Simultaneous avant-gardes and horizontal art histories: avant-gardes outside of the canonic narrations
Art history, particularly art history in Latin America, which is this author’s field of expertise, has been written as a story of centers and peripheries—centers that produce changes, discoveries and contributions to the languages of art and peripheries that reproduce (later) the discoveries of the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2023
|
| Schlagworte: | |
| Zusammenfassung: | Art history, particularly art history in Latin America, which is this author’s field of expertise, has been written as a story of centers and peripheries—centers that produce changes, discoveries and contributions to the languages of art and peripheries that reproduce (later) the discoveries of the centers. Particularly after WWII, it is not possible to sustain that scheme. Transformations in the language of art were produced at the same time or even on the peripheries earlier than in the center. To be more exact, the author prefers to talk of "simultaneous avant-gardes", a concept that aspires to recover the innovation and the spirit of transformation that Latin American avant-gardes demonstrate. This article offers a comparison between the concept of horizontal art history proposed by Piotr Piotrowski and a notion of simultaneous avant-gardes. It focuses on the 1960s–80s to explore practices that emerged basically beyond the centers and words that were used to name these practices, a new vocabulary to name what generally was termed "conceptualisms". |
| ISBN: | 978-1-03-203067-8 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048573872 | ||
| 003 | DE-604 | ||
| 005 | 20230119 | ||
| 007 | t | ||
| 008 | 221122s2023 |||| 00||| eng d | ||
| 035 | |a (OCoLC)1362877839 | ||
| 035 | |a (DE-599)BVBBV048573872 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-Y2 | ||
| 100 | 1 | |a Giunta, Andrea |e Verfasser |0 (DE-588)188485163 |4 aut | |
| 245 | 1 | 0 | |a Simultaneous avant-gardes and horizontal art histories |b avant-gardes outside of the canonic narrations |c Andrea Giunta |
| 264 | 1 | |c 2023 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Art history, particularly art history in Latin America, which is this author’s field of expertise, has been written as a story of centers and peripheries—centers that produce changes, discoveries and contributions to the languages of art and peripheries that reproduce (later) the discoveries of the centers. Particularly after WWII, it is not possible to sustain that scheme. Transformations in the language of art were produced at the same time or even on the peripheries earlier than in the center. To be more exact, the author prefers to talk of "simultaneous avant-gardes", a concept that aspires to recover the innovation and the spirit of transformation that Latin American avant-gardes demonstrate. This article offers a comparison between the concept of horizontal art history proposed by Piotr Piotrowski and a notion of simultaneous avant-gardes. It focuses on the 1960s–80s to explore practices that emerged basically beyond the centers and words that were used to name these practices, a new vocabulary to name what generally was termed "conceptualisms". | |
| 600 | 1 | 7 | |a Piotrowski, Piotr |d 1952-2015 |0 (DE-588)103529500 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1960-1990 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Konzeptualismus |0 (DE-588)4165224-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Avantgarde |0 (DE-588)4133965-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstgeschichte |g Fach |0 (DE-588)4138803-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Forschungsmethode |0 (DE-588)4155046-8 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Lateinamerika |0 (DE-588)4074032-8 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Piotrowski, Piotr |d 1952-2015 |0 (DE-588)103529500 |D p |
| 689 | 0 | 1 | |a Kunstgeschichte |g Fach |0 (DE-588)4138803-3 |D s |
| 689 | 0 | 2 | |a Forschungsmethode |0 (DE-588)4155046-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Lateinamerika |0 (DE-588)4074032-8 |D g |
| 689 | 1 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 1 | 2 | |a Avantgarde |0 (DE-588)4133965-4 |D s |
| 689 | 1 | 3 | |a Kunstgeschichte |g Fach |0 (DE-588)4138803-3 |D s |
| 689 | 1 | 4 | |a Konzeptualismus |0 (DE-588)4165224-1 |D s |
| 689 | 1 | 5 | |a Geschichte 1960-1990 |A z |
| 689 | 1 | |5 DE-604 | |
| 773 | 1 | 8 | |g pages:206-217 |
| 773 | 0 | 8 | |t Horizontal art history and beyond / edited by Agata Jakubowska and Magdalena Radomska |d New York ; London, 2023 |g Seite 206-217 |k Studies in art historiography |w (DE-604)BV048419961 |z 978-1-03-203067-8 |
| 941 | |s 206-217 | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033949884 | |
