Supercinema: Film-Philosophy for the Digital Age
Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn Books
[2013]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the use of continued conventions more suited to analogue cinema, in a way that is analogous to that of Superman hiding his powers behind the persona of Clark Kent. Locating itself on the cusp of film theory, film-philosophy and cognitive approaches to cinema, Supercinema also looks at the relationship between the spectator and film that utilizes digital technology to maximum, 'supercinematic' effect |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Beschreibung: | 1 Online-Ressource (196 Seiten) |
| ISBN: | 9780857459503 |
| DOI: | 10.1515/9780857459503 |
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| dewey-search | 777 |
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| spelling | Brown, William Verfasser aut Supercinema Film-Philosophy for the Digital Age William Brown New York ; Oxford Berghahn Books [2013] © 2013 1 Online-Ressource (196 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the use of continued conventions more suited to analogue cinema, in a way that is analogous to that of Superman hiding his powers behind the persona of Clark Kent. Locating itself on the cusp of film theory, film-philosophy and cognitive approaches to cinema, Supercinema also looks at the relationship between the spectator and film that utilizes digital technology to maximum, 'supercinematic' effect In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Digital cinematography Motion pictures https://doi.org/10.1515/9780857459503 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brown, William Supercinema Film-Philosophy for the Digital Age PERFORMING ARTS / Film & Video / History & Criticism bisacsh Digital cinematography Motion pictures |
| title | Supercinema Film-Philosophy for the Digital Age |
| title_auth | Supercinema Film-Philosophy for the Digital Age |
| title_exact_search | Supercinema Film-Philosophy for the Digital Age |
| title_exact_search_txtP | Supercinema Film-Philosophy for the Digital Age |
| title_full | Supercinema Film-Philosophy for the Digital Age William Brown |
| title_fullStr | Supercinema Film-Philosophy for the Digital Age William Brown |
| title_full_unstemmed | Supercinema Film-Philosophy for the Digital Age William Brown |
| title_short | Supercinema |
| title_sort | supercinema film philosophy for the digital age |
| title_sub | Film-Philosophy for the Digital Age |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Digital cinematography Motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Digital cinematography Motion pictures |
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