Bodies in Pain: Emotion and the Cinema of Darren Aronofsky
The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator's lived body. Aronofsky's films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered "cerebral" because t...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York ; Oxford
Berghahn Books
[2015]
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Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator's lived body. Aronofsky's films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered "cerebral" because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, addiction, psychosis, schizophrenia, and neuroscience. Yet this interest in intelligence and mental processes is deeply embedded in the operations of the body, shared with the spectator by means of a distinctively corporeal audiovisual style. Bodies in Pain looks at how Aronofsky's films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
Beschreibung: | 1 Online-Ressource (194 Seiten) |
ISBN: | 9781782385769 |
DOI: | 10.1515/9781782385769 |
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author | Laine, Tarja |
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discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.1515/9781782385769 |
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spelling | Laine, Tarja Verfasser aut Bodies in Pain Emotion and the Cinema of Darren Aronofsky Tarja Laine New York ; Oxford Berghahn Books [2015] © 2015 1 Online-Ressource (194 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator's lived body. Aronofsky's films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered "cerebral" because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, addiction, psychosis, schizophrenia, and neuroscience. Yet this interest in intelligence and mental processes is deeply embedded in the operations of the body, shared with the spectator by means of a distinctively corporeal audiovisual style. Bodies in Pain looks at how Aronofsky's films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Emotions in motion pictures https://doi.org/10.1515/9781782385769 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Laine, Tarja Bodies in Pain Emotion and the Cinema of Darren Aronofsky PERFORMING ARTS / Film & Video / History & Criticism bisacsh Emotions in motion pictures |
title | Bodies in Pain Emotion and the Cinema of Darren Aronofsky |
title_auth | Bodies in Pain Emotion and the Cinema of Darren Aronofsky |
title_exact_search | Bodies in Pain Emotion and the Cinema of Darren Aronofsky |
title_exact_search_txtP | Bodies in Pain Emotion and the Cinema of Darren Aronofsky |
title_full | Bodies in Pain Emotion and the Cinema of Darren Aronofsky Tarja Laine |
title_fullStr | Bodies in Pain Emotion and the Cinema of Darren Aronofsky Tarja Laine |
title_full_unstemmed | Bodies in Pain Emotion and the Cinema of Darren Aronofsky Tarja Laine |
title_short | Bodies in Pain |
title_sort | bodies in pain emotion and the cinema of darren aronofsky |
title_sub | Emotion and the Cinema of Darren Aronofsky |
topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Emotions in motion pictures |
topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Emotions in motion pictures |
url | https://doi.org/10.1515/9781782385769 |
work_keys_str_mv | AT lainetarja bodiesinpainemotionandthecinemaofdarrenaronofsky |