Motion metaphors in music criticism: an empirical investigation of their conceptual motivation and their metaphoricity
"The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The re...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam ; Philadelphia
John Benjamins Publishing Company
[2022]
|
| Schriftenreihe: | Metaphor in language, cognition, and communication
volume 10 |
| Schlagworte: | |
| Zusammenfassung: | "The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results show that while fundamental embodied conceptual metaphors like TIME IS MOTION certainly play a part in explaining why we speak of Western classical music as motion, it is the specific communicative setting of music criticism that determines the particular use of motion metaphors. Furthermore, the perceived metaphoricity of musical motion metaphors varies with participants' musical background: musicians perceive musical motion expressions as more literal compared to non-musicians, showing that there are individual differences in the perception of metaphoricity" |
| Beschreibung: | XII, 247 Seiten Illustrationen, Diagramme |
| ISBN: | 9789027212719 |
Internformat
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| 100 | 1 | |a Julich-Warpakowski, Nina |e Verfasser |0 (DE-588)1277566240 |4 aut | |
| 245 | 1 | 0 | |a Motion metaphors in music criticism |b an empirical investigation of their conceptual motivation and their metaphoricity |c Nina Julich-Warpakowski, University of Erfurt |
| 264 | 1 | |a Amsterdam ; Philadelphia |b John Benjamins Publishing Company |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a XII, 247 Seiten |b Illustrationen, Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Metaphor in language, cognition, and communication |v volume 10 | |
| 502 | |b Dissertation |c Universität Leipzig | ||
| 520 | 3 | |a "The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results show that while fundamental embodied conceptual metaphors like TIME IS MOTION certainly play a part in explaining why we speak of Western classical music as motion, it is the specific communicative setting of music criticism that determines the particular use of motion metaphors. Furthermore, the perceived metaphoricity of musical motion metaphors varies with participants' musical background: musicians perceive musical motion expressions as more literal compared to non-musicians, showing that there are individual differences in the perception of metaphoricity" | |
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| id | DE-604.BV048582243 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:05:20Z |
| indexdate | 2024-09-13T14:00:39Z |
| institution | BVB |
| isbn | 9789027212719 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033958082 |
| oclc_num | 1371328043 |
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| owner_facet | DE-19 DE-BY-UBM DE-12 |
| physical | XII, 247 Seiten Illustrationen, Diagramme |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | John Benjamins Publishing Company |
| record_format | marc |
| series | Metaphor in language, cognition, and communication |
| series2 | Metaphor in language, cognition, and communication |
| spelling | Julich-Warpakowski, Nina Verfasser (DE-588)1277566240 aut Motion metaphors in music criticism an empirical investigation of their conceptual motivation and their metaphoricity Nina Julich-Warpakowski, University of Erfurt Amsterdam ; Philadelphia John Benjamins Publishing Company [2022] © 2022 XII, 247 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Metaphor in language, cognition, and communication volume 10 Dissertation Universität Leipzig "The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results show that while fundamental embodied conceptual metaphors like TIME IS MOTION certainly play a part in explaining why we speak of Western classical music as motion, it is the specific communicative setting of music criticism that determines the particular use of motion metaphors. Furthermore, the perceived metaphoricity of musical motion metaphors varies with participants' musical background: musicians perceive musical motion expressions as more literal compared to non-musicians, showing that there are individual differences in the perception of metaphoricity" Musikkritik (DE-588)4139777-0 gnd rswk-swf Metapher (DE-588)4038935-2 gnd rswk-swf Bewegung (DE-588)4006311-2 gnd rswk-swf Metaphor in musical criticism Movement, Aesthetics of (DE-588)4113937-9 Hochschulschrift gnd-content Bewegung (DE-588)4006311-2 s Metapher (DE-588)4038935-2 s Musikkritik (DE-588)4139777-0 s DE-604 Erscheint auch als Online-Ausgabe 978-90-272-5694-2 Metaphor in language, cognition, and communication volume 10 (DE-604)BV041220797 10 |
| spellingShingle | Julich-Warpakowski, Nina Motion metaphors in music criticism an empirical investigation of their conceptual motivation and their metaphoricity Metaphor in language, cognition, and communication Musikkritik (DE-588)4139777-0 gnd Metapher (DE-588)4038935-2 gnd Bewegung (DE-588)4006311-2 gnd |
| subject_GND | (DE-588)4139777-0 (DE-588)4038935-2 (DE-588)4006311-2 (DE-588)4113937-9 |
| title | Motion metaphors in music criticism an empirical investigation of their conceptual motivation and their metaphoricity |
| title_auth | Motion metaphors in music criticism an empirical investigation of their conceptual motivation and their metaphoricity |
| title_exact_search | Motion metaphors in music criticism an empirical investigation of their conceptual motivation and their metaphoricity |
| title_exact_search_txtP | Motion metaphors in music criticism an empirical investigation of their conceptual motivation and their metaphoricity |
| title_full | Motion metaphors in music criticism an empirical investigation of their conceptual motivation and their metaphoricity Nina Julich-Warpakowski, University of Erfurt |
| title_fullStr | Motion metaphors in music criticism an empirical investigation of their conceptual motivation and their metaphoricity Nina Julich-Warpakowski, University of Erfurt |
| title_full_unstemmed | Motion metaphors in music criticism an empirical investigation of their conceptual motivation and their metaphoricity Nina Julich-Warpakowski, University of Erfurt |
| title_short | Motion metaphors in music criticism |
| title_sort | motion metaphors in music criticism an empirical investigation of their conceptual motivation and their metaphoricity |
| title_sub | an empirical investigation of their conceptual motivation and their metaphoricity |
| topic | Musikkritik (DE-588)4139777-0 gnd Metapher (DE-588)4038935-2 gnd Bewegung (DE-588)4006311-2 gnd |
| topic_facet | Musikkritik Metapher Bewegung Hochschulschrift |
| volume_link | (DE-604)BV041220797 |
| work_keys_str_mv | AT julichwarpakowskinina motionmetaphorsinmusiccriticismanempiricalinvestigationoftheirconceptualmotivationandtheirmetaphoricity |