Datensatz im Suchindex
| _version_ | 1807958019597664256 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV048419961 |
| author | Giunta, Andrea |
| author_GND | (DE-588)188485163 |
| author_facet | Giunta, Andrea |
| author_role | aut |
| author_sort | Giunta, Andrea |
| author_variant | a g ag |
| building | Verbundindex |
| bvnumber | BV048573872 |
| ctrlnum | (OCoLC)1362877839 (DE-599)BVBBV048573872 |
| era | Geschichte 1960-1990 gnd |
| era_facet | Geschichte 1960-1990 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000naa a2200000 c 4500</leader><controlfield tag="001">BV048573872</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230119</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">221122s2023 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1362877839</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048573872</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Giunta, Andrea</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)188485163</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Simultaneous avant-gardes and horizontal art histories</subfield><subfield code="b">avant-gardes outside of the canonic narrations</subfield><subfield code="c">Andrea Giunta</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2023</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Art history, particularly art history in Latin America, which is this author’s field of expertise, has been written as a story of centers and peripheries—centers that produce changes, discoveries and contributions to the languages of art and peripheries that reproduce (later) the discoveries of the centers. Particularly after WWII, it is not possible to sustain that scheme. Transformations in the language of art were produced at the same time or even on the peripheries earlier than in the center. To be more exact, the author prefers to talk of "simultaneous avant-gardes", a concept that aspires to recover the innovation and the spirit of transformation that Latin American avant-gardes demonstrate. This article offers a comparison between the concept of horizontal art history proposed by Piotr Piotrowski and a notion of simultaneous avant-gardes. It focuses on the 1960s–80s to explore practices that emerged basically beyond the centers and words that were used to name these practices, a new vocabulary to name what generally was termed "conceptualisms".</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Piotrowski, Piotr</subfield><subfield code="d">1952-2015</subfield><subfield code="0">(DE-588)103529500</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-1990</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Konzeptualismus</subfield><subfield code="0">(DE-588)4165224-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Avantgarde</subfield><subfield code="0">(DE-588)4133965-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstgeschichte</subfield><subfield code="g">Fach</subfield><subfield code="0">(DE-588)4138803-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Forschungsmethode</subfield><subfield code="0">(DE-588)4155046-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Lateinamerika</subfield><subfield code="0">(DE-588)4074032-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Piotrowski, Piotr</subfield><subfield code="d">1952-2015</subfield><subfield code="0">(DE-588)103529500</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunstgeschichte</subfield><subfield code="g">Fach</subfield><subfield code="0">(DE-588)4138803-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Forschungsmethode</subfield><subfield code="0">(DE-588)4155046-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Lateinamerika</subfield><subfield code="0">(DE-588)4074032-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Avantgarde</subfield><subfield code="0">(DE-588)4133965-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Kunstgeschichte</subfield><subfield code="g">Fach</subfield><subfield code="0">(DE-588)4138803-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Konzeptualismus</subfield><subfield code="0">(DE-588)4165224-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="5"><subfield code="a">Geschichte 1960-1990</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:206-217</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Horizontal art history and beyond / edited by Agata Jakubowska and Magdalena Radomska</subfield><subfield code="d">New York ; London, 2023</subfield><subfield code="g">Seite 206-217</subfield><subfield code="k">Studies in art historiography</subfield><subfield code="w">(DE-604)BV048419961</subfield><subfield code="z">978-1-03-203067-8</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">206-217</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033949884</subfield></datafield></record></collection> |
