philosophies of composition Kunstlied (DE-588)4166040-7 gnd |
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| title | French art song history of a new music, 1870-1914 |
| title_auth | French art song history of a new music, 1870-1914 |
| title_exact_search | French art song history of a new music, 1870-1914 |
| title_exact_search_txtP | French art song history of a new music, 1870-1914 |
| title_full | French art song history of a new music, 1870-1914 Emily Kilpatrick |
| title_fullStr | French art song history of a new music, 1870-1914 Emily Kilpatrick |
| title_full_unstemmed | French art song history of a new music, 1870-1914 Emily Kilpatrick |
| title_short | French art song |
| title_sort | french art song history of a new music 1870 1914 |
| title_sub | history of a new music, 1870-1914 |
| topic | Kunstlied (DE-588)4166040-7 gnd |
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