Subjective Realist Cinema: From Expressionism to ‹i›Inception‹/i›
Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind....
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn Books
[2014]
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Beschreibung: | 1 Online-Ressource (160 Seiten) |
| ISBN: | 9781782382799 |
| DOI: | 10.1515/9781782382799 |
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| spelling | Campora, Matthew Verfasser aut Subjective Realist Cinema From Expressionism to ‹i›Inception‹/i› Matthew Campora New York ; Oxford Berghahn Books [2014] © 2014 1 Online-Ressource (160 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Philosophy Realism in motion pictures Subjectivity in motion pictures https://doi.org/10.1515/9781782382799 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Campora, Matthew Subjective Realist Cinema From Expressionism to ‹i›Inception‹/i› PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Philosophy Realism in motion pictures Subjectivity in motion pictures |
| title | Subjective Realist Cinema From Expressionism to ‹i›Inception‹/i› |
| title_auth | Subjective Realist Cinema From Expressionism to ‹i›Inception‹/i› |
| title_exact_search | Subjective Realist Cinema From Expressionism to ‹i›Inception‹/i› |
| title_exact_search_txtP | Subjective Realist Cinema From Expressionism to ‹i›Inception‹/i› |
| title_full | Subjective Realist Cinema From Expressionism to ‹i›Inception‹/i› Matthew Campora |
| title_fullStr | Subjective Realist Cinema From Expressionism to ‹i›Inception‹/i› Matthew Campora |
| title_full_unstemmed | Subjective Realist Cinema From Expressionism to ‹i›Inception‹/i› Matthew Campora |
| title_short | Subjective Realist Cinema |
| title_sort | subjective realist cinema from expressionism to i inception i |
| title_sub | From Expressionism to ‹i›Inception‹/i› |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Philosophy Realism in motion pictures Subjectivity in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Philosophy Realism in motion pictures Subjectivity in motion pictures |
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