From fidelity to history: film adaptations as cultural events in the twentieth century
Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational p...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn Books
[2013]
|
| Schriftenreihe: | Transatlantic Perspectives
3 |
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 URL des Erstveröffentlichers |
| Zusammenfassung: | Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and The Portrait of a Lady (1997), and the classics The Third Man (1949) and The Bridge on the River Kwai (1957)-the author demonstrates the ways adapted literary works function as social and cultural events in history and how these become important sites of cultural negotiation and struggle |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Beschreibung: | 1 Online-Ressource (252 Seiten) |
| ISBN: | 9780857457325 |
| DOI: | 10.1515/9780857457325 |
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| index_date | 2024-07-03T21:02:18Z |
| indexdate | 2024-07-10T09:41:44Z |
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| isbn | 9780857457325 |
| language | English |
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| spelling | Scholz, Anne-Marie Verfasser aut From fidelity to history film adaptations as cultural events in the twentieth century Anne-Marie Scholz New York ; Oxford Berghahn Books [2013] © 2013 1 Online-Ressource (252 Seiten) txt rdacontent c rdamedia cr rdacarrier Transatlantic Perspectives 3 Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and The Portrait of a Lady (1997), and the classics The Third Man (1949) and The Bridge on the River Kwai (1957)-the author demonstrates the ways adapted literary works function as social and cultural events in history and how these become important sites of cultural negotiation and struggle In English PERFORMING ARTS / Film & Video / General bisacsh Film adaptations History and criticism Motion pictures and history Motion pictures and literature Transatlantic Perspectives 3 (DE-604)BV048608919 3 https://doi.org/10.1515/9780857457325 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Scholz, Anne-Marie From fidelity to history film adaptations as cultural events in the twentieth century Transatlantic Perspectives PERFORMING ARTS / Film & Video / General bisacsh Film adaptations History and criticism Motion pictures and history Motion pictures and literature |
| title | From fidelity to history film adaptations as cultural events in the twentieth century |
| title_auth | From fidelity to history film adaptations as cultural events in the twentieth century |
| title_exact_search | From fidelity to history film adaptations as cultural events in the twentieth century |
| title_exact_search_txtP | From fidelity to history film adaptations as cultural events in the twentieth century |
| title_full | From fidelity to history film adaptations as cultural events in the twentieth century Anne-Marie Scholz |
| title_fullStr | From fidelity to history film adaptations as cultural events in the twentieth century Anne-Marie Scholz |
| title_full_unstemmed | From fidelity to history film adaptations as cultural events in the twentieth century Anne-Marie Scholz |
| title_short | From fidelity to history |
| title_sort | from fidelity to history film adaptations as cultural events in the twentieth century |
| title_sub | film adaptations as cultural events in the twentieth century |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Film adaptations History and criticism Motion pictures and history Motion pictures and literature |
| topic_facet | PERFORMING ARTS / Film & Video / General Film adaptations History and criticism Motion pictures and history Motion pictures and literature |
| url | https://doi.org/10.1515/9780857457325 |
| volume_link | (DE-604)BV048608919 |
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