| geographic | Lateinamerika (DE-588)4074032-8 gnd |
| geographic_facet | Lateinamerika |
| id | DE-604.BV048573872 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:02:41Z |
| indexdate | 2024-08-21T01:18:48Z |
| institution | BVB |
| isbn | 978-1-03-203067-8 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033949884 |
| oclc_num | 1362877839 |
| open_access_boolean | |
| owner | DE-255 DE-Y2 |
| owner_facet | DE-255 DE-Y2 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| record_format | marc |
| spelling | Giunta, Andrea Verfasser (DE-588)188485163 aut Simultaneous avant-gardes and horizontal art histories avant-gardes outside of the canonic narrations Andrea Giunta 2023 txt rdacontent n rdamedia nc rdacarrier Art history, particularly art history in Latin America, which is this author’s field of expertise, has been written as a story of centers and peripheries—centers that produce changes, discoveries and contributions to the languages of art and peripheries that reproduce (later) the discoveries of the centers. Particularly after WWII, it is not possible to sustain that scheme. Transformations in the language of art were produced at the same time or even on the peripheries earlier than in the center. To be more exact, the author prefers to talk of "simultaneous avant-gardes", a concept that aspires to recover the innovation and the spirit of transformation that Latin American avant-gardes demonstrate. This article offers a comparison between the concept of horizontal art history proposed by Piotr Piotrowski and a notion of simultaneous avant-gardes. It focuses on the 1960s–80s to explore practices that emerged basically beyond the centers and words that were used to name these practices, a new vocabulary to name what generally was termed "conceptualisms". Piotrowski, Piotr 1952-2015 (DE-588)103529500 gnd rswk-swf Geschichte 1960-1990 gnd rswk-swf Konzeptualismus (DE-588)4165224-1 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Kunstgeschichte Fach (DE-588)4138803-3 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Forschungsmethode (DE-588)4155046-8 gnd rswk-swf Lateinamerika (DE-588)4074032-8 gnd rswk-swf Piotrowski, Piotr 1952-2015 (DE-588)103529500 p Kunstgeschichte Fach (DE-588)4138803-3 s Forschungsmethode (DE-588)4155046-8 s DE-604 Lateinamerika (DE-588)4074032-8 g Kunst (DE-588)4114333-4 s Avantgarde (DE-588)4133965-4 s Konzeptualismus (DE-588)4165224-1 s Geschichte 1960-1990 z pages:206-217 Horizontal art history and beyond / edited by Agata Jakubowska and Magdalena Radomska New York ; London, 2023 Seite 206-217 Studies in art historiography (DE-604)BV048419961 978-1-03-203067-8 |
| spellingShingle | Giunta, Andrea Simultaneous avant-gardes and horizontal art histories avant-gardes outside of the canonic narrations Piotrowski, Piotr 1952-2015 (DE-588)103529500 gnd Konzeptualismus (DE-588)4165224-1 gnd Avantgarde (DE-588)4133965-4 gnd Kunstgeschichte Fach (DE-588)4138803-3 gnd Kunst (DE-588)4114333-4 gnd Forschungsmethode (DE-588)4155046-8 gnd |
| subject_GND | (DE-588)103529500 (DE-588)4165224-1 (DE-588)4133965-4 (DE-588)4138803-3 (DE-588)4114333-4 (DE-588)4155046-8 (DE-588)4074032-8 |
| title | Simultaneous avant-gardes and horizontal art histories avant-gardes outside of the canonic narrations |
| title_auth | Simultaneous avant-gardes and horizontal art histories avant-gardes outside of the canonic narrations |
| title_exact_search | Simultaneous avant-gardes and horizontal art histories avant-gardes outside of the canonic narrations |
| title_exact_search_txtP | Simultaneous avant-gardes and horizontal art histories avant-gardes outside of the canonic narrations |
| title_full | Simultaneous avant-gardes and horizontal art histories avant-gardes outside of the canonic narrations Andrea Giunta |
| title_fullStr | Simultaneous avant-gardes and horizontal art histories avant-gardes outside of the canonic narrations Andrea Giunta |
| title_full_unstemmed | Simultaneous avant-gardes and horizontal art histories avant-gardes outside of the canonic narrations Andrea Giunta |
| title_short | Simultaneous avant-gardes and horizontal art histories |
| title_sort | simultaneous avant gardes and horizontal art histories avant gardes outside of the canonic narrations |
| title_sub | avant-gardes outside of the canonic narrations |
| topic | Piotrowski, Piotr 1952-2015 (DE-588)103529500 gnd Konzeptualismus (DE-588)4165224-1 gnd Avantgarde (DE-588)4133965-4 gnd Kunstgeschichte Fach (DE-588)4138803-3 gnd Kunst (DE-588)4114333-4 gnd Forschungsmethode (DE-588)4155046-8 gnd |
| topic_facet | Piotrowski, Piotr 1952-2015 Konzeptualismus Avantgarde Kunstgeschichte Fach Kunst Forschungsmethode Lateinamerika |
| work_keys_str_mv | AT giuntaandrea simultaneousavantgardesandhorizontalarthistoriesavantgardesoutsideofthecanonicnarrations |