Screen Time: Photography and Video Art in the Internet Age
Published on the occasion of the art exhibition Screen Time: Photography and Video Art in the Internet Age, this catalog features a selection of leading international artists who engage with and critique the role of media in contemporary society. Their work demonstrates what has become known as post...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Lewisburg, PA
Bucknell University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | URL des Erstveröffentlichers |
| Zusammenfassung: | Published on the occasion of the art exhibition Screen Time: Photography and Video Art in the Internet Age, this catalog features a selection of leading international artists who engage with and critique the role of media in contemporary society. Their work demonstrates what has become known as post-internet artistic practices-art that may or may not be made for the internet but nevertheless acknowledges online culture as an omnipresent influence, inseparable from contemporary social conditions. They ask what it means to be a photographer when everyone is an Instagram influencer; what it means to make video art when everyone is a TikTok video star; and how to deliver meaningful social commentary in the age of the meme. The exhibition and accompanying catalog showcase artwork by N. Dash, Nathalie Djurberg, Marcel Dzama, Peter Funch, Cyrus Kabiru, William Kentridge, Christian Marclay, Marilyn Minter, Vik Muniz, Otobong Nkanga, Erwin Olaf, Robin Rhode, Vee Speers, Mary Sue, Puck Verkade, Huang Yan. Published by Bucknell University Press for the Samek Art Museum. Distributed worldwide by Rutgers University Press |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Beschreibung: | 1 Online-Ressource (30 Seiten) 21 color illustrations |
| ISBN: | 9781684484171 |
| DOI: | 10.36019/9781684484171 |
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| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) | ||
| 520 | |a Published on the occasion of the art exhibition Screen Time: Photography and Video Art in the Internet Age, this catalog features a selection of leading international artists who engage with and critique the role of media in contemporary society. Their work demonstrates what has become known as post-internet artistic practices-art that may or may not be made for the internet but nevertheless acknowledges online culture as an omnipresent influence, inseparable from contemporary social conditions. They ask what it means to be a photographer when everyone is an Instagram influencer; what it means to make video art when everyone is a TikTok video star; and how to deliver meaningful social commentary in the age of the meme. The exhibition and accompanying catalog showcase artwork by N. Dash, Nathalie Djurberg, Marcel Dzama, Peter Funch, Cyrus Kabiru, William Kentridge, Christian Marclay, Marilyn Minter, Vik Muniz, Otobong Nkanga, Erwin Olaf, Robin Rhode, Vee Speers, Mary Sue, Puck Verkade, Huang Yan. Published by Bucknell University Press for the Samek Art Museum. Distributed worldwide by Rutgers University Press | ||
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| format | Electronic eBook |
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| spelling | Screen Time Photography and Video Art in the Internet Age ed. by Richard Rinehart Lewisburg, PA Bucknell University Press [2022] © 2022 1 Online-Ressource (30 Seiten) 21 color illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Published on the occasion of the art exhibition Screen Time: Photography and Video Art in the Internet Age, this catalog features a selection of leading international artists who engage with and critique the role of media in contemporary society. Their work demonstrates what has become known as post-internet artistic practices-art that may or may not be made for the internet but nevertheless acknowledges online culture as an omnipresent influence, inseparable from contemporary social conditions. They ask what it means to be a photographer when everyone is an Instagram influencer; what it means to make video art when everyone is a TikTok video star; and how to deliver meaningful social commentary in the age of the meme. The exhibition and accompanying catalog showcase artwork by N. Dash, Nathalie Djurberg, Marcel Dzama, Peter Funch, Cyrus Kabiru, William Kentridge, Christian Marclay, Marilyn Minter, Vik Muniz, Otobong Nkanga, Erwin Olaf, Robin Rhode, Vee Speers, Mary Sue, Puck Verkade, Huang Yan. Published by Bucknell University Press for the Samek Art Museum. Distributed worldwide by Rutgers University Press In English ART / General bisacsh Photography, Artistic Exhibitions Video art Exhibitions Prodger, Phillip Sonstige oth Rinehart, Richard Sonstige oth https://doi.org/10.36019/9781684484171 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Screen Time Photography and Video Art in the Internet Age ART / General bisacsh Photography, Artistic Exhibitions Video art Exhibitions |
| title | Screen Time Photography and Video Art in the Internet Age |
| title_auth | Screen Time Photography and Video Art in the Internet Age |
| title_exact_search | Screen Time Photography and Video Art in the Internet Age |
| title_exact_search_txtP | Screen Time Photography and Video Art in the Internet Age |
| title_full | Screen Time Photography and Video Art in the Internet Age ed. by Richard Rinehart |
| title_fullStr | Screen Time Photography and Video Art in the Internet Age ed. by Richard Rinehart |
| title_full_unstemmed | Screen Time Photography and Video Art in the Internet Age ed. by Richard Rinehart |
| title_short | Screen Time |
| title_sort | screen time photography and video art in the internet age |
| title_sub | Photography and Video Art in the Internet Age |
| topic | ART / General bisacsh Photography, Artistic Exhibitions Video art Exhibitions |
| topic_facet | ART / General Photography, Artistic Exhibitions Video art Exhibitions |
| url | https://doi.org/10.36019/9781684484171 |
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