Money and Materiality in the Golden Age of Graphic Satire:
This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between two types of engraved images tha...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Newark
University of Delaware Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | URL des Erstveröffentlichers |
| Zusammenfassung: | This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire altogether |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Beschreibung: | 1 Online-Ressource (234 Seiten) 17 color images, 2 tables |
| ISBN: | 9781644532713 |
| DOI: | 10.36019/9781644532713 |
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| 520 | |a This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire altogether | ||
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Datensatz im Suchindex
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| dewey-hundreds | 700 - The arts |
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| discipline_str_mv | Kunstgeschichte |
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| format | Electronic eBook |
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| id | DE-604.BV048571333 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:02:19Z |
| indexdate | 2025-02-19T17:35:56Z |
| institution | BVB |
| isbn | 9781644532713 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033947362 |
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| physical | 1 Online-Ressource (234 Seiten) 17 color images, 2 tables |
| psigel | ZDB-23-DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | University of Delaware Press |
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| spelling | Money and Materiality in the Golden Age of Graphic Satire Newark University of Delaware Press [2022] © 2022 1 Online-Ressource (234 Seiten) 17 color images, 2 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain. Asking how Britons learned to value both graphic art and money, the book makes surprising connections between two types of engraved images that grew in popularity and influence during this time. Graphic satire grew in visual risk-taking, while paper money became a more standard carrier of financial value, courting controversy as a medium, moral problem, and factor in inflation. Through analysis of satirical prints, as well as case studies of monetary satires beyond London, this book demonstrates several key ways that cultures attach value to printed paper, accepting it as social reality and institutional fact. Thus, satirical banknotes were objects that broke down the distinction between paper money and graphic satire altogether In English Bank notes in art English wit and humor, Pictorial Paper money design Great Britain History https://doi.org/10.36019/9781644532713?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Money and Materiality in the Golden Age of Graphic Satire Bank notes in art English wit and humor, Pictorial Paper money design Great Britain History |
| title | Money and Materiality in the Golden Age of Graphic Satire |
| title_auth | Money and Materiality in the Golden Age of Graphic Satire |
| title_exact_search | Money and Materiality in the Golden Age of Graphic Satire |
| title_exact_search_txtP | Money and Materiality in the Golden Age of Graphic Satire |
| title_full | Money and Materiality in the Golden Age of Graphic Satire |
| title_fullStr | Money and Materiality in the Golden Age of Graphic Satire |
| title_full_unstemmed | Money and Materiality in the Golden Age of Graphic Satire |
| title_short | Money and Materiality in the Golden Age of Graphic Satire |
| title_sort | money and materiality in the golden age of graphic satire |
| topic | Bank notes in art English wit and humor, Pictorial Paper money design Great Britain History |
| topic_facet | Bank notes in art English wit and humor, Pictorial Paper money design Great Britain History |
| url | https://doi.org/10.36019/9781644532713?locatt=mode:legacy |